Archive for April, 2007

New York Times Photographer Chester Higgins: Embracing Ethiopia

Publisher’s Note: Chester Higgins, Jr. is one of the most significant photographers of his generation. He has been a staff photographer at The New York Times since 1975. One of the most indelible images of Emperor Haile Selassie was captured by him in 1973 at Addis Ababa airport during the tenth anniversary of the Organization of African Unity (OAU), now called the African Union (AU).

His photographs have appeared in ArtNews, The New York Times Magazine, Look, Life, Newsweek, Fortune, Ebony, Tadias, Essence, Black Enterprise, GEO, The Village Voice, The New Yorker and Archaeology.

Higgins’ body of work is a fluid, sensitive and in-depth diary of his explorations of the human Diaspora; they reflect his concern with his own humanity. Through his portraits and studies of living rituals, traditional ceremonies, and ancient civilizations, his viewers gain rare insight into cultural behavior — a window to another place and time.

In this piece (Embracing Ethiopia), Higgins shares with us some stunning photographs of Ethiopia, as well as the story of his journey to this ancient nation.

Embracing Ethiopia
By CHESTER HIGGINS

Long before I set foot in Ethiopia, the name itself summoned images of Biblical proportion for me and, I believe, for many other African Americans as well. In the Bible, ‘Ethiopia’ is a place of refuge, an amazing mystical land.

Then with the advent of Marcus Garvey and African nationalists, who rallied against the Italian invasion of Ethiopia during the Second World War, Ethiopia became a symbol of resistance to Colonialism. In the 1960s, when Emperor Haile Selassie appeared on national TV during a state visit to the US, millions more African American imaginations burned with the knowledge of an independent African people.

Not until the 1970s did the image and concept of Ethiopia, inspired by the reggae music of Bob Marley, gain extraordinary prominence in the minds of a young generation of African Americans. The Rastafarian Movement’s efforts to re-define the sanctity of Ethiopia and re-cast Emperor Selassie in a sacred light caught the imagination of young people as they swayed to reggae music. A new light had come out of Africa, but the beam started in the diaspora, this time in Jamaica.

In 1969 I had the good fortune to make a portrait of the renowned Harlem historian and teacher Dr. John Henrik Clarke. He was deeply committed to Africa and African people. My young mind was a parched field, and the many hours I spent with him, asking questions and hearing his answers, fertilized and watered that dry soil. Through him, my knowledge and understanding of Ethiopia grew. Dr. Clarke had this effect on thousands of Harlem residents and on students at Hunter College and Cornell University.

In 1973, on my first journey to Ethiopia, I attended the tenth anniversary conference of the Organization of African Unity (OAU), now called the African Union (AU). That year the conference was held in Addis Ababa. I came to photograph African heads of state; I wanted to share with African Americans my view of rulers responsible for African people.

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Above: Emperor Haile Selassie (1973).
Photo by Chester Higgins.

For me the most significant ruler, the most interesting leader, turned out to be Emperor Haile Selassie. In my new book, Echo of the Spirit: A Photographer’s Journey (Doubleday 2004), I write: “…As I waited at the Addis Ababa airport for a glimpse of arriving dignitaries, my attention was pulled from the action around the arriving airplanes to a group of men making their way across the tarmac. I could sense the power of one man in particular before I could even see him.” Although he was of such small stature that he was dwarfed by the others alongside him, something about his aura so profoundly moved me that I lowered the camera so I could see him with both eyes. Only after he passed me did I learn that I had been in the presence of His Majesty Haile Selassie, the Emperor of Ethiopia.

Returning from that trip, I began to seek out Ethiopian students at Ethiopian restaurants and conferences to discuss my experience, encountering a mixed reception and political discontent. The students were receptive to my interest in their country, although none shared my enthusiasm for the emperor. Through the many students I have met over the years, I have discovered informative books and begun attending the Horn of Africa Conference, held annually at the City College of New York.

In July 1992, I returned to Ethiopia with my son Damani as my photography assistant. As I wrote in my book Feeling the Spirit: Searching the World for the People of Africa (1994), “The memory of being in his [Emperor Haile Selassie I] presence has remained an inspiration in my personal life. Damani, who has locked his hair, shares my love of His Majesty and reggae, the music of the Rastafarians who worship Selassie.”

So far I have been to Ethiopia about a dozen times. On each visit, I use my camera to make a record of contemporary and ancient Ethiopia. Spending weeks at a time, I have traveled in the North to the cities of Mekele, Gondar, Lalibela, Aksum, Bahir Dar, Dessie and Yeha. In the South, I have recorded sites and ceremonies in Nazareth, Debra Ziet, Awassa, Tiya and Tutafella.

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Above: Fasilides Castle. Photo by Chester Higgins.

Ethiopia is indeed home to the earliest humans. In the National Museum in Addis are the bones of Dinquinesh, or Lucy, dating back almost 4 million years. In Aksum, I have seen the monumental mains of tombs and obelisks from earliest kingdoms. Also in Aksum, in 1000 BCE, Makeda, Queen of Sheba, turned away from the old faith of the Nile River cultures — the worship of the Sun that climaxed as the ancient Egyptian religion — and embraced the faith of the Hebrews. Here, too, Emperor Ezana converted to Christianity in 324 CE. The richness of the historic and photographic appeal of Ethiopia is revealed for me especially in the ancient monolithic stone churches of Lalibela and the more ancient Moon Temple in Yeha.

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Above: Yeha Temple. Photo by Chester Higgins.

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Above: Axum Tomb. Photo by Chester Higgins.

Today, Ethiopian people stand tall and proud, their feet planted securely on the land of their fathers and under the sky of their mothers. Ethiopians work hard, believe hard, and are driven hard to persevere by the vicissitudes of nature and life.

It has been a pleasure getting to know Ethiopia and her people.

To learn more about photographer Chester Higgins, Visit chesterhiggins.com

Ethiopian Cooking Presentation at the World’s Largest Store

On Thursday, April 26, the audience in the Cellar Kitchen at Macy’s Herald Square, the world’s largest store, received an important lesson in cooking up flavorful Ethiopian dishes from Philipos Mengistu, owner and Executive Chef of Queen of Sheba restaurant in New York City.

Philipos demonstrated why crowds are flocking to his midtown Manhattan eatery. He was assisted by his wife Sara and Asiana Blount, manager of Macy’s Herald Square Special Events, and the staff at Macy’s Culinary Council.

Tadias was there to cover the event. Here are images from the show.

