Archive for the 'Meditations' Category

Teff luck: What Has Piracy Got To Do With The Price of Injera?

Above: The media never resists stories of sea attacks, but
there is another type of piracy that hardly gets attention:
the looming intellectual property warfare in Africa.

Publisher’s Note: This week we have feature opinion piece on
piracy, patenting, and intellectual property in the developing
world by contributing writer Nemo Semret.

Nemo Semret, who is based in New York City, is an individual
who is concerned about expanding the scope of intellectual
property among many other things.

Tadias Magazine
By Nemo Semret

Published: Sunday, January 31, 2010

New York (Tadias) – A few months ago, three Somalis pirates were at the center of world news as they haplessly tried to extort money from an American ship in the Indian Ocean. Three guys coming out of an anarchic isolated part of the world, risked their lives at sea. Two were killed and one now faces the death penalty in the US. Around the same time, three Swedes were found guilty of piracy — as in facilitating the sharing of copyrighted material on the Internet. In the widely publicized case of The Pirate Bay, a Bittorrent index service, three techies with the digital world at their fingertips, thumbed their noses at the law and faced, at worst, some time in the notoriously comfortable jails of Sweden.

The obvious analogy and contrast between these two stories is of course an easy target of ironic comment: piracy, old/new, physical/digital, poor/rich. But it also got me thinking about longer term connections. Indeed, which of those two events is more important symbolically for the future political economy of Africa? Which has more to do with the price of injera or ugali?

Armed men attacking ships at sea was a curious manifestation of the 18th century popping up in the 21st century. Western media and comedians in particular reacted to it as they would to a woolly mammoth buried in the permafrost of Siberia for 10,000 years suddenly thawing and starting to ramble around, Jurrassic Park-style. A pirate story is hard to resist, pirates captivate the imagination of kids, they make western adults feel smug about their own “more civilized” society where such things disappeared 200 years ago, but they also have a kind of radical chic, there’s a certain coolness to their image as rebels standing up to “the man”. They are many interesting things, but there’s also a less exotic reality: those pirates are increasing the cost of shipping anything through that part of the Indian Ocean, which in turn affects the cost of everything from food to energy in Somalia, Djibouti, Ethiopia, Kenya, Tanzania and even further inland, endangering the livelihood of millions of people in the region. Like drug traffickers, in reality they harm not only the world at large but mostly their own people. Unfortunately there’s nothing new about that. In fact, the story of Somali pirates over the last few years fits with the well-worn gloom and doom scenarios of Africa in the 21st century: failed states, increased marginalization, the danger of slipping into a modern dark ages, etc. you know the story.

But how about those Swedish Internet pirates? What do they have to do with Africa, where copyrights and patents have never been respected, and where there isn’t enough bandwidth for it to matter on the global scale anyway? A lot actually. It has got to do with something huge that is quietly reshaping the world: the ever expanding scope of intellectual property. Ok, just in case that was not emphasized enough, this is the thing we’re talking about: the expanding scope of intellectual property. The digitization of entertainment and the difficulties that industry faces from file-sharing are merely the tip of the iceberg. By now it’s old news that, thanks to technology, things that were previously easier to limit and control are now easy to copy and share. But also and more importantly, many things which previously were “free” are now going to get entangled in webs of patents, copyrights, trademarks, and so on. And now we are entering the phase where this will profoundly affect the lives of all of humanity, not just the world of computers and information.

Digital coffee – a trip down memory lane

Years ago (”Digital Coffee”, Nov. 1999), I tried to make the link between coffee and intellectual property, using a comparison of buying $1 of Starbucks stock versus $1 of coffee on the commodity markets. So let’s see where we are today with that hypothetical $1. As illustrated in the chart, invested in SBUX stock in 1993, it grew to $6 by 1999, and would be worth $15 in 2009. While the poor dollar invested in coffee itself, which had reached $1.30 in 1999, would continue to inch up, reaching $1.75 by 2009. The conclusion that, if you consider the chain of value that leads to a cup of coffee, “at the end of the chain it’s $100 a pound, while on the commodity markets it’s $1 a pound, and the grower probably gets $0.10″, has been exacerbated. The coffee farmer, despite doing the most difficult part, gets a shrinking share of the total value. Most of the value in the final product of coffee is really information; it’s in the distribution, and marketing of the coffee experience. That “information goods” part of coffee, which is intellectual property even if it’s not rocket science, is worth more and more while the physical commodity is worth relatively less and less. (That doesn’t happen with oil because there’s a finite supply). And it’s a huge market as I pointed out then, coffee is second only to oil among the world’s commodities in total value. Therefore the producers needed to figure out ways of get in on the information goods game.

Fortunately, awareness of this reality has increased dramatically in recent years. For example, a movie called “Black Gold ” brought some attention to the plight of coffee farmers in the global economy. The Ethiopian Intellectual Property Office engaged it in earnest, staked a claim in the digital coffee realm by trademarking some of the Ethiopian coffee names. Starbucks correctly identified this move as encroaching on their territory (the “information goods” side of coffee) and this caused a huge battle which was widely covered. With the help of organizations like Oxfam, the EIPO managed to move the battle to the court of public opinion. Thus Starbucks an extremely successful western corporation of whose brand “social responsibility” is a core part, whose customers are the very stereotype of the bleeding heart liberal, found itself in the position of the big bad exploiter of poor third world farmers. It was a strategy worthy of Sun Tzu’s Art of War: if you are a smaller, move the battle to a territory where your enemy’s superior firepower is worthless. Game over. Starbucks capitulated, and EIPO got not only the trademarks, but a promise from Starbucks to help the country in more ways than before. My hat goes off to EIPO and Oxfam for this.

Would you rather collect rent or charity?

But coffee is only one example. A dutch company called “Soil & Crop Improvement BV” is patenting a method of processing of teff flour. The invention results in a gluten-free flour, which helps people with Celiac disease. Celiac is a common genetic disorder, affecting people all over the world. For example in the United States, more than 2 million people have the disease. The disease makes the victim unable to eat gluten, a protein that is found in wheat, rye, and barley, which covers a pretty large fraction of the typical western diet. Thus gluten-free food has a huge market. Sounds like there might be a lot of money to be made from Teff!

So let’s see what this patented invention consists of. As far as I can tell, it has two main ideas. First, you wait a few weeks after harvest before grinding the teff, so that the “the amount of undigested sugars in the starch” is lower than it would if the grain was ground immediately. Second, you pass it through a sieve, so only the small grains go through. Pretty simple stuff. Which of course is good! Saving lives is great, and simple solutions that save lives are the best. Except the whole patenting thing… You see, there’s this thing called “prior art”. In the many centuries since Teff has been the staple in Ethiopia, surely someone had the idea of waiting a few weeks before grinding it and taking the finer grain! But those ideas now belong to a dutch company, because the Netherlands has the intellectual property infrastructure that Ethiopia doesn’t. The winner is determined not necessarily by an actual innovation but by things like having patent offices, and membership in the World Traded Organization. So if this works out and it turns out that 100 million Celiac disease sufferers will switch to a Teff-based diet, the bulk of the profits will flow to the dutch company, not the Ethiopian teff farmer. Sound familiar? SBUX redux. Except in this case it might even go further. It’s not “just” a marketing and distribution advantage which gives a larger slice of the total value, the patent owner can actually bloc the farmer entirely out of that market!

Now there’s nothing particularly evil about Soil & Crop nor is there about Starbucks. In fact, for what it’s worth, they both seem to try to be “socially responsible” corporations. But there’s a big difference between charity and obligation. Suppose you own a house and a tenant came to you and said: “let me take your house and in exchange, each month that I earn more than I spend, I promise to share some the excess to help your kids go to school, and buy you some gifts” You’d say: “Wow, thanks you are very generous Mr. Potential Tenant. But no thanks, here’s a lease, just sign here and pay me the rent.” Right? In other words, you would prefer to have a profitable business relationship with them, rather than accept their charity. So why, when it comes to multi-billion dollar markets for living products that are indigenous, why should it be considered OK that companies can own the brand, the patents, and all the associated information goods value, thus controlling 90% of the final value, while tossing the original owners a few crumbs of charity? Why is enough for them to make the profits and “give back” on a discretionary basis? Shouldn’t they pay rent instead of give charity? So perhaps the “digital coffee” conclusion didn’t go far enough. Now commodities are not just becoming information i.e. controlled by branding and marketing, they are becoming intellectual property, through copyrights and patents too. But who owns this property and who should own it?

Even the birds and the bees

This question affects more than just the potential export markets. The owners of the intellectual property can actually come and extract money even from people who were doing the same thing they’ve been doing before the patent ever existed! For example, in a famous case, some farmers in Canada are forbidden from growing crops that they use to grow — rapeseed (canola) — because they might accidentally mix patented seeds into their crops. Even if they don’t want to use the new seeds and try to avoid it, because birds and bees (and wind among other things) will accidentally mix seeds over large distances, the farmers will infringe on these patents that belong to Monsanto and have to stop…. even though they are only doing the same thing they did before the patent. They have effectively been check-mated out of their own traditional business.

You might think that could never happen in Africa right? The very idea of enforcing a patent against a farmer in rural Africa seems laughable. But think ahead. Intellectual property is a key condition to participating in World Trade Organization and the international community in general. Even China is being forced to do something about copyrights to please the WTO. Not being part of WTO is a huge handicap, and Ethiopia is trying hard to get in, like any country that wants to be part of the world economy. So at some point, it’s quite possible that Ethiopians could find themselves in the position of having to choose between accepting the established intellectual property system under which they are screwed, or rejecting the system at enormous costs i.e. going the pirate route.

Which brings us back to our Swedish pirates. Putting aside their guilt or innocence, they exist because a huge number of people feel locked out of the “information goods” and these people create an enormous black market for copyrighted movies, music, and software. And bittorrent, the protocol their service facilitates, just happens to be the most efficient current form of file sharing, so they are current poster children, the latest incarnation of Napster, in the on-going saga of intellectual property on the Internet. But it’s not just pirates. The world of property in information is a dangerously unstable one even among the big players. A long time ago, a researcher from IBM explained the world of corporate patents to me as follows. Patents are like nuclear weapons, they don’t want to use them but they have to have them because their opponents have them. They hold them as deterrents, they sign patent “treaties” where they agree not to sue each other and cross-license patents to each other. But sometimes they actually use these “nuclear weapons” i.e. they sue: vast sums of money are extorted, untold hours of effort are expended in futile wars, and companies are driven out of business, etc.

So if things like coffee and teff are going to become information goods, then what kind of world are we heading into? If you extrapolate from other areas where intellectual property dominates, namely software, digital entertainment, and pharmaceuticals, the current trends do not bode well for the vast majority of humanity. It’s a world where the rich get richer and the poor get poorer, much faster than what has occurred with physical commodities over the last couple of centuries. Those who are locked out of the web of intellectual property ownership will be like non-nuclear powers in a nuclear world, except the super-powers won’t be a stable pair, it will be a multi-polar unstable world, with constant threats and actual disastrous fallouts… and of course pirates! Imagine a world of patented food, and the inevitable black market like narcotics today but much much bigger.

