Search Results for 'addis'

Video: A Retrospective Journey Through 8 Remarkable Years with Addis Fine Arts

Over the years, Addis Fine Art has played a pivotal role in championing African artists on the global stage, emerging as a significant influencer in the contemporary African art market. (Photo: AFA)

Tadias Magazine

Updated: February 2nd, 2024

New York (TADIAS) – This year commemorates the 8th anniversary of Addis Fine Arts, an enduring commitment to showcasing and garnering global recognition for artists from Ethiopia and its diasporas, with a specific focus on “shedding light on the region’s rich artistic history.”

As stated on its website, Addis Fine Art stands as a prominent African contemporary art gallery, featuring locations in both Addis Ababa and London. Founded in 2016 by Rakeb Sile and Mesai Haileleul, the gallery has centered its focus on artists hailing from Ethiopia, the Horn of Africa, and its diasporas. Over the years, Addis Fine Art has played a pivotal role in championing African artists on the global stage, emerging as a significant influencer in the contemporary African art market.

Distinguished by its international program, the gallery showcases mid-career artists through its London gallery space, making it one of the few Black and African-owned art galleries in the city. Simultaneously, the Addis Ababa location has transformed into a regional incubator for undiscovered talent, serving as a platform for exhibiting and nurturing the careers of emerging artists

In this video, founders Rakeb Sile and Mesai Haileleul take a retrospective look at the gallery’s remarkable journey.

8th Anniversary Video – Addis Fine Art from Addis Fine Art on Vimeo.

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Addis Ababa’s Runway to Cultural Nexus: HAFW 2024 Shaping the Global Fashion Scene

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Addis Ababa’s Runway to Cultural Nexus: HAFW 2024 Shaping the Global Fashion Scene

The 2024 Hub of Africa Fashion Week (HAFW) was held in Addis Ababa from January 9 to 14, 2024. (Photos: Mekbib Tadesse via Vogue)

Tadias Magazine

Updated: February 2nd, 2024

New York (TADIAS) – Last month, the 14th edition of the Hub of Africa Fashion Week (HAFW) took place in Addis Ababa, capturing attention as a significant milestone. Vogue, in its coverage, highlighted the annual showcase of African and Diaspora designers in Ethiopia’s capital as surpassing the traditional boundaries of a fashion runway. Instead, it transformed into a “cultural crossroads” and a dynamic catalyst, fostering fresh connections and opportunities within the global fashion landscape.

Founded by siblings Mahlet Teklemariam and Natanem Teklemariam, HAFW has grown to become an artistic nexus for the continent, going beyond its original aim of featuring up-and-coming talent. Vogue’s coverage underscored the event as a platform for positive change, serving as a channel to build new connections and opportunities globally, seamlessly blending tradition with modernity and fashion with culture.


Natan Couture, Tibebu Collection and Samra Leather: by Mekbib Tadesse via Vogue.

At this year’s event, ten designers, including the Tibebu Collection, were prominently featured, earning recognition from Vogue. Tibebu, meaning wisdom in Amharic, encapsulates the essence of the brand. Bezawit Tibebu, harboring dreams of becoming a designer from a young age, directs her brand toward the modernization of traditional Ethiopian textiles with a couture and contemporary twist. The utilization of a pastel color palette, complemented by traditional hand-woven fabrics, imparts a distinctive and refined touch to Tibebu’s creations.

Among the other showcased designers were Mastewal Alemu, Natanem Couture, Afthoro, Afropian, Zemenay, Metii Upcycled Collection, Dann, Samra Leather, and Alexander Akande. Each designer brought their unique perspective to the runway, contributing to the diverse and innovative showcase celebrated by both the event and Vogue.


Photo: Courtesy of Hub of Africa Fashion Week (HAFW)

As HAFW continues to grow and evolve, it stands as a testament to the vibrancy of the African fashion scene, showcasing not only the region’s rich creativity but also its potential to influence and connect with the global fashion community.

Read the full article at vogue.com: These Are the 10 Designers to Know From Addis Ababa’s Hub of Africa Fashion Week

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Art Talk: ‘Alle Legends’ in Ethiopia & Dawit Adnew’s Show in London at Addis Fine Art

Addis Fine Art in London is currently hosting the first European solo exhibition by Ethiopian artist, Dawit Adnew. The show also marks the gallery's first exhibition of the year at their London location. (Courtesy photo)

Tadias Magazine

Updated: March 22nd, 2023

New York (TADIAS) — Addis Fine Art is currently showcasing the first European solo exhibition by Ethiopian artist Dawit Adnew. The show, which marks the gallery’s first of 2023, opened in February at their London gallery.

Dawit Adnew, born in 1973, presents a series of paintings that transport the viewer to a sumptuous and dream-like world, where languorous figures pose amid lush gardens overflowing with plants, fruits, and flowers. The artworks convey an atmosphere of perpetual calm, suggesting twilight, where color and pattern are sources of pure pleasure, much like Matisse or Gauguin.

Dawit’s works are informed by his studies in African masks and iconography, and his use of patterns and fabric emerges from his background as a textile designer. He is based in Addis Ababa and studied at the Alle School of Fine Arts and Design. His artistic career has included participation in various exhibitions in Addis Ababa, Kenya, and Malta.

Addis Fine Art’s exhibition of Dawit’s works is a rare opportunity for European audiences to experience the vibrant, enchanting world he has created. The show is a must-see for art enthusiasts seeking a fresh perspective on contemporary African art.

ALLE LEGENDS: GROUP SHOW

And in Ethiopia, art enthusiasts have only a few days left to catch the ‘Alle Legends’ exhibition at Addis Fine Arts gallery before it closes on Sunday, March 25th.

The exhibition is a large-scale group show featuring works from 19 artists who have played a crucial role in shaping and influencing successive generations of graduates from the Alle School of Fine Art and Design. Each of the exhibiting artists has spent time teaching and instructing at the renowned art school, and their personal experiences have helped to instill an environment of openness and exploration in one of the oldest art schools in East Africa.


(Courtesy of Addis Fine Art)

‘Alle Legends’ serves to illuminate the individual practices of each artist, as well as their lasting impact on Ethiopian contemporary art. The exhibition turns the lens onto the educators, highlighting their contributions to the development of the country’s artistic landscape.

The Addis Fine Arts gallery is known for its focus on contemporary art, and this exhibition is a testament to their commitment to showcasing the best and brightest talents from Ethiopia. The ‘Alle Legends’ exhibition is a must-see for those interested in the evolution of Ethiopian art and the influence of education on artistic practices.

Don’t miss your chance to see this impressive exhibition before it closes on Sunday.


If You Go:

More info at addisfineart.com.

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Art Talk: Selome Muleta’s Debut European Solo Show at Addis Fine Art, London

Selome Muleta (b. 1992) is one of the most exciting young female artists to emerge from the Ethiopian visual arts scene in recent years. Her inaugural European solo show opens on March 11th, 2022 at Addis Fine Art gallery in London. (Photo: Courtesy of the artist via Addis Fine Art)

Press Release

Addis Fine Art London

Addis Fine Art, London is pleased to present Selome Muleta’s debut European solo show, Collapsing Space. This exhibition of the artist’s latest works explores womanhood through the playful merging of portraiture and still life, and examines the relationship between the internal self and the external world.

In Collapsing Space, Selome continues her exploration of female figures captured in states of inner reflection in the midst of vibrant environments. With her chosen medium of acrylic and oil pastel on canvas, Selome’s latest body of work interrogates and celebrates the rich interior worlds of her subjects, the stillness of their external forms reverberating against the vivid patterns and blossoming plants that crawl through their backdrops.

In a similar vein to the portraits of Jennifer Packer, Selome employs translucent washes of hue and busy patterns to create a sense of contemplative unity between her subjects and their respective environments. At times, the faces of her characters are obscured or cropped, and the viewer is invited instead to focus on objects that surround them. A drooping plant, a dozing feline companion, a distant crooked framed portrait – these forms stand as both symbolic and literal entry points to the interior self.


(Courtesy of the artist via Addis Fine Art)


Selome Muleta, Collapsing Space VII, 2021. Courtesy of the artist)

Much like the bottles and bowls of Morandi and Hockney’s plant-laden vases, the flattened characters and objects born from Selome’s brush seem to hum serenely with the energy of their very existence.

Biography

Selome Muleta (b. 1992) is one of the most exciting young female artists to emerge from the Ethiopian visual arts scene in recent years. Now based in Addis Ababa, Muleta studied art formally at the Abyssinia Fine Art School (2012) and Entoto Polytechnic College (2013-2014). She has had solo exhibitions at Guramayne Art Center, Fendika Art Gallery, Alliance Ethio-Francaise (2019) and most recently, Tsedal at Addis Fine Art, Addis Ababa (2020), she has also participated in group shows including From Modern to Contemporary, CFHILL gallery, Stockholm, Sweden (2020).

If You Go:
COLLAPSING SPACE | SELOME MULETA
Addis Fine Art, London
11 March – 16 April 2022 (Private View: 10 March from 5-8PM)
More info at www.addisfineart.com

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ART TALK: In Ethiopia Annual ‘Addis Calling’ Exhibition Goes on Display

This year, Addis Fine Art is proud to introduce the following artists: Eyasu Telayneh, Kerima Ahmed, Micheal Hailu, Wendimagegn Demeke, Yasmeen Abdullah and Michal Mamit Worke. (Courtesy photo: Addis Calling IV Group Show, Addis Fine Art, Addis Ababa, on view until 25 December 2021)

Press Release

Addis Fine Art

Addis Fine Art is proud to present Addis Calling IV, our regular group show featuring new works by a selection of exciting talent across Addis Ababa and the Horn of Africa. This year, Addis Fine Art is proud to introduce the following artists: Eyasu Telayneh, Kerima Ahmed, Micheal Hailu, Wendimagegn Demeke, Yasmeen Abdullah and Michal Mamit Worke.


(Courtesy of Addis Fine Art)


(Courtesy of Addis Fine Art)


(Courtesy of Addis Fine Art)

Featured Artists

Eyasu Telayneh’s paintings are scenes into the mysterious private lives of colors, breaking the rhythm of daily life and offering a fresh new view. He uses rapid cognition to absorb visual elements in his daily life, these observations serving as points of entry for his artistic practice. Telayneh is the winner of the Emerging Painters Invitational 2020 prize. His works have been shown in Alliance Ethio-Francaise, Barnard Gallery in Capetown, and Circle Gallery in Nairobi. He works as a full-time artist at his studio on Entoto mountain.

Michael Hailu’s works question the necessity of war in reaction to the outbreak of recent conflict in Ethiopia. He asks the motivation for violence, if war can be justified and if the instinct for violence is natural or through social conditioning. Michael is currently studying Art Education at Ale School of Fine Art, Addis Ababa University. His works have been exhibited at the Modern Art Museum Gebre Kristos Desta Center and other galleries in Addis Ababa.

Wendimagegn Demeke’s paintings use humor and absurdity to invite viewers to deal with complex interrelationships between technology, data privacy, capitalism, conflict, and power. Wendimagegn Demeke’s works have been shown at the National Museum of Ethiopia, Alliance Ethio-Francaise, Pop up East African artists Shanghai, and Arkane Afrika Artcop22, Morocco. He studied fine art at Entoto TVET College. He works as a studio artist, illustrator and teacher.

Symbolism and dreamscapes are hallmarks of emerging Sudanese artist Yasmeen Abdullah’s (1992) idiosyncratic paintings. The figures in her canvases possess a profound sense of interiority that radiates from their person, and shapes the settings they reside in. Inspired by the Palestinian poet Mahmoud Darwish, Abdullah sees her paintings as a visualisation of his sensitive verses. Taking poetry to paintbrush, Abdullah’s works are rich with simile and symbol – a warming ray of light stands as a pictorial metaphor for hope, and ideas take the form of darting fish. The profound effect is a multi-layered world of image and meaning, which begs the viewer to gaze beneath the surface.

Kerima is a full-time studio artist based in Los Angeles, California. She graduated from the Addis Ababa University School of Fine Art and Design in Painting. Her work celebrates Ethiopian culture, drawing on the traditions of Ethiopian painting. Her works have been exhibited in a solo show at the C Art Gallery, as well as a group show in Seattle. In 2013 and 2014, Kerima’s work was featured at the Ethnic Gallery at the Municipal Tower, Columbia City Art Gallery and Tobya Art Gallery in Seattle.

Michal Mamit Worke, winner of the 2020 Lauren & Mitchell Presser Contemporary Art Grant, is figurative painter. Born in Ethiopia in 1982 she immigrated to Israel on “Moses Operation” in 1984 and currently works and lives in Tel Aviv. Worke explores scenes and people from everyday life. Worke explores the act of painting, seeking to dechipher the gaze and questions the power relations at stake. Worke studied at Shenkar College of Art and has appeared in various group and solo shows across Israel at Herzliya Museum and Eretz Israel Museum.

If You Go:

Learn more at addisfineart.com.

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What’s Wrong With Blinken? Goes to Africa to Talk Ethiopia, But Skips Addis & AU?

The New York Times reports that Blinken is in Africa apparently on a diplomatic mission to solve Ethiopia's domestic political problem with a five-day trip to Kenya, Nigeria and Senegal. Strangely, or unfortunately, neither Ethiopia nor the headquarters of the African Union in Addis Ababa, which has been leading local peace-finding efforts in the country, are on the list of scheduled stops for the U.S. Secretary of State. Below is an excerpt from the NYT report. (Getty Images)

The New York Times

Blinken Heads to Africa as U.S. Tries to Avert Ethiopia Disaster

WASHINGTON — Secretary of State Antony J. Blinken departed early Tuesday for a five-day swing to Africa, where he will lend support for democratic principles and seek to advance diplomacy aimed at preventing Ethiopia from descending into a catastrophic civil war.

Mr. Blinken plans to begin his trip with a stop in Kenya, which borders Ethiopia and which has played a key role in diplomatic efforts to find a peaceful resolution to a conflict between the country’s central government and rebels in its northern Tigray region…

Mr. Blinken had planned to visit Africa in late summer, but postponed the trip after the sudden Taliban takeover of Afghanistan in mid-August.

The Biden administration has not articulated its vision for the continent, something Mr. Blinken was to address during a stop in the Nigerian capital of Abuja, where he planned to deliver a speech on the United States’ Africa policy. He plans to conclude his trip with a visit to the Senegalese capital of Dakar.

Read the full article at nytimes.com »

Related:

In U.S Ethiopian American Voters Send Biden a Message, Flipping Virginia Red

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Ethiopia In Pictures: Portraits of Workers in Addis Ababa and Jimma – By Redeat Wondemu

(Photography by Redeat Wondemu)

The Washington Post Magazine

Text and photographs by Redeat Wondemu

Work and Purpose in Ethiopia: A photographic journey

In 1950, Irving Penn — one of the giants of 20th-century photography — began taking photos in Paris, London and New York for what would be known as the “Small Trades” series. The project consisted of portraits of people in the clothes they wore for work.

I discovered Penn when I needed direction on what kind of photographer I wanted to be. His portraits have a rich tonal range, from the whitest white to grays to the blackest black. He used natural lighting, and it usually came from one direction, giving the photos a dramatic quality.

Penn’s approach has served as inspiration for my portraits of workers in Addis Ababa and Jimma, Ethiopia. I spent much of my childhood in Addis Ababa, the capital, then moved to Chicago when I was 13; in 2019, I moved back to Addis Ababa to begin this project. I found people to photograph — professional and skilled workers, street vendors, hawkers, criers — and asked them to come to my makeshift studio as they were. At first, they were very skeptical, as you can see by their inquisitive looks. Like Penn, I wanted to separate my subjects from distracting elements, so I had them stand in front of a blank background.

Penn spent more than two decades perfecting his photos. I hope to do the same. At a time when Instagram floods us with images, studying the classics helps me stay focused. Penn’s dedication to his work inspires me to perfect my portraits instead of feeling overwhelmed by the next cool photography trend.

For now, I am excited to be sharing these images with you. As the world has finally realized the importance of essential workers, there has never been a better time to think about and celebrate the people shown here — many of whom do work that is undervalued and overlooked.


An operating room nurse.


A shoeshiner.


A veterinarian.

Read the full article and see more photos at washingtonpost.com/magazine »

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From Ethiopia Hub of Africa Addis Fashion Week Comes to New York for Trunk Show

According to organizers the trunk show, which will be held at Silvana in Harlem on Saturday July 17th, 2021 is "a curated marketplace featuring some of the most exciting fashion designers and brands coming out of Ethiopia." (Photo courtesy of Hub of Africa Addis Fashion Week)

Tadias Magazine

By Tadias Staff

Published: July 14th, 2021

New York (TADIAS) — This week the Ethiopia-based Hub of Africa Addis Fashion Week is coming to New York City for a trunk show featuring nearly a dozen Ethiopian designers and brands.

According to organizers the trunk show, which will be held at Silvana in Harlem on Saturday July 17th, is “a curated marketplace featuring some of the most exciting fashion designers and brands coming out of Ethiopia.”


(Image courtesy of HAFW)

The announcement notes that “over the past decade, HAFW has become one of the most important fashion events on the African continent, giving a platform for established and emerging fashion brands on its runways. With over 100 designers having participated at its events over the years, the organizers of HAFW hope to make this event an annual endeavor to further grow the expanding fashion industry in Ethiopia and Africa by creating linkage between brands and customers globally. Some of the exciting brands to look out for include: MAFI MAFi, Fozia Endrias, Meklit.Me, SHIMENA and Paradise Fashion.”

