Search Results for 'helina'

For Juneteenth in New York City, Helina Metaferia’s Mural Celebrates Black Women

Helina Metaferia, Headdress 21 (2021). (Courtesy of the artist)

Artnet News

10 New Murals Will Pop Up Across New York This Summer Thanks to a New Professional Development Initiative for Black Artists

The first piece will be unveiled in Brooklyn this weekend in celebration of Juneteenth.

This weekend, on Juneteenth, a new mural celebrating the labor of Black women activists will be unveiled in Brooklyn.

The work of Harlem- and Brooklyn-based artist and activist Helina Metaferia, the mural depicts a fellow young creator, Wildcat Ebony Brown, atop a picture of a plinth; collaged throughout the scene are archival photos of civil rights-era protests and pictures culled from old Ethiopian and Kenyan travel magazines. A small text reads, “Where would democracy be without Black women?” It will be located at the Museum of Contemporary African Diasporan Art in Fort Greene.

The idea, Metaferia told Artnet News, is to “amplify the people in my life that are doing amazing work yet are often chastised in the media. [It’s about] reclaiming that image and offering another perspective on these activists in a way they can essentially get their power back.”

The piece will be revealed this weekend amid a flurry of other events scheduled for Juneteenth Jubilee 2021, a free outdoor event co-sponsored by arts organizations The Blacksmiths and the Wide Awakes that Metaferia—a member of the latter group—helped organize.

Metaferia’s mural is the first of 10 public artworks set to appear across New York’s five boroughs this summer through Not a Monolith, a new professional development initiative for Black artists organized by ArtBridge, an initiative that works to transform New York City’s many miles of construction fencing and scaffolding into a venue for art.

Read the full article at news.artnet.com »

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ART TALK: Helina Metaferia’s Solo Debut with Addis Fine Art at 2021 Frieze NYC

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ART TALK: Helina Metaferia’s Solo Debut with Addis Fine Art at 2021 Frieze NYC

Ethiopian American artist Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement. As a research based artist, Helina's work is informed by written and oral archives, dialogical art, and somatic practices. She is currently an Andrew W. Mellon Fellow / Assistant Professor at Brown University. (Addis Fine Art)

Press Release

Addis Fine Art is delighted to announce its representation of artist Helina Metaferia in Europe, Middle East and Africa. Helina will make her solo debut with Addis Fine Art at this year’s Frieze NYC Online Viewing Rooms from 7 – 14 May 2021.

For Frieze NYC Online Viewing Rooms, Addis Fine Art will be showcasing a series of collage works and an accompanying film by Helina Metaferia. The works are a continuation of the series titled, By Way of Revolution, a celebration of the overlooked histories of BIPOC women’s labor within activism, and the generational impact of civil rights eras of the past on today’s social justice movements.

Her mixed media works are made with images sourced from archival research of historical activism, including Black Panther newspapers and civil rights era photographs. She then amalgamates these images into crowns of adornment upon portraits she has photographed of women who are involved in contemporary liberation movements. Previous collages include portraits of participants of her performance-as-protest workshops that she conducts nationally. Her most recent works draw upon the activities of the Black Lives Matter movement during the pandemic and showcase Black women activists in LA and NYC, including BLM founders and chapter leaders such as Opal Tometi and Melina Abdullah, and recently formed artist-activist groups, such as The Wide Awakes, Revival Resistance Chorus, and Blacksmiths.


HELINA METAFERIA, HEADDRESS VIII, 2020, Mixed media, collage, 88.9 x 88.9 cm (Photo: Addis Fine Art)

HELINA METAFERIA

Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement. Through a hybrid of media, Helina’s practise is concerned with exploring overlooked stories relating to the Black experience, mainly in the context of the West. She approaches this by centring Black bodies, mostly women, in positions of power and vulnerability to interrogate complex histories of systemic oppression, questioning how it informs personal experiences and interpersonal relationships. She is also influenced by her Ethiopian heritage, often drawing upon traditional African art sensibilities in her work, specifically the intersection of visual art and ritual.

As a research based artist, Helina’s work is informed by written and oral archives, dialogical art, and somatic practices. She is currently an Andrew W. Mellon Fellow / Assistant Professor at Brown University.

Helina’s work has appeared in numerous institutional solo and group exhibitions including Museum of African Diaspora, San Francisco; Museum of Contemporary Art Detroit, Detroit; Modern Art Museum Gebre Kristos Desta Centre, Addis Ababa, Ethiopia, among many others. Her solo exhibition, Generations will open at the Museum of Fine Arts, Boston in Autumn 2021. Helina’s work has also been supported by several artist residencies including MacDowell, Yaddo, Bemis, MASS MoCA, and Triangle Arts Association. She is also a participant of the 2021 Drawing Center’s Viewing Program. Helina received her MFA from Tufts University’s School of the Museum of Fine Art and attended the Skowhegan School of Painting and Sculpture.

Learn more at addisfineart.com.

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Helina Teklu: 15-year-old In Need of $40,000 For Kidney Transplant (OP-ED)

Helina Teklu, 15, is diagnosed with end stage kidney disease. (Image credit: Screen shot from EBS Video)

Tadias Magazine
OP-ED

By Meron Abebe

Published: Sunday, August 18, 2013

Washington, DC – Like many girls her age around the world 15-year-old Helina Teklu has big dreams for her future. The teen, who is a tenth-grader and an “A” student, hopes to become a doctor one day in Axum, Ethiopia, where she was born and raised. At the moment, however, Helina is more focused on staying alive. She is suffering from kidney failure, and her doctors have determined that she can only be assisted with specialized medical care abroad. Her family cannot afford to pay for treatment.

I came across Helina’s touching story through a recent video that is circulating among Ethiopians on social media. Her condition epitomizes the long road ahead to improving the dire shortages of health professionals and up-to-date medical facilities in Ethiopia. Helina Teklu is the exact citizen Ethiopia needs today — someone with the ambition to be educated so she can be useful to her community and country.