But are we really heading toward this dystopian future of bio-patent wielding powerhouses dominating the world, alternately fighting each other and enslaving the rest? Well of course not necessarily. Fortunately, some farsighted people are already on the case some scientists are calling for a bio-patent ban for example. One of them in fact is an Ethiopian. These are scientists, so of course they are not against scientific advancements and their practical use; they are protesting some forms of ownership. Maybe there will be open-source bio-technology and pharmaceuticals, that are as successful and significant as open source software, and all the key processes and ideas of future life will be freely or fairly available to the whole world. But maybe not. What if that open-source nirvana fails to occur? Banning bio-patents may not be the right answer anyway. Until the right balance emerges in this “informationalization” of everything, all sides have to arm themselves to the teeth for intellectual property warfare lest they be marginalized and reduced to piracy. We are probably already in the early stages of a mad scramble, just like the scramble for African raw materials during the industrial revolution/colonial era. Now it’s not grabbing land with timber and gold but about claiming as much as possible of the DNA of plants and animals, patenting potentially lucrative variations of traditional processes… In the case of Ethiopia for example, it’s not just coffee and teff, it’s also (to take random example, I’m sure there are many more) flaxseed, an important source of Omega-3 acids. Hey has anyone filed a patent for a process to create a convenient form of Telba?

Interview With Kenna (Video Added)

Above: Grammy-nominated musician Kenna is leading a group
on a climb to raise awareness about the global clean water
crisis. (courtesy photo)

Tadias Magazine
Interview by Tseday Alehegn

Published: Friday, January 8th, 2009

New York (Tadias) – Grammy-nominated Ethiopian-American musician Kenna (né Kenna Zemedkun) is leading a team of friends including Jessica Biel, Lupe Fiasco, Isabel Lucas, Elizabeth Gore, and Alexandra Cousteau to climb Mount Kilimanjaro, Africa’s highest peak and one of the world’s largest stratovolcanoes, in an effort to raise more awareness about the global clean water crisis. Today marks Day 1 of the journey. The climb aims to raise funds for The Children’s Safe Drinking Water Program, United Nations High Commissioner for Refugees (UNHCR) and PlayPumps International.

You can follow the climbers’ progress through their highly interactive site Summit on the Summit (SOTS) as they post photos & video clips and tweet their way to the top. According to a BNC-issued press release “The on-the-ground base camp in Africa, will also be outfitted with high- powered HP PCs to help track each climber’s progress, monitor weather conditions, and capture every aspect of the ascent. Throughout the climb, the team will use HP thin-and-light notebooks to communicate and share photos as well as videos from Mt. Kilimanjaro with fans on www.summitonthesummit.com.” A documentary of Summit on the Summit will also be aired on MTV on March 14th, 2010.

Over a billion people worldwide currently do not have access to clean and safe drinking water. You can join the SOTS effort by donating to their ’sponsor a foot’ campaign online.

We sent Kenna a few questions about music, his interest in the global water crisis, and his inspiration for the climb. Below are his responses from base camp in Tanzania.

TADIAS: Tell us a bit about youself. Where you grew up? who/what were the main influences in your life? How you got involved in music?

KENNA: Born in Addis, raised in USA. My father is a major influence, but musically it was MJ and is U2. I went to high school wih the Neptunes… God hooked it up.


TADIAS: You mentioned that Summit on the Summit was inspired by the health challenges that your father faced. Can you elaborate?

KENNA: I relate to the water issues through my dad. I was born in Ethiopia but raised in both the inner city and the suburbs of America where water has not been a direct issue for me. Although water is an issue in America, my connection with it is from the fact that my dad suffered as a child from water-bourne diseases. When he told me about his ailment as a child, it really struck a chord and triggered the development of SOTS. But my dad has always encouraged me in being a good citizen and gave me plenty of opportunities to be involved with non-profits. I have been blessed to be a part of the development and curriculum for non-profit projects in my community. If he hadn’t survived, I wouldn’t be here. That is what resonates with me.


Kenna (courtesy photo)

TADIAS: Why did you pick Mount Kilimanjaro as the challenge?


KENNA: Because it takes serious effort to do this. It takes serious commitment. We needed to do something extreme to highlight such an extreme human rights issue.


TADIAS: What are you taking with you on this climb for inspiration?

KENNA: I have a note from my dad that says he “knows of my ability to elevate myself through conscious moves.” And that he is proud of me.

TADIAS: What message would you like to share with our Ethiopian-American readers?

KENNA: It is our time to show the true power and beauty of our culture. We have an inheritance of greatness. Rise up and be counted. It is now. It is today. We are God’s people. Let the world know.

Video: Kenna’s Speech about Summit on the Summit

Kenna Youtube music video

Yeneh Ababa (Rose) – Kenna

Kenna’s current video clip from Day 1 Kilimanjaro climb

Top 20 Most Read Stories of 2009

Above: Tadias’ interview with Sarah Nuru, soon after she was
crowned Germany’s Top Model last spring, was one of our most
read stories of 2009.

Tadias Magazine
By Tadias Staff

Published: Sunday, December 27, 2009

New York (Tadias) – As we prepare to usher in 2010, we’ve pulled together a list of our top 20 most popular stories of the year.

We would like to take this brief moment to thank our numerous readers and wish everyone a happy new year!

1. May 2009
Sarah Nuru was crowned Germany’s Top Model
Sarah Nuru was crowned Germany’s Top Model last May after she beat out 21,000 contestants to claim the coveted title. The 19-year-old fashion model from Munich, whose parents immigrated from Ethiopia, has earned the nickname “Sunshine” from Germany’s Next Top Model, and was wildly popular with her competitors. Read our interview with Sara.

2. March 2009
First Ethiopian-American Judge Hard at Work in Florida
Nina Ashenafi Richardson, an Ethiopian-American judge, who was elected to the Leon County bench in Florida on November 4th, 2008, is hard at work in the Sunshine State’s capital county. She told the Tallahassee Democrat that although her workload is heavy, she is mindful of the responsibilities and privileges of her new position. “At the county court level it’s a lot of volume, and you have to make sure you keep up with it,” she said of the plethora of criminal and civil cases that she now presides over. “I love it. Every time I come into the courthouse I continue to feel so privileged and honored to be here.” Read more.

3. June 2009
Ethiopian American Named 2009 World Food Prize Laureate

4. June 2009
Book Review: Verghese’s ‘Cutting for Stone’
The title of Abraham Verghese’s first novel, Cutting for Stone, is intriguing, perhaps unrewardingly so. In the book’s epilogue, Verghese, a surgeon and professor at Stanford Medical School, closes with the following explanation, “Medicine is a demanding mistress, yet she is faithful, generous, and true […] every year, at commencement, I renew my vows with her: I swear by Apollo and Hygieia and Panaceia to be true to her, for she is the source of all…I shall not cut for stone.” Read more.

5. March 2009
Ethiopian-born Businessman on Forbes Billionaire List
Ethiopian-born businessman Mohammed Al Amoudi, 63, who is now a Saudi citizen and resident of Jeddah, ranks 43 among the world’s richest people, Forbes Magazine announced. The self-made businessman, whose net worth is estimated at 9 billion, amassed his wealth in construction and real estate in Saudi Arabia before investing on energy. He is one of Sweden’s biggest foreign investors with ownership of Svenska Petroleum and Swedish refinery Preem. Read more.

6. July 2009
Photos from Chicago: Ethiopian Soccer Tournament 2009

7. December 2009
Interview with Marcus Samuelsson
It has been a busy year for Marcus Samuelsson. A few weeks after the release of his book New American Table, Samuelsson was invited by the White House to prepare the Administration’s first State Dinner honoring the Prime Minister of India. “It was an honor for me not only to be asked but also to do it,” Samuelsson tells Tadias. Samuelsson says he was primarily thinking of diversity while preparing the State Dinner assisted by ten members of his own staff. “I tried to think of diversity on different levels, not just the food,” he tells us. Click here to read the interview.

8. March 2009
Yared Tekabe’s Groundbreaking Research in Heart Disease
Dr. Yared Tekabe enjoys doing most of his reflections while sitting anonymously with his laptop at cafés in Harlem. When he’s not there, Tekabe is busy running studies in cardiovascular disease detection and prevention at his lab in Columbia University’s William Black building in upper Manhattan. Last November, Tekabe’s groundbreaking work on non-invasive atherosclerosis detection and molecular imaging was published in the American Heart Association’s journal, Circulation, along with an editorial citing its clinical implications. Read our interview with Dr. Yared Tekabe.

9. June 2009
Remembering Michael Jackson
As the world waited for Michael Jackson’s public memorial at L.A.’s Staples Center, New York held its own remembrance ceremony in Harlem on June 30, 2009 at the world famous Apollo Theater, which helped propel the legendary singer to international stardom in 1967. And outside, admirers wrote their condolences on a temporary mural wall, and lit candles, placed flowers and souvenirs by the wall. They cried, sang and danced into the night.

10. August 2009
New York: Audience Gives Thumbs Up to Guzo

11. September 2009
Interview with Dr. Abraham Verghese
Earlier this year, Tadias reviewed Abraham Verghese’s Cutting for Stone, an epic novel about a young man’s coming of age in Ethiopia and America. In an exclusive interview, Tadias Magazine spoke with Abraham Verghese about writing, medicine, the healthcare crisis, and how to lead double lives. Read more.

12. October 2009
The Prestor John Sessions: Interview with Tommy T
We spoke to Tommy T about life as a Gogol Bordello member, the influences on his music, and the story behind The Prestor John Sessions. Normally Tommy T punctuates everything he says with so much humor that it’s difficult not to be immersed in sporadic moments of pure laughter. His message in this interview, however, remains serious: Are you ready to change the way you listen to and classify music? Read more.

13. July 2009
Interview: Theater Director Weyni Mengesha
We interviewed the critically acclaimed Theatre Director Weyni Mengesha, one of the founding artists of Sound the Horn – the organization behind the annual Selam Youth Festival in Toronto, Canada. Read more.

13. October 2009
A Conversation with Haile Gerima
For filmmaker Haile Gerima the travails of life are much like moving images – “a constant journey of restlessness and complexity, until the final rest.” Haile’s latest film Teza made its U.S. premiere in Washington D.C. last fall. The film focuses on the tumultuous years of the Mengistu era, as told by an idealistic Ethiopian doctor who recounts dreams and nightmares. We spoke with Haile at his Sankofa bookstore, conveniently located across from Howard University where he has been teaching film since 1975. Click here to read the interview. Here is a sneak preview of Teza:

14. May 2009
Interview with Guzo’s Cinematographer Zeresenay B. Mehar

15. November 2009
An Exquisite Pocket Watch And The Emperor Who Owned It
An exquisite pocket watch, made for the Ethiopian King dating back to 1893, was recently sold at Sotheby’s auction block in Geneva at price of 52,500 Swiss Franc, the equivalent of 51,595.95 U.S. dollars. Read more.