If You Go:
HAFW Trunk Show 2021
July 17th, 10 – 6 pm
Silvana in Harlem NYC
300 W 116th St, New York, NY 10026
silvana-nyc.com
Phone: (646) 692-4935
www.hubfashionweekafrica.com

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ART TALK: Helina Metaferia’s Solo Debut with Addis Fine Art at 2021 Frieze NYC

Ethiopian American artist Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement. As a research based artist, Helina's work is informed by written and oral archives, dialogical art, and somatic practices. She is currently an Andrew W. Mellon Fellow / Assistant Professor at Brown University. (Addis Fine Art)

Press Release

Addis Fine Art is delighted to announce its representation of artist Helina Metaferia in Europe, Middle East and Africa. Helina will make her solo debut with Addis Fine Art at this year’s Frieze NYC Online Viewing Rooms from 7 – 14 May 2021.

For Frieze NYC Online Viewing Rooms, Addis Fine Art will be showcasing a series of collage works and an accompanying film by Helina Metaferia. The works are a continuation of the series titled, By Way of Revolution, a celebration of the overlooked histories of BIPOC women’s labor within activism, and the generational impact of civil rights eras of the past on today’s social justice movements.

Her mixed media works are made with images sourced from archival research of historical activism, including Black Panther newspapers and civil rights era photographs. She then amalgamates these images into crowns of adornment upon portraits she has photographed of women who are involved in contemporary liberation movements. Previous collages include portraits of participants of her performance-as-protest workshops that she conducts nationally. Her most recent works draw upon the activities of the Black Lives Matter movement during the pandemic and showcase Black women activists in LA and NYC, including BLM founders and chapter leaders such as Opal Tometi and Melina Abdullah, and recently formed artist-activist groups, such as The Wide Awakes, Revival Resistance Chorus, and Blacksmiths.


HELINA METAFERIA, HEADDRESS VIII, 2020, Mixed media, collage, 88.9 x 88.9 cm (Photo: Addis Fine Art)

HELINA METAFERIA

Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement. Through a hybrid of media, Helina’s practise is concerned with exploring overlooked stories relating to the Black experience, mainly in the context of the West. She approaches this by centring Black bodies, mostly women, in positions of power and vulnerability to interrogate complex histories of systemic oppression, questioning how it informs personal experiences and interpersonal relationships. She is also influenced by her Ethiopian heritage, often drawing upon traditional African art sensibilities in her work, specifically the intersection of visual art and ritual.

As a research based artist, Helina’s work is informed by written and oral archives, dialogical art, and somatic practices. She is currently an Andrew W. Mellon Fellow / Assistant Professor at Brown University.

Helina’s work has appeared in numerous institutional solo and group exhibitions including Museum of African Diaspora, San Francisco; Museum of Contemporary Art Detroit, Detroit; Modern Art Museum Gebre Kristos Desta Centre, Addis Ababa, Ethiopia, among many others. Her solo exhibition, Generations will open at the Museum of Fine Arts, Boston in Autumn 2021. Helina’s work has also been supported by several artist residencies including MacDowell, Yaddo, Bemis, MASS MoCA, and Triangle Arts Association. She is also a participant of the 2021 Drawing Center’s Viewing Program. Helina received her MFA from Tufts University’s School of the Museum of Fine Art and attended the Skowhegan School of Painting and Sculpture.

Learn more at addisfineart.com.

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ART TALK: Tadesse Mesfin, Tsedaye Makonnen, Addis Gezehagn & Tizta Berhanu at Dubai 2021

Tadesse Mesfin, Pillars of Life: My Sisters Keeper II, 2021, Oil on canvas, 165 x 170 cm; Tizta Berhanu, Rest in the arms of trust, 2020, Oil on canvas, 120 x 120 cm; Addis Gezehagn, Floating City XXII, 2021, Acrylic and mixed media on canvas, 122 x 122 cm; Tsedaye Makonnen, Astral Sea II, 2019, Acrylic mirror and fabric, 457.2 x 91.44 cm. (Photos courtesy of Addis Fine Art)

Tadias Magazine

By Tadias Staff

Updated: April 9th, 2021

New York (TADIAS) — This month the 14th edition of Art Dubai took place at Dubai International Financial Centre featuring several artists from Ethiopia and the Diaspora including Tadesse Mesfin, Addis Gezehagn, Tsedaye Makonnen and Tizta Berhanu.

The Ethiopian artists were represented by Addis Fine Art — marking the fourth year in a row that the Addis Ababa and London-based gallery had participated in the global art fair, which was also the first major in-person group exhibition of its kind since the COVID-19 pandemic.

Below are bios of the Ethiopian artists courtesy of Addis Fine Art:

TADESSE MESFIN B. 1953

Tadesse Mesfin (1953) is a giant of the Ethiopian art scene. He holds a unique position as both a figurehead of the Ethiopian modernist movement, and as a long-time educator through his role as a professor at the influential Alle School of Fine Art and Design in Addis Ababa. Among the generations of painters he has taught are Addis Gezehagn, Ermias Kifleyesus, Merikokeb Berhanu and Tesfaye Urgessa.

Mesfin’s latest work is a continuation of his ongoing series celebrating the women who work as small-holder vendors in markets scattered across Ethiopian cities, who can typically be found standing or crouched down with their agricultural produce scattered in front of them, hoping to entice the eye of potential customers. As a visual paean to them, Tadesse places their occupations and personae front and centre, and the viewer is encouraged to appreciate their importance to the communities they serve.

The paintings, at times, resist the limitations of perspective, with the distant figures appearing to float in space between those in the foreground, their forms often abstracted through loosely defined brush strokes. Only their regal, statuesque poses and facial expressions are clearly discernible. Mesfin has stated that his previous fascination with the West-African tradition of mask-making prompted him to create his own “Ethiopian masks” from the expressions found in the faces of the women occupying his canvases. Their pointed chins and captivating stares are a nod to West-African masks; however, the distinctly Ethiopian features give them their own unique appearance. Each figure is carefully weighted in these paintings with a methodical precision born of decades of practise. There is often a central protagonist who is the focal point, slightly off-centre in accordance with the golden section rules of proportion, counter-balancing the figures in the background.

Tadesse Mesfin’s artistic career spans more than five decades. His painterly style has been greatly influenced by his early education under Gebre Kiristos Desta, the pioneer of Ethiopian Modernism and from his seven-year stint in the USSR during the 1980s, where he studied architecture and sculpture in St. Petersburg.

TSEDAYE MAKONNEN ETHIOPIAN-AMERICAN, B. 1984


Tsedaye Makonnen. (Photo: The Artist and Addis Fine Art)

Tsedaye Makonnen is a multidisciplinary artist whose studio, curatorial, and research-based practice threads together her identity as a daughter of Ethiopian immigrants, a Black American woman, doula and a mother. Makonnen invests in the transhistorical forced migration of Black communities across the globe and Feminism. Her work is both an intimate memorialization and protective sanctuary for Black lives. She is the recent recipient of a Smithsonian Artist Research Fellowship, DC Public Library Maker Residency and Art on the Vine’s Savage-Lewis Artist Residency (Martha’s Vineyard).

She has performed at the Venice Biennale, Art Basel Miami, Chale Wote (Ghana), El Museo del Barrio, Fendika (Ethiopia), FIAP (Martinique), Queens Museum, the Smithsonian’s and more. Her light monuments memorializing Black womxn exhibited at the August Wilson Center and National Gallery of Art. In 2019 she was on the front cover of the Washington City Paper’s People Issue. She recently curated a group show with Washington Project for the Arts in DC titled Black Women as/and the Living Archive and is publishing an exhibition book. This August she is exhibiting for Park Avenue Armory’s ’100 Years | 100 Women’ with NYU Tisch & Deb Willis, which was recently featured in Vogue Magazine.

ADDIS GEZEHAGN B. 1978

Addis Gezehagn (b.1978), a long-time artistic presence in Addis Ababa, is known for portraying the multifaceted characteristics of the city’s residents by detailing the external facades of their homes. In his “Floating Cities/ Floating Towers” series, Gezehagn depicts dreamlike deconstructed and layered renderings of the urban landscapes rising above the ground. These compositions made by layering magazine cut outs with acrylic paint, blend the boundaries of fantasy and reality of urban life, blurring the lines between the past, present and future.

Flattened and reductive, Gezehagn’s works imagine cityscapes as towers, or patchworks of colourful doors and gates, the architectural structures seeming to signify a natural, organic network of living spaces. The rootless and ephemeral nature of the layered towers call into question the lives of the inhabitants. Examining the personal and public spaces, the works archive walls and towers destined to crumble, tracing a pattern of classism and social injustice. Gezehagn’s works urge us to think beyond homes as functional entities and offer commentary on the socio-economic context of urban life.

Gezehagn currently lives and works in Addis Ababa, Ethiopia. He graduated from the Addis Ababa University School of Fine Arts and Design with a Diploma and BFA in 2011. His first international exhibtion was in 2017 at 1:54 Contemporary African Art Fair in London which was received with great acclaim. Since then, he has gone from strength to strength, garnering more international interest after having his first sold out solo show at Addis Fine Art’s main gallery in Addis Ababa in 2018 followed by 1-54 Contemporary Art Fair London (2018) and Art Dubai (2019).

TIZTA BERHANU ETHIOPIAN, B. 1991


Tizta Berhanu, Different Life in a Setting, 2019. (Addis Fine Art)

Tizta Berhanu was born in Addis Ababa, Ethiopia in 1991 where she has lived and worked her entire life. She graduated in 2013 from the Addis Ababa University, Alle School of Fine Arts and Design where she studied under the influential modernist painter Tadesse Mesfin.

Trained as a figurative painter, Tizta uses the medium to introspectively delve into human emotions. The figures in her work often express an array of sentiments, some comfort and embrace one another, whilst others are found isolated and searching in the backdrop of the enigmatic canvases. Her paintings are awash with lucid colours which flow across the canvases through the use of heavy undefined brush strokes. By portraying her subjects expressing love, hate, sadness, and loneliness, the observer is invited into moments of vulnerability and intimacy.

Learn more at addisfineart.com.

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ህብር (Hēbēr): Exhibition by Tizta Berhan at Addis Fine Art in Ethiopia

The art show, which is also available to view online at Addis Fine Art's website during the pandemic, features Tizta's oil paintings portraying "scenes of affection, intimacy, and closeness.” (Photo: Addis Fine Art)

Tadias Magazine

By Tadias Staff

Updated: January 15th, 2021

New York (TADIAS) — If you’re in Addis Ababa you can catch a timely and aptly titled art exhibition by Ethiopian painter Tizta Berhanu called ህብር (Hēbēr) at Addis Fine Art gallery in the capital.

“Hēbēr, meaning unity and togetherness, showcases new works by the artist and marks the opening of the gallery’s second exhibition space in the Noah Centrum building, Addis Ababa,” the announcement states, noting that the display is also the artist’s debut solo exhibition at their space.

The art show is also currently available to view online at Addis Fine Art’s website, and features Tizta’s oil paintings portraying “scenes of affection, intimacy, and closeness.. From moments of melancholy to elation, Tizta’s bold use of colors provides each painting with its own distinctive emotional tone; her luminescent red paintings, for instance, conjure images of love and passion, while the oceanic blue works convey a sense of despondency.”


From top: Tizta Berhanu, Siblings, 2020, Oil on Canvas, 140 x 140 cm; Tizta Berhanu Reassurance, 2020, Oil on Canvas, 140 x 140 cm; Tizta Berhanu, Discontent, 2020, Oil on Canvas, 150 x 180 cm; Tizta Berhanu Stability, 2020 Oil on canvas, 140 x 140 cm. (Addis Fine Art)

According to the press release:

Trained as a figurative painter at the Alle School of Fine Art and Design in Addis Ababa, Tizta uses oil paintings to interrogate every facet of human emotions. From moments of melancholy to elation, the full litany of our emotional life is on display. The protagonists in Tizta’s canvases can be found seeking comfort in the bosom of a sympathetic listener or brooding, flanked by apparently concerned loved ones. The artist captures outpourings of vulnerability, love, excitement and sadness, and immortalises them in powerful images.

The scenes depicting affection, intimacy and closeness are hallmarks of Tizta’s work, which take on a particular poignancy in our new context of social distancing, increasing polarization and conflicts between communities. The paintings in this show evoke a certain nostalgia for the times when expressing our emotions physically and supporting each other with care was the norm – and remind us of the importance of such acts.

If You Attend:

You can learn more about the exhibition at addisfineart.com.

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Feleg Tsegaye of ‘Deliver Addis’

Feleg Tsegaye, founder of Deliver Addis. (Photo: Howwemadeitinafrica)

Face 2 Face Africa

The man behind Ethiopia’s first online restaurant delivery service changing how people dine

Feleg Tsegaye was born to exiled Ethiopian parents in the United States. When he was 24 years old, he moved to Ethiopia to start the country’s first-ever online restaurant delivery service. Prior to leaving the U.S, he worked at the US Federal Reserve Bank.

In 2015, he launched Deliver Addis, an online restaurant delivery service in Ethiopia which allows customers to place orders from their favorite restaurants and also discover new ones. For Tsegaye, it was his own way of not only creating jobs in his country of origin but to change the way Ethiopians dine.

“What really prompted me to pursue this was the fact that we were creating a completely new industry that did not exist in Ethiopia,” Tsegaye told How We Made It In Africa. “It’s about getting customers what they want in the convenience of their homes and offices. It’s also about generating business for small and medium enterprises – like restaurants that cannot afford space or a good location – and creating jobs for young people as back-office staff or drivers.”

Across Africa, businesses being operated solely online are fast gaining popularity on the continent. This has been largely due to the spread of internet connectivity across the continent. While in some countries internet usage is low, it is high in other states.

Playing a pioneering role in Ethiopia’s e-commerce sector didn’t come easy for Tsegaye. At the time, internet penetration was low and was largely a platform not known to many in the country. Nonetheless, he persisted and now controls a big share of the market.

He was also confronted with other challenges such as the absence of addresses, power outages and inadequate internet connection.

“Our first internet shutdown was when I was on a flight to the US,” he recalled. In 2016, Ethiopia declared a state of emergency due to political instability, resulting in the shutdown of internet connectivity in the country.

“As an e-commerce business, that’s pretty much the worst possible thing that can happen – and I wasn’t even there when it happened,” he said. Although the business was unprepared for the internet shutdown, Tsegaye took advantage of the situation to do some intensive servicing and maintenance of his delivery bikes.

While at it, he took steps to keep the business afloat by designing offline processes for ordering – by phone, or SMS, when available. This saw order volumes go up. In June 2020, he secured funding from the Impact Angel Network to increase its capacity and efficiency to bring on new products and services and expand market share.

Following growing demand due to COVID-19, he expanded his services to include an online marketplace that enables Ethiopian consumers to shop for groceries and other essential goods online.

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ART TALK: Tadesse Mesfin’s ‘Pillars of Life’ at Addis Fine Art

Tadesse Mesfin’s 'Pillars of Life' series is an ode to the women who work as small-holder vendors in markets across Ethiopia. (Photo courtesy of Addis Fine Art)

Tadias Magazine

By Tadias Staff

Updated: November 20th, 2020

New York (TADIAS) — Addis Fine Art gallery announced that they’re featuring an online exhibition of new works by artist Tadesse Mesfin called ‘Pillars of Life’ from their new London location as they prepare for the reopening of the gallery this December.

“To mark the exhibition, we have released a new film documenting the show, which is also accompanied by narration from Tadesse who delves into his practice and motivations,” the press release states.

“Tadesse Mesfin’s (b. 1953) Pillars of Life series is an ode to the women who work as small-holder vendors in markets across Ethiopia. These traders can typically be found standing or crouched down with their agricultural produce scattered in front of them, hoping to entice the eye of potential customers. As a visual paean to them, Tadesse places their occupations and personae front and centre, and the viewer is encouraged to appreciate their importance to the communities they serve.”


Tadesse Mesfin is a giant of the Ethiopian art scene. (Courtesy Photo)

The gallery adds:

“Mesfin’s latest work is a continuation of his ongoing ‘The Pillars of Life’ series, an ode to the women who work as small-holder vendors in markets across Ethiopia. As a visual paean to them, Mesfin pays homage to their occupations and personae by placing them front and centre, celebrating their importance within the social and cultural framework of Ethiopian life.

Tadesse Mesfin holds a unique position as both a figurehead of the Ethiopian modernist movement, and as a long- time educator through his role as a professor at the influential Alle School of Fine Art and Design in Addis Ababa. Among the generations of painters he has taught are Addis Gezehagn, Ermias Kifleyesus, Merikokeb Berhanu and Tesfaye Urgessa.

Learn more at addisfineart.com.