For Helina’s working class parents (both teachers) the knowledge that their daughter may die soon aware that she could have been saved, is more than they can handle on their own. Her care outside the country, if made possible, is expected to cost upwards of $40,000 for the transplant operation and other related healthcare services. That’s why I am getting involved reaching out to readers with a strong belief that we can make a difference if we can pull our minds and resources together to give Helina the second chance she so deserves.

From a personal standpoint, Helina’s will to survive by itself is inspiring enough for me to act, but her goal is likewise beneficial for all of us. At least, it’s clear to me that her aspirations are not just a lofty child-like dream, but one that has been her life’s journey until abruptly interrupted by this illness. After all, she was a stellar student who is admired by her friends, teachers and neighbors.

You can watch the video here. Let’s give Helina a hand.

Meron Abebe is the founder of the non-profit organization Thankful Soul. She lives in Washington,D.C.

If You Want to Help:
You can contact Helina’s parents directly in Ethiopia:
Teklu Hagos (0914766051) and Mantegbosh Fissha (0921886921)

Funds can be sent to the Commercial Bank of Ethiopia
Account number 1000022462133.

In the U.S.: Wells Fargo, Recipient Abeba Yehdego
For transfer or an Electronic deposit:
Routing # (102000076) and Account # ( 1250106620)
Wire : Routing # (121000248) and Account # (1250106620)
Walk-in: Routing # (516306502) and Account # (1250106620)

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Photos: Amref’s ArtBall & Auction Honors Artist Julie Mehretu and Ethiopia’s Youth

The event held at 26 Bridge in Brooklyn honored Ethiopian-born artist Julie Mehretu and benefited a youth empowerment program in Ethiopia called Kefeta. (Photo: Courtesy of BFA)

Tadias Magazine

Updated: March 17th, 2023

New York (TADIAS) — Last month, Amref Health Africa hosted a sold-out ArtBall and Auction in New York, which celebrated the art and culture of African, Pan-African, and Black communities from the United States and Africa. The event honored world-renowned Ethiopian-born artist Julie Mehretu and benefited a youth empowerment program in Ethiopia called Kefeta.

The ArtBall showcased a wide range of artworks including paintings, sculptures, and photographs from various artists, such as Ethiopian American artists Helina Metaferia and Tariku Shiferaw. Tariku presented Julie with the Rees Visionary Award, recognizing her outstanding contribution to the art world.


Julie Mehretu at Amref Health Africa’s 2023 ArtBall & Auction. (Surface Mag)


Brooklyn’s Bunna Cafe hosted an Ethiopian coffee ceremony during the event, which also offered a variety of East and West African cuisine, beverages, and live music for guests to enjoy. (Photo: Courtesy of BFA)

“I am super-humbled by the work that Amref does,” Juile told the gathering. “After these last few years, we know more than ever, including those of us who aren’t usually on the frontline of healthcare, the imperative of healthcare and healthcare equity.”

Julie praised Amref’s work, noting that they have created a possibility where cultural work is made by Africans for Africans. The event brought people together and showcased the beauty of African art and culture while promoting positive change.

We had the privilege of attending the ArtBall and are excited to learn more about the Kefeta project in Ethiopia. We will be sharing an in-depth highlight of this remarkable initiative in the near future. We hope that more events like this continue to bring people together and promote positive change.

See photos: Inside Amref Health Africa’s Annual Auction and ArtBall – Surface Mag


Photo via Surface Mag


Photo via Surface Mag


Photo via Surface Mag


Photo via Surface Mag

More photos: Inside Amref Health Africa’s Annual Auction and ArtBall – Surface Mag

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New York Exhibition Features Ethiopian Artists at the Africa Center in Harlem

The traveling exhibition that’s currently on view at The Africa Center in Harlem is curated by Fitsum Shebeshe, a former assistant curator at the National Museum of Ethiopia. The show titled the 'States of Becoming,'features 17 artists from the Diaspora, including several Ethiopian-Americans, who reside and work in various places across the United States. (Photo: The Africa Center in New York)

Okay Africa

Having grown up in Ethiopia all his life, Fitsum Shebeshe had never known what it was like to travel outside of Hawassa where he was born. When he went outside the country for the first time, on a visit to Mozambique for an informal arts training program, his eyes were opened to brand new experiences and he wanted to learn more about the possibilities that were waiting for him beyond the borders of his home country, and, indeed, outside of Africa. While working as an assistant curator at the National Museum of Ethiopia, he applied to arts school in the US. Upon acceptance, he was given a scholarship to complete his Masters of Fine Arts in Curatorial Practice at Maryland Institute College of Art.

Based in the Washington DC area, Shebeshe work has centered on roles as both a curator and painter. He is currently the gallery director at Harmony Hall Regional Center in Fort Washington, Maryland, where he spoke to OkayAfrica about his hopes for the exhibition.

Read the interview at okayafrica.com »

Press release

The Africa Center

States of Becoming On view through February 26, 2023

The concept for States of Becoming evolved from curator Fitsum Shebeshe’s lived experience following his 2016 move from Addis Ababa, Ethiopia to Baltimore, Maryland and his subsequent firsthand knowledge of the weight of cultural assimilation. Confronted with a different society, Shebeshe encountered a wide range of existential questions that shaped his relationship to institutions and culture. Shebeshe also had the realization for the first time that he was viewed as belonging to a minority because of the color of his skin, and a newfound awareness of the profound impact the traditional and conservative culture he grew up with in Ethiopia had on his personal sense of individuality.

Having found kinship among cultural practitioners from the African Diaspora who shared his experience, Shebeshe has united 17 artists with States of Becoming who either came to the United States over the past thirty years or who are first-generation born. The artists represented in States of Becoming relocated from twelve countries in Africa and one in the Caribbean–Ethiopia, Ghana, Ivory Coast, Kenya, Liberia, Mauritania, Nigeria, Senegal, Sierra Leone, Sudan, Trinidad and Tobago, Tunisia, and Zimbabwe–with roots in cities across the U.S., including New York, Washington, D.C., New Haven, Detroit, and Los Angeles.