Photos by Liben Eabisa
City: New York
Event Name: Cooking demonstration by Philipos Mengistu, owner and Executive Chef of Queen of Sheba restaurant
Host: Macy’s Herald Square Special Events
Venue: Macy’s Herald Square
Address: 151 West 34th Street
Date: Thursday, April 26, 2007

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Above: Asiana Blount, manager of Macy’s Herald Square Special Events, prepares Philipos for the show.

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Above: Philipos was assisted by his wife Sara (left) and Asiana Blount, manager of Macy’s Herald Square Special Events (middle).

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The audience was treated to servings of Yebeg Tibis (Ethiopian lamb stew).

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Above: Philipos at the end of a hugely successful event.

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Above: Philipos at his midtown Manhattan restaurant. Photo by Helina Metaferia.

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New Generation of Adopted Ethiopian-Americans

Above: Tibarek’s second encounter with snow.

A New Mom Celebrates Her Ethiopian Daughter’s First Birthday in America

BY JILL VEXLER

Barely unpacked from Addis, with Tibarek, my newly adopted, almost six year old daughter, she was invited to two birthday parties for children in our building, a boy’s eighth and twin’s sixth. Speaking minimal English, their parents and I marveled at their unique way of communicating after just a few afternoons of play. I was overjoyed.

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Above: Pre-party nosh: Jill ties
an apron on Tibarek’s dress.
Photo by Jeremy Scharlack.

The first party arrived, and Tibarek went to help decorate. The party was a production. Helium balloons, magicians, balloon sculptures (her favorite), face-painting, games, gift bags, pizza, and cake. Tibarek joined in the high energy as if she had been reared on New York birthday parties. I started thinking about her fast approaching birthday. When I told her she, too, has a birthday, her expression was as if it suddenly hit her: EVERYONE has a birthday and would have a party. In my limited Amharic, I told her, her birthday was soon, “negge…negge….” (tomorrow.…tomorrow). No language gap here. Yes, friends! Yes, balloons! Yes, pizza! We listed children to invite. We knew seven kids from our building, and the Washington Square playground where I saw her gregariousness in action the first day we came.

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Above: Tibarek wearing sunglasses
like those in the gift bags she gave to her
friends on her birthday.
Photo by Jeremy Scharlack.

Entertaining is my second nature, and our loft lends itself to great parties, but a child’s birthday party was daunting. I plunged into calls to other mothers, balloon artists, and magicians. I wanted a memorable party: not too indulgent, expensive, or programmed. I was petrified by the seemingly superfluous gifts other children received. The idea: “in lieu of gifts, please make a donation to Worldwide Orphans Foundation in Ethiopia,” entered my mind but felt self-righteous and pretentious. Tibarek had not been in the US two months, maybe she should plow through wrapping paper like all the other kids. Friends might give her things that would never occur to me, and they were also “Welcome to America” gifts. I still felt I had to counter-balance the possibility of a “Barbie Invasion,” with a clever, fun, homemade celebration.

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Above: Tibarek opens gifts.
Photo by Jeremy Scharlack.

My anxiety reflected my self-consciousness about American abundance, and my newness as a mother, more than it did Tibarek’s possible temptation to materialism. I reflected on her kindness and generosity. I had seen her on the playground, giving her bubble wand to a little boy, caring for an infant as she went down the spiral slide, making sure everyone had a turn with the ball. She would easily incorporate this special day into the vast newness that engulfed her life. Deep down, then, it must have been my own pressure to make MY daughter’s party fun, “cool,” and approved of by parents who had already been to dozens. The individualist in me did want not a “cookie-cutter” occasion. A unique party for a unique daughter.

At fifty-seven, I had plunged into a wonderful, dramatic life change: creating a family. My world opened to new people, new culture, new worries, and new learning. My inner anthropologist loved the challenges culturally, and linguistically that a child from Ethiopia presented. I fell in love with the culture during a three week trip volunteering at the AHOPE Orphanage. I met Tibarek, and immediately set the adoption procedure in motion with the Minnesota Children’s Home and Family Service. New Ethiopian friends in Addis, and through them, others in New York, enriched the experience in ways that I never imagined. And here she is - charming, energetic and learning English at break-neck speed.

Creativity set in. I asked my cousin Jeremy, a professional photographer in New York, to set up a studio in the loft. I asked Eddie, who has framed ten exhibitions for me, to give me leftover matte board for kids to frame for Jeremy’s instant photographs. I went to the hobby store for glitter, glue, and treasures for collages on the frames. I called Peter and Diana, who have every costume under the sun, and the dress-up corner was born. The party was shaping up but not enough kids and way too many adults!

My dear Israeli friend and caterer Chava, has a daughter about Tibarek’s age. Chava offered to make cupcakes for kids to decorate. With Chava, they would squeeze bags of icing! I was excited when I realized that the party was the week-end after the Gala for Worldwide Orphans Foundation and the fabulous Dr. Sophie, the pediatrician who checked Tibarek’s health in Addis, would still be in New York with her two young nephews who live in New Jersey. Then, Tibarek’s New York pediatrician, the divine Dr. Jane and her terrific partner Diana would bring their two sons, one Ethiopian, one Vietnamese. Young twins of new Ethiopian friends in New York agreed to come, as well as Meron, an Ethiopian little girl adopted by kind Irene. A little boy from Djbouti and his sweet, supportive father, Angel from Mexico in Tibarek’s ESL class, and a cute Japanese two-year old from the playground were other guests. Tibarek’s god-mother, Terrell, would take the train from Washington. From five children, we ended up with 16, and 38 adults!

The day before the party, Saturday, was Tibarek’s “real” birthday. We went apple picking with a group of kids visiting from Ethiopia, and to a surprise party for our friend George who turned 70. He and his wife Joelle had greeted Tibarek, her godmother, and me, after the flight from Ethiopia. Tibarek adores them. As George uncovered his surprised, teary eyes, he picked Tibarek up and announced, “our newest friend who just arrived in America turns six today!” Seventy-five strangers instantaneously sang “Happy Birthday” to my child. Now I was the one with tears in her eyes.

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Above: Tibarek holding her
birthday cupcake.
Photo by Jeremy Scharlack.

After putting Tibarek to bed Saturday night, I decorated the hallway and blew balloons, wanting her to awaken to ambiance that said, “Today’s the day!”