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Addisu Demissie Named University of Chicago Institute of Politics Fellow

Addisu Demissie recently served as Senior Advisor to U.S. presidential candidate Joe Biden and was responsible for organizing the 2020 Democratic Convention last month. He has been named a University of Chicago Institute of Politics Pritzker Fellow. (Courtesy photo)

Tadias Magazine

By Tadias Staff

Updated: August 14th, 2020

New York (TADIAS) — Addisu Demissie — who recently served as Senior Advisor for Joe Biden’s presidential campaign and was responsible for organizing the 2020 Democratic Convention — is headed to University of Chicago this month as the Institute of Politics (IOP) Fall 2020 Resident Pritzker Fellow. As part of this fellowship, Addisu will “interact with students and faculty, participate in speaker series events, and, along with guests, lead off-the-record students-only seminars on current political and public policy topics at the IOP.”

According to the University of Chicago, each academic quarter the IOP Fellows program brings a diverse group of professionals from the political world including public officials, policymakers, diplomats, activists and journalists to lead seminars as well as pursue their own individual projects.

As a Fall 2020 Resident Fellow Addisu joins four other individuals including James Bennet, former Editorial Page Editor for The New York Times; Jelani Cobb, Staff Writer at the New Yorker Magazine; Scott Jennings, CNN Political Contributor, Republican Strategist, and Founding Partner of RunSwitch Public Relations; and Samantha Vinograd, CNN National Security Analyst.


(Courtesy photos)

“Each Fellows class brings a variety of perspectives and experiences to our students, ranging across different ideologies, professional sectors, and geographic areas,” the University stated on its website. “The IOP Pritzker Fellows Program presents a unique opportunity for political professionals to learn and grow.”

In addition to managing the historic 2020 Democratic Convention Addisu is also a Principal & Co-Founder of 50+1 Strategies, a California-based consulting firm, where he managed several prominent campaigns including Cory Booker’s 2013 Senate campaign as well as his 2020 presidential campaign, Gavin Newsom’s 2018 campaign for California governor, and working as National Director of Voter Outreach for Hillary Clinton’s 2016 presidential campaign. Addisu’s first got involved in politics working with John Kerry’s 2004 presidential campaign while he was a Yale Law School student.

Below is Addisu’s bio courtesy of the University of Chicago:

Addisu Demissie

Fall 2020 Resident Fellow

Democratic Strategist And Founding Principal Of 50+1 Strategies

Addisu Demissie is a Founding Principal of 50+1 Strategies with nearly 20 years of professional experience in political advocacy and campaign strategy. He has led campaigns at the national, state, and local level for electoral, nonprofit, and corporate clients. Addisu currently serves as Senior Advisor to the 2020 Democratic National Convention Committee and to More Than A Vote, a non-profit organization dedicated to Black political empowerment co-founded by LeBron James and Maverick Carter.

Addisu is an experienced campaign manager, having run successful campaigns for U.S. Senator Cory Booker in 2013 and California Governor Gavin Newsom in 2018 and, most recently, serving as the campaign manager for Booker’s run for the Democratic nomination for president in 2020. His first love is developing and implementing sophisticated community organizing programs, which he has done in three presidential campaigns for John Kerry in 2004, Hillary Clinton and Barack Obama in 2008, and Clinton again in 2016.

Following President Obama’s first inauguration in 2009, Addisu was selected as the first National Political Director for the President’s political organization Organizing for America. Later that year, the Washington Post named him one of the “Ten Young Black Aides To Watch” in the Obama Administration. At OFA, he played a key role in mobilizing and coordinating grassroots support for the passage of the American Recovery and Reinvestment Act, federal student loan reform, and the Affordable Care Act. Addisu also served as Senior Advisor to California Assembly member David Chiu’s 2011 mayoral campaign and as the general consultant for several California municipal, initiative, and independent expenditure campaigns during the 2012 and 2014 campaign cycles.

Addisu is a 2001 graduate of Yale University, 2008 graduate of Yale Law School, and a member of the state Bar of California. In his spare time, he likes to run in the California sun and watch sports of any and every kind, especially his hometown Atlanta Braves and adopted hometown Golden State Warriors. He lives in Oakland, CA with his wife Jill.

Related:

Interview With Addisu Demissie: Senior Adviser to Joe Biden

Biden Selects Yohannes Abraham as Member of Transition Team

Interview: Helen Amelga, California Senate Field Rep & Founder of Ethiopian Democratic Club of LA

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NYC Book Talk: Barara (በራራ), Addis Ababa’s Predecessor, by Habtamu Tegegne

The online book talk, open to the public, is being hosted by the Ethiopian Community Mutual Assistance Association (ECMAA) and will be held on Sunday, September 6, 2020. (Courtesy photo)

Tadias Magazine

By Tadias Staff

Updated: August 31st, 2020

New York (TADIAS) — This week an online book talk is scheduled in NYC featuring author Habtamu Tegegne’s newly released book titled Barara (Addis Ababa’s Predecessor): Foundation, Growth, Destruction and Rebirth (1400 – 1887).

Habtamu’s book brings alive Ethiopia’s lost medieval capital of Bärara, “whose enormous significance has scarcely been touched upon by modern historians,” notes an Amazon.com highlight of the publication. “By exploring and revealing the city s importance as a major ecclesiastical and political capital, the book challenges traditional historiography that until now undermined the significance of medieval Ethiopian urban culture.”

The virtual gathering, which is scheduled for Sunday, September 6th, is being hosted by the Ethiopian Community Mutual Assistance Association (ECMAA). Organizers share that guest speakers Dr. Aklog Birara and Professor Haile Larebo will join the author during the online book talk and subsequent discussion session.

While Bärara is far from unknown to scholars.. this book historicizes the city by situating its role within the much larger political and cultural contexts of Ethiopian and world history, contesting the assumption that the Ethiopian middle ages featured unsophisticated roving capitals that functioned as such only while local or regional rulers were in residence. While the book’s central focus is Bärara, it is broadly conceived as an ambitious reinterpretation of Ethiopian history during the medieval and early modern periods. The book uses the city’s development, destruction, rediscovery and re-foundation as a lens through which to view larger developments in Ethiopian history notably the political and cultural regeneration of the early Solomonic era (1270-1529), Ahmad Ibrahim’s (1529-1543) short-term empire and its long-term consequences. By reading modern Addis Ababa as Bärara reborn, the book argues that the medieval history of Bärara was a crucial factor in founding Ethiopia s modern capital, as well as motivating military campaigns of Emperor Menilek II (r. 1889-1913) to eastern, southern, and western Ethiopia. The book may add depth and a new layer of meaning to the very contentious political debate concerning contemporary Addis Ababa.”

If You attend:

THE ETHIOPIAN COMMUNITY MUTUAL ASSISTANCE ASSOCIATION (ECMAA) PRESENTS
BARARA (በራራ): BOOK REVIEW AND DISCUSSION
SUNDAY, SEPTEMBER 6, 2020 | 3 PM
ZOOM MEETING ID: 813 2588 0476
HTTPS://US02WEB.ZOOM.US/J/81325880476 OR CALL IN:+1 646 558 8656
Click here to purchase the book at amazon.
You can learn more and contact the organizers at http://www.ecmaany.org.

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Meet QWANQWA: The Ethiopian Supergroup Drawn From the Baddest Ensembles of Addis Ababa

QWANQWA is a five-piece ensemble based in Addis Ababa, dedicated to exploring and furthering Ethiopia’s unique string traditions. The group draws inspiration from the regional sounds of Ethiopia, East Africa, and beyond. (Courtesy Photo)

Press Release

QWANQWA RETURNS IN 2020 WITH QWANQWA VOLUME 3

QWANQWA is a five-piece ensemble based in Addis Ababa, dedicated to furthering Ethiopia’s unique string traditions. Inspired by a shared passion for Ethiopian music, the group brings together some of the most accomplished traditional players in the country; creating a space to explore new sounds and break the rules in a very traditional musical culture.

Since their 2012 debut, QWANQWA has merged the richness and diversity of rooted tradition with a modern, experimental sensibility, inspired improvisation, and a mission to transcend genres and blur boundaries. Their third studio album, Volume 3, will be released internationally on vinyl, CD, and digital platforms on September 11th, 2020, at midnight, just in time for Ethiopian New Years (2013 on the Ethiopian Calendar).

In keeping with the inclusive spirit of QWANQWA’s previous two albums, Volume 3 reaches deep into Ethiopia’s regional traditions and beyond its borders, taking inspiration from the country’s diverse ethnic population and neighbors to the North, West, and East. Recorded in Addis Ababa over the course of a long weekend in February 2017, the album is a snapshot of a dynamic band in evolution.

A long time in the making, QWANQWA Volume 3 features the band’s pre-2018 repertoire and lineup — Endris Hassen on one-string mesenko fiddle, Mesele Asmamaw on vocals and electric krar lyre, Kaethe Hostetter on five string electric violin, Bubu Teklemariam on bass krar, Selamnesh Zemene (vocalist), and Misale Leggesse on kebero.

“The music on this album reflects the repertoire we were working with at the time,” says QWANQWA bandleader Katehe Hostetter. “The material was sourced from regions beyond Ethiopia’s borders, including an Eritrean tribal chant transformed by our arrangement, and a Somali pop song. We were inspired by the infinite musical variety of Ethiopia and its neighbors, and dove deep into the traditions beyond the five most well known ethnic groups. Thanks to our band members’ Endris Hassen and Misale Legesse’s encyclopedic knowledge, we were able to spotlight these tiny pockets of overlooked musical traditions.”

“Since the recording of this album,” Kaethe adds, “Addis Ababa has dipped in and out of a State of Emergency due to ethnic tensions, but we’ve stayed resilient and creative, and our message of one unified Ethiopia, that celebrates and includes all 84 official ethnic groups, has never felt more poignant.”

The first track, “Ago”, welcomes the listener into the evocative world of QWANQWA, with a trio arrangement of a melody from the Northern people, in which you’ll hear the violin evoking the simple Shepard’s flute. “Blen“ is based on an Eritrean melody of the Blen tribe, that’s traditionally accompanied by a circle of dancing young men, dressed in white and spinning like dervishes. “Somali” is a cover of a Dur Dur Band tune, with an extended section where Mesele and Kaethe trade melody and soloing. “Serg” is a 20 minute wedding song medley that is meant to invoke the trance-like experience of an Amhara wedding.

“This album was originally meant to support our Fall 2020 North American tour debut — 48 U.S. dates backed by a grant from the MacArthur Foundation, anchored by a special collaboration with with Tomeka Reid and Chicago’s Hyde Park Jazz Festival. Thanks to COVID-19, our tour is postponed until next year, but the album was still ready to go, so we decided to release anyway. We’re just thrilled to finally see this album out in the world and connect with our fans even if we can’t do it live!”


(QWANQWA, left to right: Bubu Teklemariam, Endris Hassen, Selamnesh Zemene, Misale Legesse, Kaethe Hostetter)

ABOUT QWANQWA

QWANQWA is a five-piece ensemble based in Addis Ababa, dedicated to exploring and furthering Ethiopia’s unique string traditions. The group draws inspiration from the regional sounds of Ethiopia, East Africa, and beyond. Delving deep into traditional beats and moods, QWANQWA’s music is characterized by tight arrangements and inspired improvisation punctuated by extended experimental moments.

“QWANQWA is a project where master instrumentalists can open up and improvise,” says founder Kaethe Hostetter. “It’s about creating a space to explore new sounds and allow players to break the rules in a very traditional musical culture.” The group takes its name from the Amharic word for “language,” is dedicated to creating musical dialogues between cultures, and the proposition that music is the universal language that transcends borders and boundaries.

QWANQWA’s singular sound is built on an array of Ethiopia’s unique traditional instruments: Swirling mesenko, punk krar solos (electric lyre), wah-wah-violin, bass krar boom, and the unstoppable rhythm of heavy kebero beats, punctuated by a Western 5-string electric fiddle. With this lineup and the group’s stunning new vocalist, QWANQWA has enchanted audiences at home and abroad.

The ensemble was founded in 2012 by American violinist Kaethe Hostetter, who first worked in Ethiopian music as a founding member of critically acclaimed Debo Band. Since relocating to Ethiopia’s capital, Addis Ababa, in 2009, she’s honed her sound and dived deep into the culture, playing in numerous exploratory and professional projects. As part of her immersion in Ethiopian music and culture, Hostetter brought together some of the most accomplished players in Addis Ababa’s music scene.

“QWANQWA originally started as a purposefully instrumental ensemble, defiantly the only one of its kind in Addis,” says Kaethe. “We spotlighted the virtuosity of the instrumentalists that often got lost behind the singers. We spent years performing and strengthening as a quartet, until we invited singer Selamnesh Zemene to join as our front woman in 2018. Over the course of eight years of performing and touring, we’ve grown into a tight-knit band, rooted in deep friendship and shared experience, and Selamnesh fit right in, taking us to the next level.”

QWANQWA is Endris Hassen (mesenko), Kaethe Hostetter (violin), Bubu Teklemariam (bass krar), Selamnesh Zemene (vocalist), and Misale Legesse (kebero).

Misale Legesse has been active in Ethiopian music for over twenty years. He was born in Addis Ababa’s Sidist Kilo neighborhood where he started playing percussion as a child – using pails and empty cardboard boxes as his instruments. He honed his skills to become Addis’s go-to percussionist on both conga and the traditional kebero drum. He’s released several original albums, and toured internationally, performing with such legends as Mahmoud Ahmed and Aster Aweke, and joined experimental projects with such partners as The EX and Paal Nilssen-Love.

Endris Hassen is arguably the most sought after masinqo player in Addis. An in-demand studio musician who has guested on over two thousand albums, Endris is also founding member of several key groups, including Fendika, Nile Project, Ethiocolor, Atse Teodros, and more.

Selamnesh Zemene is a powerhouse vocalist and one of Ethiopia’s rising divas. She hails from the Azmari bloodline of griot-like musicians. Selamnesh joined the band as lead vocalist in 2018, just in time for two European tours, where she received much critical acclaim as one of the dual front-women of the group.

Anteneh (Bubu) Teklemariam fell in love with the sound of the kraar at an early age, taking lessons at a local NGO from the age of 16. Soon after he joined his first band, and has been playing ever since — performing on countless recordings with many of the leading Ethiopian traditional bands and Orthodox Koptic Christian artists. A composer as well as a musician, Bubu is a prolific songwriter, whose music and lyrics often contain spiritual and socially conscious messages on environmental issues or Ethiopian identity.

Together these musical adventurers honed a fresh, new sound that’s rooted in centuries old traditions, yet exploratory, open and future-facing. Since their founding in 2012, QWANQWA has emerged as an integral and constant presence in Addis Ababa nightlife scene, and has released two critically-acclaimed albums, Volume One (2014) and Volume Two (2015); with Volume Three due for release in September, 2020.

They’ve taken their sound international, too, rocking audiences on two major European tours with knockout shows at the Roskilde and WOMEX festivals in 2016 and 2017. Members of QWANQWA have also appeared internationally with some of the biggest names in Ethiopian music and beyond: Getachew Mekuria, The EX, Thurston Moore, Fred Frith, Butch Morris, Debo Band, Nile Project, Paal Nilsson-Love, Fendika, Mahmoud Ahmed, Mulatu Astatke, Addis Acoustic, Ethiocolor, Atse Teodros, Mohammed “Jimmy” Mohammed, and Imperial Tiger Orchestra, and have played stages from Lincoln Center to Bonnaroo, Jazzfest (New Orleans), Moers Festival, Roskilde, WOMEX, WOMAD and more.

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Interview With Addisu Demissie: Senior Adviser to Joe Biden

Addisu Demissie currently serves as Senior Advisor to U.S. presidential candidate Joe Biden, and is responsible for organizing the nominating convention for the Democratic Party that is scheduled to open on August 17th, 2020 in Milwaukee, Wisconsin. (Photo: 50+1 Strategies)

Tadias Magazine

By Tseday Alehegn

Updated: August 10th, 2020

Interview With Addisu Demissie: Senior Adviser to Joe Biden

New York (TADIAS) — As the Democratic Party prepares to officially nominate Joe Biden as its candidate to become the next President of the United States, veteran campaign strategist Addisu Demissie is the person in charge of putting together the nominating convention that kicks off on August 17th in Milwaukee, Wisconsin.

The convention — one of the most anticipated American political events during a presidential election season — promises to be nothing but traditional this year amid the growing Coronavirus pandemic, which makes Addisu’s role all the more challenging and historic.

“My job is essentially to produce the convention,” Addisu told Tadias in a recent interview. “I do everything from the program, to the budget management, to fundraising, to political relations with members of Congress or with Governors or what have you.” He added: “It’s kind of a little bit of everything. No one day is like any other, that’s for sure. We’re trying to produce a convention in the midst of a pandemic. It’s gonna be nothing like anything anyone has ever done before, but we have a mission – and that is to present Joe Biden to the country. He is somebody who has been in public life for 40 years, but still people need a better sense of who he is and what he’s fighting for.”

Addisu, who is also a Principal & Co-Founder of 50+1 Strategies, a California-based consulting firm, comes armed with years of campaign experience including managing Senator Cory Booker’s 2013 Senate campaign and more recently his presidential campaign, as well as Gavin Newsom’s 2018 campaign for California governor, and working as National Director of Voter Outreach for Hillary Clinton’s 2016 presidential campaign. Addisu’s first got involved in politics when he joined Kerry’s 2004 presidential campaign prior to attending law school.