Video screen shot of artwork by one of the featured Ethiopian artists Kibrom Araya. Other Ethiopian artists highlighted in the show include Helina Metaferia, Amare Selfu and Tariku Shiferaw. (The Africa Center)

Like Shebeshe, each artist in the exhibition has had a unique relationship to the U.S. context, which is reflected in their work. States of Becoming explores these artists’ perpetual process of identifying, redefining, and becoming themselves in both local and global contexts, opening up perspectives into multiple states both geographic and emotional in a constant flux of social and cultural adaptations. The exhibition presents work across mediums including painting, photography, sculpture, installation, and video, that express the many different ways in which identity is remade and reimagined. For instance, Nontsikelelo Mutiti looks to hair braiding salons of the African Diaspora, and Amare Selfu moves from figuration to abstraction to express transformation as a result of relocation. These distinct experiences produce a sense of hybrid culture emerging out of real and imagined genealogies of cultural, racial, national, and geographic belonging.

Artists: Gabriel C. Amadi-Emina, Kearra Amaya Gopee, Kibrom Araya, Nadia Ayari, Vamba Bility, Elshafei Dafalla, Masimba Hwati, Chido Johnson, Miatta Kawinzi, Dora King, Helina Metaferia, Nontsikelelo Mutiti, Yvonne Osei, Kern Samuel, Amare Selfu, Tariku Shiferaw, and Yacine Tilala Fall.

Learn more at www.theafricacenter.org.

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TOP 100 Ethiopian Restaurants in US: Yelp

Yelp states: "We identified businesses in the Ethiopian category, then ranked those spots using a number of factors including the total volume and ratings of reviews between January 1, 2015 and July 20, 2020. When available, all businesses on this list have a passing health score as of July 2020." (Photo: Yelp)

Yelp

By Helina Wolde Medhin, Senior Community Director II, Yelp Los Angeles

Ethiopia. Birthplace of coffee. Source of the (Blue) Nile. Home to ancient archaeological treasures. There are so many unique aspects that make up the rich culture and history of this diverse, never-colonized East African nation. But perhaps the most universally celebrated feature that connects Ethiopia to the world is its deliciously distinctive colorful cuisine.

Top 100 Ethiopian Restaurants in the U.S. According to Yelp Methodology:

We identified businesses in the Ethiopian category, then ranked those spots using a number of factors including the total volume and ratings of reviews between January 1, 2015 and July 20, 2020. When available, all businesses on this list have a passing health score as of July 2020.


Shebelle Ethiopian Cuisine & Bar (Dallas, TX) – Shebelle E

1. GS Cafe and Ethiopian Cuisine (Covina, CA)
2. Selam Ethiopian & Eritrean Cuisine (Orlando, FL)
3. Enat Ethiopian Restaurant (Charlotte, NC)
4. St Yared Ethiopian Restaurant (Indianapolis, IN)
5. Abugida Ethiopian Cafe & Restaurant (Charlotte, NC)
6. Shewhat Addis Restaurant (Oakland, CA)
7. Addis Restaurant (San Diego, CA)
8. Derae Restaurant (Memphis, TN)
9. Lucy Ethiopian Restaurant & Lounge (Houston, TX)
10. Enatye Ethiopian Restaurant (Herndon, VA)

Read the full list at blog.yelp.com »


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Church Unearthed in Ethiopia Rewrites the History of Christianity in Africa

At an archaeological site in Ethiopia, researchers are uncovering the oldest Christian basilica in sub-Saharan Africa. (Ioana Dumitru)

SMITHSONIAN.COM

Archaeologists now can more closely date when the religion spread to the Aksumite Empire

In the dusty highlands of northern Ethiopia, a team of archaeologists recently uncovered the oldest known Christian church in sub-Saharan Africa, a find that sheds new light on one of the Old World’s most enigmatic kingdoms—and its surprisingly early conversion to Christianity.

An international assemblage of scientists discovered the church 30 miles northeast of Aksum, the capital of the Aksumite kingdom, a trading empire that emerged in the first century A.D. and would go on to dominate much of eastern Africa and western Arabia. Through radiocarbon dating artifacts uncovered at the church, the researchers concluded that the structure was built in the fourth century A.D., about the same time when Roman Emperor Constantine I legalized Christianty in 313 CE and then converted on his deathbed in 337 CE. The team detailed their findings in a paper published today in Antiquity.

The discovery of the church and its contents confirm Ethiopian tradition that Christianity arrived at an early date in an area nearly 3,000 miles from Rome. The find suggests that the new religion spread quickly through long-distance trading networks that linked the Mediterranean via the Red Sea with Africa and South Asia, shedding fresh light on a significant era about which historians know little.

“The empire of Aksum was one of the world’s most influential ancient civilizations, but it remains one of the least widely known,” says Michael Harrower of Johns Hopkins University, the archaeologist leading the team. Helina Woldekiros, an archaeologist at St. Louis’ Washington University who was part of the team, adds that Aksum served as a “nexus point” linking the Roman Empire and, later, the Byzantine Empire with distant lands to the south. That trade, by camel, donkey and boat, channeled silver, olive oil and wine from the Mediterranean to cities along the Indian Ocean, which in turn brought back exported iron, glass beads and fruits.


A stone pendant with a cross and the term “venerable” in Ethiopia’s ancient Ge’ez script found outside the eastern basilica wall. (Ioana Dumitru)

Read more »


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Spotlight: Addis Video Art Festival

Photo from previous Addis Video Art Festival. (Facebook)

Tadias Magazine
By Tadias Staff

December 17th, 2017

New York (TADIAS) — This month the second Addis Video Art Festival takes place at various locations in Ethiopia’s fast-changing capital exploring the notion of “love triangle” and featuring works by a diverse group of international artists interpreting unique personal vantage points formed as a result of constant mobility, forced or otherwise.

The festival, which will be held from December 24th, 2017 to January 03, 2018 “presents works that translate new positions that are created from the experience of moving or changing between place, time and or identity,” the press release states, adding that love triangle “implies a connection and ties between three entities; the subject and two objects. Due to a surge in development, many residents of the city of Addis Ababa will be relocating to new neighborhoods. For those who move their sense of belonging is no longer singular, instead they are tied between yesterday and today, here and there.”