The morning before the party seemed to last forever. Finally, Jeremy arrived with camera, lights and printer; friends brought food; we put music on. As each guest came, Tibarek became the hostess with the mostess- directing adults to go “down to that part of the house” and, with her arm around each child, she escorted each to the crafts and photography areas. She amazed us all as we watched her grace and ease as a social butterfly, speaking non-stop English! Over two hours later with more glitter on the Turkish rugs than on the photo frames, consuming of countless cupcakes, pizzas, juices, hummus, cheese, bread, and wine (adults only!), the party was a success. New friends, families of every imaginable configuration, had celebrated Tibarek’s first birthday in America. Generous and thoughtful gifts that honor her are treasures. She plowed through the wrapping paper like a natural.

She is already talking about her next birthday. Thank goodness it is still nine months away!

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Above: Tibarek and Dr. Sophie Mengistu, the pediatrician who
checked Tibarek’s health in Addis. Photo by Jeremy Scharlack.

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About the Author: Jill Vexler is a cultural anthropologist who does field work in Latin America, North Africa , Israel, Greece, Asia , Eastern Europe and New York City. She designs cultural heritage and social history exhibitions. She volunteered at the AHOPE orphanage, where she fell in love with Ethiopian culture.

Art Exhibitions to Commemorate the Ethiopian Millennium, Harlem

The inaugural show for Addis Heights millennium arts exhibition series featured 23-year-old Helina Metaferia, a U.S.-born Ethiopian-American artist from Washington, D.C.

Here are images from the opening hosted by Addis Heights Lidjoch Org. The project is sponsored by Tadias Magazine and Africalling.com.

Photos by Gideon Belete
City: Harlem, New York
Event Name: Opening of Addis Heights Millennium Art Exhibition Series
Featured Artist: Helina Metaferia
Show Title: Finding Womban – An Exploration of femininity through painting.
Host: Addis Heights Lidjoch Org.
Venue: OC West
Address: 11 Edward M. Morgan Place (157 & Broadway)
Date: Saturday, April 21, 2007

Send your hot shots to hotshots@tadias.com

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Above: Featured Artist Helina Metaferia (left) and writer Andrea Bostan. Photo by Angelica.

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Above: Featured Artist Helina Metaferia (left) and Leah Abraha (right).

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Above: Leah Abraha

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Above: Enjoying spring weather outside OC West

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Above: Helina Metaferia and friend

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Above: Hilawe Girma

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Above: Adebola Osakwe, owner of OC.

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Above: Helina’s parents

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Above: Tizita Fekredengel

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Above: Helina’s parents

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Above: From left - Actor Freedome Bradley, Africalling’s Gideon Belete, and John

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Above: From left - Tizita , Liben Eabisa, and Eleni.

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Above: Joelle Dussek (Production & Events Consultant), on the back ground - Kidane Mariam (Ethio-Cuban Cinematographer)

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Above: Ayele

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Above: Esabel

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Above: Liben Eabisa and Helina Metaferia

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Above: From left - Freedome Bradley, Nemo Semret and Liben Eabisa

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Above: Helina Metaferia (left) and Leah Abraha

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Above: From left - Freedom Bradley, Gideon Belete, John and Nemo Semret

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Above: Part of the proceeds from the sale of the book Abyssinia of Today (Robert P. Skinner’s memoir, a narrative of the first American diplomatic mission to black Africa), helps to pay part of the production cost for the Millennium Art Exhibition Series.

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Above: Gideon Belete.

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Above: Kidane Mariam (Ethio-Cuban Cinematographer)

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Hot Shots from the Teddy Afro Concert —— San Jose, California

Photos by D.J. Fitsum
Event Name: Teddy Afro Concert
City: San Jose, California
Venue: The Rosewater Hall
Address: 1880 Murphy Ave.
Host: AGT Investment, Inc.
Date: January 20th, 2007

Email your hot shots to hotshots@tadias.com

Want to laugh? Read a poem about Hot Shots.

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Click here for events near your city or visit Liben’s Events List at www.libenslist.com

Related: Jailed Singer Teddy Afro: ‘A Political Symbol’ (LA Times)

Judiciary, Press Freedom in Ethiopia Questioned over Teddy Afro’s Trial

Bridging Cultures Through Art: A Harlem Moment with Tesfaye Tessema

Above: Tseday Alehegn during her walks through Harlem with Tesfaye Tessema

By Tseday Alehegn

Before arriving at Artist Tesfaye’s studio in Harlem, his home of twenty years, we took a tour of historic areas where Ethiopian and African-American ties runs deep and undisturbed. We traversed slowly and observantly across Adam Clayton Powell Boulevard, named after the fiery pastor of Harlem’s legendary Abyssinian Baptist Church, and walked through African Square, lined with colorful West African vendors and stores. Continuing our promenade towards Lenox Avenue, we spotted an Ethiopian-owned cafe called Settepani, a popular hangout for Harlem’s young elite. As we strolled by Jackie Robinson’s Park, a young African American man, recognizing our Ethiopian ancestry, smiled and greeted us with a hearty Tenayistelegn!
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Above: Top left, Jackie Robinson’s Park; Middle Right, Harlem’s legendary Abyssinian Baptist Church. Photos by Tseday Alehegn

Walking through Harlem with Tess (as he is known in Harlem), two things become quickly evident: The first being that this neighborhood has, as the artist tells us, “a feeling of home.” And the latter, that his love for this community fuels his art.
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Above: Tesfaye Tessema in Brooklyn, New York. Photo by Liben Eabisa

One of his recent exhibitions at Skoto Gallery in New York (one of the first galleries to specialize in contemporary African Art in the United States), was entitled Addis Improvisations: Art from Harlem. This series is an afrocentric, jazzy-expression of joint heritage.
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Above: Left, Addis Improvisation III, 2004, acrylic on canvas, 72×54 inches. Right, Addis Improvisation I, 2004, acrylic on canvas, 72″x39″. Photos courtesy of Skoto Gallery.

Tesfaye’s journey to Harlem can be traced back to his early high school days, when he was a student at Menelik High School in Addis Ababa. On one particular day, his class was excused and students were asked to attend a special gathering at the National Theatre. “We were told that an important person from Harlem had arrived, and we saw several men dressed in fancy suits setting up their musical instruments on stage. Their leader was called Duke Ellington,” he recalls. The young Tesfaye was mesmerized as the concert began with Ellington’s famous “A-Train” composition. This extraordinary opportunity to listen to Ellington play jazz remained etched in Tesfaye’s mind, his first introduction to jazz and to Harlem.