“I went back to school thinking I’d be leaving campaigns and go back to my original path, which was to be a civil rights lawyer, but I discovered that I missed the campaign,” Addisu said. “So all during law school I worked on campaigns. And then I graduated in 2008 and basically it was ‘do I go become a lawyer or do I go back into politics’ and I decided to go back to politics. Friends that I had worked with on campaigns starting in 2003 connected me and I ended up working on Obama presidential campaign’s as Get-Out-The-Vote Director in Ohio. That was really the fork in the road for me in terms of my career path.”

Below is our full interview with Addisu Demissie:

TADIAS: Please tell us a bit about yourself, where you grew up and were raised, your focus in school and college.

Addisu Demissie: I was born in Windsor in Ontario, Canada. My mother’s side is Black American and my grandmother is Black Canadian. My father’s side is Ethiopian. My dad came to Windsor to attend college and met my mother. I was raised in Toronto until the age of 11 and then became a U.S. citizen and moved to Atlanta, which became my first home in America. For high school I attended a boarding school in Massachusetts and then attended Yale for undergraduate studies. I grew up steeped in Ethiopian culture as well as American and Canadian. I’m Canadian by birth, American by choice and Ethiopian by ethnicity, history and tradition.

TADIAS: What were some early experiences that made you decide that you wanted to study political science in college, go to law school and then become active in state and national political campaigns?

Addisu: I actually started out as pre-med student in college. I was into math and sciences my whole schooling years, but I took a law class about civil rights during my sophomore year in college and I found myself liking it a lot more than I did my science classes. In my junior year I started asking myself “am I doing math and science because I’ve been doing it for 12 years or do I actually want to be a doctor or scientist?” I realized that I didn’t really want it anymore and basically took political science courses through my junior and senior years to get a political science degree. When I graduated from college I moved to Washington D.C. to work for the NAACP Legal Defense Fund. That was my first job out of college and it started me on my path in politics.

I ended up in Washington because I had taken a class in the fall semester of my senior year with a Connecticut Supreme Court Justice named Flemming Norcott, who taught a civil rights law course about Blacks and the law, which was seminal in my life and I wanted to work for the NAACP legal defense fund. By spring semester of my senior year I found a job opening at LDF and while I didn’t get the job that I had applied for in New York I received an offer from the Executive Director to work in Washington D.C.

TADIAS: You’ve worked on several presidential campaigns as well as served as Political Director of the Democratic National Committee’s Organizing for America project in 2009. What are some of the memorable highlights and lessons learned?

Addisu: I worked for the 2004 Kerry campaign before going to law school. I went back to school thinking I’d be leaving campaigns and go back to my original path, which was to be a civil rights lawyer, but I discovered that I missed campaign. So all during law school I worked on campaigns. And then I graduated in 2008 and basically it was ‘do I go become a lawyer or do I go back into politics’ and I decided to go back to politics. Friends that I had worked with on campaigns starting in 2003 connected me and I ended up becoming Obama campaign’s Get-Out-The-Vote Director in Ohio. That was really the fork in the road for me in terms of my career path.

TADIAS: As Principal of 50+1 Strategies you successfully led as Campaign Manager for Cory Booker and Gavin Newsom’s campaigns among other candidates. Can you share more about what motivated you to found your own organization?

Addisu: I started my own organization in 2011. I was getting married and my wife wanted to move to California, so I left Washington D.C. in 2010, and in the middle of 2011 I decided to start my own firm and figure out how I was going to continue working in politics and campaigns without having to keep flying to different places around the country to run campaigns. I started seeking out clients and doing it on my own. I currently have two big clients — one is the upcoming Democratic Convention and working for Biden’s campaign and the other is a new organization called More Than a Vote.

TADIAS: You are now Senior Advisor for presidential candidate Joe Biden and working on the 2020 Democratic Convention. Can you tell us more about your current work?

Addisu: My job is essentially to produce the convention, which starts on August 17th. I do everything from the program, to the budget management, to fundraising, to political relations with members of Congress or with Governors or what have you. It’s kind of a little bit of everything. No one day is like any other that’s for sure. We’re trying to produce a convention in the midst of a pandemic. It’s gonna be nothing like anything anyone has ever done before, but we have a mission – and that is to present Joe Biden to the country. He is somebody who has been in public life for 40 years, but still people need a better sense of who he is and what he’s fighting for. The job of the convention, every year, and especially this year, is to communicate that to the country and to the world. And I’m in charge of helping to make that happen.

TADIAS: You’ve also focused on fighting voter suppression with the organization More Than a Vote. Can you share more about their focus and how others can get more informed and involved?

Addisu: This is my other big client, and once the convention ends, it will be my main client as I want to put a lot of work into it for obvious reasons. I got connected through people I know who put me in touch with Maverick Carter who runs James LeBron’s organization as well as Adam Mendelsohn who is his Communications Advisor. And they had been talking about this idea with LeBron and others to have a coalition of athletes that can engage politically. They wanted someone to help lead the organization and I feel that I am the right person because you need someone who understands politics and understands campaigns and at the same time it’s as much a cultural movement as it is a political one. We’re trying to use culturally relevant figures to create politically relevant content that’s authentic, that’s grounded and real and raw. We got it off the ground in June, largely to be honest because of the murder of George Floyd and Breona Taylor and others, which galvanized athletes to action and wanted to put their voices together and lift it up, in this moment and beyond, on behalf of black people in America. So that is what we are doing. We’re building an organization just like any other, any union or political organization that exists out there to advocate for people – these are just people who have as big a platform as anyone and as loud a voice as anybody to make change. And they are ready to use it, and I’m ready to help them do it.

TADIAS: Who are the mentors who have inspired and encouraged you to blaze your trail?

Addisu: My dad obviously. He died five and half years ago. He was always supportive and proud of what I was doing. I would say he was initially confused when I switched my major from biochemistry to political science in college, and very confused when I decided to move to Iowa to work for John Kerry. I was gonna be a doctor, and then I scrapped that. And then I got a law degree and he was like “phew, he’s back on track.” Then I went back to politics and he was like “what the hell are you doing?” But I think once he saw me work for Obama and go to the White House and run Corey Booker’s campaign for Senate (the first one I ran) – he was like ‘okay I get that this is an actual career and actual profession and I appreciate it,’ and he was always great and definitely encouraging and supportive.

Professionally, Ben Jealous helped me get my first job on the Kerry campaign, and has been someone that I’ve stayed in touch with and has been helpful to me. I definitely look up to him as a justice warrior and he is a great guy. Terry McAulife, Former Governor of Virginia, who was my boss in 2004, taught me a lot about politics and about how to treat people and how to be a leader when he was the DNC Chair and I was his assistant. He has really been a great mentor to me. Corey Booker is certainly on that list too. He’s someone I look up to as a person of character. He’s a real mentor. I’ve ran his campaign for Senate and President, and he’s somebody who models good behavior as a public figure and somebody who has not compromised his values or his character to get to very high places in politics. There is this public image, and sometimes a private one as well, about the need to be a backstabbing, manipulative person to get ahead in politics and I actually don’t believe that. And Corey and Terry are proof of that. They’re just good people..people of high character, and good moral values who are in it for the right reasons. I’d like to think of myself as that and I’ve also tried to model myself after the way they conduct themselves and I definitely look up to both of them.

I’ve been lucky. I’ve had many people open doors for me like Elaine Jones when she was head of NAACP legal defense fund. My whole career wouldn’t have happened without her if she hadn’t spotted me and said, “you know what, you should go to Washington. You’ll be really good at this if you just get the opportunity.” I think I was 20 years old when I interviewed with her. Leslie Proll, who was also my boss at LDF, is someone that I still keep in touch with and who remains a big champion for me. To have people want to help you at a young age and see something in you, and want to lift you up, and put you in positions to succeed is a pretty cool thing. I’ve been lucky to have that at basically every stage of my career.

TADIAS: What do you like most about your work? What are the challenges?

Addisu: As I’ve gotten older what I really like about it is that every day I feel like I’m making a difference, which I know sounds trite, but every time I’ve tried to go into a profession or a job that doesn’t have a mission-driven basis then I fail. Money is not enough of a motivator for me, prestige is not a big enough motivator for me. I need mission. I need purpose in my professional work – what gets me up in the morning is doing mission-based work. I work 16 to17 hours a day right now because I got these two huge projects that I’m leading, but I don’t care because I love it. I feel like I’m changing the world. And when I see people like Corey introduce legislation or Gavin do something great here in California I’m like “you know what? I helped to put them there.” When Barack Obama got elected and passed the Affordable Care Act I may have had a very small piece in the broad scheme of things in doing it but I know that I did something that helped move the ball forward and that is what motivates me.

I think the challenge of this work is, first of all, there are very long and difficult hours and most of it is not glamourous. It’s very hard relational work that you put a lot of labor into, and so you’re really tired on a physical and emotional level if you do this work every day. It’s also slow, you don’t get everything that you want. You know, this moment even now that we’re in with George Floyd and the BLM movement gaining power, rightly so, it feels like I’ve seen this movie before and I’m thinking ‘is this gonna be the time where it has a different ending or not?’ I don’t know. But you gotta have hope that it is. Every once in a while you get your Affordable Care Acts, but more often than not you get nothing. And you gotta remember those wins, so that the losses that we had in 2016 or the one I had with Corey’s presidential campaign don’t land so hard, because you lose more often than you win or you get half wins. Pure victories are very rare. Election night 2008 was one of the greatest nights of my life, but I don’t think I’ve had that feeling in politics more than five times. That sort of ‘we did it’ pure, joy, bliss and feeling like we accomplished exactly what we set out to accomplish – it doesn’t happen very often. You’re reaching for that every day but in 20 years it has come five times – that’s few and far between. Oftentimes you have little wins that accumulate, and you gotta celebrate those, and ultimately something good happens at the end of the rainbow.

TADIAS: Your mission and work and the choices you made – your story is a brand new story for us. What advice would you give the young generation. What message would you share with them in terms of moving from being “interested in politics and political campaigns” to actually doing the footwork. Not just getting engaged themselves but getting communities mobilized?

Addisu: I think the key thing that I’ve learned in both doing it and now being in senior roles is how important ‘just doing it’ is. The people who stand out, and grow, and who succeed and ascend in this business, it’s a meritocracy. Hard work and throwing yourself into it and not looking for glory is what really pays off. And also, start your own thing. We’ve seen with the March for our Lives, the Women’s March that a lot of it is grassroots-driven. It’s just people saying “I’m sick of it, I’m doing it myself. I don’t know what I’m doing, but I’ll figure it out while I go along.”

The entrepreneurial spirit in our community, and many others, is there when it comes to business, but it’s not there when it comes to politics. Both Yohannes [Abraham] and I, we both started at the bottom. We didn’t try to jump in at the middle, or get jobs that have fancy titles. We were field organizers, which is the lowest on the totem pole when it comes to campaigns, but you gotta start there. Everybody starts there, that’s how you learn. That’s how you meet people. That’s how you grow your network. That’s how you get into positions that we are in right now after years of toiling. And you can’t rush that process. It happens fast if you let it happen but if you force it, it doesn’t happen. Think about Yohannes he went from being a field organizer in Iowa in 2007 to running the transition in 2020. That’s not that long, and frankly four years ago he was running the biggest office in the White House. That’s what you can actually do in this business. But you gotta start somewhere and learn it.

Tseday Alehegn is Co-Founder & Editor of Tadias.

Related:

Biden Selects Yohannes Abraham as Member of Transition Team

Interview: Helen Amelga, California Senate Field Rep & Founder of Ethiopian Democratic Club of LA

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Addis Fine Art Gallery Showcases Tariku Shiferaw’s Art at Frieze NY Virtual Exhibit

New York based Artist Tariku Shiferaw, represented by Addis Fine Art gallery, is set to showcase his recent works in the online exhibition of Frieze New York 2020 that's scheduled to open this month. (Courtesy photos)

Tadias Magazine

By Tadias Staff

Updated: May 6th, 2020

New York (TADIAS) — Under normal circumstances, New Yorkers and art lovers from around the world would have gathered at this time at Randall’s Island for NYC’s annual Frieze Art Fair, which is one of the biggest art market events in the city. However, with the COVID-19 pandemic keeping city life on pause, the 2020 exhibition has been transformed into a virtual Frieze Viewing Room, which organizers have described as “an ambitious new digital initiative” to be held from May 8-15th and consisting of “more than 200 galleries from across the globe presenting major works by established and emerging artists in a virtual gallery space.”

Addis Fine Art from Ethiopia is among the participating galleries at this year’s Frieze exhibition to showcase new works by Ethiopian American artist Tariku Shiferaw.

Co-Founder of Addis Fine Art, Rakeb Sile, tells the Financial Times that “there is no substitute to seeing art on the walls,” noting that for Tariku as an emerging artist “this was meant to be his big break in his home town.” She emphasizes that “the shift to online has forced a healthy rethink of how best to give a context to Shiferaw’s work — videos on Instagram are among the planned accompanying features.”

According to Addis Fine Art gallery Tariku Shiferaw’s (b.1983) “ongoing series One of These Black Boys, explores painting and societal structures through mark-making. Taking the names of songs from Hip-Hop, R&B, Jazz, Blues, and Reggae music, Shiferaw makes paintings that embody the experiences and struggles expressed through music by Black artists and composers. He often explores a spectrum of topics ranging from the notion of Black bodies in a white social construct to the popular idioms of romance, sex, and daily life – existence.”

Below is Tariku Shiferaw’ biography courtesy of Addis Fine Art:

Shiferaw studied for his Bachelor of Fine Arts (BFA) at the University of Southern California (USC) in 2007 and later attained his MFA at Parsons The New School for Design in 2015. Shiferaw’s current exhibitions include “Men of Change” – a three-year nationally traveling exhibition with the Smithsonian Institution, as well as “Unbound”, a group exhibition at the Zuckerman Museum of Art. Shiferaw has exhibited at the Whitney Museum of American Art, Museum of Contemporary Art Cleveland, and The Drawing Center. In 2017, he had his first international solo show titled, “Erase Me”, at Addis Fine Art, London. In 2018, he presented his largest installation work to date in a solo exhibition titled, “This Ain’t Safe” at Cathouse Proper, in Brooklyn. Shiferaw participated in the Independent Study Program at the Whitney Museum of American Art (studio), in Open Sessions at the Drawing Center, and he was artist-in-residence at the LES Studio Program in New York City. In 2020, he will partake in an artist residency at the World Trade Center through Silver Art Projects.

If You Attend:
FRIEZE VIEWING ROOM
VIP Days (by invitation)
Wednesday, 6 May 2020
Thursday, 7 May 2020
Public Days
8 – 15 May 2020
https://frieze.com/fairs/frieze-viewing-room

Related:

UPDATE: Frieze New York’s Online Edition Launches With Seven-Figure Sales to VIPs as Art Dealers Hustle to Get a Handle on Virtual Fairs

The Quarantine Tapes featuring Artist Julie Mehretu

Two Must See NYC Virtual Exhibitions Featuring Ethiopian Artists

Art in the Time of Coronavirus: Guide to Virtual Exhibitions from Ethiopia to U.S.

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The United States Must Not Pick Sides in the Nile River Dispute: BY ADDISU LASHITEW

The writer of the following article, Addisu Lashitew, is a research fellow at the Brookings Institution in Washington, D.C. (Photo: A general view of the Blue Nile river as it passes through the Grand Ethiopian Renaissance Dam (GERD), near Guba in Ethiopia, on Dec. 26, 2019/GETTY IMAGES)

Foreign Policy Magazine

BY ADDISU LASHITEW

Ethiopia and Egypt are at odds over a Nile dam. Washington should be helping them compromise, rather than doing Cairo’s bidding.

Egypt and Ethiopia have once again locked horns over the Grand Ethiopian Renaissance Dam (GERD) on the Blue Nile. On Feb. 26, Ethiopia temporarily suspended its participation in the U.S.-mediated negotiations over the filling and operation of the GERD, requesting more time to deliberate on the draft agreement. With the dam 70 percent complete and its reservoir expected to start being filled in July, the time for reaching an agreement is ticking away. Ethiopia and Egypt should be ready to make significant concessions to avoid a catastrophic escalation in this seemingly intractable dispute.

The longest river in the world, the Nile stretches across 11 countries in its journey of 4,000 miles from the equatorial rivers that feed Lake Victoria to its final destination in the Mediterranean Sea. Among the countries that share the Nile, two have the most at stake. Egypt, a desert nation of 100 million people, is literally the creation of the Nile, relying on the river for 90 percent of its freshwater needs.

Ethiopia, an East African country of 112 million, contributes the lion’s share of the Nile waters, with its three tributaries—the Blue Nile, Sobat, and Atbara—carrying about 84 percent of the total runoff in the Nile. With a growing but otherwise resource-poor economy, Ethiopia is keen to develop its vast potential for hydroelectricity generationWith a growing but otherwise resource-poor economy, Ethiopia is keen to develop its vast potential for hydroelectricity generation in the Nile basin to become a regional hub of electric power exports.

The GERD, a $5 billion project that will be the largest hydroelectric dam in Africa, is a part of that ambition. The dam is located on Ethiopia’s flank of the Blue Nile, just 12 miles from its border with Sudan. It will have paramount economic value to Ethiopia, doubling the country’s electricity generation capacity and earning as much as a billion dollars annually from energy exports to Sudan, South Sudan, Djibouti, Kenya, and potentially Egypt. The GERD’s massive reservoir will store 74 billion cubic meters (BCM) of water, roughly equal to a year-and-half’s worth of the Blue Nile’s flow, which will be gradually filled upon the dam’s completion.