16. November 2009
Prester John: Medieval Ethiopia’s Mythology and History
“Prester John Sessions is the title of the first solo album of Tommy T Gobena, a talented and innovative global musician, who, I believe, is succeeding in his attempt to grasp the meanings of his diasporic sojourn vis a vis his Ethiopian roots. This article is inspired by the title of his album and is written to express my solidarity with his visions and dreams.” (Professor Ayele Bekerie). Read more.

17. May 2009
SoleRebels: Eco Ethical Fashion From Ethiopia
Earlier this year we received a note from one of our readers in Ethiopia. “I’m thinking you might enjoy hearing a grassroots perspective on eco ethical fashion from Ethiopia’s 1st IFAT certified fair trade company” it stated. “it is my great pleasure to introduce our firm, soleRebels to you.” We’ve heard of fair trade Ethiopian coffee and clothing. And now Bethlehem Tilahun Alemu, Co-Founder and Managing Director of SoleRebels is successfully running Ethiopia’s first fair trade footwear company. Click here to read our interview with Bethlehem Alemu. And few months after our interview, AFP followed up with the following headline: SoleRebels, Ethiopian answer to Nike.

18. July 2009
Sunset Blvd: Yonie’s TV Show
We first featured Ethiopian-American artist Yonie in our May 2003 issue as he single-handedly and successfully promoted his music on Seattle’s KUBE 93 FM and X104.5 FM radio stations. Yonie caught up with us in 2009 and let us know that he’s still on the fast track. “Since we last spoke I’ve been up to a lot,” he said. ” I moved to LA in 2005 to pursue acting….engulfed in a world of pretty women, million-dollar mansions and A-list celebrities…” Not surprisingly, Yonie caught the attention of producers who approached him about having a TV show based on his new life in Hollywood. Here is the trailer:

“SUNSET BLVD” tv series trailer from http://sunsetblvd.tv on Vimeo.

19. May 2009
Academy Award nominee Leelai Demoz

20. November 2009
Tadias TV Interview with Danny Mekonnen

Interview with Marcus Samuelsson

Above: Marcus, pictured here in the White House garden, was
selected to prepare the Obamas’ first State dinner. (Courtesy).

Tadias Magazine
Interview by Tseday Alehegn

Published: Tuesday, December 15, 2009

New York (Tadias) – It has been a busy year for Marcus Samuelsson. A few weeks after the release of his book New American Table, Samuelsson was invited by the White House to prepare the Administration’s first State Dinner honoring the Prime Minister of India.

“It was an honor for me not only to be asked but also to do it,” Samuelsson tells Tadias.

Samuelsson says he was primarily thinking of diversity while preparing the State Dinner assisted by ten members of his own staff. “I tried to think of diversity on different levels, not just the food,” he tells us.

Below is our interview with Marcus Samuelsson about the White House State Dinner, his new book, and living in Harlem.

Tadias: When did you begin thinking about writing New American Table?

Marcus: I began working on the book in my head around 2004/2005, right around the time I became an American citizen. I really started to think about diversity. How do I explain Ethiopian heritage? How do I define my Swedish heritage? I am privileged to be in America where I can actually be Ethiopian, Swedish, and American. And as Maya and I got more and more together we started thinking about how to keep our identities through food. And not only that but I realized that all my friends are immigrants. It’s Jewish people marrying Arabs, Pakistanis marrying Germans, Latin people marrying Swedish people. And all of them are keeping their food heritage. And more so than language, it’s through food that they are keeping their identities. Food is a celebration of diversity in America. I don’t know any other nation where you could keep all these cultures alive and on top of everything you are also American. And I thought that it was really cool. There is also the recognition of the growth of immigration. Think about how Ethiopians came to this country. In cities now we have on average about six or seven Ethiopian restaurants. That’s incredible. And it’s a way for us to keep our identity. And it’s not only the Ethiopian community that I’m talking about. I’m talking about Vietnamese community in Minneapolis, Latin community in Chicago, Nigerian community in Boston. We know it’s Latin in Los Angeles and Texas and so on. Those are the obvious ones, but I’m talking about the not-so-obvious diversity; the Koreans in New Jersey, Middle Easterners in Detroit.

I always write. I always take notes wherever I am. Food is my language. I cook with friends, I cook in the restaurants, for magazines. I always write and connect my recipes to my outlets. My creativity goes with the diversity. I didn’t want to make a narcissistic book about me, but about everyday people. That’s why I do the collages in the book. The book only works if it’s about the everyday person, the New American. Everyone from kids to the elderly can recount stories of food. Whether it’s stories from the Second World War or stories about leaving Ethiopia, or stories about leaving Sweden, they are all stories about us.

The other thing to note is the enormous Farmers’ Market boom. I wanted to include this in the book. When I came to New York you could barely buy cheese or great bread. Now you have a resurgence of artisanal food makers, and I wanted to touch on that. People are going back to ‘local’ to ‘organic’ to ’seasonal.’ I wanted to celebrate that. We are slowly going in a greener direction. And that’s the conversation about food that I want to keep having. I’ve already written a book about restaurants. I’ve done that. Going forward it will have to be about people, and how people inspire me. I’m not a politician, I’m a chef, and so I tell my stories through food. Like an artist’s paintings would show what he’s going through or what he’s reflecting on.

Tadias: When was the moment, during your work or travels, where you felt that what you were experiencing should become a book?

Marcus: I’ve been American for a while now and in the beginning of the book I talk about becoming American. As a Black person I wanted to come to America rather than stay in Europe because there are more opportunities here as a person of color. I think a lot of people can relate to that feeling. Of course you have doubts and you don’t know if it’s going to work out, but you work hard and it will. This book was also written at a very particular time. This was written post 9-11, in the middle of the Iraq/Afghanistan war, very patriotic stuff. I feel that sometimes the image of America in the rest of the world is not that great, but I feel that diversity, food, these are things that we are getting right. These are things that we can be inspired by. This book was written in a time of transition. I began writing in the Bush era and the book is out in the Obama era.

Tadias: Can you share one or two of the untold stories behind the food that you describe in New American Table?

Marcus: There’s a couple, friends of mine. She’s Pilipino and he’s Swedish and African-American. Every year they have a dinner where when you go to their house they have about 25 different dishes. And the food is from Black culture, Pilipino culture, Swedish culture. And they’re not chefs. That’s inspiration. Their friends are just as diverse, from Ethiopia to France. This is the diverse food life that I wanted to live, and now I’m living it. You know even when Maya cooks Doro Wat and our friends who are not Ethiopian are enjoying the dish, what are we doing? We’re telling a story about Ethiopia. So all of us who are Ethiopian-American are actually ambassadors for our own country. There is an exchange of culture here but we’re not asking you to change your religion or faith or beliefs. We are simply the culture and we are sharing the food. So we’re shifting the dialogue to something positive, something tangible.

Tadias: Looking back at the history of food in America and the traditional American dining table, how would you describe it now?

Marcus: Well this is an evolution. We were very much England/Europe-inspired for a long time. And now you’d hear someone say “Hey I had sushi last night, and I had Ethiopian the night before.” So you’ve gone a complete 180. We’re completely embracing diversity through the food, and before we were taught to hide it. So it is a sense of arrival to say “I had sushi, I just tried a Moroccan restaurant, I had Indian the day before.” Even in cooking the State Dinner we were cooking an ethnic meal at an American State Dinner.

Tadias: How was the experience of preparing the White House State Dinner?

Marcus: It was the highest honor. That was Barack Obama’s first State Dinner so it was extremely important for him. And it was an honor for me not only to be asked but also to do it. Michelle wanted a vegetarian dinner as much as possible as Mr. Singh is vegetarian so we came with fresh but very humble ingredients. These were not the ‘best dishes of Marcus Samuelsson.’ For me, when I did the State Dinner I wanted to show the best of America and the best of India. I also wanted to show the White House as someone’s home. Therefore we introduced a bread course, where we broke bread and had both corn bread and naan bread, which they’d never had at a State Dinner before. It was the first time that all fresh ingredients and herbs were supplied from the White House garden. We had lentil soup, which was very Indian for me, but we also had American seasonal apples. The dumplings and green curry prawns were Indian but we also served All-American dessert, Pumpkin Pie, and we served All-American wine. So it was a complete marriage for me looking at both cultures. The smoked collard greens served were from African American culture. Why not serve that as a testament of diversity instead of making the best possible Foie gras that you could do? I also brought my staff, half of them were girls and half were guys. Some were African-American, some of them were Jewish, so I tried to think of diversity on different levels, not just the food.


Marcus picking herbs from the White House garden (Courtesy photo).


Marcus at the White House kitchen chopping herbs that he picked from the
White House garden in preparation for the Obamas’ first State dinner.

Tadias: How many staff did you take with you?

I brought 10 with me.

Tadias: So what are your next steps? What’s in the horizon? What kind of ventures are you thinking of now?

Marcus: Moving forward, I’m thinking, “What can I do in Harlem?” I’m thinking about public school and food. I’d also like to bring more Farmers’ Markets to Harlem. I live in Harlem and I go in stores and there are no green vegetables in the market. You can go to any market in Ethiopia regardless of income and you can get local eggs and organic. Here, if you don’t have money you eat poorly. It’s one of the only countries where low income and eating poorly is connected. I would like to change that. At least I would like to raise awareness by cooking in the community, or definitely enabling people with low income to have better choices when it comes to food. So those are the kinds of things that I care about.

Tadias: What do you like most about Harlem?

Marcus: Harlem? I always wanted to live in Harlem. Harlem was the community that I knew about when I was in Sweden. It was what I knew about America and African-American culture. I’ve always thought about Harlem. And I also think that if Harlem’s going to change then people like myself and others should stop talking about Harlem and move to Harlem. Harlem is not going to change because we talk about it. It’s going to change because we do something. And I put my money in the economy. For me it’s not a PR stint. For me it’s a lifestyle. I sold my place and moved to Harlem to experience it. And I can’t write about an experience without having lived it. When I shop at C-Town, for example, it’s not because I’m happy to shop there, it’s because I want to have the same experience that the person who lives in this community has. When Maya wants to go to Whole Foods or somewhere else, I say, “Well we can do that too but we also have to buy from here as well because we gotta know what the hell we’re talking about.”

Tadias: Any other thing you’d like to add?

Marcus: I look forward to going to Ethiopia for New Year’s and I look forward to eventually have a cooking school in Ethiopia. To have a hospitality school in Ethiopia – that’s my ultimate goal. I’ve experienced a lot of stuff, and it’s also my job to give back and to challenge people who have money to contribute. It will bring a different dialogue. It’s like what bringing Lucy here does – it starts a dialogue. Same thing with the Discovery Show about the oldest human being, or what Ras does with his film, ‘The Athlete’ when he narrates the story from an Ethiopian perspective. It’s what you guys do; it’s bringing a different view, which is incredible. It’s important to keep producing, keep writing. Even what Maya does; she’s in Korea right now doing a shoot for Olympus Camera. For other people to see that that’s possible is incredible. I’m in awe of all that. I also love one of the pieces that you wrote about Ethiopians that have done stuff in America, because you do exactly what I think about a lot – to inspire to aspire. You read that article, and if you’re not in that article, you want to get in that article. It’s fantastic. It’s inspiring. Regardless of who it is, it’s more about the message.
—–
About the Author:
Tseday Alehegn is the Editor-in-Chief of Tadias Magazine.