Many years later, after arriving in Washington, D.C. to pursue a Masters of Fine Arts at
Howard University, he developed lasting friendships within the African-American community, and rekindled his passion for Harlem. After completing his art studies, Tesfaye moved to Harlem. He now lives in the same building where Duke Ellington once resided. “I feel at home here,” he says. “I tell my African-American friends that, just as they look for their roots, I search for my branches. Together we form a tree.”

Harlem, and jazz in particular, have profoundly impacted Tesfaye’s art. Speaking about his career as an artist, he says, “My art lately is an improvisation. I consider myself a jazz painter. I play jazz with my brush.”
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Above: Left, 155th/Amsterdam Avenue II, 2003, acrylic on canvas, 24″x16″. Right, Addis Improvisation V, 2004, acrylic on canvas, 72″x54″. Photos courtesy of Skoto Gallery.

Art itself had also been an integral part of Tesfaye’s childhood experience. “I’ve known art since I knew myself,” he says. “While other children played together, I grew up in a household with no other children, so art became my game. I played art. I drew on walls with charcoal, and I looked around for natural objects to create color - green from leaves and yellow from mustard,” he shares. “Whenever I accompanied my mother to church, I used to stare at the paintings on the walls during prayers. To me, this art was able to express spiritual concepts that are not as easily expressed through words.” After attending Menelik school, Tesfaye longed to enter the National Fine Arts School — conveniently located right next door. He was accepted and commenced formal studies in art there before going on to pursue graduate studies at Howard.

Tesfaye Tessema is not only a master painter but also a master print maker and a muralist. He also uses etching, lithography, and mixed media. His art has been collected by prestigious institutions, such as the Library of Congress, the Smithsonian in Washington, D.C., the Schomburg Center for Research in Black Culture and the United Nations in New York City. Alongside the works of famous African-American artists such as Romare Bearden, Tesfaye Tessema’s paintings are prominently featured in the Schomburg Center’s publication Black New York Artists of the 20th Century. The United Nations transformed one of his paintings into a stamp that raised over $300,000 for famine relief in Ethiopia. He was also commissioned to paint a mural by the Museum of African Arts (the Smithsonian) on Capitol Hill. Tesfaye stands as one of the only contemporary Ethiopian artists to display his artwork at established institutions like the Guggenheim Museum in New York. His art has been exhibited at various universities throughout the U.S. as well as internationally in France,Germany, England, Japan, and many other countries.
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Above: Addis Improvisation IV, 2004, acrylic on canvas, 56″x54″. Photo courtesy of Skoto Gallery.

Throughout his career, Tesfaye has emphasized his appreciation for public art. “I think people have the right to claim my art,” he says, seeing art as his service to individuals and contribution to the public in general. He uses the sights and sounds of his two communities, Ethiopian and African-American, to make art that positively reinforces their harmony.

“I would really like the world to know that all of us are artists,” he says. “There are no special people made to be artists. What comes out on the canvas is what we’ve all taken in from our environment, expressed through our own personal interpretation.”

A Harlem moment with Tesfaye teaches us to appreciate not only the art but also the artist.

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About the Author:
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Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

The Case of Melaku E. Bayen & John Robinson

Above: Melaku E. Beyan

By Ayele Bekerie

Ethiopian & African American Relations: The Case of Melaku E. Bayen and John Robinson

Seventy two years ago, African Americans of all classes, regions, genders, and beliefs expressed their opposition to and outrage over the Italian invasion of Ethiopia in various forms and various means. The invasion aroused African Americans – from intellectuals to common people in the street – more than any other Pan-African-oriented historical events or movements had. It fired the imagination of African Americans and brought to the surface the organic link to their ancestral land and peoples.

1935 was indeed a turning point in the relations between Ethiopia and the African Diaspora. Harris calls 1935 a watershed in the history of African peoples. It was a year when the relations substantively shifted from symbolic to actual interactions. The massive expression of support for the Ethiopian cause by African Americans has also contributed, in my opinion, to the re-Africanization of Ethiopia. This article attempts to examine the history of the relations between Ethiopians and African Americans by focusing on brief biographies of two great leaders, one from Ethiopia and another one from African America, who made extraordinary contributions to these relations.

It is fair to argue that the Italo-Ethiopian War in the 1930s was instrumental in the rebirth of the Pan-African movement. The African Diaspora was mobilized in support of the Ethiopian cause during both the war and the subsequent Italian occupation of Ethiopia. Italy’s brutal attempt to wipe out the symbol of freedom and hope to the African world ultimately became a powerful catalyst in the struggle against colonialism and oppression. The Italo-Ethiopian War brought about an extraordinary unification of African people’s political awareness and heightened level of political consciousness. Africans, African Americans, Afro-Caribbean’s, and other Diaspora and continental Africans from every social stratum were in union in their support of Ethiopia, bringing the establishment of “global Pan-Africanism.” The brutal aggression against Ethiopia made it clear to African people in the United States that the Europeans’ intent and purpose was to conquer, dominate, and exploit all African people. Mussolini’s disregard and outright contempt for the sovereignty of Ethiopia angered and reawakened the African world.

Response went beyond mere condemnation by demanding self-determination and independence for all colonized African people throughout the world. For instance, the 1900-1945 Pan-African Congresses regularly issued statements that emphasized a sense of solidarity with Haiti, Ethiopia, and Liberia, thereby affirming the importance of defending the sovereignty and independence of African and Afro-Caribbean states. A new generation of militant Pan-Africanists emerged who called for decolonization, elimination of racial discrimination in the United States, African unity, and political empowerment of African people.

One of the most significant Pan-Africanist Conferences took place in 1945, immediately after the defeat of the Italians in Ethiopia and the end of World War II. This conference passed resolutions clearly demanding the end of colonization in Africa, and the question of self-determination emerged as the most important issue of the time. As Mazrui and Tidy put it: “To a considerable extent the 1945 Congress was a natural outgrowth of Pan-African activity in Britain since the outbreak of the Italo-Ethiopian War.”

Another of the most remarkable outcomes of the reawakening of the African Diaspora was the emergence of so many outstanding leaders, among them the Ethiopian Melaku E. Bayen and the African American John Robinson. Other outstanding leaders were Willis N. Huggins, Arnold Josiah Ford, and Mignon Innis Ford, who were active against the war in both the United States and Ethiopia. Mignon Ford, the founder of Princess Zenebe Work School, did not even leave Ethiopia during the war. The Fords and other followers of Marcus Garvey settled in Ethiopia in the 1920s. Mignon Ford raised her family among Ethiopians as Ethiopians. Her children, fluent speakers of Amharic, have been at home both in Ethiopia and the United States.