The video presentations are scheduled to be screened at Alle School of Arts and Design at both the opening and closing reception, as well as at Addis Fine Arts, Addis Ababa Museum, the National Gallery, British Council, Fendika Cultural Center. A public screening is also scheduled at various locations including Merkato, Sidist Kilo, Arat Kilo, Biherawi and supermarkets in Bole.

In explaining their selections for this year’s festival organizers note that:

The theme of love triangle appears in many manifestations from the intimately personal to the socio-political-environmental to the cosmic. While the mechanics of triangulation has uses in politics, psychology, social sciences, and in the interpersonal politics of love, the essential method is always the same: by converging measurements taken from two distinct points, a more confident result is found, validating the data, be it time, space, or people, from the perspective of multiple observers. In this way, the complexity of the human experience is portrayed more accurately. However, triangulation also points out absences as space is filled from all sides in a balancing act that correlates to the other sides, one can easily find what is not contributing to the whole.

The press release adds:

One video work surveys the aesthetics of demolished sites around Ethiopia and questions the ideology they represent, an ideology that does not value the culture, identity, and social morals of the region. Another video work takes us to India where the landscape becomes a political conversation in which different perspectives of history and mythology are explored, from a riverbed of trash to a 28th story rooftop. The video works show us that this triangulation can also be a disgusting and seemingly infinite loop of economics and human labor in which vulnerable people are currency.

Some of the highlighted Ethiopian artists include Mulugeta Gebrekidan, Martha Haile, Helina Metaferia and Yacob Bizuneh.

ADDIS VIDEO ART FESTIVAL 1st Edition from Addis Video Art Festival on Vimeo.


If You Go:
You can learn more about the festival at www.addisvideoartfestival.net.

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Ethiopia: 2017 Mandela Washington Fellows Tell Their Stories

Abinet Tasew, a 2017 Mandela Washington Fellow from Ethiopia (pictured above), is the author of the following article. (US Embassy Addis)

US Embassy Addis

By Abinet Tasew, 2017 Fellow

The fellowship is a game changer

The name of the program, “Mandela Washington Fellowship for Young African Leaders,” itself was my inspiration to apply. I learned about the program two years ago from the radio; someone talked about “Young African Leaders,” then associated it with two great leaders I love the most – Nelson Mandela and Barack Obama. I thought about two things: how prestigious the program will be and how great young African minds will come together. I looked back at my accomplishments and I told myself that I fulfill all the requirements. I was confident when I wrote my application; I was sure that I would be one of the 2015 fellows. I made it as a semi-finalist, proving me right, but I ended up being an alternate candidate. Guess what I told myself, “This is the result of quotas for the program, and it has nothing to do with me.” I pulled myself together and reapplied. This time, I made it as a finalist and I become a 2017 Mandela Washington Fellow. The program is prestigious and I met great, young African minds and hearts.

The fellowship is a game changer. I never thought that a six-week experience could have this huge impact on my worldview.

Read more »


Related:
“Applying To MWF was one of the best decision I have ever made” — By Tigist Seife Haile
Former Mandela Washington Fellow Gersam Abera Shares Advice for 2018 Applicants
“The Mandela Washington Fellowship was a life changing experience” — By Azeb Gebresilassie Tesema
Four tips to apply for the Mandela Washington Fellowship program — By Helina Stiphanos, 2017 Fellow
What inspired you to apply? — By Melaku Girma Lemma, 2017 Fellow
Meet the 2016 Mandela Washington Fellows from Ethiopia
Meet the 2015 Mandela Washington Fellows from Ethiopia
Meet the 2014 Mandela Washington Fellows From Ethiopia

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Ethiopian Youth Lobby Senators to Pass Law Protecting Girls

The kids on the hallways of Rayburn US Congress Bldg where they handed 11,000 letters to Senators lobbying for the support of H.R. 2103. - (Photo by Saba Fassil - July 15, 2010)

Tadias Magazine
OP-ED
By Saba Fassil

Published: Thursday, July 29, 2010

WASHINGTON (TADIAS) — Two weeks ago, about 20 young people from the Ethiopian Community Center in D.C., along with their peers from other communities, descended on the U.S. Senate, where they delivered over 11,000 letters urging lawmakers to pass “The International Protecting Girls by Preventing Child Marriage Act.”

The bill, if passed, will authorize President Obama to provide assistance, including through multilateral, non-governmental, and faith-based organizations, to prevent child marriage in developing countries and to promote the educational, health, economic, social, and legal empowerment of girls and women.

According to USAID, the marriage of girls under 18 is a common practice in many developing countries, including Ethiopia, and in some regions it is a deeply-rooted tradition. USAID research shows that “the practice can produce large families, poverty, medical complications due to early childbearing, increased vulnerability to HIV/AIDS, high rates of divorce, and interruption of education.” There are already an estimated 60 million girls worldwide who are child brides; without serious action to end this harmful tradition 100 million more girls are expected to be forced into marriage in the next decade.

The lobbying effort, which was coordinated by Plan USA – part of Plan International, a world-wide non-profit organization with country offices in 48 developing countries including Ethiopia – used letters written by volunteers from each of the 50 states asking the Senators for their support to pass the law so that no girl ever has to be forced into marriage, at ages as young as seven!

Helina, a student at Cardozo Senior High School in Washington, D.C., is one of the leaders of the youth delegation. She was born in Ethiopia where half of all girls are married by age 14 in the northern Amhara region. “Child marriage is terrible,” says Helina. “Kids should be able to stay in school and get an education, and not be forced into marriage. We need to do something about it. We have to make sure people are aware of this situation.”

Sixteen-year-old Shayna, a D.C. student at School Without Walls says, “It is important for girls my age or younger to go through their childhood experience in a positive way so they can grow and become strong young women, and know what it is they want for themselves and get proper education, develop friendships and connections with others. Ultimately having strong and beautiful young women in this world will make this world a better place.”