Video: Marcus with MSNBC anchor Dylan Ratigan

Visit msnbc.com for breaking news, world news, and news about the economy

Prester John: Medieval Ethiopia’s Mythology and History

Above: From the cover of the Prester John Sessions, Tommy
T. Gobena’s first solo album.

Tadias Magazine
By Ayele Bekerie, Ph.D.

Published: Monday, November 23, 2009

New York (Tadias) – Prester John Sessions is the title of the first solo album of Tommy T Gobena, a talented and innovative global musician, who, I believe, is succeeding in his attempt to grasp the meanings of his diasporic sojourn vis a vis his Ethiopian roots. This article is inspired by the title of his album and is written to express my solidarity with his visions and dreams. The essay attempts to construct a historical narrative of what Ethiopian historians call the Zagwe Dynasty and the Medieval Hatse (King of Kings or Emperors) States, for they were two significant historical periods that are not only directly connected to the legend of Prester John, but they are remarkably endowed with religious tales and accomplishments. It is my contention that these two periods might help us understand the historical dimension of what Tommy T calls ‘Prester John Sessions.’

In his interview with Tseday Alehegn of Tadias Magazine, Tommy cites Graham Hancock’s The Sign and the Seal as a source for the title of his album. In Hancock’s book, he learned about a legendary and powerful Ethiopian king named Prester John, who was sought as an ally by European rulers of the medieval period. Europeans persistently sought the king with the hope of establishing an alliance against Moslem forces who occupied Jerusalem. The strong global sentiment for the legendary Ethiopian king became a source of inspiration to Tommy T, who used the name as a title of his album. In so doing, Tommy T has elevated his artistry by composing music linked to medieval Ethiopian history.

Who is Prester John? According to John Reader, “the earliest-known reference to Presbyter Iohannes (medieval Latin, meaning Prester, or Priest John) appears in an 1145 CE manuscript of Otto, Bishop of Freisingen, referring to him as a powerful Christian priest-king ruling a vast empire vaguely supposed to be somewhere in middle Asia.” The priest-king is equivalent to Hatse of Ethiopia or Pharaoh of ancient Egypt or Kandake of Meroé. It is a collective term that is assigned to divined rulers. Kandake was the title for women rulers of Meroé in the present day Sudan.

Ethiopia of the medieval period often designated geographically as a part of ‘Indies.’ Munro-Hay cites what he calls “the mediaeval planispheres and portulans” who identified Ethiopia as the “Indian land of rumor and legend.”

The earliest reference to Prester John corresponds in the Ethiopian chronology to the period of the Zagwe Dynasty (1137-1270 CE), a dynasty that thrived in Lasta, northern Ethiopia and its seminal achievement, the rock-hewn Lalibela churches, is now recognized as a UNESCO world heritage site, which means that the churches are internationally protected and preserved so that successive generations would be able to enjoy the marvels of architectural feat. The kings of the Zagwe Dynasty presided over an excavation of eleven churches from a single rock. These churches were carved in the twelfth century and they are still in use for mass and other religious activities. In other words, the churches are an enduring expression of devotion to faith and a constant source of global fame.

The kings of the dynasty built churches in Lasta so that Jerusalem continues to live. In fact, the eleven rock-hewn churches built in Lasta are called the churches of the second Jerusalem. The dynasty’s achievement has reached Europe. In fact, they have contributed to the invention and perpetuation of the legend of Prester John.

On the other hand, some historians trace the name Prester John to one of the kings of the Maji. Jasper, one of the kings, is known as Prester John and all his successors assumed the title thereafter. According to this account, the title Prester was chosen “because there was no degree in the world more elevated than the priesthood. The name John was selected in reference to John the Baptist or John the Evangelist,” writes Munro-Hay, citing the story in the Book of the Three Kings (the Maji).

Furthermore, a map published by Sebastian Munster at Basle in 1544 locates the kingdom of Prester John in the northern highlands of present day Ethiopia. Prester John is also mentioned in maps drawn in an earlier period, such as the Egyptus Novelo map of Florence (1454) and the Mappomondo of Venice (1460). This particular period corresponds to the period of the ‘restored’ Solomonic Dynasty. It is also known as Shoan Dynasty. This period has produced great Ethiopian emperors, such as Hatse Yekuno Amlak (1270-1285), Hatse Amda Tsion (1314-1344), Hatse Dawit I (1382-1413), Hatse Yishaq (1414-1429), Hatse Zer’a Ya’qob (1434-1468), Hatse Libne Dengel (1508-1540), and Hatse Tserse Dingel (1563-1597). The Dynasty, which was founded by Hatse Yikno Amlak in 1270 in Shoa, the central highlands of Ethiopia, had 26 Hatses and lasted for 302 years. According to Tadesse Tamrat, “the borders of this kingdom extended roughly to the northern districts of Shoa in the south, the region east of Lake Tana and the upper Blue Nile in the west, and the edge of the Ethiopian plateau in the east.”

The Hatses are divined and their power is defined in the Fetha Nagast, or Law of the Kings. Their power is both ecclesiastical and civic. Kebra Nagast, or the Glory of Kings, on the other hand, is a sacred text linking the genealogy of the Hatses to Menelik I, the founder of the Solomonic Dynasty.

In the period of the ‘restored’ Solomonic Dynasty, “there were also Muslim principalities in the area, along the coast from the Dahlak archipelago in the Red Sea to the Somali town of Brava on the Indian Ocean.” The Muslim principalities were strategically located and benefited a great deal by controlling trade routes in the region. Tadesse observes that “by the end of the thirteenth century, powerful Muslim communities had emerged which were to constitute various well-organized principalities and states: the most important in the interior were Shoa, Ifat, Fetegar, Dawaro, Hadya, Bali and Adal.”

The Sultans of Muslim communities entered in both peaceful and hostile relations with the Hatses of the Ethiopian plateau. During the medieval period, they managed to maintain their autonomy, even though most of them were obliged to pay tributes to the Hatses. Some of the Hatses chose peaceful coexistence with Muslim principalities, while others used force to convert the Muslims to Christianity. In the sixteenth century, a rebellious Muslim leader emerged and succeeded in conquering vast regions controlled by Hatses. The Muslim leader was Imam Ahmed, who defeated the army of Hatse Lebne Dengel at the Battle of Shimbra Qure.

According to Ayele Teklehaymanot, ‘love for things Ethiopian’ began in Europe in the middle Ages. Europe desperately searched for the legendary Pester John in the Indies, which was a geographical term of the time that refers to eastern Ethiopia (India and the Arabian Peninsula) and western Ethiopia (the Horn of Africa, and north east Africa). The Europeans were desperate in their desire to wrest back Jerusalem from Jihadist occupiers. It is also important to note that the geographical interpretation of Indies also placed Ethiopia in Asia. For instance, Honorius D’Autumn, at the beginning of the XII Century CE, asserts: “Sunt vero termini Africae: nilus ex parte orientis…” To Giovanni Battista Brocchi of the fifteenth century CE, the subjects of the ‘Prester John’ were distinguished as Ethiopians and Indians.

“In the year 1400 King Henry IV of England sent a letter to the ‘King of Abyssinia, Prester John.” Tadesse Tamrat, the eminent Ethiopian historian and author of the definitive book, Church and State in Ethiopia (1972), identified the Ethiopian king for whom the letter addressed to as Atse Dawit, the father of the famous and learned emperor Hatse Zer’a Ya’qob, who authored several sacred books. Historians are not certain whether the letter reached Hatse Dawit. However, a copy of the letter is found in the British Royal archives. Portuguese and Roman writers of the middle Ages translated Hatse to mean priest-king.

The genesis of Prester John, as I indicated earlier, coincides with the period in Ethiopian history that may be characterized by a great deal of religious revivalism. This period includes the Zagwe Dynasty of Lasta and the ‘restored’ Solomonic Dynasty of the central Ethiopian highlands. Temporally, the period extends from eleventh century to the sixteenth century of the Common Era. During this time, the Ethiopian rulers were directly involved in the teachings, writings and administration of the Orthodox Tewahedo Church.

It is also important to note that the period was a period of the consolidation of Islamic states and sultanates. One might add that it was also towards this period that history recorded the internal turmoil that resulted in the rearrangement of the region with irreversible settlement of the Oromos on the central and northern highlands of Ethiopia. Their concept of Gudficha made it easier for diverse ethnic groups on the highlands to interact with the Oromos. Islamic states have also expanded beyond the traditional borderlands and lowlands of the country.

The Late Stuart Munro-Hay in his book Ethiopia Unveiled: Interaction Between Two Worlds, extensively documented the meeting of Europe and ‘Prester John.’ According to Munro-Hay, in 1427 the ‘Prester John’ sent two ambassadors, one Muslim and one Christian, to Valencia to see Alfonso V, king of Aragon (Spain). ‘Prester John’ Yeshaq or Hatse Yeshaq ruled an empire that had seventy-two kings; twelve were Muslims and the rest Christian. What is notable about this account is that ‘Prester John’ appeared to have succeeded in presiding over both Muslim and Christian states. His decision to send Muslim and Christian emissaries to Aragon may suggest the prevalence of peaceful co-existence of Muslims and Christians in Ethiopia. ‘Prester John’ did not participate in the ‘crusade’ to liberate Jerusalem, perhaps unwilling to disrupt the peace he established in his multi-religious empire.

King of Aragon’s envoy to Ethiopia carried with him a letter dated 15 May 1428 to “the most eminent and most victorious monarch, the lord Ysach [Yeshaq], son of David, by the Grace of God, Presbiter Johannes of the Indies, master of the Tablets of Mount Sinay and the Throne of David, and king of kings of Ethiopia.” The letter, which is still available at the Aragon Archive in Barcelona, Spain, hints at that time a strong Ethiopia whose leader was victorious and who also, sought trade and diplomatic relations with Europe. Hatse Yeshaq even suggested marriage alliances with the Aragon royal family. It might be worthwhile to note that the earliest written reference to Somalia is found in a praise poem written in Amharic for Hatse Yeshaq, whose empire reached the northern Somali coast.

Several Arab historians and geographers profusely documented the history of the Hatse Medieval States, apart from local large historical documents and royal chronicles, their deeds. The Arab historians narrated in greater details the powers and territories of both the Hatses and the Sultanates. We also learn that the Hatses sent emissaries and letters to Europe in order to establish diplomatic and trade relations. The Hatses have fought with the Muslim states and often settle their political disputes by acknowledging their relative power position.

Ibn Yaqub in 872 wrote about the Hatses’ control over the Dahlak islands on the Red Sea. Masudi in 935 reported that Hatses controlled the port of Zeyla in the Gulf of Aden, as well as the Dahlak Islands on the Red Sea. Ibn Hawkal in 970 agreed with the reporting of Masudi.