Pan-Africanists in Thoughts & Practice

Melaku E. Bayen, an Ethiopian, significantly contributed to the re-Africanization of Ethiopia. His noble dedication to the Pan-African cause and his activities in the United States helped to dispel the notion of “racial fog” that surrounded the Ethiopians. William R. Scott expounded on this: “Melaku Bayen was the first Ethiopian seriously and steadfastly to commit himself to achieving spiritual and physical bonds of fellowship between his people and peoples of African descent in the Americas. Melaku exerted himself to the fullest in attempting to bring about some kind of formal and continuing relationship designed to benefit both the Ethiopian and Afro-American.” To Scott, Bayen’s activities stand out as “the most prominent example of Ethiopian identification with African Americans and seriously challenges the multitude of claims which have been made now for a long time about the negative nature of Ethiopian attitudes toward African Americans.”

The issues raised by Scott and the exemplary Pan-Africanism of Melaku Bayen are useful in establishing respectful and meaningful relations between Ethiopia and the African Diaspora. They dedicated their entire lives in order to lay down the foundation for relations rooted in mutual understanding and historical facts, free of stereotypes and false perceptions. African American scholars, such as William Scott, Joseph E. Harris, and Leo Hansberry contributed immensely by documenting the thoughts and activities of Bayen, both in Ethiopia and the United States.

Melaku E. Bayen was raised and educated in the compound of Ras Mekonnen, then the Governor of Harar and the father of Emperor Haile Selassie. He was sent to India to study medicine in 1920 at the age of 21 with permission from Emperor Haile Selassie. Saddened by the untimely death of a young Ethiopian woman friend, who was also studying in India, he decided to leave India and continue his studies in the United States. In 1922, he enrolled at Marietta College, where he obtained his bachelor’s degree. He is believed to be the first Ethiopian to receive a college degree from the United Sates.

Melaku started his medical studies at Ohio State University in 1928, then, a year later, decided to transfer to Howard University in Washington D.C. in order to be close to Ethiopians who lived there. Melaku formally annulled his engagement to a daughter of the Ethiopian Foreign Minister and later married Dorothy Hadley, an African American and a great activist in her own right for the Ethiopian and pan-Africanist causes. Both in his married and intellectual life, Melaku wanted to create a new bond between Ethiopia and the African Diaspora.

Melaku obtained his medical degree from Howard University in 1936, at the height of the Italo-Ethiopian War. He immediately returned to Ethiopia with his wife and their son, Melaku E. Bayen, Jr. There, he joined the Ethiopian Red Cross and assisted the wounded on the Eastern Front. When the Italian Army captured Addis Ababa, Melaku’s family went to England and later to the United States to fully campaign for Ethiopia.

Schooled in Pan-African solidarity from a young age, Melaku co-founded the Ethiopian Research Council with the late Leo Hansberry in 1930, while he was student at Howard. According to Joseph Harris, the Council was regarded as the principal link between Ethiopians and African Americans in the early years of the Italo-Ethiopian conflict. The Council’s papers are housed at the Moorland-Spingarn Research Center at Howard University. At present, Professor Aster Mengesha of Arizona State University heads the Ethiopian Research Council. Leo Hansberry was the recipient of Emperor Haile Selassie’s Trust Foundation Prize in the 1960s.

Melaku founded and published the Voice of Ethiopia, the media organ of the Ethiopian World Federation and a pro-African newspaper that urged the “millions of the sons and daughters of Ethiopia, scattered throughout the world, to join hands with Ethiopians to save Ethiopia from the wolves of Europe.” Melaku founded the Ethiopian World Federation in 1937, and it eventually became one of the most important international organizations, with branches throughout the United States, the Caribbean, and Europe. The Caribbean branch helped to further solidify the ideological foundation for the Rasta Movement.

Melaku died at the age of forty from pneumonia he contracted while campaigning door-to-door for the Ethiopian cause in the United States. Melaku died in 1940, just a year before the defeat of the Italians in Ethiopia. His tireless and vigorous campaign, however, contributed to the demise of Italian colonial ambition in Ethiopia. Melaku strove to bring Ethiopia back into the African world. Melaku sewed the seeds for a “re-Africanization” of Ethiopia. Furthermore, Melaku was a model Pan-Africanist who brought the Ethiopian and African American people together through his exemplary work and his remarkable love and dedication to the African people.

Another heroic figure produced by the anti-war campaign was Colonel John Robinson. It is interesting to note that while Melaku conducted his campaign and died in the United States, the Chicago-born Robinson fought, lived, and died in Ethiopia.

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Above: John Robinson

When the Italo-Ethiopian War erupted, he left his family and went to Ethiopia to fight alongside the Ethiopians. According to William R. Scott, who conducted thorough research in documenting the life and accomplishments of John Robinson, wrote about Robinson’s ability to overcome racial barriers to go to an aviation school in the United States. In Ethiopia, Robinson served as a courier between Haile Selassie and his army commanders in the war zone. According to Scott, Robinson was the founder of the Ethiopian Air Force. He died in a plane crash in 1954.

Scott makes the following critical assessment of Robinson’s historical role in building ties between Ethiopia and the African Diaspora. I quote him in length: “Rarely, if ever, is there any mention of John Robinson’s role as Haile Selassie’s special courier during the Italo-Ethiopian conflict. He has been but all forgotten in Ethiopia as well as in Afro-America. [Ambassodor Brazeal mentioned his name at the planting of a tree to honor the African Diaspora in Addis Ababa recently.] Nonetheless, it is important to remember John Robinson, as one of the two Afro-Americans to serve in the Ethiopia campaign and the only one to be consistently exposed to the dangers of the war front.

Colonel Robinson stands out in Afro-America as perhaps the very first of the minute number of Black Americans to have ever taken up arms to defend the African homeland against the forces of imperialism.”

John Robinson set the standard in terms of goals and accomplishments that could be attained by Pan-Africanists. Through his activities, Robinson earned the trust and affection of both Ethiopians and African Americans. Like Melaku, he made concrete contributions to bring the two peoples together. He truly built a bridge of Pan African unity.

It is our hope that the youth of today learn from the examples set by Melaku and Robinson, and strive to build lasting and mutually beneficial relations between Ethiopia and the African Diaspora. As we celebrate Black History Month in the United States, let us recommit ourselves to Pan-African principles and practices with the sole purpose of empowering African people. The Ethiopian American community ought to empower itself by forging alliances with African Americans in places such as Washington D.C. We also urge the Ethiopian Government to, for now, at least name streets in Addis Ababa after Bayen and Robinson.