Mamadou,12, is a boy trying to stand up for girls, something you don’t usually see on the school playground. But he wants to help stop the practice of child marriage, a tradition that stands to affect 100 million more girls in the coming decade. “It just basically messes up your whole life. Just imagine yourself as a young child wanting to be a doctor. But then you get married at a young age, do you really think that those dreams are still alive?”

Nardos, a young Ethiopian-American girl, was brimming with excitement to be walking into Senate offices, gladly attending a Congressional hearing about child marriage and speaking to Senate aides.


The kids gather to lobby congress on July 15, 2010. Courtesy Photo.

Hopefully this youth-led effort will help push the Senate, in its final marathon before adjourning for the year, to pass this important act, and help millions and millions of girls worldwide have the chance to be just girls, not wives.

These young global citizens are participants of “Because I am a Girl” – Plan International’s campaign to fight gender inequality, promote girls’ rights and lift millions of girls out of poverty.

Saba Fassil is a graduate of the George Washington University, where she earned a B.S. in Economics.

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Interview with a CNN Hero

By Tadias Staff
Above photo by Jeffrey Phipps for Tadias Magazine

Published: Tuesday, December 9, 2008

New York (Tadias) – We recently spoke with Yohannes Gebregeorgis, one of the Top Ten CNN Heroes of 2008. He was recognized for his remarkable efforts to bring free public libraries and literacy programs to thousands of children in Ethiopia, including the country’s first Donkey Mobile Library. Mr. Gebregeorgis, 59, was born in Ethiopia and came to the United States as a political refugee in 1981. He eventually put himself through college, earning a graduate degree in library science and worked as a librarian in San Francisco for nearly two decades before embarking on his current project.

Here is our interview with Yohannes Gebregeorgis:


Yohannes Gebregeorgis

Tadias: Yohannes, congratulations for being selected as one of CNN’s Top 10 Heroes of 2008!

Yohannes Gebregeorgis: Thank you. I appreciate Tadias Magazine for consistently covering Ethiopia Reads and making it possible for a lot of Ethiopians and other people to know our work. It’s very helpful when media like Tadias give coverage to such works. Thank you again.

Tadias: CNN’s Anderson Cooper said: “Our Top 10 CNN Heroes are proof that you don’t need superpowers — or millions of dollar, — to change the world and even save lives.” Please tell us about your organization, Ethiopia Reads, and your efforts that led to this recognition.

YG: It’s very true that one doesn’t have to be a superpower or a millionaire to change the world. Even though Ethiopia is not a super power, we know that there are millionaires in Ethiopia. However, they are not using their wealth to make an effective change or to save lives. I think the recognition that Ethiopia Reads has received is primarily for the recognition of the importance of literacy to the development of a country’s future; for it’s power to change individuals and society. What we’ve accomplished in the last six years is a drop in the ocean compared to the need. It’s a good beginning that needs to be kept alive and going until we cover all regions of Ethiopia. We’ve established two free public libraries for children and youth; one in Addis and one in Awassa. We’ve established one donkey mobile library and adding three more by January 2009. We’ve established 16 school libraries and adding another 18 in the next 6 months to one year. We’ve published 8 children’s books and distributed over 30,000 books freely to children with another 75,000 to be distributed freely in the next six months to a year.


Children reading in Awassa, Ethiopia.

We have over 100,000 children that make a visit to all our libraries; We’ve instituted an annual Ethiopian Children’s Book Week, a children’s book award – the Golden Kuraz Award, we’ve provided basic library and literacy training to about 120 teachers and assistant librarians, we’ve taken thousands of children on a march to parliament, and in our annual Book-A-Thon, we’ve made it into the local news media many times advocating reading and literacy. We’ve been widely featured in international media. We’ve created a solid foundation from where we can launch massive campaigns to cover all of Ethiopia given that we have the resources.

Tadias: Among your projects that has received the most press attention is Ethiopia’s first Donkey Mobile Library. What inspired you to come up with this creative concept?

YG: The Donkey Mobile Library was conceived because of the need to reach out to children in rural communities.. The idea of portable and mobile libraries existed in other countries. For example, there is a boat library in Colombia, south America, a camel library in Northern Kenya, a bicycle library and other forms of book delivery methods. The donkey mobile library is similar to a book mobile, a bus that carries books to different communities in developed countries. I’ve seen a donkey pulled satellite station in Zimbabwe several years ago and that has given me the idea of the donkey mobile library. I designed the whole donkey mobile cart with the shelves and storage areas. A very experienced Ethiopian metal engineer built the units from sketches and guidance I gave him. An artist made the necessary logos and designs on the cart and it turned out to be the best.


Donkey pulls mobile library.


Yohannes with the donkey mobile library.

Tadias: Can you share with us an anecdote describing some of the experiences children had when they first visited one of your libraries? How did it change his or her life?

YG: When we first opened our first library in Addis Ababa and the Donkey Mobile Library in Awassa, we noticed several children who were holding books upside down. This children had never held a book before. One of these children, who was nine years old at the time is now a Star Reader, one of many children who are chosen annually for their reading skills and for reading out loud to other children. We select 12 Star Readers from thousands of children who come to our library annually. Robel has visited the library everyday since he first came six years ago. He’s participated in every program that we offer at the library such as English lessons, theater, art and crafts and the sanitation program. Robel is also doing very well in his school as his grades have improved significantly.There are others like Robel who are part of the library family as we’ve known them for as long as the library’s existence.

Tadias: Eighteen years ago, you gave Mammo Qilo (the popular Ethiopian children’s story) its American debut. You are the author of “Silly Mammo”, which was the first bilingual Amharic-English children’s book. Why Mammo Qilo?

YG: I’m so glad that Kilu Mammo has become famous in America! When I first thought about producing a book for Ethiopian children, Kilu Mammo was the only story that came to mind which appealed to me. Many Ethiopians remember the story from their childhood as I did. It’s a very simple but nice story. Children like silly stories to begin with and Mamo Kilu amuses not only children but also adults.