The geographer Idris included northern Somalia as part of the sovereign of the Hatses. Another Geographer Ibn Said in the thirteenth century identified the Wabe Shebele River as a divider between the territories of Ethiopia and Azania. According to Ibn Said, the northern half of Moqadishu was under the rule of the Hatses. Ibn Fadal Alah Omari in the fourteenth century wrote about the vast empire of the Hatses. The territory extends from Indian Ocean to Gulf of Aden to Barka Valley of northern Eritrea. The fourteenth century Ethiopia had ninety-nine big and small states governed by kings and sultanates. These states paid their tributes to Hatses or king of kings of Ethiopia.

The Arab historian Omari included the following states under the sovereign of Hatses: Somhar, Hamasien, Nara, Tigrai, Sehart, Amhara, Shoa, Damot, Genz, Adasso and Mora. The South Eastern territories have also paid tributes to the Hatses. These territories were: Yifat, Dewaro, Arababani, Hadiya, Sharka, Bale and Derra. These historians have also documented the presence of fifty linguistic groups within Medieval Ethiopia.

Historians also researched the accounts of Portuguese travelers. Some even suggest that the legend of Prester John inspired the Portuguese to build ships and navigate the oceans. Given the fact that the Portuguese travelers were among the first foreign visitors received by the Hatses, it was clear that they took the legend very seriously. For instance, Francisco Alvares, who visited Ethiopia for six years at the time of Hatse Lebna Dengel’s rule, referred to him as Prester.

Among the Hatses, Amde Tsion was regarded by far the most powerful. He ruled over both the Christian and Muslim states. The Aragonese king Alfonso V noted in his letter dated 18 September 1450 identified Hatse Zer’a Ya’qob as the ‘most illustrious and most serene prince Lord Jacobo, son of David, of the House of Solomon, Emperor of Ethiopia.’ According to Mersea Hazen Wolde Qirqos, Hatse Zer’a Ya’qob was highly educated. He sponsored the translation of several sacred books from Arabic to Ge’ez. He also authored several holy books himself. According to Richard Pankhurst, “Imperial power was probably at its greatest during the time of the great centralizing emperor Zar’a Ya’qob (1434-68).

It is worthwhile to note that the Medieval Hatse rulers have established governance over the multi-ethnic and multi-religious nation-state. It can be argued that the seeds for modern state of Ethiopia may have been sown much earlier than what is usually believed. Tommy T’s ‘Prester John Sessions’ is a glaring reminder of our persistent quest in our long history, for transforming a shared time and space into one Ethiopia.

—–
Publisher’s Note: This article is well-referenced and those who seek the references should contact Professor Ayele Bekerie directly at: ab67@cornell.edu

About the Author:
ayele_author.jpg
Ayele Bekerie, an Assistant Professor at the Africana Studies and Research Center of Cornell University, is the author of the award-winning book “Ethiopic, An African Writing System: Its History and Principles” (The Red Sea Press, 1997). Bekerie’s papers have been published in scholarly journals, such as ANKH: Journal of Egyptology and African Civilizations, Journal of the Horn of Africa, Journal of Black Studies, the International Journal of Africana Studies, and the International Journal of Ethiopian Studies. Bekerie is also the creator of the African Writing System web site and a contributing author in the highly acclaimed book, “ONE HOUSE: The Battle of Adwa 1896-100 Years.” Bekerie’s most recent published work includes “The Idea of Ethiopia: Ancient Roots, Modern African Diaspora Thoughts,” in Power and Nationalism in Modern Africa, published by Carolina Academic Press in 2008 and “The Ancient African Past and Africana Studies” in the Journal of Black Studies in 2007. Bekerie appears frequently on the Amharic Service of Voice of America and Radio Germany. He is a regular contributor to Tadias Magazine and other Ethiopian American electronic publications. His current book project is on the “Idea of Ethiopia.”

Grammy-Nominated Singer Looks Forward to Motherhood

Above: Grammy-Nominated singer Wayna is expecting her
first child. (Courtesy photo)

Tadias Magazine
By Tadias Staff

Updated: Monday, November 16, 2009

New York (Tadias) – Grammy-nominated singer Wayna says she is looking forward to a new challenge – motherhood. “The most important news of my life these days is that my husband and I are expecting our first child next May,” Wayna shared in her exclusive interview with Tadias Magazine. “This is a dream come true, and I’m enjoying every moment of becoming a mom. It is an amazing feeling.”

Wayna has also been collaborating with up-and-coming Ethiopian-American artists on an album to be released at the end of the month. Here is the interview:

Tadias: What’s on your plate these days?

Wayna: I am part of a collective of Ethiopian and American artists called the Kaffa Beanz. It includes myself, the Prophet of BurntFace, B Sheba, Gabriel Teodros, and AP. We did a collaboration album called Andromeda using traditional Ethiopian samples and hip hop beats. It started out as a project we were doing for fun. But one by one, the songs starting coming together so well that by the time we were finished, we felt like we’d created something special and uniquely Ethiopian-American — something that reflected our taste as soul and hip hop artists, but that also showcased our culture.

On November 20th, we are all coming together from all parts of the country to do a special performance/release party at Zanzibar on the Waterfront in Washington, DC. It’ll be the first and maybe the only time we’ll all be under one roof, so I want to invite everyone within reach to come out. We’ll be performing and selling the album which is a limited release, and the concert will also feature a performance from me and from, Togolese rapper, Tabi Bonney. Every African who loves hip hop or soul should be there.

Tadias: You also write most of your songs, what is that process like for you?

Wayna: The writing process is always different for me. Sometimes, I’ll get a beat and listen for a melody, and then choose lyrics that fit however the music makes me feel. Other times, I’ll have a concept or a hook in my head already and work with a producer or my band to build the music around it. There are also times when I sit at the piano and come up with something on my own. One of the things I enjoy about writing the most is that its unpredictable, and I never know where or how a song will take shape.

Tadias: Your last album garnered a Grammy-nomination. Do you reckon your next LP will be on the same level?

Wayna: No, I hope it will be better. My #1 goal is to keep growing. I still feel like I’m new to being an artist, because I spent so much of my life being a professional and working in an office. So, I’m growing a lot still, and thankfully the music usually reflects that.

Tadias: By the way, where were you when you learned of the news about your Grammy nomination?

Wayna: I was in South Africa at my girlfriend’s wedding. We had just started a post-wedding vacation in an area of the country where there was no access to the Grammy broadcast, so I woke up early the morning after and went to the hotel lobby to check the Grammy site. Before I even got there, there were a flood of emails in my myspace account congratulating me.

Tadias: You seem to travel a lot. Are there any highlights from the tour you’d like to share with us?

Wayna: Yes, its been a busy year for me, I’ve had stops in NYC, Philly, LA, Miami, Atlanta, Chicago, Austin and many other cities. Probably my most memorable of these dates was sitting in with the Roots at their weekly jam session at the Highline Ballroom in NYC. It was sold-out, and there I was standing with one of my favorite bands ever. Artists are supposed to just come and jam, no rehearsal no discussion about what your going to do. So, I started with Slums of Paradise, a song I wrote about Ethiopia on my first album, Moments of Clarity Book 1, and they made a beautiful groove behind it, and the crowd loved it!

I’ve also gotten to do shows abroad in London, Toronto and a 3 month residency in Ethiopia, where I played at Harlem Jazz, the Sheraton, the Alliance, the Hilton, and Coffee House. That was probably my most life-changing experience, because I got to live life in my country and to see the music scene there first-hand. My favorite recent overseas trip though has got to be the Selam Youth Festival in Toronto this past summer. The kids were so talented and dedicated, and Weyni Mengesha put on an amazing production. I was really proud to be a part of that.

Video: Wayna at the 2009 Selam Youth Festival in Toronto

Tadias: Which artists would you say have the most influence on you?

Wayna: I love different artists for different things. Bob Dylan for his lyricism, Kim Burrell for her vocals, Stevie Wonder for all of the above, Erykah Badu for her stage show…the list goes on and on. But one of the things I’m excited about for the year ahead listening to new artists and genres that I haven’t been as exposed to. By next year, I’m sure I’ll have a whole new list.

Tadias: Which artists have you not worked with yet, but would love to?

Wayna: My dream collabo is with Andre 3000 of Outkast. He seems to be the kind of artist and producer who has no boundaries for himself, and that is exactly the kind of creative energy I want to be around.

Tadias: You have also teamed up with DC’s rising star Wale to remix ‘Billyclub’ a song about police brutality. Was that inspired by your arrest at Houston Airport?

Wayna: Yes, I had just gotten back from Houston when I was scheduled to perform at the DMV awards. We played “Billyclub,” and because the experience was so fresh in my mind, the show was unlike any other we’d ever done. Wale was in the crowd. We talked about doing this remix, and it came together a few months later. He just got off tour with Jay Z and performing as the house band at the MTV music awards, so I’m excited that we got to do the song together. But mainly, it was an opportunity to vent about whatever feelings I had left over, so I so could just move on. A video for it is soon to be released and the audio is available for a free download.

Tadias: Is there anything else you’d like to share with our audience?

Wayna: The most important news of my life these days is that my husband and I are expecting our first child next May. This is a dream come true, and I’m enjoying every moment of becoming a mom. It is an amazing feeling.

Tadias: Thank you Wayna and we offer you our heartfelt congratulations.

Video: Wayna Reflects On Her Houston Arrest

FOX News: Wayna Performs Billie Holiday Tribute

Obama’s half brother steps into spotlight

Above: President Obama’s half-brother Mark Okoth Obama
Ndesandjo at press conference during an event to launch his
new book Nairobi to Shenzhen in Guangzhou, China, on Nov.
4, 2009. His academic accomplishments parallel that of his
older brother: he holds a bachelor’s degrees in physics and
math from Brown University, a master’s degree in physics
from Stanford and an MBA from Emory. (Getty Images).

Washington Post
By Keith B. Richburg
Thursday, November 5, 2009
GUANGZHOU, CHINA — The mixed-race son of a brilliant but troubled Kenyan academic and a white American woman writes an emotionally wrenching book about his search for identity and self. But this is not the familiar story of President Obama. It is the tale of his publicity-shy younger half brother, Mark Okoth Obama Ndesandjo, who has lived in the southern Chinese city of Shenzhen for seven years and has just produced a loosely autobiographical work of fiction titled “Nairobi to Shenzhen: A Novel of Love in the East.” Read more.

Video: Obama’s brother writes a book, talks about abusive father

Visit msnbc.com for Breaking News, World News, and News about the Economy

Interview with Dr. Abraham Verghese

Above: Physician and author Abraham Verghese. (Courtesy)

Tadias Magazine
By Shahnaz Habib

Published: Wednesday, September 09, 2009

New York (Tadias) – Earlier this year, Tadias reviewed Abraham Verghese’s Cutting for Stone, an epic novel about a young man’s coming of age in Ethiopia and America. From fascinating social and political portraits of Ethiopia in upheaval, Cutting for Stone zooms into a territory where few have gone before: the drama of the operating theater and the mysteries inside the human body. There can be no doubt that this novel is the work of a seasoned writer who has led many lives in many places.

Time and again, Dr. Verghese has dipped heavily into his own life for furnishing the material for his writing. His experience as a physician in the rural south, caring for terminally ill AIDS patients has been heartrendingly documented in his memoir My Own Country: A Doctor’s Story. Later, in The Tennis Partner: A Story of Friendship and Loss, he described a beloved friend’s struggle with drug addiction, rendering a poetic, raw tribute to male friendships. In his latest book and first novel, Cutting for Stone, the protagonist is a young doctor, raised in Ethiopia, who seeks his fortune in America.