The Blue Nile is highly seasonal, with 80 percent of its discharge occurring from July to October during the short rainy season on the Ethiopian highlands. This makes it prone to heavy flooding, while the heavy sedimentation it carries reduces hydropower production in dams with small reservoirs. The GERD will help mitigate this, leading to a regulated, steady flow that will improve navigation, irrigation, and hydropower generation downstream. Sudan, which does not have a major dam on the Nile, will enjoy most of these benefits, which explains its decision to side with Ethiopia for the first time in the history of Nile politics.

Egypt, however, has less to gain from these changes as it regulates the flow of the Nile using the massive reservoir of the Aswan High Dam, which has a capacity of 169 BCM. Egypt worries that an upstream dam on the Blue Nile, which contributes about 60 percent of the flow of the Nile, will reduce water supply and power generation at Aswan.Egypt worries that an upstream dam on the Blue Nile, which contributes about 60 percent of the flow of the Nile, will reduce water supply and power generation at Aswan. As a hydropower project, the GERD will not directly consume water once its reservoir is filled. It could, however, reduce the amount of water Egypt receives if it leads to a significant increase of irrigation in Sudan, which adds to Egypt’s worry.

In 2015, Ethiopia, Sudan, and Egypt agreed on a Declaration of Principles that stipulated an “equitable and reasonable” utilization of the Nile that will not cause “significant harm” to other riparian countries. In spite of years of negotiations, however, they have made little progress in specifying the technical details on the filling and operating of the dam.

To safeguard its reservoir at Aswan, Egypt wants to secure an agreement that binds Ethiopia to releasing a fixed amount of the river’s flow and a process for monitoring Ethiopia’s compliance. Ethiopia, on the other hand, seeks to avoid a permanent commitment for a water quota that extends beyond the GERD’s filling period and demands a flexible agreement with a provision for periodic reviews. Behind the facade of legal wrangling, the scope for a future Nile project is at stake. Ethiopia wants to avoid an agreement that restricts its capacity to harness its massive hydropower potential of about 45,000 megawatts; Egypt wants exactly such a restriction.

The negotiations gained momentum in November 2019 after Egyptian President Abdel Fattah al-Sisi called on U.S. President Donald Trump to help broker an agreement. The foreign and water ministers of Egypt, Ethiopia, and Sudan have held a series of meetings in Washington since December and met Trump at the White House. What the United States wants to accomplish through its involvement, however, is not clear and appears to be inspired more by Trump’s desire to broker a deal than by a foreign policy imperative.

In a recent speech on the campaign trail, Trump implied that he deserved a Nobel Peace Prize for his brokering role in the Nile dispute. The negotiations were also coordinated by the Department of the Treasury, sidelining the State Department, which possesses the appropriate expertise for this kind of engagement. The Treasury Department serves as the U.S. governor to the International Monetary Fund, which, along with the World Bank, has committed significant resources to aid Ethiopia’s reform efforts under Prime Minister Abiy Ahmed. The intent behind the involvement of the Treasury and the World Bank, therefore, seems to be stepping up pressure on Ethiopia by signaling the financial costs of recalcitrance.

Ethiopia’s withdrawal has left the negotiations in limbo at a critical time. The country’s foreign ministry has expressed its disapproval of the draft agreement, characterizing it as “unacceptable & highly partisan,” while Egypt has noted that it signed the agreement at a meeting where Ethiopia was not present. Instead of helping resolve these differences, the U.S. Treasury released a statement that argued that the draft agreement “addresses all issues in a balanced and equitable manner” and warned Ethiopia that “final testing and filling [of the GERD] should not take place without an agreement.”

To Ethiopia, this seemed to confirm the longstanding fear that the United States has been a biased mediator. David Shinn, a former U.S. ambassador to Ethiopia, argues that “the United States seems to be putting its thumb on the scale in favor of Egypt.”David Shinn, a former U.S. ambassador to Ethiopia, argues that “the United States seems to be putting its thumb on the scale in favor of Egypt.” Ethiopian analysts interpret U.S. overreach in the Nile negotiations as an overture to appease Egypt in the context of Trump’s Middle East peace plan, which has been roundly rejected by Arab nations. While there is no hard evidence, a backroom deal of this sort would not be inconceivable considering Trump’s closeness with Sisi, whom he was overheard calling his “favorite dictator” during the G-7 summit in Biarritz, France. After the Nile negotiations stalled, Trump reportedly made a phone call to reassure Sisi that he would continue with his mediation effort.

Read more »


Related:

Ethiopia Won’t be Forced by US on Dam, Foreign Minister Says (Associated Press)

Ethiopia says Trump got inaccurate information on Nile dam (AP)

Nile Dam: Ethiopia Calls US View “Totally Unacceptable (BBC)

Ethiopia Skips Nile Talks in DC (AP)

Ethiopia asks U.S. to postpone final talks on Blue Nile dam (Reuters)

Why Ethiopia, Egypt, and Sudan should ditch a rushed, Washington-brokered Nile Treaty (Brookings)

Ethiopia says US plans ‘substantial financial support’ (AP)

U.S. to offer financial support for Ethiopia political reforms -PM (Reuters)

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Spotlight: Adiskidan Ambaye’s Sculptures ‘Liberty’ at Addis Fine Art

Liberty, a solo exhibition by sculptor Adiskidan Ambaye opens on March 3rd, 2020 at Addis Fine Art gallery in Addis Ababa. (Photo: AFA)

Tadias Magazine

By Tadias Staff

Published: March 1st, 2020

New York (TADIAS) — Addis Fine Art gallery in Addis Ababa announced that its latest exhibition features Sculptor, Painter and Designer Adiskidan Ambaye. Her show titled Liberty opens at the gallery on March 3rd and will be on display until April 25th, 2020.

Adiskidan’s “wooden sculptures appear moulded from a single block of wood but are actually composed of as many as sixty handcrafted smaller slices of plywood,” Addis Fine Art noted in its announcement. “The ringed markings orbiting the surface of each segment represent an individual piece fused to form the whole.” The gallery added: “Ambaye has described this process as sculpting “from the inside out.” These cyclical markings also conjure images of the naturally occurring concentric circles found in trees, signifying age, and life and death, as they are only visible once the tree has been cut down.”

Adiskidan is a graduate of the Minneapolis College of Art and Design. On Instagram she introduces herself as “an Ethiopian American artist based in Addis Ababa that does product design, furniture design, paintings [and] sculptures.” Adiskidan was born in Ethiopia in 1977. She relocated to Europe in her teen years, and after emigrating to the United States she has now returned to Ethiopia. According to jomofurniture.com, Adiskidan’s creativity is “influenced by the different cultural and contemporary artists of Ethiopia. Adiskidan (who goes by Adis) thoroughly incorporates her heritage in her work. Combining her cultural background with modern contemporary style is Adis’ ultimate goal.”


Adiskidan Ambaye, Liberty, at Addis Fine Art 3 March – 25 April 2020. (Photo: AFA)


(Photo: Addis Fine Art)

Addis Fine Art shares that Adiskidan “has exhibited across the USA as a part of select group and solo shows, including African Women (2001), World Space Centre, Washington DC, Colour of Africa (2001), Portland, Maine, Chicago Museum of Industrial design (2007), Chicago, Africa by Design (2017), Ghana.”


If You Go:
ADISKIDAN AMBAYE | LIBERTY
3 MARCH – 25 APRIL 2020
Addis Fine Art
ADDIS ABABA
More info at addisfineart.com.

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From kiosks to Concrete Jungle: Why Urban Growth Isn’t Always Good – Addis Ababa in Cartoon

Addis Ababa-based artist Yemsrach Yetneberk on how the radical spread of the Ethiopian capital is changing neighbourhoods. (The Guardian)

The Guardian

Originally trained as an architect, Yemsrach Yetneberk now runs an illustration based company, Laughing Gas Design, with her brother in Addis Ababa.

See the full story at theguardian.com »


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NYT: Addis Fine Art Gallery Enriches a Global Art Conversation

Mesai Haileleul, left, and Rakeb Sile in front of works by Merikokeb Berhanu.Credit...Addis Fine Art

The New York Times

With a trip to the Untitled fair in Miami, Addis Fine Art adds to the connections it’s building between Ethiopian artists and the rest of the world.

LONDON — How Addis Fine Art got off the ground is a tale of happenstance built on the back of good timing.

Rakeb Sile, 39, who was born in Philadelphia and raised in London, had always been interested in the arts, having even flirted with the idea of working in the music industry before settling on a career in management consulting.

But whenever she traveled back to Addis Ababa, Ethiopia, where she had lived for most of her early childhood until her family moved to Britain because of political unrest in the early 1990s, she spent time investigating the city’s growing but globally undiscovered contemporary art scene. She started collecting paintings and sometimes bought works directly from the artists because there was no professional gallery scene in terms of artist development and infrastructure.

Art became her passion, and in 2012 she took a six-month sabbatical in part because she was not sure if she wanted to stay in her career. “And I wanted to make sense of what I had collected,” she said, “to see where is the narrative.”

One of the people she was keen to meet was Mesai Haileleul, an Ethiopian art historian and a Los-Angeles-based gallery owner who had fled Ethiopia during the early days of the military junta in 1974. A mutual friend connected them when Ms. Sile was in Los Angeles, and over the span of a week, they talked about Ethiopia’s rich art history, the growing international conversations around African contemporary art and the idea of working together to promote what was happening on the ground artistically in Addis Ababa.

Read more »


Related:
Spotlight: Addis Ababa Among Six Dynamic Emerging Art Capitals in Africa
Summer Previews of Ethiopian Art in the Diaspora – Media Roundup
Addis Fine Art Exhibit Puts Focus on New Generation of Ethiopian Photographers
Addis Fine Art Opens New Gallery With Inaugural Exhibition

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UPDATE: Addis Ababa Unveils DC Square in Honor of Mayor Bowser’s Visit

Mayor Muriel Bowser’s trip to Ethiopia comes a year after Prime Minister Dr. Abiy Ahmed came to D.C. gave a talk to members of the Ethiopian community at the convention center in July 2018. Bowser joined Abiy on stage and announced July 28 as “Ethiopia Day in D.C.” (Photo by Matt Andrea for Tadias Magazine)

Press Release

Office of the DC Mayor

City of Addis Ababa, Ethiopia Honors Mayor Bowser and Washington, DC with Street Naming

Celebration Part of Renewal of Sister City Agreement that Establishes Cooperative Relationship in Areas of Economic Development, Public Health, Sustainability, Education, and Government Collaboration

(ADDIS ABABA, ETHIOPIA) – Today, representing the 704,000 residents of Washington, DC, Mayor Muriel Bowser celebrated the renaming of an Addis Ababa street in honor of the collaborative relationship between the two capital cities. The Mayor of Addis Ababa, Takele Uma Banti, unveiled a newly-named street, “Mayor Muriel Bowser Street,” and announced the renaming of Gazebo Roundabout to “Washington DC Square” as part of the signing ceremony for the renewal of the Sister City agreement between the District and Addis Ababa. The agreement establishes a cooperative relationship to further the areas of economic development, public health, sustainability, culture, education, and government collaboration in both cities.

“I am delighted to accept this historic honor on behalf of all of the residents of Washington, DC,” said Mayor Bowser. “The DC region is proud to boast one of the largest populations of Ethiopians in the US, and this Sister City agreement is an effort to ensure we continue to collaborate and develop solutions that support the residents in both of our communities. Addis Ababa holds a special place in the hearts of Washingtonians, and now all Washingtonians have a place to call home in Addis Ababa, Ethiopia.”

Home to more than 30,000 Ethiopians, the DC region has a multitude of Ethiopian business owners, families, entrepreneurs, community leaders, artists, and more. The Sister City agreement signing ceremony was part of a five-day mission led by Mayor Bowser.

“Today, we renewed our Sister City Agreement with Washington, DC to create lasting partnerships and cooperation on economic development, public health, culture, tourism and education. We are the capital to two great nations and there is so much we can learn from each other,” said Addis Ababa Mayor Takele Uma Banti. “To Ethiopians in DC, we need your passion, knowledge, expertise, creativity and the values that allowed you to be outstanding citizens and entrepreneurs in DC. As we lay down the cornerstone for this new road in honor of our partnership, I’ve no doubt that we’re cementing a moment in history to highlight the place of DC and its residents in Addis.”

The agreement confirms the two cities will, in short:

    Promote collaboration, information exchange, and joint ventures, with a special focus on the growth and development of business investment, trade and tourism and public-private partnerships
    Share information on best practices in the areas of government operation; including public works, transportation, technology, infrastructure and housing
    Share information on health polices and best practices to strengthen the capacity and effectiveness of prevention and treatment programs
    Promote the development of programs in the areas of culture, arts and education
    Share information and best practices the support a sustainable environment, including energy conservation and the green economy.

U.S. Ambassador to Ethiopia Mike Raynor attended the re-signing ceremony, as well as the inauguration of the Washington DC Roundabout and Muriel Bowser Street. At a reception held earlier in the day at the U.S. Embassy in Addis Ababa, Ambassador Raynor welcomed Mayor Bowser and her delegation saying, “…your visit embodies so many of the attributes that mark the long and rich relationship between the United States and Ethiopia: friendship, dynamism, good will, and the pursuit of partnerships that serve the best interests of both our countries and our peoples.”

Mayor Bowser also met Ethiopian leaders, including Prime Minister Abiy Ahmed, who recently received the 2019 Nobel Peace Prize, and President H.E. Sahle-Work Zewde, the first woman to be elected president.


DC Mayor Bowser Takes Delegation Of 70 To Ethiopia

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Addis Ababa Among Six Dynamic Emerging Art Capitals in Africa

Tadesse Mesfin, Pillars of Life: Market Day (2018). Courtesy Addis Fine Art.

Tadias Magazine

By Tadias Staff

Published: October 9th, 2019

New York (TADIAS) — In a feature published this week, highlighting the growing African art scene in the global market, Artnet News website lists Addis Ababa among six dynamic emerging art capitals on the African continent.

Art institutions in Addis Ababa mentioned in the publication as leading this renaissance include “Alle School of Fine Art & Design (Ethiopia’s most important art school..founded in 1958, during the reign of Emperor Haile Selassie, and has educated the country’s preeminent painters, sculptors, printmakers, and designers); Addis Fine Art (The most notable commercial gallery in the capital and its first white-cube art space, Addis regularly showcases graduates from the Alle School, and will open a new location in London’s Cromwell Place gallery hub in 2020); Guramane Art Center (A gallery dedicated to emerging Ethiopian artists, it represents the vanguard of the country’s art scene); and Zoma (this sprawling museum, founded by artist Elias Sime and curator Meskerem Assegued, opened in April 2019 and shows contemporary art from East Africa and abroad).”

The other art capitals featured in the Artnet News article include Accra, Cape Town, Dakar, Lagos, and Marrakech.

“Today, Africa’s art market has plenty of room to grow. Fewer than 1,000 works were sold at auction on the continent in the first six months of 2019, according to the artnet Price Database,” Artnet News notes, and adds: “Unlike Asia, where Hong Kong has emerged as a hub for the trade, Africa lacks a preeminent art-market capital. And while the continent’s local collector base is growing steadily—Sotheby’s fourth dedicated auction of Modern and contemporary African art in April was dominated by African buyers and generated a total of $3 million, above its presale high estimate of $2.7 million— it is still nascent compared with the U.S., China, and Europe.”

Artnet quotes Hannah O’Leary, Head of Modern and Contemporary African Art at Sotheby’s who shares that “we are seeing lots of raw talent, but we need more of a market structure in order to support their careers.’”

Regarding Addis Ababa as an art capital, Artnet states:

Coptic art, shaped by the 1,500-year history of the Ethiopian Orthodox Tewahedo Church, is one of the country’s major artistic influences and continues to be practiced by numerous artisans. But the 20th century also witnessed three distinct artistic movements that remained popular until the Ethiopian Revolution of 1974: a realistic, or “naïve,” style used to depict glamorous Ethiopian society; abstraction, which incorporated influences from Western Expressionism and Surrealism; and social realism, which was political in subject matter and focused largely on urban scenes and the struggling masses.

Home to more than 112 million people, Ethiopia is the second-most populous country on the continent. According to the International Monetary Fund, Ethiopia’s economy is expected to grow 8.5 percent this fiscal year, making it the fastest-growing economy in Sub-Saharan Africa.

Despite the difficulty in obtaining art materials, which must be either imported from abroad or made at home, today’s artists work largely in paint, together with photography and sculpture using found objects. “A lot of people use art for commercial or propaganda purposes, and I hope that our government understands the power of supporting our artists and preserving our culture,” says Melaku Belay, founder of the Fendika Cultural Center. “We need to think of the past if we want to go to the future.”

See the full list at news.artnet.com »


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Hub of Africa Addis Fashion Week

The 2019 Hub of Africa Addis Fashion Week will be held at the Hyatt Regency Hotel in Addis Ababa from October 9-12th. (Courtesy photo)

Tadias Magazine

By Tadias Staff

Published: October 4th, 2019

Hub of Africa Addis Fashion Week Set to Kick-off on October 9th

New York (TADIAS) – The 2019 Hub of Africa Addis Fashion Week is set to kick-off on October 9th at Hyatt Regency Hotel in Addis Ababa.

