Hailu Mergia: An African Funk Pioneer Gets a Second Chance on a Global Stage

Hailu Mergia, an Ethiopian piano luminary, has been working as a Washington cabby, but now he’s releasing “Lala Belu,” his first collection of new music in two decades. (Photo: NYT)

The New York Times

FORT WASHINGTON, MD. — When Hailu Mergia releases his album “Lala Belu” on Friday, it will be this Ethiopian piano luminary’s first collection of new music in two decades. And it will be his first ever aimed largely at a worldwide audience.

Until recently, Mr. Mergia, 71, was hardly known outside of his home country, where he is seen as a musical pioneer. For most of the past 20 years, he has lived in the Washington area and driven a taxi, picking up passengers at Dulles Airport and toting an electric keyboard in his trunk. He still drives the cab for extra cash. In idle moments, he hauls out the keyboard and sits alone in the back seat, his eyes closed, improvising.

Mr. Mergia had long given up performing publicly when the 2013 reissue of “Hailu Mergia and His Classical Instrument,” a mostly forgotten gem from 1985, turned him into a cult celebrity among music obsessives across the globe, and set him off on tours of the United States and Europe. He has kept up a consistent schedule of international performances ever since.

On a recent Saturday, Mr. Mergia sat in an easy chair at his home here, describing how he relates to the audience he’s garnered in the past few years. “The idea of ‘Lala Belu’ is, it’s a composition you can sing with everybody,” he said, referring to the new album’s title track. “It’s simple. No Amharic lyrics, no English lyrics. Just ‘lala.’ Whenever we have a show, we just play that song, and everybody’s singing with us.”


In the 1960s and ’70s, Mr. Mergia, foreground, led the Walias Band, which gave Ethiopian music a more electrified sound. The group held a residency at the Hilton for approximately 10 years.

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