Verghese’s own career as a physician in the United States has taken him from his grueling days as a foreign medical graduate (recounted in The New Yorker article, The Cowpath to America) to becoming the voice of empathetic medicine. As founding director of Center for Medical Humanities & Ethics at the University of Texas and in his current role as a senior professor at Stanford University, Dr. Verghese is a champion in the field of Medical Humanities. He is passionate about bedside medicine and physical examination and values the human element that these rituals bring to the facelessness of modern medicine.

In an exclusive interview, Tadias Magazine spoke with Abraham Verghese about writing, medicine, the healthcare crisis, and how to lead double lives.


Abraham Verghese (photo by Joanne Chan)

Can you begin by telling us a bit about all the different places that are a part of you?

My identification with place is complicated. Ethnically, I feel very much Indian. My parents are Indian and I feel very conscious of their legacy, But countrywise, I strongly identify with Ethiopia, having grown up there. And then of course, America is the place that welcomes everybody. So this is home unequivocally, and I am very proud to be American. So there are all these different threads that run through my life.

I remember the passage in the book where Hema speaks of Addis as an evolving city whereas Madras seems to have finished evolving. Was that something that struck you as a primary difference between both places?

Yes, when I went to India and lived in Madras, that was one of the things that struck me about the city. Traditions and ways of life were very established in Madras whereas so much was in transition in Addis. And then when I came to America, it was very different again. There’s a scene later in the book where Marion arrives in America and feels completely unprepared for the scale and scope of America.

You also show how, even through its upheavals, Addis was a cosmopolitan city of the twentieth century. You help the reader picture the different peoples who had congregated in Addis. Can you give us a sense of your relationship with Addis?

I don’t have any family in Addis but I do have friends there and I have strong connections to the medical world in Ethiopia. Also, the present Prime Minister of Ethiopia was a medical student one year behind me. When civil war broke out and the military took over the medical school, he became a guerilla fighter and I left. So I have been back twice – once to do an interview with him for a magazine and the other time for a medical symposium.

Could you tell us something about your writing process? You must have drawn a lot on your memories of growing up in Ethiopia but it is also clear you did a lot of research on Ethiopian history and politics.

I think the research happens in parallel with the writing. I was consciously trying to learn more about the Italian time in Ethiopia because it was a very colorful legacy. Every colonial power leaves their stamp on their country and we are very familiar with the English stamp on India or the French stamp on Cameroon but the Italian stamp on Ethiopia is not very well-known. So I spent a lot of time on that. But the research was in parallel with the writing because as I wrote I would stumble on something that I needed to know more about and so that would set me off in another direction. One of the great joys of research is that you find unexpected things in unexpected places. You are looking for one article but you find another right next to it that leads you to include something you might never have otherwise written about. There’s a lot of serendipity.

Elsewhere you talked about the incremental method of writing in which you write a little bit everyday.

I think I was talking about the incremental method of doing anything. If you do a little of something every day, you gradually get better at it. Instead of finding great blocks of time, you just have to find a little time every day.

So do you have a daily writing practice?

Not really. I write whenever I can and sometimes it winds up being everyday for several days at a stretch of time but sometimes I cannot get to it every day.

I also heard that you have a room on the campus, something like a secret bunker, where you can go and write. Tell me it is true and not a legend.

No, it is true. When I took this position I negotiated for a second office, separate from the student-related, that I could disappear into.

And you also negotiated two days a week to write.

Well, everybody here has protected time to do their research and so during my protected time, instead of going to a lab and doing experiments, I go to my lab and conduct my kind of experiments. In fiction, nonfiction. In any kind of writing, really.

How important is it as a writer to have a place for writing?

I actually don’t think it is very important. I think people make much too much of having a place and how it has to be just right. I can actually write anywhere and often do. The most important thing when you are trying to write is to simply sit down and try to write, it doesn’t matter where. If you are waiting for the right environment before you can write, then you are probably not prepared to write.

What would you say is the unlikeliest place that you have written in?

(Laughs) Probably airports. Everyone’s waiting to take off and frustrated that we are late or whatever and I am barely aware that anything is going on.

Pico Iyer talks about airports as the ultimate postmodern metropolis. He probably gets a lot of writing done in airports as well.

I am not surprised. He travels a whole lot more than I do.

In fact, in his book Global Soul, he talks about a new generation of transnationals who belong to so many cultures that they belong to nowhere. He calls them Nowherians, or fulltime citizens of nowhere. Do you think you are a global soul?

I feel I am not completely a global soul. I have sequential interactions with different countries and even within the US, I have steadily migrated from Tennessee to Iowa to Texas to California now. I hope this is the last stop. I hope I am not destined to go to Guam and Hawaii!

But even when our migrations are sequential, our memories are not, right?

Yes, very true. They are seamless and overlapping and the only constant is you. You are the only one linking the different places.

There is that beautiful passage in the book where you talk about how listening to Tizita takes the narrator right back to Ethiopia, whether he is in Adams Morgan or in Khartoum.

Yes, music is so mysterious that way in its connection to the brain and its ability to transform us. We all probably have a song that can transport us back to a different part of our life. And it is very difficult to make that song come alive for someone else us. I could not bring the song to the reader but I could try to bring that sense of identification, the nostalgia that it evoked. And of course, that song [tizita] itself is about nostalgia. I worried a great deal about whether I could pull it off. But we all have our tizitas, our songs of some kind.

To get back to the subject of medicine and writing. You speak in this book as well as in interviews about the ritual of examining the patient. Examining the patient is a lot like reading, isn’t it, with the patient as the text?

Yes, but it’s also much more than that. At one level the patient is a text to decode, a mystery to unravel, and that is certainly important, it’s the most attractive part of being a diagnostician. But this is not a natural relationship, between the doctor and the patient. In fact, it is terribly unnatural. They are coming to you because they are in some sort of distress and you are meeting them because you have made this career choice to help people and so it’s a very strange relationship and even though it seems routine, there is nothing routine about it. Its’ really quite loaded. So after you meet them and decode the text, you are, by your presence, by your engagement, providing the kind of comfort no one else can provide. The analogy I use is “when you are drowning, the only person who can save you is someone who knows how to swim”.

I find it terribly important to be conscious of that dynamic, even if the patient is not. Somebody else once described this by saying “one of our roles is to save the patient from their nihilistic tendencies.” A sick individual’s instinct is taking him or her towards nihilism, to imagine that the world is cruel, that there is nothing worth living for, and the doctor’s job is to counter that.

Have there been other writers who write about medicine whom you count among your influences?

There are a lot of writers who write well about the business of medicine. Atul Gawande for instance. And I have always admired that kind of writing. But I feel that by writing fiction about medicine, you are conveying a higher form of truth. I guess that’s my bias. (Laughs) If you pull it off well, like in “The Citadel” for instance, then you have captured the reader’s imagination. If I manage to get you to enter the world of the novel and completely forget your everyday life, you don’t just find out about medicine, you live medicine. You live it through Hema, you live it through Ghosh, through Marion, and you come out at the other end and its 2009, but you feel like you have lived a lifetime and you have all the lessons of a lifetime. So I am drawn to those fictional narratives, not necessarily written by physicians, but which convey medicine in a convincing and inspiring way.

And in many ways, reclaiming the humanity of medicine is also the focus of your field of medicine, isn’t it? Can you tell us a bit about why that is important?

I think we live in an age of tremendous fracturing in medical care. It’s very difficult to find one person to take care of you, you end up going to six different people. We are in great danger of getting lost in the technology. We can easily mistake data for wisdom but it is not the same as wisdom. So I have been emphasizing the physican-patient relationship, that this interaction is timeless. No matter how routine it seems, no matter how many imagings and scans can help us see the patient inside out, we still need our presence with the patient. We should never underestimate the patient’s desire to get some help and that subtext of wanting comfort to be comforted, and that all-important ritual of baring their soul and baring their body and allowing you to touch them. And if you shortchange all that, you lose the patient’s faith.

Is there more attention paid to medical humanities now than, say, fifty years before?

I think there is more conscious attention to it as a field of study. It is amazing to me that there is a label that says “medical humanities” on it. But it’s a double-edged sword because medical humanities as a discipline has been hijacked by the English literature and semantics people. In many medical schools, the medical humanities division is run by someone with a Ph.d in English Literature and they have made this into a discipline that I worry is getting disconnected from the field of medicine. Some of those people look down on a physician who wants to teach medical humanities as if the physician does not have the right credentials for teaching this. And I wonder what is their credential to teach this, if they have never walked in a physician’s shoes?

I ran a program on medical humanities in San Antonio and I felt that my mission there was to restore medical humanities to medicine and take it out of the abstract. I am not against someone getting a Ph.d in medical semiotics and breaking down narrative and all that, but let’s not confuse that with talking to a medical student who is trying to picture himself at the bedside of a dying patient and introducing that student to Tolstoy’s Death of Ivan Ilyich. And that’s what medical humanities is to me.

In a way it actually mirrors the other disconnect, the one between patients and doctors at the bedside.

That is exactly right. They are parallel disconnects and in both cases there is a hubris – “don’t talk to us about medicine, we know all about it though we have never seen a patient, and we have no idea what a medical student is going through, we know what’s best for them, we are going to teach them about medical humanity.”

What do you think of Obama’s vision for healthcare and how do you think that will affect medical humanities?

I am convinced that some change is forthcoming. But at what level? The bottom-line is that this is a very expensive healthcare system. And I worry that Obama’s plan is to expand coverage and do all these wonderful things but he’s going to find the money for it, not by saving costs but by saying, well if we do preventive medicine, we will save this much money; if we do IT, we will save so much money. And all those are laudable but it’s somewhat pie in the sky. I think what we really need to do is cut costs. But every dollar spent on healthcare is a dollar of income for someone. So when you try and cut costs as Hillary Clinton tried to do, you are taking away income from doctors and pharmaceutical companies and x-ray manufacturers, and you run into this buzz-saw of lobbying that will simply decimate you. So Obama is trying to sidestep that by not addressing the cost issue, but I really think the hard solutions are painful, and will cause a lot of people to make less money than they are making and that will make them unhappy but I really don’t think there is another real solution. Frankly, we badly need more primary healthcare providers so that when you are ill you can go to your doctor. But right now there are more people who can put a catheter up your coronary arteries than treat you if you have the common cold. I think as a nation we have to understand that we cannot replace the presence of the physician with machines.

You have a fulltime job as a doctor and then you have this other life as a writer. How do you balance both – what does a writer need to balance two completely different lives?

See, I don’t accept that premise, that these are two different lives. I see it as one seamless life. I am always puzzled when people make this distinction between writer and physician. Really, its all one enterprise. But in terms of getting a piece of writing out there, the fact that I am a physician has nothing to do with it and putting MD next to my name would be irrelevant. So in that sense, if you were asking me what is the primary ingredient a writer needs, whether they are also a doctor or an actor or a garbage collector, I think it comes down to perseverance, and the willingness to revise revise revise until you get it right. The art is really in the revision.