The runway show, which marks its 9th anniversary this year, features both local and international designers from Ethiopia, Ghana, Kenya, Nigeria, Rwanda, Senegal and South Africa.

“The British Council will serve as the facilitator of a “Made in Ethiopia” event, which will feature producers of textile, leather, manufacturing and other sectors of the industry,” Mahlet Teklemariam, Founder of the Hub of Africa Addis Fashion Week, announced in a press statement.

The press release notes that “fashion is a multi-billion dollar industry of which Africa only has a minute share,” adding that the annual Fashion Week in Ethiopia’s capital “seeks to remedy this and has worked diligently towards this growth.”

According to the organizers past participants of Hub of Africa Fashion Week have go on to present at New York African Fashion Week as well as Berlin Fashion Week and received international media coverage including on CNN, Vogue Italia, Fashion TV, and BBC.


If You Go:

The 2019 Hub of Africa Addis Fashion Week will be held at the Hyatt Regency Hotel in Addis Ababa from October 9-12th. For full list of programs please visit the event’s website at www.hubfashionweekafrica.com.

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Addis Abeba’s Vision of New City Library

Addis Ababa. (Photo via CNN)

Tadias Magazine
By Tadias Staff

Published: April 23rd, 2019

Addis Abeba’s City Administration Shares Vision of New City Library

New York (TADIAS) — Addis Abeba’s City Administration just shared its new vision for a city library and it’s impressive. In a recent tweet by Addis Standard, a brief video of the library plan reveals the project as scheduled to be built across from the Parliament building and situated on approximately 38,000 square meters of land. The city library is slated to have theater halls and meeting spaces as well as include an adult and children’s library sections.

Currently there are several children’s library initiatives including through the non-profit organizations Ethiopia Reads and Whiz Kids Workshop. To date Ethiopia Reads has launched over 80 public school and mobile libraries across the country, which serves over 100,000 children per year. Ethiopia Reads has also trained 150 librarians to date. The award-winning television series, Tsehai Loves Learning, launched by Whiz Kids Workshop has also expanded to include a classroom library project that provides children’s story books, flash cards, and 32 episodes of the TV series on DVD to enhance early childhood literacy skills.

For adult readers, a brief compilation of public and academic libraries in Ethiopia’s capital, Addis Abeba, which was published in Against the Grain (Vol 20, Issue 1) by Marie Paiva lists Addis Ababa University as housing a multi-branch academic library with over 500,000 items as well as the Addis Ababa Public Library that is accessible for all residents, which holds mostly text collections in English. There is still a great need for more libraries and related resources in the city as well as greater opportunities for librarian training. Addis Abeba’s new city library project is a positive step in the right direction, and we hope will include texts and content that are multi-lingual and extensively diverse in subject matters.


Related:
Spotlight: Ahmedin Mohamed Nasser’s Library Foundation For Ethiopia

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Addis Fine Art Exhibit Puts Focus on New Generation of Ethiopian Photographers

(Photo by Girma Berta)

Tadias Magazine
By Tadias Staff

Published: April 2nd, 2019

New York (TADIAS) – A new generation of Ethiopian photographers are redefining the way people perceive Ethiopia both at home and internationally. Among them are Girma Berta and Eyerusalem Jiregna whose latest works are set to go on display at Addis Fine Art Gallery in Addis Ababa, from April 9th through May 25th, 2019, in an exhibition titled From Our Perspective: Young Ethiopian Photographers Changing the Gaze.

“They represent the new voices in contemporary Ethiopian photography, pushing the boundaries of the medium and questioning the definitions of documentary photography,” the gallery stated in a press release. “Their works have been exhibited internationally and selected to adorn Prime Minister Abiy Ahmed’s new public and private offices.”

Girma Berta (b.1990) is the winner of the 2016 Getty Images Instagram grant. As Getty Images noted: “Berta uses his iPhone to photograph vibrant, gritty street life in Addis Ababa, crossing street photography with fine art by isolating his subjects against backdrops of rich color.” Addis Fine arts adds: “As one of the first photographers to travel to Eritrea once the blockage was lifted in June 2018, his new Asmara series documents Eritrea’s capital frozen in time. Berta, who is self-taught, uses a combination of street photography and graphic design to create images of passers-by with a painterly quality. Berta’s use of digital media, to produce and present his artworks, is in itself a commentary on the digital revolution underway across Africa. He represents the vibrancy of the millennial African.”

Eyerusalem Jirenga

“Eyerusalem Jirenga (b.1993) is an exciting emerging artist and fashion designer based in Addis Ababa,” the press release shares: “Shot in the walled city of Harar, her series titled The City of Saints, documents a living history.”

“Informed by her experience in design, Jirenga specialises in evocatively bright and discerning portraits, enliven with distinctive and striking colour detail,” states the Addis Fine Art press release. “Her use of rich textures and colours plays against the crisp focus of her photographs, enhancing their warm, visually stimulating effect. Eyerusalem Jirenga has received considerable acclaim for her work both within Ethiopia and internationally. She has exhibited in the New York photography festival Photoville 2016 and participated in the New York Times Portfolio Review 2016.” Eyerusalem has also participated in solo and group shows in Johannesburg, Cape Town and New York City.


If You Go:
More info at https://addisfineart.com.

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Spotlight: Afetarik (አፈታሪክ), A Digital Archive Collects Voices of Addis Ababa

Addis Ababa. (Photo by Dawit Tibebu)

Tadias Magazine
By Tadias Staff

Published: March 14th, 2019

New York (TADIAS) – A new online digital archive is being launched to collect and share an oral history of Addis Ababa as told through people from around the world who consider Ethiopia’s capital city to be their hometown.

The community-sharing site, which is aptly named Afetarik (አፈታሪክ), Amharic for oral history, notes that Addis Ababa like many other major metropolitan cities has many neighborhoods with their own distinct flavors and cultures.

“Since its establishment in 1886, and its progress from a town to the capital city of Ethiopia between 1889 and 1891, Addis Abeba continues to flourish and accommodate its growing population,” states the portal founded by Meareg Tesfazghi. “As Addis Abeba’s quarters and neighborhoods have expanded over the years their names have evolved as well, taking on the stories of those who inhabit them.” The event organizers note that the website “is an opportunity for Addis-Abebawians to participate in the documentation of their own oral history.”

The official launch event for the new site will take place on Saturday, March 16th in Silver Spring, Maryland.

“Guest will discover a number of interactive exhibits that are synonymous with life in Addis. Take a ride on the Lion Bus (አነበሳ፡አወቶቡስ) or taxi(ላዳ), get some groceries at the pop-up shop (ጉልተ or ሱቅ፡በደረቴ), get your shoes shined (ልሰተሮ), or just have a glass of honey wine (ጠጅ፡ቤት).”


If You Go:
Afetarik (አፈታሪክ) Launch Event
Date: March 16, 2019
Time: 6:30 p.m. – 10 p.m.
Location: Silver Spring Civic Building
Address: 1 Veterans Place, Silver Spring, MD 20910
Register: https://www.afetarik.com/news-and-events

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Quartz Africa on Design Week Addis Ababa

Founder Metasebia Yoseph. (Design Week Addis Ababa)

Quartz Africa

Design Week Addis Ababa wants to turn Ethiopia’s growing economy into a creative one

Addis Ababa is determined to rebrand itself as a global city, with a hi-speed train and high-rise buildings quickly replacing its old-world charm. Part of what will maintain its distinction is the proper recognition of Ethiopia’s historic culture.

And why shouldn’t the city market its culture to the world, and its own citizens, asks Design Week Addis Ababa founder, Metasebia Yoseph.

Yoseph was born and raised in the United States but joined the returning Ethiopian diaspora in 2013. With art history as a major, she came back to gain work experience in the national museum but found that Ethiopia’s cultural and historical artifacts were often neglected. She returned to the US to complete a graduate degree in communication and came back to convince Ethiopian businesses that what they need was a good PR strategy.

It was a hard sell, but the 35-year-old convinced an old family business to start a Facebook page. It was Ethiopia’s weavers, carpenters and your designers reinventing an old craft that she was more interested in selling, though. Local businesses would rather work with suppliers in Dubai or Cape Town “because that is being perceived as the best.”

“This disconnect between the commercial, creative and cultural was really what I was trying to fill the gap in,” she says.

Joseph started Design Week Addis Ababa in 2015, mostly out of her own pocket with one sponsor on board, French beverage giant Castel, who produce Ethiopia’s Rift Valley wine.

This year was a turning point though: political optimism under president Abiy Ahmed has brought more attention to Ethiopia’s capital. Tourism Ethiopia has come on board, designating it as a “destination event,” and Heineken signed up as an event sponsor.

Read more »


Related:
Spotlight: Design Week Addis Ababa 2019 (TADIAS)

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Addisu Demissie to Manage Cory Booker’s 2020 U.S. Campaign

Addisu Demissie will run the 2020 US Presidential Campaign of Senator Cory Booker. (Photo: 50+1 Strategies)

Tadias Magazine
By Tadias Staff

Updated: February 4th, 2019

Addisu Demissie to Manage Cory Booker’s 2020 U.S. Presidential Campaign

New York (TADIAS) — U.S. Political Consultant Addisu Demissie has been hired to manage the 2020 presidential campaign of Senator Cory Booker of New Jersey who announced his candidacy for the White House on Friday, February 1st.

Addisu, an Ethiopian American, is a graduate of Yale University as well as the law school. This past November he managed California Governor Gavin Newsom’s winning campaign. In 2016 Addisu was the National Voter Outreach Director for Hillary Clinton’s presidential bid. Prior to that he successfully led Cory Booker’s election in 2013 as he ran for Senator in New Jersey. Addisu started his campaign management and community mobilization career as the Ohio Get Out The Vote Director for Obama for America in 2008.

Addisu who currently lives in Oakland, California is also the Founding Principal of 50+1 Strategies, a national political consulting firm launched in 2012.

Below is Addisu’s bio courtesy of 50+1 Strategies:

“Addisu’s first love is developing and implementing sophisticated community organizing programs, which he has done during three presidential campaign cycles in 2004, 2008, and 2016. Following President Obama’s first inauguration in 2009, Addisu was selected as the first National Political Director for the President’s political organization Organizing for America. Later that year, the Washington Post named him one of the “Ten Young Black Aides To Watch” in the Obama Administration. At OFA, Demissie played a key role in mobilizing and coordinating grassroots support for the passage of the American Recovery and Reinvestment Act, federal student loan reform, and the Affordable Care Act. In the years since, Addisu served as Senior Advisor to California Assemblymember David Chiu’s 2011 mayoral campaign; as the general consultant for several California municipal, initiative, and independent expenditure campaigns during the 2012 campaign cycle, and as Campaign Manager for Senator Cory Booker’s (D-NJ) successful special election campaign in 2013. Most recently, as the National Voter Outreach and Mobilization Director on Hillary Clinton’s 2016 presidential campaign, Addisu oversaw the development of organizing programs for Democratic base communities and state operations for 37 states. Addisu is a 2001 graduate of Yale University, 2008 graduate of Yale Law School, and a member of the state Bar of California.”


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Looking Ahead to Davos and Addis in 2020

As Ethiopia prepares to convene the 29th World Economic Forum on Africa for a second time next year, here is a timely CNBC article by the CEO of General Atlantic Bill Ford highlighting what everyone will be talking about at the Forum's 2020 Annual Meeting in Davos, Switzerland, which will be held in advance of the Ethiopia conference and may set the agenda for the Africa version of the gathering. (Photo: PM Abiy Ahmed at the 2019 World Economic Forum in Davos, Switzerland on Wednesday, January 23rd/ Office of the Prime Minister @PMEthiopia)

CNBC

Here’s what everyone will be talking about at Davos in 2020 and beyond

Understanding the state of our world and how we can shape that agenda is the primary purpose of the World Economic Forum’s annual meeting at Davos, Switzerland.

The theme for this year’s gathering is Globalization 4.0 – how we’re handling the changes wrought on the world by the increasing interconnectedness of cultures and economies.

We must also reckon with the future. Digitization, Big Data, and the migration of IT services to the cloud are driving change now but we’re also starting to see the opportunities that will lead to Globalization 5.0.

These are the themes we believe will dominate the Davos gatherings of the future:

Read more »


Related:
The 2020 World Economic Forum on Africa to be Held in Ethiopia (UPDATED)
Watch: At World Economic Forum PM Abiy Outlines New Investment Opportunities in Ethiopia:

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Spotlight: Addis Calling III Group Show at Addis Fine Art Gallery

Addis Fine Art Gallery prepares for new show, Addis Calling III, scheduled to open on January 29th, 2019 in Addis Ababa featuring up-and-coming artists Tizta Berhanu, Yohannes Tesfaye and Frew Kebede. (Photo: Addis Fine Art/Instagram)

Tadias Magazine
By Tadias Staff

Published: January 23rd, 2019

New York (TADIAS) — Addis Fine Art Gallery, which focuses on contemporary fine art collections from Ethiopia and the Diaspora, will host its third annual group exhibition next week titled “Addis Calling” featuring emerging local artists.

The gallery announced that this year they are presenting works by Frew Kebede, Tizta Berhanu and Yohannes Tesfaye. The show is set to open on January 29th and will be on display thorough March 23rd, 2019.

Below are preview images and descriptions of each artist courtesy of Addis Fine Art Gallery:

Yohannes Tesfaye (1978) focuses on two and three-dimensional paintings in acrylic, oil on canvas, wood, fiberglass and a variety of mixed media. His paintings reference African traditions and culture. Using contemporary materials and techniques, his current work examines the practice of ritual tribal scarification in a twenty-first century artistic and historical context.

Tizta Berhanu’s (1991) main inspiration is human emotion in all its facets, portraying her subjects expressing love, hate, sadness, loneliness etc. Trying to capture the true emotion underneath the surface of their skins. Her paintings are often ambiguous, almost unrecognizable, painted with broad confident brush strokes in deep intense colours. Blues, purples and deep-sea greens, dominate the canvasses creating an almost uncomfortable atmosphere wherein the viewer comes voyeuristically close to the emotions of the portrayed.

Frew Kebede (1982) is a multidisciplinary artist working in a variety of mediums but his current focus is painting. As a musician, Jazz music plays an important part in his life and is one of his main inspirations. In his paintings, he is exploring the visual aspects of jazz music, transforming notes and rhythm into paint and brushstrokes creating colourful, vibrant canvasses, engaging the viewer into seeing things from different perspectives.


If You Go:
Addis Calling III Exhibition
January 29th – March 23rd, 2019
Addis Fine Art gallery
(3rd Floor, Red Building Behind Mafi City Mall)
Bole Medhane Alem
Addis Ababa, Ethiopia
Tel: +251 913 426553
www.addisfineart.com

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Spotlight: Design Week Addis Ababa 2019

(Photo: Courtesy of Design Week Addis Ababa/Facebook)

Tadias Magazine
By Tadias Staff

Published: January 10th, 2019

Addis Ababa (TADIAS) — This year’s Design Week Addis Ababa will kick off on February 11th for a one-week celebration of the best innovations in architecture, urban planning, industrial and interiors design, technology, fashion, food, art and multimedia.

“This biannual community event coordinates local and international designers, artists, artisans, workshops, galleries, showrooms, cultural institutions, hotels, companies, and entrepreneurs through a distinctly collaborative platform for creative, cultural, and commercial engagement,” the announcement notes.

Past participants of Design Week Addis Ababa include Jomo Design Furniture and Actuel Urban Living who were both selected to present at the highly regarded international Dubai Design Week.

Organizers of the 2019 Design Week Addis Ababa have also announced that the Nairobi Design Week will present a special installation produced in partnership with UK design firm NEON, which was made possible by the British Council’s New Art New Audiences (NANA) grant. Local partners include Tourism Ethiopia, Kana Television & Studio, Flawless Events, Zeleman Productions, and Hyatt Regency. They also have programming partnerships with the Alliance Ethio-Française and the Global Shapers Community-Addis Ababa.


If You Go:

You can learn more about Design Week Addis Ababa at designweekaa.org

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In Ethiopia, Visual Storytelling From a Deeper Perspective: NYT Features Addis Foto Fest

Addis Foto Fest, founded by photographer Aida Muluneh, aims to give photographers from Africa a platform to capture the cultural complexities and diverse histories of the countries they call home. (Photo: Imaginary Trip #1, 2016. Credit: Gosette Lubondo)

The New York Times

In Ethiopia, Visual Storytelling From a Deeper Perspective

Aida Muluneh was a middle school student in Canada when local newspapers and magazines started running dramatic images of starving children in Ethiopia. The photos struck her as odd.

She was born in Ethiopia, and the pictures were nothing like the memories she had of the country she left when she was 5. They also didn’t match the stories her mother told her of life there.

“This is not to say the famine didn’t happen, but there are so many different stories in Ethiopia — it’s not just the story of famine or the priest with the cross,” Ms. Muluneh said. “There’s so many things that have yet to be documented.”

The memories of these photos didn’t just stay with Ms. Muluneh, they motivated her to become a photographer as well. She returned to Ethiopia in 2007, intent on teaching and establishing a photography community.

“We need to be more engaged,” she said, “because we need to be telling stories from our own perspective because obviously someone based in the country will provide deeper insight than someone flying in for a week.”