I would like to conclude with Melaku’s profound statement: “The philosophy of the Ethiopian World Federation is to instill in the minds of the Black people of the world that the word Black is not to be considered in any way dishonorable but rather an honor and dignity because of the past history of the race.”
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About the Author:
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Ayele Bekerie was born in Ethiopia, and earned his Ph.D. in African American Studies at Temple University in 1994. He has written and published in scholarly journals, such as , ANKH: Journal of Egyptology and African Civilizations, Journal of Black Studies, The International Journal of Africana Studies, and Imhotep. He is an Assistant Professor at the Africana Studies and Research Center of Cornell University. He is a regular contributor to Tadias Magazine.
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To further explore the history of Ethiopian & African American relations, consult the following texts:

• Joseph E. Harris’s African-American Reactions to War in Ethiopia 1936-1941(1994).

• William R. Scott’s The Sons of Sheba’s Race: African-Americans and the Italo- Ethiopian War, 1935-1941. (2005 reprint).

• Ayele Bekerie’s “African Americans and the Italo-Ethiopian War,” in Revisioning Italy: National Identity and Global Culture (1997).

• Melaku E. Bayen’s The March of Black Men (1939).

• David Talbot’s Contemporary Ethiopia (1952).

From Addis to Seattle: Paintings of Yadessa Boja

Born in Ethiopia, Yadesa, also known as Yaddi, immigrated to the United States in 1995. Yaddi showed an interest in art since his early childhood. Even though he does not remember when he started painting, as a sixth grader his school commissioned him to paint a mural.

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Above: Dreamer

Yaddi’s first exposure and memories of art was as a child gazing at murals often found in Ethiopian Orthodox churches. These murals used line drawings filled with bold, vibrant colors.

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Above: Worshippers

In Seattle, Yaddi studied art at Seattle Pacific University where he earned his Bachelors degree in Visual Communication. He also attended Seattle Central Community College and received an Associates of Art degree in Graphic Design.

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Yaddi’s exposure to African Art and western art gives him a unique opportunity to understand their relationship as well as their differences. While studying art history Yaddi examined how every art genre and classification derived or inherited from each other, and the existence of one was based on the existence of the other. He also examined the influence of African art on western art and vice versa.

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Above: Madonna

Yaddi believes his work is a byproduct of the cultural diversity he enjoyed while living in Addis Ababa and Seattle. In his work he tries to capture the life of those who are ‘invisible’ to the mainstream, and he hopes that his work will become a tool for social change.

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Above: Prisoners of Haven

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To contact the artist please write to: YADESA BOJIA, 13745 34th Ave. S. Tukwila, WA 98168 Tel: 206-501-9958

Hot Shots From Aida Muluneh’s Photography Show at the Contemporary African Art Gallery in New York

Photos by Onye Anyanwu
Event Name: Ethiopian Light: Photographs by Aida Muluneh
City: New York
Venue: Contemporary African Art Gallery
Address: 330 West 108th St, #6 (at Riverside Dr.)
Hosts: Bill & Reese Karg
Date: Thursday Nov. 2, 2006

Email your hot shots to hotshots@tadias.com

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Above - Left: Stylist/Designer Mobalji & friend, Middle: Attorney Nicole Coward (Consultant to Tadias), Liben Eabisa, and friend, Right: Photographer Andrew Dosunmu & Stylist/Designer Mobalji
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AboveLeft: Actor Freedome Bradley & Reese Karg, Middle: Africalling’s Gideon Belete, Attorney Nicole Coward & Reeses’ Mother, Right: Nemo (President of InvisibleHand Networks), Gideon, Nicole Coward & Reeses’ Mother
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Above - Left: Photographer Andrew Dosunmu, Casting Director Onye Anyanwu, Attorney Nicole Coward, Right: Gideon, & Reeses’ Mother

View more hot shots here.

Hot Shots from the West Coast

Photos by D.J. Fitsum
Event Name: Hollywood LeHabesha: Ethiopian New Years Party
City: Los Angeles, California
Music: Amharic, Hip Hop, Reggae, Old School and R&B
Date: September 9th, 2006

Email your hot shots to hotshots@tadias.com

Want some laugh? Read a poem about hot shots.

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View more hot shots here.

Want some laugh? Click here to read Wogesha’s poem about hot shots.

Click here for events near your city or visit Liben’s Events List at www.libenslist.com

Brook Kassahun: This Issue’s Featured Model

Photographs by Peter Palm

Tadias: Thank you, Brook, for taking your time to do this interview with us and congratulations for being our featured model on this issue. Please tell our readers when and how you started modeling?

Brook: Thank you, Tadias, for this interview and the opportunity to address your readers. It is a great honor to be this issue’s featured model in Tadias.

My modeling career started about five years ago following my brief involvement with a modeling contest search called “The Face of Africa”. I had been dreaming about modeling for a long time; but knew very little about the actual work and I certainly did not have any contacts to speak of. I entered the contest in Ethiopia just for fun, and to my delight, I was chosen as one of the two winners at the national level – from a talent pool of over 300 contestants!

In preparation for the regional contest in Uganda, we received very thorough training in all aspects of modeling: from makeup and hairdo to the catwalk and posing for the photo shoots. I learned so much in this short period during the photo shoot and had the most fun I ever had. I did not win in Uganda but I felt like a winner because by now I had fallen in love with modeling and discovered my passion.

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Tadias: What are your interests and what do you enjoy doing the most?

Brook: My interests have revolved around modeling; I love fashion magazines; I don’t just look at the pages, I study each page, how well the fashion item is presented, the models’ make-up, their poses, their smiles, and what makes them stand out.

Tadias: What is the best part of being a model?

Brook: It is so much fun! I love the hectic activities backstage, the friendship among the models, and wearing beautiful clothes that I used to admire in magazines. I love the exciting atmosphere and my professional role in it. And then I always end up making new friends.

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Tadias: What is the hard part for you?

Brook: The hard part is the inability to get the kind of work that can get you noticed by the top international agencies. It is a very competitive business as you know, but it is very frustrating when you can’t even get the opportunity to compete because of work permit issues and the like. I have worked hard to capture the attention of some important modeling agencies, only to be ruled out due to my foreign status.

Tadias: People tend to think that models have high self esteem because they have put themselves in that glamorous field. Is that true for you?