About the Author:
Shahnaz Habib is a freelance writer, based in Brooklyn.

CNN: Gelila Assefa Puck – Fashion with African inspiration

Above: The Ethiopian born designer has an eye for style. She
launched a line of high-end handbags in 2006 and a year later
married celebrated chef Wolfgang Puck. Together the couple
live in LA and have made Forbes magazine’s list of “Married
celebrity entrepreneurs”. While loving the California lifestyle,
she still has strong connections to Ethiopia, putting much of
her energy into her charity work there.

CNN Video: African Voices

Giving back to Ethiopia
Couture fashion designer Gelila Assefa Puck talks about why helping
the children of Ethiopia is close to her heart.

Just mad about each other’
Gelila Assufa Puck talks about how she met her husband, celebrity
chef Wolfgang Puck.

New York: Audience Gives Thumbs Up to Guzo (Watch Video)

Tadias Magazine
By Tadias Staff

Published: Monday, August 10, 2009

New York (Tadias) – The award-winning Ethiopian film Guzo premiered at Helen Mills Theatre in New York City on Saturday, August 8, 2009 and received big thumbs up from the audience.

Robel and Lydia, two Addis Ababa urbanites, felt they had what it takes to live and survive in the countryside, doing the daily chores and farming with their respective host families. By day 17 they “wanted to go home.” Guzo does a spectacular job of capturing rural life, from grueling long walks to the market to late night Areqe inspired talk and dance. Robel and Lydia learn it is no small feat to survive and raise a family under such harsh and oftentimes monotonous conditions. Robel’s host mentions he will not miss Robel at work but bends his head and weeps when he realizes their days are numbered. A farmer’s wife, Belge, confesses that Lydia is the first female friend she’s had, and knows she will miss her for years to come. Guzo pulls at your heartstrings, often making you laugh till your belly aches and then suddenly forcing tears to well up in your eyes. It captures the beauty of Ethiopian culture, tradition, and all the heartache that comes with living with little resources. Although both Robel and Lydia claim that one cannot fully understand and appreciate rural life until they live it everyday, watching them work and survive 20 days brings one as close to the feeling as one could ever get.

The following Tadias video captures the audience’s reaction to Guzo.

Ethiopian Beauty Queen Wins Best Female Model Contest

Tadias Magazine
By Tadias Staff

Published: Monday, July 27, 2009

New York (Tadias) – 24-year-old Kidan Tesfahun, Ethiopia’s Miss Millennium Queen, has been named Best Female Model of the World 2009 at a fashion modeling contest organized by Sukier Models International in Alicante, Spain, on 24th July 2009, her representatives announced.

According to the competition’s director and founder Sukier Vallejo Marte: “The contest was created with the idea of attracting new faces and talent for future projects both domestically (in Spain) and internationally…”

Tesfahun, who had previously represented Ethiopia at the Miss International 2007 and Miss Earth 2008, says her newly gained title adds confidence to her future prospects in the modeling industry.

“From here on I guess the sky is the limit for me,” the aspiring model said. “I have gained the professional acceptance I always knew I should have, and I am indeed grateful to the Almighty Lord for guiding me and making my dreams come true.”

She is the second Ethiopian model this year from the Ethiopian Millennium pageant to win an international beauty competition. Bewunetwa Abebe, 19, was crowned Model of Africa at the 2009 International Beauty and Model festival in China.


24-year-old Kidan Tesfahun – Best Female Model of the World 2009.


Kidan Tesfahun pictured here at the Miss Earth 2008 contest.

Hope for Sarah Nuru New York Fashion Week Debut

Tadias Magazine
By Tadias Staff
Photos by Oliver S

Published: Saturday, July 25, 2009

New York (Tadias) – Sarah Nuru, who was named Germany’s Top Model this past spring, hopes to make her New York Fashion Week debut in September.

It is rumored that Justin Timberlake may offer the 19-year-old a modeling gig for his fashion label William Rast, best known for its quality jeans.

Nuru said Timberlake had seen her photo and is very impressed:

“He has a photo of my view. This has given him so much that he immediately wanted to work with me,” enthused the model from Munich, whose parents immigrated from Ethiopia.

She beat out 21,000 contestants to claim the coveted Top Model title in Germany.

Video: Sara Nuru – Germany’s Next Topmodel

Sara Nuru from Germanys Next TopmodelThe most popular videos are a click away

We interviewed Sara soon after she was crowned Germany’s
Top Model:

Interview with Sara Nuru: Germany’s Next Top Model

Tadias Magazine
By Tadias Staff
Photos by Oliver S

Published: Wednesday, June 3, 2009

New York (Tadias) – The following is an interview with Sarah Nuru, who was crowned Germany’s Top Model last month after she beat out 21,000 contestants to claim the coveted title.

Heidi Klum, the top model host, made the announcement in front of a packed crowd of 15,000 in the Cologne Lanxess Arena.

The 19-year-old fashion model from Munich, whose parents immigrated from Ethiopia, has earned the nickname “Sunshine” from Germany’s Next Top Model, and was wildly popular with her competitors.

Here is our interview with Sara.


Photo by Oliver S.

Tadias: Sara, thank you for your time and congratulations on your tremendous
accomplishments. How does it feel to be crowned Germany’s Next Top Model?

Sara: Thank you very much, I feel very happy. Yes it is quite amazing what is going on right now. It will probably take time until I really recognize this amazing development. But so far, it is a wonderful experience and right now a very exciting time for me.

Tadias: What does this title mean for your future career?

Sara: To be honest, the title is a great door-opener but I will not lay back and enjoy the title . I have a great chance to make the very best of my benefit. Since the 21st of May, the day I became Germany’s next Top-model, I was hardly at home, worked day and night and really enjoyed my new life as a model! That’s how I imagined it.

Tadias: This is historical in a sense that the media is saying that you are the first black person to be crowned Germany’s Next Top Model. Did you feel additional pressure because of your cultural background?

Sara: Well, I feel honored that you call it “historical”, but I wouldn’t make a big thing of it . For me, it is of course fantastic to be a black model. I’m very happy that I became the winner of Germany’s next Top-model beside so many beautiful and talented girls. I’m Ethiopian through my parents that’s a fact and I’m absolutely proud of it. But I can’t imagine that my skin color had a big effect for my victory at this show .

Tadias: Where do you see yourself in a few years?

Sara: It is quite difficult to predict a career, but I have a reliable agency and already great jobs and four big campaigns to work for. Of course, it is desirable for every model to be successful in the international model business. But I am someone who is down to earth and I, of course, will work hard and be calm and serene in attending to my ways.

Tadias: Is there anything else you would like to share with our readers?

Sara: Thank you to everyone who believed in me. And, yes, just like I said stay true to yourself and never forget were you came from.

Tadias: Good luck Sara.

Sara: Thank you very much and all the best.

Sara Nuru – One of Her First Interviews After Her Victory

Part Two of Ethiopians in Hollywood: Filmmaker Zee Mehari (VIDEO)

Tadias TV
Published: Monday, May 4th 2009

New York (Tadias) – Part two of Tadias TV’s Ethiopians in Hollywood series features writer and director Zeresenay (Zee) Berhane Mehari, who worked as Cinematographer and Second Unit Director on Aida Ashenafi’s highly acclaimed new film Guzo (Amharic for Journey).

The film, which won best picture at the 2009 Addis International Film Festival, chronicles the interaction between two young residents of Addis Ababa and their peers in the Ethiopian countryside. Over the course of 20-days both the urbanites and country folks are forced to confront stereotypes about each other and grapple with issues of gender and privilege. The film is scheduled to premier in Washington DC on May 9th at the Lisner Theater (GWU).

Zee first appeared on Tadias on our June-July 2004 print issue. The following interview was taped in Los Angeles last month. Part one of this series highlighted Academy Award nominee Leelai Demoz, who discussed his role as one of the judges at the 2009 Addis International Film Festival and his experience as a filmmaker.

Part One with Academy Award nominee Leelai Demoz

Interview with Academy Award Nominee Leelai Demoz (Tadias TV)

Above: Academy Award nominee Leelai Demoz (Tadias).

Tadias TV
Published: Wednesday, April 29, 2009

New York (Tadias) – In the following interview with Tadias TV, Academy Award nominee Leelai Demoz, speaks about his role as one of the judges at the 2009 Addis International Film Festival and his experience as a filmmaker. The documentary Guzo (The Journey), directed by Aida Ashenafi won first place in this year’s competition. The film is scheduled to premier in Washington DC on May 9th at the Lisner Theater (GWU).

Leelai’s interview was taped in Los Angeles. Part two of our Ethiopians in Hollywood series features filmmaker Zeresenay Berhane Mehari, who worked as Cinematographer and 2nd Unit Director for Guzo.

Part Two: Featuring Filmmaker Zeresenay (Zee) Berhane Mehari

Related: Interview With Director Aida Ashenafi
Tadias Magazine
By Tadias Staff
Published: Wednesday, April 22, 2009
The film chronicles the interaction between two young residents of Addis Ababa and their peers in the Ethiopian countryside. Over the course of 20-days both the urbanites and country folks are forced to confront stereotypes about each other and grapple with issues of gender and privilege. Read more.

Video: Ethiopians Bid Farewell to Tilahun Gessesse at State Funeral

Update:

Ethiopia hosted a state funeral for its legendary vocalist
Tilahun Gessesse. It is the first such state funeral in the
nation’s history. Ethiopians have lost the greatest popular
musician the country has ever produced.


Ethiopia is mourning what many describe as one of the greatest -
if not THE greatest popular musician – the country has ever produced.

Read more at BBC.



BBC

Legendary Ethiopian Singer Tilahun Gessesse Dies at 68

Monday, 20 April 2009

The popular Ethiopian singer, Tilahun Gessesse, has died at the age of 68.

He had been the most dominant figure in Ethiopian music for more than half a century and will receive a state funeral later this week.The country’s radio and TV stations broke into their programmes to broadcast tributes. He started singing in the days of the Emperor Haile Selassie, and was for a time the lead singer in his imperial bodyguard band. The BBC’s Elizabeth Blunt in Addis Ababa says that over the years, his plaintive tenor voice sang of love, family and friendship, as well as the more public themes of liberty, unity and justice. He had been in poor health in recent years because of diabetes. Read more.

Queen of Sheba Represents Ethiopia at Choice Eats 2009 (Tadias TV)

Tadias TV
Cover photo by Kidane Mariam for Tadias Magazine

New York – The following video shows the second Choice Eats tasting event organized by The Village Voice, the nation’s first and largest alternative newsweekly. Among those dishing out delicious and eclectic cuisine was Philipos Mengistu, owner and Executive Chef of Queen of Sheba, and his wife, Sara. The event took place on Tuesday, March 31, 2009 at the historic 69th Armory on Lexington Avenue in Manhattan. Enjoy!

Grammy-nominated Wayna Speaks to Tadias

Tadias Magazine
By Tadias Staff

Updated: Wednesday, April 1, 2009

New York (Tadias) – Ethiopian-American artist Wayna spoke to Tadias Magazine regarding her recent arrest at Houston airport and her blossoming music career. The Grammy-nominated singer is scheduled to perform at Edens Lounge in Baltimore on April 2nd; the Blue Note in New York City on April 3rd and the Zanzi bar in Los Angeles on April 5th.