Her efforts led to Addis Foto Fest, a biennial event that unites photographers from Africa with those around the globe. The first edition — in 2010 — featured six photographers from Ethiopia. That number has grown to 35 in the current festival, which opens Thursday in Ethiopia’s capital, Addis Ababa. The exhibits also showcase the work of more than 100 photographers from six continents.

Ethiopian photographers this year include Mulugeta Ayene, whom Ms. Muluneh describes as a “strong photojournalist meticulously documenting all of the changes in the country,” and Aron Simeneh, who has also exhibited during Photoville 2017 in New York. The festival features a solo exhibit of pictures by Roger Ballen, an American artist living in South Africa, whose images range from the theatrical to the nightmarish. There is also a group show that highlights the work of photographers from around the world.

“I could have chosen to only do a festival for Africans only,” Ms. Muluneh said. “But I felt that we live in a global world, and we have to be engaged in a global way. The whole point is we shouldn’t be the best in Ethiopia or the best in Africa. We have to be the best in the world.”

Read more »


Related:
Aida Muluneh: Changing the Narrative on Ethiopia, One Photo at a Time (CNN)
Ethiopian Artist Aida Muluneh Directs Fatoumata Diawara’s Music Video
Ethiopian Photographer Aida Muluneh Featured in W Magazine
Spotlight: Aida Muluneh in MoMA’s Being: New Photography 2018
Aida Muluneh’s First Solo Exhibition at David Krut Projects
Tadias Interview: Aida Muluneh on Her Ethiopia Exhibition ‘So Long a Letter’

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Photos: Hub of Africa Addis Fashion Week

Sebeatu by designer Muse Legesse and Roots in Style by Tigist Seife. (courtesy of HAFW)

Tadias Magazine
By Tadias Staff

Published: October 13th, 2018

New York (TADIAS) – The 2018 Hub of Africa Addis Fashion Week took place in Ethiopia’s capital city last week. This year’s runway show, which was held on October 3rd at Millennium Hall, highlighted a diverse collection of local and international designers.

Below are photos courtesy of Hub of Africa Addis Fashion Week:

Samra Leather by Samrawit Mersiehazen:

Ayni’s by Aynalem Ayele:

Roots in Style by Tigist Seife:

Precious design by Nasra Mustofa:

Meron Addis Ababa by Meron Seid:

Lali by Lemlem Haile Michael:

ZAAF by Abai Schulze:

Wuwi Couture by Egla Negusse:

Sebeatu by Muse Legesse:

Aleph Design by Meseret Teferra:

Yefikir by Fikerte Addis:

Tseday Design by Tseday Kebede:

Komtare by Dawit Ketema:

Kahindo (Democratic Republic of the Congo):

Basse (Senegal ):

ArtC (Morocco):

Alaoui M’hammdi Amina (Morocco):


Related:
2017 Hub of Africa Addis Fashion Week in Pictures
Photos: Hub of Africa Addis Fashion Week 2016
Hub of Africa Addis Fashion Week 2015
In Pictures: Hub of Africa Fashion Week 2014

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Hub of Africa Addis Fashion Week 2018

Photo from previous Hub of Africa Addis Fashion Week. (courtesy of HAFW)

Tadias Magazine
By Tadias Staff

Published: October 2nd, 2018

New York (TADIAS) – This week in Addis Ababa the annual Hub of Africa Addis Fashion Week is taking place at Millennium Hall. This year’s runway show, which will be held on October 3rd, features the collection of 15 Ethiopian designers as well as international guest presenters hailing from Morocco, DRC and Kenya.

“As in past events, HAFW will also be hosting key industry players including international and regional buyers and media. Vogue Italia / Talents will keep their dedication to scouting talents during the event,” organizers shared in a press release. “HAFW 2018 is happy to be continuing its platform as a source for supporting and encouraging the fashion, textile, and manufacturing industries in Africa as a key part of the sustainable development of the continent.”

In addition, HAFW announced that it is collaborating with the Italian Trade Agency (ITA) to connect experts with five young fashion designers whose work will also be showcased on October 4th, 2018 at the Italian Embassy.

The participating Ethiopian designers include Abai Schulze (ZAAF), Aynalem Ayele (Ayni’s), Dawit Ketema (Komtare), Egla Negusse (Wuwi Couture), Fikerte Addis (Yefiki), Lemlem Haile Michael (Lali), Meseret Teferra (Aleph Design), Muse Legesse (Sebeatu), Nasra Mustofa (Precious design), Samrawit Mersiehazen (Samra Leather), Tigist Seife (Roots in Style), Tigist Shiferaw (TG’SH), Tseday Kebede (Tseday Design), Yordanos Aberra (Yordi Design), Mahlet Afework (MAFI), Meron Seid (Meron Addis Ababa), as well as emerging designers Hiwot Solomon (BELLAHIWOT), Fozia Endrias (Fozia Endrias Clothing & Accessories) and Kunjina Tesfaye (Kunjina).


Related:
2017 Hub of Africa Addis Fashion Week in Pictures

Photos: Hub of Africa Addis Fashion Week 2016
Hub of Africa Addis Fashion Week 2015
In Pictures: Hub of Africa Fashion Week 2014

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Setaweet: Addis Ababa is Home to a Burgeoning Women’s Movement

Although a language around women's rights is largely absent from national discussions, Ethiopia's capital, Addis Ababa, is home to a burgeoning women's movement. The city is witnessing growing activity including the first openly declared feminist group called Setaweet. (Photo: Setaweet gathering in Addis by Hasabie Kidanu).

Tadias Magazine
By Hasabie Kidanu

Published: July 24th, 2018

Addis Ababa (TADIAS) – As one of the world’s oldest continuous nation states Ethiopia upkeeps and exports a particular image to the rest of the world — a never-colonized, cradle of life that remains superior to European dominance. The culture is ancient and native with its indigenous national language, music and dress traditions considered sacrosanct. Ethiopia grows at its own pace, and looks inward.

In 2018, Ethiopia has one of the fastest growing national economies in the world and is nested in global networks of wealth, yet the perceived influence of foreign ideas are regarded warily. In a guarded and proud culture social change at the national scale is slow and painstaking. And in spite of generations of evolving global discourses focused on women’s rights, the subordinate position still held by women remains largely undiscussed.

Within this cultural context, how do we make language for an Ethiopian women’s movement? What do we call it? What have we called it in the past? And how do we define, grow, and adapt it? A younger generation of women has grown unsatisfied with the culture’s precedent for male hegemony in both public and domestic spheres. How do we redefine the role of women with liberation, leadership and sisterhood in mind? The greatest challenge facing an Ethiopian women’s movement today is how to fashion a homegrown language, which catalyzes change. How do we elevate consciousness within culture so committed to its customs, traditions and social structures that tends to place women on its margins?

From political participation and property ownership to healthcare access and education the social and legal lag of gender equality is evident here. Most acts of daily violence and domestic abuse go legally unchecked and garner little public outcry. Openly sharing one’s story of gender-based violence remains a taboo. Only a very slim portion of cases of sexual assault in the home and/or workplace are reported and even fewer cases make it to the courts. Media continues to perpetuate and dictate stale ideologies of the Ethiopian woman’s image, responsibility, and behavior. The daily catcall is as common as ever, and can easily escalate to physical violence. How do we raise a generation of women and men who no longer internalize and normalize sexism and violence?

Although a language around women’s rights is largely absent from national discussions, Ethiopia’s capital, Addis Ababa, is home to a burgeoning women’s movement. The city is witnessing growing activity including the first openly declared feminist group called Setaweet. Setaweet (the Amharic term for ‘of woman’) is the brainchild of Dr. Sehin Teferra, and it started essentially as a meeting, which later morphed into ‘The Setaweet Circle.’ It was, and still is, a safe space for Addis Ababa women to convene. Gathering together from all walks of life women involved with Setaweet speak candidly about their experiences in the workplace, home, city. From these gatherings the ‘Setaweet Open Sessions’ were born, and a free forum open to the public was developed to invite guest speakers, authors, and historians to tackle subjects concerning women’s issues. Here, everything is laid bare — even topics of Ethiopian culture that elsewhere are off limits. Topics such as the all-male clergy of  the Ethiopian Orthodox Church, patrilineal family structures, as well as male privilege and entitlement are discussed. In addition, the Setaweet PLC provides a variety of services and custom designed trainings for public schools, corporate offices, and agencies on women’s leadership, sexual harassment, and gender-based violence.

Setaweet has organized various campaigns throughout the city, often with the support of their partner groups such as the Ethiopian Women’s Lawyers Association (EWLA), and The Yellow Movement — a group founded by Addis Ababa University law program faculty and students. Some of the projects include #AcidAttackEducationCampaign (2017); #PagumeActivism initiated by the Yellow Movement to create a platform for sharing incidences of everyday sexism on social media; #AriffAbbat (2017), a collaboration between the Embassy of Sweden and Setaweet to host a photo contest to celebrate and encourage engaged fatherhood; and #NothingforGranted (2018), a collaboration with the European Union Delegation to celebrate the contributions of Ethiopian women through photography.

However, it’s not so much ‘Setaweet,’ but the term ‘feminism’ that has become the trigger word. One of the greatest obstacles and complications of this particular word is that it signals a western import and a foreigner’s ethics onto Ethiopia. It pulls with it a connotation that it has ‘arrived’ to contaminate local customs and religious practices, and the ever-so-cherished Ethiopiawee Bahil. Even though the country has integrated many Western ideals in the past — from clothing, to architecture, to films, music, and food — feminism has not received an easy welcome. Surely, feminism is not new. Although Setaweet is the first to openly identify as a ‘feminist’ collective there have been organized women’s groups that have inched the needle forward for women’s health, legal reforms, social and economic participation.

Ethiopia has not generally witnessed waves of feminism (as we have seen in the West) or properly recorded or historicized organized women’s movements, however, Setaweet has had to sustain criticism that it is ‘too western, radical, hip’ or that the need to champion women as a culture pales in comparison to more nation-pressing issues of prosperity, security, and peace.

“Our goal is clear, it’s activism. The cultural specificity of a city like Addis Ababa is not lost on us,” says co-founder Sehin. “We have declared ourselves feminists. Perhaps other organizations who work to champion women’s rights may not use the word due to the stigma that is associated with the word here. We understand the banner of feminism originally responds to the challenges faced by women in the English speaking world. Yet, work needs to be done here, so fighting for gender equality at home means finding language specific to the challenges facing women in Ethiopia, and how we can raise consciousness to confront Ethiopia’s most closely held cultural ideals. Part of that includes teasing out when and where the Amharic language and media imaging are giving way to harmful and/or sexist attitudes towards the Ethiopian woman.”

Setaweet moves forward still growing and expanding its breadth. The role and need for it is undeniable. In four short years its following has increased while the responsibilities have broadened tremendously. Setaweet has become somewhat of a hotline for the city and community to share, unload, and call out injustices from all over the country – from sexist advertisements in pop-culture to cases of gender-based violence in universities and households. Anything and everything concerning women’s issues is circled through their main channels on Facebook, Twitter, and Instagram. Perhaps, Setaweet’s most fundamental goal and achievement is that it is fostering an environment for conversation, and in return creating a space for language to evolve within the culture’s context. 


You can learn more about Setaweet on Facebook at https://www.facebook.com/pg/SetaweetMovement.

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Spotlight: The Last Greeks of Addis Ababa

Ethiopia and Greece's relationship dates back to ancient times, and a small community is keeping both cultures alive. (Photo: The Greek Club in Addis Ababa/Al Jazeera)

Aljazeera.com

Addis Ababa, Ethiopia – “Did you know that Ethiopia gets its name from the Greek word Aethiopia, first used by Homer?” Greek Ambassador to Ethiopia Nikolaos Patakias says proudly.

Sitting in his office in the capital Addis Ababa, Patakias shows an ancient Greek romantic novel, The Aethiopica. It’s a love story about the relationship between the daughter of the queen of Ethiopia and a Greek descendant of Achilles.

Also in his possession are photographs of relics from the ancient Ethiopian Kingdom of Axum. These include the famous Ezana Stone and some gold coins, both of which have ancient Greek scripture written on them.

“Tradition counts for a lot in Ethiopia and Greece, we follow it by the book,” says businessman Odysseas Parris, 57, sitting in a Greek restaurant close to the ambassador’s residence.

“We’re very lucky because we get to enjoy festivities from both cultures.”

As he sips his frappe – Greek iced coffee – and his wife Anastasia Mitsopoulou smokes and talks expressively with friends, they are unmistakably Mediterranean.

Yet Parris and Mitsopoulou are two of Addis Ababa’s second generation Ethio-Greeks. Both of Parris’ grandfathers were Greek and grandmothers Ethiopian. He, and his parents before him, were born in Ethiopia.

Read more »


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Tillerson Heads to Addis, Ethiopia Doubles Down on Emergency Law: Media Round up

U.S. Secretary of State Rex Tillerson. (Reuters photo)

Tadias Magazine
By Tadias Staff

March 3rd, 2018

New York (TADIAS) — U.S. Secretary of State Rex Tillerson will be heading to Addis Ababa next week as part of his first trip to Africa as America’s top diplomat.

Tillerson’s trip to Ethiopia comes as the country’s parliament, which is entirely controlled by the ruling coalition party, approved — in a disputed vote — a controversial state of emergency on Friday and suspending the constitutional rights of all Ethiopians.

Last month the U.S. Embassy in Addis Ababa released a press statement that strongly disagreed with Ethiopia’s state of emergency declaration, and urged its close African ally to focus instead on encouraging “greater freedom, not less.” The press release added that: “the challenges facing Ethiopia, whether to democratic reform, economic growth, or lasting stability, are best addressed through inclusive discourse and political processes, rather than through the imposition of restrictions.”

However, given that the U.S. has other interests and partnerships with Ethiopia regarding regional security and other matters it is highly unlikely that Tillerson’s agenda will be limited to Ethiopia’s domestic political crisis.

The U.S. State Department announced that Tillerson will also travel to Chad, Djibouti, Kenya and Nigeria.

The State Department’s press release says that “during his March 6-13 trip, Tillerson plans to discuss ways we can work with our partners to counter terrorism, advance peace and security, promote good governance, and spur mutually beneficial trade and investment,” and noting that the U.S. Secretary of State is likewise scheduled to meet with officials of the African Union Commission headquartered in Addis Ababa.

This U.S. diplomatic excursion follows the global firestorm sparked in January by President Trump’s reported “shithole” remarks in reference to the African continent and its people. Trump denies making the comment.

—-
Related:
Under a new state of emergency, Ethiopia is on the brink of crisis, again (The Washington Post)
Ethiopia: Social Media, Diaspora & State of Emergency Press Roundup

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Addis Ababa Among 10 Coolest Cities in the World to Visit in 2018

Addis Ababa. (Photo by Black Tomato via Forbes.com)

Tadias Magazine
By Tadias Staff

February 27th, 2018

New York (TADIAS) — Forbes magazine has named Ethiopia’s sprawling capital Addis Ababa among its list of the 10 coolest cities around the world to visit in 2018.

Forbes says Addis Ababa represents the very fabric of Ethiopia, which is “home to more than 80 nationalities, it’s a cultural epicenter and gateway to an ancient world.”

The magazine adds: “The fascinating Ethnological Museum is one of Africa’s top museums, but the real hidden highlight of Addis is its late-night scene, which is hosted in atmospheric underground jazz clubs. Close an evening with Ethio-Jazz and discover a fusion of traditional music, Afro-funk and jazz.”

Addis Ababa is one of three African cities highlighted by the business publication as the best international holiday destinations for this year. The 2018 list includes Nagasaki, Japan; Puebla, Mexico; Malacca, Malaysia; Yogyakarta, Indonesia; Arequipa, Peru; Cairo, Egypt; Brazzaville, Congo; Medellin, Colombia; and Leon, Nicaragua.

See the full list at Forbes.com »


Related:
Harar: Ethiopia’s City of Saints the Best Place in the World to Visit in 2018

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Ethiopian Airlines Launches Direct Flight From Addis Ababa to Chicago

(Photo: Ethiopian Airlines Facebook)

Tadias Magazine
By Tadias Staff

February 6th, 2018

New York (TADIAS) — Ethiopian Airlines is launching a direct flight from Addis Ababa to Chicago later this year making America’s “Windy City” its fourth destination in the United States after Washington, D.C., Los Angeles, California and Newark, New Jersey.

“West-bound, Passengers from the entire continent of Africa will connect to Chicago and beyond through our Addis Ababa hub in the late evenings; likewise, east-bound travelers from the USA will also connect to all over Africa in the morning through Addis,” the airline announced in a press release. “In both cases, the connectivity is designed in such a way that we are able to avail one of the shortest total travel times for our customers.”

The airline said the flight from Addis Ababa to Chicago will commence effective as of June 9th, 2018.


(Photo: Ethiopianairlines.com)

Ethiopian Airlines CEO Tewolde Gebre-Mariam noted that Chicago, which is the third biggest city in the U.S., is “one of the most important global aviation hubs. We will be filling a critical air connectivity vacuum as our flights will be the only direct service between Chicago and Africa.”

Tewolde added: “Chicago is the main hub of our Star Alliance partner, United Airlines and the flight will be operated together with United to avail the best product for travelers from all over the U.S. connecting to more than 55 destinations in Africa.”