Tadias: We understand that you hold a graduate degree in library science and you served as Children’s Librarian at the San Francisco Children’s Library. How big, would you say, is the pool of trained librarians in Ethiopia that can assist with new library projects?

YG: There aren’t many Ethiopians who have a library training. There is no institution that has a training program as the Addis Ababa University folded its library science program some five or so years ago.I don’t think Ethiopian education authorities think of libraries as something very essential. Besides, there are no library policies in the educational policy of the country that I know of, therefore it makes it hard to have training programs where no one would hire the people that are trained. We have difficulty finding trained librarians. We’ve been hiring librarians ever since we started our program in Ethiopia. We’provide basic library training program for the school libraries that we establish.

Tadias: What are your long term plans to expand your program across the country? And what kind of help do you need?

YG: Our plan is to expand our projects and programs to all regions of Ethiopia by expanding to at least one region every two years. We now have projects in place that can easily be duplicated. In order to accomplish this ambitious goals we need, first and foremost financial support, then other material support such as books, computers, etc., and then any other kind of support such as volunteers.

Tadias: How can your U.S.-based fans help to further your organizational goals?

YG: There are so many ways that our fans in the US can help. For example, we’re about to embark on a membership drive that is geared towards Ethiopians. We’ve seen how enthusiastic Ethiopians have become when they discovered the work we do in Ethiopia. We see a very positive attitude and desire to help by a large number of Ethiopians. We’d like Ethiopians to support our work by becoming members and donating ten, twenty or whatever amount of money they could. Every book week has a theme around which we can raealy afford on a monthly instalment. We’d like to get a few thousand Ethiopians signing up for this monthly donation. Those who can afford can sponsor a library in memory of someone they love, sponsor a Donkey Mobile Library, sponsor publishing of a book, etc. There are so many ways our fans could be involved. People can find more information on our web site ethiopiareads.org.

Tadias: Is there anything else you would like to share with our readers?

Since 2003, Ethiopia Reads has organized an annual Ethiopian Children’s Book Week, an annual celebration of books, reading and libraries. During our first book week, we took more than a thousand children on a march to the Ethiopian Parliament with a petition asking the government to provide libraries and boks for children. We’ve special programs everyday of the week such as Read-A-thon, Book-A-Thon, Bread and Books Day, International Children’s Book Day, Book Launch, Golden Kuraz Award, the Star Reader Award, Art Day and many other activities take place during the one week. Every book week has a special theme as a focus. Readers are Leaders, Libraries for Rural Development, Bread and Books for Children, Those who read Bloom, Ethiopia Stretches her Hands, are the book week themes of the last six years. Special posters that reflect these themes are made and distributed. The next book week is the Sixth Ethiopian Children’s Book Week to be held April 1-7, as it always is, with a theme “Ethiopia Reads” (Ethiopia Tanebalech). What we want to share with Tadias readers is to celebrate book week with us by reading to children, by making books available to your family, support Ethiopia Reads and other organizations that work in Ethiopia.

Tadias: Thank you so much for your time, Yohannes, and good luck with your work.

YG: Thank you Tadias for your interest in the work of Ethiopia Reads and for supporting us by writing about our work.


Yohannes will speak in Harlem (New York)
Saturday, December 13 at 2:00 PM at Cafe Addis (435 West 125 Street, NY, 10027). Phone: 212-663-0553 (Mekonen or Negus).

Yohannes in Maplewood, New Jersey
Yohannes will appear at the Maplewood Public Library in Maplewood, NJ on Thursday, December 11 at 7 pm

Yohannes in Silver Spring, Maryland
Wednesday December 17 – 7:00pm Abol Restaurant, 8628 Colesville Road (across the street from the AFI Silver Theater) Silver Spring, MD 20910 (RSVP: Matt Andrea 202-232-9085, Maureen Evans 301-386-5610).



Harlem Ethiopian Art Exhibition September 5

Source: Helina Metaferia

Published: Monday, August 25, 2008

New York – Coinciding with the 200th year celebration of The Abyssinian Baptist Church in Harlem, comes a group show called “Celebrating Abyssinia to Harlem and Back,” hosted by Canvas Paper and Stone Gallery in Harlem.

The show is curated by Helina Metaferia and Averlyn Archer, who is the Gallery Director at Canvas Paper and Stone, featuring Ezra Wube, Meseret Desta, Mekbib Gebertsadik, Tesfaye Tessema and Helina Metaferia along with Ray Llanos. “Celebrating Abyssinia to Harlem and Back,” is a modern art group show appreciating the special relationship between Ethiopia and Harlem.

The Opening Reception will be held on Friday, September 5, from 6 until 9 PM. The exhibition will run from September 3 through September 27, 2008 in the Gallery at 2611 Frederick Douglass Blvd., Studio 2N in Harlem, New York 10030. Gallery hours are Tuesday through Saturday, from Noon until six and by appointment.

There is also a gallery talk scheduled for the end of the exhibition, featuring Dr. Getachew Metaferia, a professor of Political Science and International Relations at Morgan State University. He has written The Battle of Adwa- Reflections on Ethiopia’s Historic Victory Against European Colonialism and will speak to the topic of Ethiopian-United States ties across the Atlantic.

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The relationship between Ethiopians and Harlemites began in 1808 when Ethiopian merchants and African Americans co-founded The Abyssinian Baptist Church in the City of New York, and has continued to the present, as Harlem is the home to thousands of Ethiopians. Their initial shared effort with The Abyssinian Baptist Church was in response to racially segregated seating in the churches. In the 1930′s, when Garveyism and the Italian-Ethiopian War were on the rise, African-Americans in Harlem took interest in Ethiopia’s independence. Pan-Africanist struggles and the religious-political notion of Ethioipianism bound Harlem residents to Ethiopia, and many African-Americans began to extend their support as Ethiopia struggled against fascist tyranny.

Contemporary Ethiopian art reflects the history of the nation, using bold colors, rich strokes, rhythmic symbols and patterns to express subjects ranging from the homeland and culture to prominent societal struggles. All of these traits are exhibited in the upcoming show, where each artist has his or her own special connection to Ethiopia, whether it be their descent or sense of nationalism. It is this connection to Ethiopia and the USA that unite the very diverse
artists, creating a fluid group show.