Brook: I think people have high self esteem because they have been raised in a loving environment that nurtured and supported them. Authentic self esteem comes from within and is independent of glamour and glitter. I have been blessed with a network of family and friends that believes in me no matter what field I choose.

Tadias: What is your career ambition and where do you see yourself 5 years from now?

Brook: My ambition is to achieve my highest potential in the career that I love and enjoy. Five years from now, I see myself as a top model on international runways. I am certain that I will achieve my dream because I believe in myself and I am prepared to work hard and do whatever it takes to succeed.

Tadias: Who is your role model and why?

Brook: That’s easy! My ultimate role model and inspiration is Liya Kebede, an Ethiopian success story, international supermodel for top designers, the “Face of Estee Lauder”, wife and mother of two, humanitarian who gives back to Ethiopia, and still humble. She is beautiful inside and out, and I am so proud of her. When it gets a little tough for me, I just remember Liya and I’m encouraged to keep going.

Tadias: Name three things that you can’t live without…ok make it four.

Brook: I can’t think of THINGS that I couldn’t live without. But clearly, my lifeline is my family and friends whom I love and who love me back unconditionally. Of course, my passion for fashion and modeling comes next. I love all kinds of fashion and I love to experiment with my own creations, combining different pieces and coming up with entirely different looks. Next on my list would be Ethiopian food; my soul-food. Last, but not least, I couldn’t live without laughter. I love to laugh and even when things get rough, I remember not to take myself too seriously and laugh at the circumstances.

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Tadias: If people from the fashion industry want to get in touch with you for work, how can they reach you?

Brook: For now my primary means of contact remains my email address, bruktawitk@yahoo.com. God willing, I’ll join the ranks and have an agent to represent me in the future.

Tadias: Is there anything else that you would like our readers to know?

Brook: I want to express my gratitude to your readers for their show of interest in me and my career. I recognize the importance of your support in this business. It keeps me humble while at the same time it encourages me to succeed and honor your readers as well.

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New Film Highlights Bob Marley’s Birthday Celebration in Addis Ababa

Above: May 05, 1976; Toronto, CANADA; BOB MARLEY in concert at Convocation Hall. Photo by Erin Combs/Toronto Star/ZUMA Press. (©) Copyright 1976 by Toronto Star

On Saturday night, the New York African Film Festival hosted an evening of Ethiopian films at Lincoln Center. There was a series of short films to close the night, but the evening opened with the star-studded premiere of Africa Unite, Stephanie Black’s new documentary about the 2005 concert in Addis Ababa. Black previously directed the celebrated anti globalization film Life and Debt.

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Above: Some trekked by road from at least as far away as Kampala to attend the Africa Unite Concert in Addis Ababa in 2005. Photo from Tadias Archives.

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Above: Japanese Rastas were among those enjoying the festivities. Photo from Tadias Archives.

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Above: Cedellia Marley Booker, Bob Marley’s mother, flew in from Florida to perform at the opening night of Africa Unite. Photo from Tadias Archives.

Highlighting the vision for African unity to which Bob Marley was devoted, the Africa Unite concert was performed for over 350,000 people gathered in the historic Meskel Square of Addis Ababa, Ethiopia, to celebrate what would have been his sixtieth birthday. The twelve hour concert, featuring internationally acclaimed artists, is interwoven throughout this film, illuminating the global influence of a man who defined his own aim as “spreading the message of unity and equality, to end the needless suffering of mankind.”

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Above: The beats of the Stone Love Sound System inspire dancing. Photo from Tadias Archives.

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Above: Members of the Rastafarian community traveled from Sheshemene, about 250km south of Addis Ababa, to attend the concert. Photo from Tadias Archives.

Check out the blog at Fader Magazine to read Tadias contributing editor, Mik Awake’s coverage of the screening, and his interview with Kymani Marley. Revisit our article from last year on Addis Gessesse, the man behind the Africa Unite concert.”

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Above: Angelique Kidjo performs at the event. Photo from Tadias Archives.

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Above: Two Rastafarian brothers pose for the camera. Photo from Tadias Archives.

Profiling Addis Gessesse: The Man Behind Bob Marley’s Birthday Celebration in Addis Ababa

Above: Addis Gessesse at home (Photo by Ayda Grima for Tadias Magazine)

Outside With the Insider

By Mik Aweke

Hanna Gessesse points to a photograph in one of her father’s albums. The photograph was taken two years ago in Addis Ababa and shows the main stage of the Africa Unite concert, which was the brainchild of her father, Addis. On the giant backdrop behind the stage hangs a larger-than life mural of a legendary reggae singer.

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Above: From Tadias Archives of the Africa Unite Concert in Addis Ababa in 2005.

“That’s Bob Marley,” says Hanna. At three years old, Hanna is like most children her age. She complains when a certain reporter steals her father for an interview in their backyard. “I want to go with you, Daddy,” she cries. “Daddy, pleeeeease!”

But in being able to recognize Bob Marley’s likeness, even when drawn rather crudely as it was on the backdrop, she is definitely unlike most other toddlers her age. But perhaps it’s not so surprising to those who know her father, Addis Gessesse – music manager of Rita Marley and most of the Marley family and man behind the landmark Africa Unite concert. The concert, and the other month-long series of events, saw half-a-million people crowd the streets of Addis Ababa to watch the Marley Family, the I-Threes, Baaba Maal, and Angelique Kidjo perform in celebration of Bob Marley’s 60th Birthday.

One of the biggest and most star-studded African concerts the continent has ever seen started out, six years ago, as little more than a vague dream in the mind of Addis Gessesse.

Addis Gessesse took a long and winding road through the music business, a road that included as much struggle as good fortune. A road that begins with his life as a struggling immigrant student from Ethiopia and shepherd of his younger brothers in Chicago, then to life as an established entity in Jamaica and New York, working with acts like Ziggy Marley and Earth, Wind, and Fire, and then full-circle back to the extravagant concert in Addis Ababa two years ago.

That same long and winding road eventually leads down a quiet, tree-lined street in the residential neighborhoods of Jersey City, New Jersey – to a big, musty, old-fashioned Victorian house. There is ivy growing up the windows in the front and a small, weedy yard in the back. Addis is short, stocky and has a moustache. He wears clothes typical of an unassuming father from the suburbs, though with a somewhat boyish flair: crisp Nike running shoes, khaki shorts, and an open flannel shirt exposing a thin gold chain underneath.

Over three decades ago, Addis left behind his family and his three brothers to attend college in the United States. Not long after he graduated with a degree in management, his brothers, who happened to be musicians, followed him and began life anew in Chicago.