Tadias: Thank you for taking the time to do this interview.

Wayna: Thanks guys. I’m feeling better every day.

Tadias: Regarding the Huston airport incident, can you explain what happened to your fans?

Wayna: Yes, I had just completed a mini tour of Texas and was en route to Miami. In my shows, I have a song called Billy Club about police brutality and I use a prop when performing it — a club to illustrate the song’s meaning. So I was late to catch my flight and had a large suitcase I was checking in and my performance bag I was carrying on, which has all of the things I usually bring to a show. The night before, I had printed 60 promo cds to take to the music conference in Miami and had crammed everything in my performance bag. In my rush to catch the flight and my general tiredness after driving and playing throughout Texas, I forgot to take the prop out of my bag and put it in my checked luggage. When the security found it, we were laughing about it. They said, we’ll just fill out this paper work and get you on your way. But I was in Harris County, Texas, the death penalty capital of the world, and before I knew they said that the assistant District Attorney wanted to press charges, and they were going to arrest me. I was stunned. But after I met with the lead DA and all the facts came out, the charges were dismissed “in the interest of justice” the report said, and I was on my way.


Wayna at the 51st Annual Grammy Awards.

Tadias: Beyond the headlines, how do you feel about your
career and your Grammy nomination?

Wayna: I am really excited for the new opportunities the Grammy nod has created. New blessings are coming everyday, and I’m working hard to be ready for all of them. I have a new project coming out this summer, a couple of great collaborations in the works, and a lot of shows, including a performance in the Congo.

Tadias: Are you surprised by the media attention surrounding your arrest?

Wayna: I was really surprised, yes. I suppose a scandalous story — justified or not — is more interesting to some media than all of the other things that have happened in my career. But I can’t get caught up in that. My job is to stay focused and positive and to do the best I can. I will make my share of honest mistakes, but I know God will protect me.

Tadias: Is there anything else you would like to share with our readers?

Wayna: I just want to thank all the people who prayed for me and shared their support. I’m relieved and grateful that the truth came out, and that I can move on and concentrate on the good things ahead.

——–
Related from Tadias Archive

Ethiopian-American Artist Prepares For Grammy Awards

Wayna: A Soulful Diva in the Making
(First published in our November/December 2004 print issue:
An exclusive interview with Tadias when Wayna launched
her music career).

Tadias Magazine
By Tseday Alehegn
Updated: Sunday, February 8, 2009

New York (Tadias) – Friends and family may know Woyneab Miraf Wondwossen (Wayna) as the young University of Maryland alumna who double majored in English and Speech Communications, and went on to serve as one of the first Ethiopian American researchers at the White House under Former President Bill Clinton. Recently, however, Wayna has waded into new waters and is beginning to make a name for herself among America’s favorite musicians. She’s nominated for a Grammy. Read more.

First Elected Ethiopian-American Judge

Above: Judge Nina Ashenafi Richardson received the oath of
office from Chief Justice of the Florida Supreme Court
Peggy A. Quince on on Friday, January 30, 2009.

Tadias Magazine
By Tadias Staff

Published: Monday, March 16, 2009

New York (Tadias) – Nina Ashenafi Richardson, an Ethiopian-American judge, who was elected to the Leon County bench in Florida on November 4th, 2008, is hard at work in the Sunshine State’s capital county.

She recently told the Tallahassee Democrat that although her workload is heavy, she is mindful of the responsibilities and privileges of her new position.

“At the county court level it’s a lot of volume, and you have to make sure you keep up with it,” she said of the plethora of criminal and civil cases that she now presides over. “I love it. Every time I come into the courthouse I continue to feel so privileged and honored to be here.”


Judge Ashenafi Richardson was ceremonially assisted into her judicial robes by her
husband Curtis B. Richardson, and daughters on Friday, January 30, 2009.

Born in Ethiopia, Nina came to the U.S. as a young girl and was raised by her late father Professor Ashenafi Kebede, the renowned Ethiopian composer and musicologist, who was the Founder and first Director of the National Saint Yared School of Music in Ethiopia. In the United States, he taught Ethnomusicology and served as the Director of the Center for African-American Culture at Florida State University, where his daughter later earned her law degree. He was also the Director of the Ethiopian Research Council, comprised of Ethiopian and American academics and professionals, which was founded by African American scholar Leo Hansberry.

Judge Nina, a mother of two, who is married to former State Legislator Curtis Richardson, was also the the first African-American woman to head the Tallahassee Bar Association and the first African-American to lead the Tallahassee Women Lawyers (TWL).

Tadias congratulates Judge Nina Ashenafi Richardson on her accomplishments!

Judge Nina’s Father:

Dr. Ashenafi Kebede, one of Ethiopia’s greatest cultural treasures – composer, conductor, ethnomusicologist, historical musicologist, music educator, novelist and poet – he died on May 8, 1998, at age 60. Read more at Florida State Times.

Beyonce Plans Ethiopia Concert

Tadias Magazine
By Tadias Staff

Published: March 10, 2009

New York (Tadias) – Beyonce Knowles, the R&B star and actress who plays the legendary Etta James in the movie Cadillac Records, is gearing up for an international tour, which may include Ethiopia, Entertainment Weekly reports.

Beyonce’s last performance in Ethiopia took place at the Millennium Hall in Addis Ababa, on October 17, 2007.

As to her 2009 schedule, EW says: “While details are still being worked out, she has dates tentatively penciled in for the U.K., Ethiopia, Japan, Brazil, and more, plus a run through the U.S. this summer.”

“I’ve been working on this tour for eight months,” Beyonce told EW. “It’s crunch time! I’ve been rehearsing and trying to make sure I put my set list together. Right now I’m anxious and I can’t sleep — I’ll be wanting to be at rehearsal. That’s the only thing I can think about. But I can’t wait.”

The report also says Beyonce will begin her year-long international tour in Canada later this month.

Chester Higgins: Omo Spirit Narrative

Tadias Magazine
Publishers’s Note:

Published: Thursday, March 5, 2009

New York (Tadias) – The following narrative is penned by Chester Higgins, Jr. He is one of the most significant photographers of his generation. He has been a staff photographer at The New York Times since 1975. One of the most indelible images of Emperor Haile Selassie was captured by him in 1973 in Addis Ababa. Higgins’ most recent photographs focus on the peoples of the Omo Valley of Ethiopia.

Omo Spirit: by Chester Higgins, Jr

Chester Higgins, Jr

I’m from that house, perched on a slope — near the gully, in that farming village of 800 people, inside the triangle of Alabama, Georgia and Florida. At the small age of nine, a dazzling light appeared in my room in the middle of the night, snatching me from sleep. At first, I was fearlessly curious. When I heard a voice coming out of the light, I screamed. Only decades later did I come to understand and appreciate the significance of this night and accept that perhaps I had been reached, my coordinates known, by the light of the Spirit.

In my part of the country people spoke matter-of-factly of “the Spirit.” I witnessed my Great Aunt talking away the pain of burned flesh and mixing herbs, and the enthusiastic, often shuddering, joyous celebration of the community of men and women touched by the Spirit each Sunday. Today, I find that interplay between our world of flesh and the Spirit still existing in Ethiopia. I felt it most acutely when I traveled this year to the South among the Omo people.

A year ago, I began to research these diverse groups of southern people who live in a triangle of Ethiopia, Sudan and Kenya. Since my first trip to Ethiopia in 1973, I have heard stories of their life, once isolated, but lately being encroached on by tourists and insensitive government policies. The loss of land has made survival for some of the Omo groups precarious. I have long wanted to work with them.

Searching images and writings about these ancient groups, I found little to suggest their voices have been heard or their true faces seen. Too often when we photograph “exotic” cultures—people of Nature— otherness prevails. Would the people trust me enough to allow me to work with them? Something deep stirred within me. My challenge became to give voice to the sacred Spirit buried inside the veins of each of them.


copyright 2009 Chester Higgins, Jr.

When I first encountered the Omo, I had to think about how much of what was before me was a shadow of the past, smoke of the present or a light from the future. In their homeland the relationship among the people, the land and the sky guides life in very pragmatic ways, revealing something about their spiritual sense of the cosmos. Against a dramatic starry backdrop, the Omo look for the sun’s appearance in different places on the horizon to tell the seasons. When twilight reveals the four stars of the Southern Cross, the two Pointers rising in a straight line at sunset and falling to the horizon at sunrise, they know the Omo River will soon flood. It is time to migrate to higher ground. When the flood recedes, they return to plant their crops.


copyright 2009 Chester Higgins, Jr.

Culturally, the Omo’s definition of beauty and self-worth is radically different from the Western ideals I grew up around. Spiritually,they are human vessels brimming with the Spirit, very much akin to the folks of my childhood. They are anchored between the ground and the sky, flanked by yesterday and tomorrow. Looking into their eyes, I found myself in an intensity of spiritual reflection I was familiar with. Each subject’s face, countenance, accessories, decorative paint, scarification or tattoos and piercing was merely the starting point.


copyright 2009 Chester Higgins, Jr.

What matters is what is going on inside. Could I find and connect with an engaging Spirit within people in what appeared to be such an alien culture? I came to each village with an interpreter specifically to sit with the village elders. I carefully selected candidates for my portraits, reaching out to touch each person to sense if our Spirits would spoon into each other. To make authentic interior images, I must have the complete cooperation of the subject.

I brought a full studio to southern Ethiopia. Technically for me the most important consideration in any photograph is light — or its absence. I find the light in Ethiopia to be the clearest. In the Amharic
language, the word for light is mebrat—a woman’s name. At an early age, I found pleasure in studying the nuances of light, watching its dance and its penumbra. I like to say that light is my mistress. She has been a major asset, helping me see more clearly.

Before the portrait sessions, I anchored cloth backdrops to light stands or just set up lights against a natural backdrop — creating a studio without walls. The burst of strobe first frightened my subjects, but once they understood that the careful preparations were directed at producing clearer representations of themselves, they began to place their trust in me, opening to reveal a deeper self, peeling away suspicion and reservation. To behold fully what is in front of my eyes, I always put my trust in the Spirit within to recognize the Spirit outside. When everything is complementary, an embrace can take place. I am invigorated when I feel this connection; it just happens. I believe the Spirit allows itself to be visualized, but refuses to be made a captive. But only when it manifests through the flesh can a subject’s interior be revealed.


copyright 2009 Chester Higgins, Jr.

During my sessions with the Omo, I felt that our Spirits embraced, leading me through moods and perspectives unique to the moment — and unique to them. I’ve since returned to New York, but the Omo people remain in their ancestral home, watching the heavens, by day the sun and at night the stars, that comfort their mystical dreams — dreams too deep for me to fathom. I made a visual litany with my camera, capturing the lines in their faces that mirror their spiritual trekking in time. I think of these images as a testament to spiritual moments that will remain an afterglow to their physical existence — much like a speeding meteorite, yet another expression of existence by the Spirit.

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