This show features five artists and a photographer. Ezra Wube was born and raised in Addis Ababa, the capital city of Ethiopia. He came to the United States at the age of 18. Currently, Ezra resides in Brooklyn, New York, working on his MFA at Hunter College. Ezra explores color and form composition, in examining the figure and themes.

International, award-winning artists Meseret Desta and Mekbib Gebertsadik find inspiration in the cultural richness of Ethiopia, their native homeland. Meseret spotlights women’s portraits while emphasizing the struggle and hardship of women of the world in antithesis to the vivid images of beautifully colored and textured open markets of Ethiopia. Mekbib focuses on “Africanism,” a style described by the artist as “contemporary African paintings reflecting
the core of the African life and culture.”

Tesfaye Tessema can claim many exhibits and private collectors. His work is wide ranging, from paintings, to prints, to computer manipulated photos. The commonality across all these media is
spirituality which is evident in his titles and in his work.

Helina Metaferia is a visual artist, healing artist, and community artist. Her paintings have been shown in galleries and museums such as The James E. Lewis Museum and Pheonix Gallery. She is the illustrator for the Children’s book We Dance the Earth’s Dance. Helina currently facilitate workshops in visual arts and meditation in community based programs.

Ray Llanos is a photographer, who accompanied The Abyssinian Baptist Church to Ethiopia, and captured their trip on film. His work has sent him across the United States and all around the world, to places including Trinidad and Tobago, Dominican Republic and Puerto Rico. Mostly specializing in Carnival festivals, Llanos has seen celebrations all over the world, capturing the energy of the moment while enabling his audience to feel those same emotions.

Canvas Paper and Stone Gallery is excited to present these artists to a community that has its own connections with Ethiopia and African Americans alike. The vibrant colors and beautiful textures reflect Ethiopia, its rich culture and landscape, as well as its relationship with Harlem. The Gallery is a contemporary fine art venue which focuses on emerging and established artists in all visual media. Among its objectives is informing and educating its client base, buyers, and collectors about contemporary visual art. It continues to lead the way in Harlem’s cultural arts renaissance by producing world-class art exhibitions. Past exhibits include work by TAFA, Deborah Willis, Ray Llanos, Eric Henderson, Diane Waller, Dianne Smith, Mary Heller, Francks Deceus, Charly Palmer and Aleathia Brown.

Learn more at canvaspaperandstone.com

3rd Annual Harlem Open Artist Studio Tour

Dream, by Jennifer Wade, participating artist at the Harlem Open Artist Studio Tour. Wade is an artist and an art therapist based in New York City.

New York – Here is a show you won’t want to miss this weekend: The 3rd Annual Harlem Open Artist Studio Tour is scheduled for Saturday, October 6, and Sunday October 7, 2007.

The event features two notable Ethiopian-Americans: Harlem resident artist Tesfaye Tessema (62 West 120th Street) and newly arrived and emerging artist Helina Metaferia.

Tessema (Tess as he is known in Harlem), whose work is also on display at the Schomburg (Black Art: Treasures from the Schomburg, May 12, 2007 through December 31, 2007 Latimer/Edison Gallery), stands as the only contemporary Ethiopian artists to display his artwork at established institutions like the Guggenheim Museum in New York. His art has been exhibited at various universities throughout the U.S. as well as internationally in France, Germany, England, Japan, and many other countries.

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Above: By Tesfaye Tessema. Harlem Ber, mixed media.

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In her article entitled “Bridging Cultures Through Art: A Harlem Moment with Tesfaye Tessema”, Tseday Alehegn, editor-in-chief of Tadias Magazine, wrote: “Walking through Harlem with Tess two things become quickly evident: The first being that this neighborhood has, as the artist tells us, “a feeling of home.” And the latter, that his love for this community fuels his art.” Photo by Liben Eabisa

The other artist, Helina Metaferia, a new Harlem resident and an emerging artist from Washington D.C, whose work is also part of an exibit honoring the Ethiopian Millennium in the United States Congress ( Hosted by Rep. Mike Honda, October 10, 2007 5-7pm at 1300 Longworth HOB), was the featured guest artist at the Addis Heights Millennium Arts Exhibition Series in Harlem last spring.

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Above: Helina Metaferia. Photo by Matthew E.
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Above: Free Womban, acrylic, pastel and charcoal on paper, 18” x 24”

Open studio events have become a staple of many artistic communities, allowing hundreds of neighborhood residents and visitors to see where and how contemporary works of art are conceived. Art lovers have a chance to meet the artist in a relaxed atmosphere and learn about the creative process directly from its source. By bringing visitors directly into artists’ studios, the event creates an awareness of the culture of modern Harlem.

Learn More at: artHARLEM.COM

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Ethiopian Cooking Presentation at the World’s Largest Store

On Thursday, April 26, the audience in the Cellar Kitchen at Macy’s Herald Square, the world’s largest store, received an important lesson in cooking up flavorful Ethiopian dishes from Philipos Mengistu, owner and Executive Chef of Queen of Sheba restaurant in New York City.

Philipos demonstrated why crowds are flocking to his midtown Manhattan eatery. He was assisted by his wife Sara and Asiana Blount, manager of Macy’s Herald Square Special Events, and the staff at Macy’s Culinary Council.

Tadias was there to cover the event. Here are images from the show.

Photos by Liben Eabisa
City: New York
Event Name: Cooking demonstration by Philipos Mengistu, owner and Executive Chef of Queen of Sheba restaurant
Host: Macy’s Herald Square Special Events
Venue: Macy’s Herald Square
Address: 151 West 34th Street
Date: Thursday, April 26, 2007

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Above: Asiana Blount, manager of Macy’s Herald Square Special Events, prepares Philipos for the show.

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Above: Philipos was assisted by his wife Sara (left) and Asiana Blount, manager of Macy’s Herald Square Special Events (middle).