“Their arrival here totally changed my whole life,” says Addis. His voice is soft, calm. “Because I loved my brothers and I was doing everything to make them successful in this country. While doing that, I got immersed in their music.”

With a degree in management still fresh in his pocket, Addis made the decision that changed the course of his professional and personal life: to devote himself to his brothers and their music. “My brothers really have a lot to do with it,” he says.

The group that his brothers formed was called Dallol. Addis managed the group, which along with his brothers included a few of their friends from Addis Ababa University, and though they started out playing traditional Ethiopian music, soon after moving to Chicago and coming into contact with different styles, they made the transition towards reggae. With the support of a professor at Northwestern University, a fellow Ethiopian named Abraham Demoz, who acted as a surrogate father to the young men, Addis and his brothers were able to secure a rehearsal space on the campus and cultivate their sound.

In 1982, while steadily carving out a name for themselves in Chicago, Dallol got the break that they had been waiting for, an invitation from Rita Marley to play in Jamaica. Acting as their manager, Addis brought the group to Kingston where they played at the first Bob Marley birthday celebration after the reggae superstar’s death in 1981. It was in Jamaica that his working relationship with Rita and the Marley family began.

“At the time Rita gave us everything that we needed, including financial support and she was very excited for us as Ethiopians to come and perform in Jamaica. At the time she was still grieving the death of her husband and she felt we became a sort of support for her.”

Still, as significant as his contribution was to Rita’s life at the time, Addis cannot compare it with the influence Rita has had on his. “I owe a lot to that woman. She was very instrumental in helping me make music as a career. Very few people do that for you.”

Addis spent a year in Jamaica in the early eighties, which he remembers with much fondness. He lived down the street from what many consider the Mecca of reggae music, Bob Marley’s Tuff Gong headquarters at 56 Hope Road. This was back in the days when the Wailers were still making music and Ziggy had yet to finish high school. Addis would go on, in the following years, to organize with Rita the world tour for Bob Marley’s posthumous Legend album. The tour included the Wailers and the I-Three’s and helped spur sales of the album, which to this day remains one of the bestselling albums of all time.

From 1988 to 1991, Dallol was the official band for Ziggy Marley. The group, Addis makes it a point to remind me, has the distinction of being the first band of Ethiopian musicians to reach platinum record sales with Conscious Party (1988), as well as a gold record with Ziggy’s follow- up album, One Bright Day (1989).

After the world tours and a brief stint in Los Angeles, where he worked with Earth, Wind, and Fire, Addis returned with his brothers to Chicago, but his professional drive and his desire to travel had not died with the tours. “As we went along, Dallol wanted to do their own thing and I didn’t want to stay in Chicago,” he says. “So I moved to New York.”

“You know we all go in our own little phases of doing things,” he continued. “And my project became more or less, like, anything higher level, anything big.” What followed was a project called Race Against Racism, a series of largescale concerts, along the lines of Africa Unite, which took place in Europe and drew half a million people to concerts in Paris, Rome and Milan.

For Addis, who remains humble about his success, finding someone influential to believe in you is the key ingredient (along with discipline, he adds) to a successful career in music – though the insight might very well apply to any number of industries. Just as Rita Marley gave him his start in the business all those years ago, Addis is intent on discovering new, young talent. In particular, he wants to bring undiscovered Ethiopian musicians out of the tight orbit of the Ethiopian community into the larger universe of world music.

Besides being a lifelong friend of the Marley family and manager of Ziggy, Rita, and Stephen, Addis is the man behind the careers of some of the biggest names in contemporary Ethiopian music. He discovered Teddy Afro, who is still one of Addis’s clients. “Teddy is my major project right now,” he says, as a U.S. tour and record release are underway.

His New York-based artist management firm, Addis Management, has helped launch the careers of some of the biggest names in Ethiopian pop. His interest in bringing Ethiopian music to a larger arena started with a chance encounter that took place in the backyard of his quiet New Jersey home. Midway through reciting his impressive list of clients, Addis stops: “And then this young lady came into the picture.” The “young lady” he is talking about is Palm recording artist, Gigi.

“Gigi came to me, to this house. Some guys brought her in. I didn’t know who the hell she was and I wasn’t too crazy about anything at the time, because I was doing a lot of things. She sat down out here and she started singing. And I saw talent.”

It would be only a matter of time before he took hold the reins of her career, first advising her to move to New York (she was living in San Francisco at the time) and then introducing her to his network of music industry contacts.

“I said to Gigi, ‘I don’t want to brag about who I know or what I can do for you, but I can put you on the map.’” He eventually introduced the young singer to Chris Blackwell, and Blackwell, the innovator who founded Island Records and guided the careers of artists like Bob Marley & The Wailers, U2, and Melissa Etheridge, signed Gigi to a multi-album deal with his Palm record label. (Through Addis, Blackwell also signed Teddy Afro to a similar deal, which is currently in the works.)

While we talked, he kept his cell phone at arms length. At any moment, he could get the call that would send him to Ethiopia to attend to one of his numerous business ventures. In recent years, Addis has not limited himself to managing artists and arranging concerts overseas. His portfolio is quite diverse, with a list of obligations that range from a reggae club in Chicago, which he opened with his brothers several years ago, to a farm in the Ethiopian countryside, to an ambitious school building project in the villages of Ethiopia through the One Love Africa Foundation.

Part of the appeal of throwing a concert like Africa Unite in his homeland was the positive exposure it would give to Ethiopia. Says Addis, “Nothing positive comes out of that country, and we wanted to change that. And I think with our own little contribution we achieved that. To where people started saying, things can be worked out in Ethiopia, things can work in Ethiopia.

“When you have half a million people in one location for a concert no matter which country you’re in, from the most advanced nation to the worst voodoo society on earth, there’s always going to be an incident. But everybody came, enjoyed the music, and went back home without a slight incident. This to me shows the pride that I have in my culture. You cannot find that anywhere.”

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About the Author:
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Mik Awake was born in Boston and grew up in Atlanta. In 2003 he graduated from Columbia University where he was a staff writer for the Daily Spectator. He serves as contributing editor of Tadias Magazine. He lives in Brooklyn, New York.

Ethiopia’s Feedel Writing System Inspires Mobile Applications for Indian and Chinese Scripts

By Samuel Kinde , Tewodros Kidane, and Girum Kifetew

Ethiopia has the world’s lowest number of text messages sent per day, but recent development of the first Ethiopic text messaging (SMS) has inspired texting in widely used