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The audience was treated to servings of Yebeg Tibis (Ethiopian lamb stew).

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Above: Philipos at the end of a hugely successful event.

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Above: Philipos at his midtown Manhattan restaurant. Photo by Helina Metaferia.

View more hot shots here.

Art Exhibitions to Commemorate the Ethiopian Millennium, Harlem

The inaugural show for Addis Heights millennium arts exhibition series featured 23-year-old Helina Metaferia, a U.S.-born Ethiopian-American artist from Washington, D.C.

Here are images from the opening hosted by Addis Heights Lidjoch Org. The project is sponsored by Tadias Magazine and Africalling.com.

Photos by Gideon Belete
City: Harlem, New York
Event Name: Opening of Addis Heights Millennium Art Exhibition Series
Featured Artist: Helina Metaferia
Show Title: Finding Womban – An Exploration of femininity through painting.
Host: Addis Heights Lidjoch Org.
Venue: OC West
Address: 11 Edward M. Morgan Place (157 & Broadway)
Date: Saturday, April 21, 2007

Send your hot shots to hotshots@tadias.com

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Above: Featured Artist Helina Metaferia (left) and writer Andrea Bostan. Photo by Angelica.

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Above: Featured Artist Helina Metaferia (left) and Leah Abraha (right).

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Above: Leah Abraha

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Above: Enjoying spring weather outside OC West

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Above: Helina Metaferia and friend

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Above: Hilawe Girma

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Above: Adebola Osakwe, owner of OC.

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Above: Helina’s parents

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Above: Tizita Fekredengel

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Above: Helina’s parents

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Above: From left – Actor Freedome Bradley, Africalling’s Gideon Belete, and John

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Above: From left – Tizita , Liben Eabisa, and Eleni.

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Above: Joelle Dussek (Production & Events Consultant), on the back ground – Kidane Mariam (Ethio-Cuban Cinematographer)

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Above: Ayele

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Above: Esabel

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Above: Liben Eabisa and Helina Metaferia

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Above: From left – Freedome Bradley, Nemo Semret and Liben Eabisa

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Above: Helina Metaferia (left) and Leah Abraha

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Above: From left – Freedom Bradley, Gideon Belete, John and Nemo Semret

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Above: Part of the proceeds from the sale of the book Abyssinia of Today (Robert P. Skinner’s memoir, a narrative of the first American diplomatic mission to black Africa), helps to pay part of the production cost for the Millennium Art Exhibition Series.

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Above: Gideon Belete.

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Above: Kidane Mariam (Ethio-Cuban Cinematographer)

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View more hot shots

Hot Shots From the The 4th Annual Blen Art Show in Washington, D.C.

Above – Left: Blen II Catalogue contributors Robel Kassa,
Middle:
Salem Berhanu, Right: Blen Art Show Coordinator Ephrem M. Girma

Photos by Helina Metaferia
Event Name: The 4th Annual Blen Art Show
City: Washington, D.C.
Venue: Artful Gallery
Hosts: The Blen Team

Email your hot shots to hotshots@tadias.com

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Left: Woodcut work by Abebe Zelelew participating from Dallas, Texas
Right:
Zena Tesfaye Teferra

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Left: Professor Achamyeleh Debela and his wife
Right: Azeb Mengestu (Member of The Blen Team)

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Left: Participating artist Meseret Desta
Right: Participating artist Mekbib Gebretsadik (Meseret Desta’s husband)

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Left: Masai Haileleul (Addis Art Gallery) and artist Solomon Asfaw
Right:
Robel Belete & Rahel Woldemariam

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Left: Painting by Martha Mangestu participating from Ethiopia
Right: Ruth Ayenew and participating artist Elsa Gebreyesus

View more hot shots here.

Click here for events near your city or visit Liben’s Events List at www.libenslist.com

Addis Heights Millennium Arts Exhibition Series to be launched in Harlem, New York.

Above: Photo by Matthew E.

Helina Metaferia – This Issue’s Featured Artist

Born in Washington D.C. to Ethiopian parents, Helina Metaferia is a painter, a yogi and graphic artist. She attended Temple University’s Tyler School of Art and Morgan State University, where she obtained her BA in Fine Arts. She has exhibited her work at the Eubie Blake Cultural Center, the World Space Center, and the James Lewis Museum.

She is selected to appear as the first guest artist at the upcoming Addis Heights Millennium Arts Exhibition Series in Harlem, New York.

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Above: Free Womban, acrylic, pastel and charcoal on paper, 18” x 24”

Artist’s Statement:

The most sacred part of a woman is now reduced to a dirty word. What has once been celebrated and understood as a source of power and creativity is now being cut, abused, and condemned. Many women are taught to be ashamed and embarrassed of their own bodies, especially their wombs. A lack of emotional and spiritual connection to one’s womb is the basis for physical disease, painful or irregular menstruation, misplaced sexuality, poor self-esteem, and other imbalances.

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Above: Intuitive Womban, acrylic, pastel, and charcoal on paper 18” x 24”

The mixed media series, Finding Womban, is the visual depiction of women who are on a journey of liberation by healing and rejoicing in their own femininity. The striking and raw faces of women on a quest for soul identity are interwoven with rich subliminal backgrounds of abstracted wombs. The women in the paintings wear explorative expressions, each one seeking to reclaim a power beyond their gender and sexual nature. As the viewer searches for the abstracted wombs within the paintings, the viewer experiences a similar quest to the portrayed woman who, in turn, is searching for her own feminine essence.

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Above: Water Womban, acrylic, pastel, and charcoal on paper 25” x 35”

Creating these works of art has been a very vulnerable, intimate experience for me. I birthed each painting so I could begin the process of undoing negative conceptions, self-heal, and find strength in my own womanhood. Inspired by Queen Afua’s book Sacred Womban, Finding Womban is about a journey that each female must endure to feel whole and free.

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Above: Opening Womban, acrylic, pastel, and charcoal on paper 18” x 24”

Learn more about the artist at: metaartist.com
For details about Helina’s upcoming show, visit libenslist.com



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