(Photo: Ethiopian Airlines Facebook)

Ethiopian Airlines is the largest Aviation Holding Company in Africa and a SKYTRAX certified Four Star Global Airline.


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10 Best Things To Do in Addis Ababa (CNN)

Addis Ababa's arts scene is thriving. Makush Art Gallery is a popular draw. (Photo by James Jeffrey)

CNN

Rambunctious, manic, beguiling, exciting — it’s hard to accurately describe Addis Ababa.

Ethiopia’s capital, which translates as “New Flower” in the country’s Amharic language, shows little sign of losing its youthful, lusty edge and is the pulsing heart of this eclectic nation’s resurgence as one of the world’s fastest-growing economies.

“Addis,” as it’s often simply known, is the world’s third-highest capital city at 2,400 meters, and has worn its heart on its sleeve since it was founded by Ethiopian Emperor Menelik about 1892.

Life is lived very much outdoors on its bustling streets thanks to comfortable temperate weather boosted by months of nonstop sunshine.

“Perhaps the highest praise one can direct at this chaotic, contradictory and compelling city is this: Addis Ababa does feel exactly as the Ethiopia capital should feel — singularly and unmistakably Ethiopian,” says travel writer Philip Briggs.

Here’s 10 of the best things to check out when you travel to Addis.

Read more and see photos at CNN.com »


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Spotlight: Addis Gezehagn’s Art Show ‘Floating Cities/Detached Perceptions’

Artwork by Addis Gezehagn , Floating City IX, 2017. (Photo: Addis Fine Art)

Tadias Magazine
By Tadias Staff

January 26th, 2018

New York (TADIAS) — Addis Gezahegn’s work “depict dreamlike deconstructed and layered renderings of urban landscapes rising above the ground,” states the announcement from Addis Fine Art Gallery where his most recent paintings will be displayed in a solo exhibition in Addis Ababa from January 30th through March 31st, 2018.

“These compositions blend the boundaries of fantasy and reality of urban life, blurring the lines between the past, present and future.”

Born in 1978 Addis Gezehagn graduated from Addis Ababa University’s Alle School of Fine Art in 2011.

“A long-time artistic presence in Addis Ababa, [Addis Gezehagn] is known for portraying the multifaceted characteristics of the city’s residents by detailing the external facades of their homes,” Addis Fine Art notes. “Over the years, he has taken an increasingly reductive approach to his work, rendering entire cityscapes as a flat patchwork of colorful doors and gates…These works are a documentation of the increasingly changing landscape of Addis Ababa and the communities that reside in neighborhood such as Kasanchis, Piassa and Arat Kilo. These works urge us to think beyond homes as functional entities and offer commentary on the socio-economic context urban life.”


If You Go:
SOLO EXHIBITION BY ADDIS GEZEHAGN
30 JANUARY – 31 MARCH 2018
Addis Fine Art
Addis Ababa, Ethiopia
www.addisfineart.com

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UPDATED: Conversation on Decolonization of Ethiopian Knowledge — Addis Standard

This opinion article has been updated with links to new comments at the bottom. (Photo from the Addis Abeba Ethnographic Museum)

Addis Standard

By Abadir Ibrahim

QUESTIONS, CONCERNS AND A CRITIQUE ON THE DECOLONIZATION OF ETHIOPIAN KNOWLEDGE

Addis Abeba – In an opinion piece published on a previous issue of Addis Standard, Hewan Semon proposed a conversation on the decolonization of Ethiopian studies. As much as I would have liked to take this conversation into my areas of interest (human rights, democracy and the modern Ethiopian/African state) I will stay closer to Hewan’s framing for now. I will only ask further questions, raise some concerns and bring up one critique hoping to spur conversations into my fields of interest.

Colonialism: in the Rearview Mirror?

As an outsider to Ethiopian studies reading a critical take on the field, my first question was whether we needed the field in the first place. Hewan’s call for decolonization suggests that Ethiopian studies, or African studies in general, have and still are growing on colonial roots. Rather than grafting Ethiopian branches on the field, wouldn’t it make sense to simply find other, for example thematic, ways of organizing the study of Ethiopia?

The author’s protest against colonial scholarship is that it constructs Africans in simplified and caricatured ways that make colonization palatable or even necessary. One could assume that such a gross misrepresentation of Africans/Ethiopians did not occur merely due to methodological errors. The colonial roots of Ethiopian/African studies, in all probability, emerged from a complex set of corporate, military, academic and bureaucratic interests that found, sustain and benefit from the systematic and by no means inexpensive study of Ethiopia/Africa. Given how the author expresses frustration over Ethiopian studies taking place in English and French, because scholars would not find (foreign!) funding if they used local languages, the question remains as to whether the field is still a foreign endeavor to study Ethiopia.

More follow-up questions arise when you open up the topic of decolonization beyond the humanities and social sciences. The article alludes to how Ethiopians uncritically jumped on the [colonial] bandwagons of modernization, human rights, ethnicity, development and nationalism. One could ask whether, or to what extent, any of these should also be decolonized.

Read more »


Related:
A FRESH START TO UP THE ANTE: THE DECOLONIZING DEBATE
ON DECOLONIZING ETHIOPIAN STUDIES: METHODOLOGICAL NATIONALISM AS BAD AS EUROCENTRISM
ON DECOLONIZING ETHIOPIAN STUDIES: DECOLONIZE THE DECOLONIZERS FIRST

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Spotlight: Addis Video Art Festival

Photo from previous Addis Video Art Festival. (Facebook)

Tadias Magazine
By Tadias Staff

December 17th, 2017

New York (TADIAS) — This month the second Addis Video Art Festival takes place at various locations in Ethiopia’s fast-changing capital exploring the notion of “love triangle” and featuring works by a diverse group of international artists interpreting unique personal vantage points formed as a result of constant mobility, forced or otherwise.

The festival, which will be held from December 24th, 2017 to January 03, 2018 “presents works that translate new positions that are created from the experience of moving or changing between place, time and or identity,” the press release states, adding that love triangle “implies a connection and ties between three entities; the subject and two objects. Due to a surge in development, many residents of the city of Addis Ababa will be relocating to new neighborhoods. For those who move their sense of belonging is no longer singular, instead they are tied between yesterday and today, here and there.”

The video presentations are scheduled to be screened at Alle School of Arts and Design at both the opening and closing reception, as well as at Addis Fine Arts, Addis Ababa Museum, the National Gallery, British Council, Fendika Cultural Center. A public screening is also scheduled at various locations including Merkato, Sidist Kilo, Arat Kilo, Biherawi and supermarkets in Bole.

In explaining their selections for this year’s festival organizers note that:

The theme of love triangle appears in many manifestations from the intimately personal to the socio-political-environmental to the cosmic. While the mechanics of triangulation has uses in politics, psychology, social sciences, and in the interpersonal politics of love, the essential method is always the same: by converging measurements taken from two distinct points, a more confident result is found, validating the data, be it time, space, or people, from the perspective of multiple observers. In this way, the complexity of the human experience is portrayed more accurately. However, triangulation also points out absences as space is filled from all sides in a balancing act that correlates to the other sides, one can easily find what is not contributing to the whole.

The press release adds:

One video work surveys the aesthetics of demolished sites around Ethiopia and questions the ideology they represent, an ideology that does not value the culture, identity, and social morals of the region. Another video work takes us to India where the landscape becomes a political conversation in which different perspectives of history and mythology are explored, from a riverbed of trash to a 28th story rooftop. The video works show us that this triangulation can also be a disgusting and seemingly infinite loop of economics and human labor in which vulnerable people are currency.

Some of the highlighted Ethiopian artists include Mulugeta Gebrekidan, Martha Haile, Helina Metaferia and Yacob Bizuneh.

ADDIS VIDEO ART FESTIVAL 1st Edition from Addis Video Art Festival on Vimeo.


If You Go:
You can learn more about the festival at www.addisvideoartfestival.net.

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‘Addis Has Run Out of Space’: Ethiopia’s Radical Redesign — The Guardian

As Addis Ababa creaks under the weight of a mushrooming populace, sub-Saharan Africa’s largest housing project is under way. But who benefits? (by Tom Gardner in Addis Ababa. Photographs by Charlie Rosser)

The Guardian

‘Addis Has Run Out of Space’: Ethiopia’s Radical Redesign

Wrapped in a white shawl and sporting a wide-brimmed cowboy hat, Haile stares out at his cattle as they graze in a rocky patch of grass. “My family and I have been here since I was a child,” he says, nodding at the small, rickety houses to his right. “But we will have to leave soon.” In the distance loom hulking grey towers, casting long shadows over his pasture. This is Koye Feche, a vast construction site on the edge of Addis Ababa that may soon be sub-Saharan Africa’s largest housing project.

Koye is the latest in a handful of miniature cities that are gobbling up land all around the Ethiopian capital. Since launching the integrated housing and development plan (IHDP) in 2006, the Ethiopian government has built condominium estates like these at a pace unrivalled anywhere in Africa. To date, more more than 250,000 subsidised flats have been transferred to their new owner-occupiers in Addis Ababa and smaller towns. Situated 25km south-east of the city centre and covering over 700 hectares of land, Koye will house more than 200,000 people in row upon row of muscular concrete high-rises.

Modelled on the modernist housing estates found across the postwar west, in particular east Germany, Addis Ababa’s condominiums symbolise the vaulting ambition of the Ethiopian government in its efforts to manage the country’s relentless urban growth. But whether they will ever solve its housing problems is uncertain. The population of the capital alone is expected to double to more than 8 million over the next decade. The number of houses needed to meet supply is estimated to be as many as half a million, but nearly a million people languish on the waiting list for a condominium. Nationwide, the urbanisation rate is estimated to be somewhere from 4-6% per year.


A slum in the old Piassa neighbourhood of Addis Ababa, slated for demolition. (The Guardian)

Read more »


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Ethiopia: 2017 Hub of Africa Addis Fashion Week in Pictures

Photo from the 2017 Hub of Africa Addis Fashion Week. (courtesy of HAFW)

Tadias Magazine
By Tadias Staff

October 20th, 2017

New York (TADIAS) – The 2017 Hub of Africa Addis Fashion Week recently wrapped up in Ethiopia’s capital displaying an eclectic collection of styles from twenty one designers representing seven African countries and models from five nations.

The featured designers included: Mafi (Ethiopia), Yordi (Ethiopia), Adama Paris (Senegal), Anayngo Mpinga (Kenya), Samra Luxury Leather Collection (Ethiopia), Ejig Tibeb (Ethiopia), Ratatouille (Ethiopia/Brazil), Russell Solomon (Nigeria), House of Eden (Ethiopia/USA), Ye’Fiker (Ethiopia), Ayni’s Design (Ethiopia), Mantsho (South Africa), Lali (Ethiopia), Mustafa Hassannil (Tanzania), Zaaf (Ethiopia), Arnold Murithi (Kenya), Tg’sh (Ethiopia), Fetel Design (Ethiopia), Yohannes Sisters Couture (Ethiopia).

The two-day runway show was held on Friday, October 6th and Saturday 7th, 2017.

Below are photos from the 2017 Hub of Africa Fashion Week:


Related:
Photos: Hub of Africa Addis Fashion Week 2016
Hub of Africa Addis Fashion Week 2015
In Pictures: Hub of Africa Fashion Week 2014

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Hub of Africa Addis Fashion Week Preview

(Photo from previous Hub of Africa Addis Fashion Week/courtesy of HAFW)

Tadias Magazine
By Tadias Staff

October 2nd, 2017

New York (TADIAS) – The sixth edition of Hub of Africa Addis Fashion Week (HAFW) — an international runway show featuring both established and up-and-coming designers from across the African continent — will be held in Addis Ababa from October 5th to 8th, 2017.

Supported by Vogue Italia/Talents the 2017 events will take place at the Addis Ababa Exhibition Centre. Organizers announced that this year’s program includes panel discussions, master classes, presentations and a pop-up shop at Sapphire Addis Hotel.

“HAFW is extremely proud with the line-up of close to 35 participating designers, international models, and fashion makers from across the African Continent,” the media release states. “Vogue Italia /Vogue Talents will be scouting for talents to take part at Milan Fashion Week 2018.”

The announcement adds:

“Since inception in 2010 HAFW has been able to assist in the transformation and development of the continental fashion industry. Fashion must be thought of in business terms and HAFW has endeavoured to connect emerging and established designers with, buyers, manufacturers, distributers and investors in order to grow the continental fashion industry to reach its potential.”

Participating designers are shown below:

1. ADAMA PARIS – SENEGAL
2. ANYANGO MPINGA – KENYA
3. ARNOLD MURITHI – KENYA
4. AYNI’S DESIGN – ETHIOPIA
5. EDEN ASBEHA – ETHIOPIA
6. EJIG TIBEB – ETHIOPIA
7. FETEL DESIGN – ETHIOPIA
8. LALI – ETHIOPIA
9. MAFI – ETHIOPIA
10. MUSTAFA HANSANNIL – TANZANIA
11. PALESA MOKUBUNG – SOUTH AFRICA
12. RATATOUILLE – ETHIOPIA
13. REPUBLIC OF LEATHER – ETHIOPIA
14. ROOI – NIGERIA
15. RUSSEL SOLOMON – NIGERIA
16. SAMRA WORLD CLASS LUXURY LEATHER – ETHIOPIA
17. TG’SH – ETHIOPIA
18. YE’FIKER – ETHIOPIA
19. YOHANNES SISTERS COUTURE – ETHIOPIA
20. YORDI – ETHIOPIA
21. ZAAF – ETHIOPIA

PARTICIPATING DESIGNERS PRESENTATION

1. AACHERA – KENYA
2. AIDICHO – ETHIOPIA
3. ENZI – ETHIOPIA
4. EYERUSALEM ABERRA – ETHIOPIA
5. FALONE RUSAMAZA – RWANDA
6. KOMATRE DESIGN – ETHIOPIA
7. MENABE JEWLERY – ETHIOPIA
8. NEEMA – KENYA
9. NIGISTI – ETHIOPIA
10. PARSHYGIAN JEWLERY – ETHIOPIA
11. ROOTS IN STYLE – ETHIOPIA
12. TIYAA – ETHIOPIA
13. YE’TSEDEY – ETHIOPIA
14. ZIM TIBEB – ETHIOPIA


If You Go:
More info at www.hubfashionweekafrica.com.

Related:
Photos: Hub of Africa Addis Fashion Week 2016
Hub of Africa Addis Fashion Week 2015
In Pictures: Hub of Africa Fashion Week 2014

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Tariku Shiferaw’s First International Solo Exhibition at Addis Fine Art London

Tariku Shiferaw. (Photo via Anthony Philip Fine Art)

Tadias Magazine
By Tadias Staff

August 28th, 2017

New York (TADIAS) — Tariku Shiferaw will hold his first international solo exhibition at Addis Fine Art’s London project space from September 14th to October 8th, 2017. The exhibition entitled Erase Me is also the gallery’s inaugural show at their London location.

Tariku’s latest body of work “interrogates the concept of mark-making both physically and metaphysically,” states Addis Fine Art’s announcement. “Using titles of songs from Hip-Hop, R&B, Jazz, Blues, and Reggae music, these paintings embody both the experiences and struggles expressed through music by Black artists…In appropriating song titles as painting titles, the work automatically inherits the references, identities, and the history portrayed through the songs.

Tadias profiled the Ethiopian-born, LA-raised and New York-based emerging artist last year focusing on his collection of paintings that he described as featuring “contradictions, glitches, interruptions, and disagreements in a system.” In addition, this past Spring Tariku’s work was part of the 2017 Whitney Biennial, an influential annual exhibition held at the Whitney Museum of American Art in New York City that’s considered the leading contemporary art show in the world.

Addis Fine Art gallery shares that in Tariku’s upcoming display “every song used to title paintings tells a story that refers to a certain reality. The work becomes a reference of a reference, much like a signifier to another symbol. This creates repetitive patterns both aesthetically and conceptually. Subtle, yet intricate works that overtake a space with authority, these paintings are placeholders for Black bodies, creating a literal way of being “seen” in a society that does not often see the “other.”

ABOUT TARIKU SHIFERAW


Tariku Shiferaw. (Instagram)

Tariku Shiferaw (b.1983) in Addis Ababa, Ethiopia, is a Brooklyn-based artist whose work deals with mark-making in ways that addresses both the physical and the metaphysical spaces of painting and societal structures. At the age of nine, he moved to Nairobi, Kenya with his family and shortly after immigrated to the U.S. He spent the latter part of his childhood in Los Angeles, California. He studied for his bachelors in Fine Arts (BFA) at the University of Southern California (USC) in 2007 and later attained his MFA at Parsons The New School for Design in 2015. Shiferaw has exhibited throughout New York and Los Angeles. Recent exhibitions include The 2017 Whitney Biennial as part of Occupy Museums’ Debtfair project (New York, 2017); Hard Cry, Lubov (New York, 2017); Life Sized, Anthony Philip Fine Art (Brooklyn, 2016); Introduction 2016, Trestle Gallery (Brooklyn, 2016); The LA Art Show, Werd Gallery (Los Angeles, 2016); ATAVAST, Roomservice/Standard Practice (Brooklyn, 2015); New Work New York, 1st MFA Biennial Presented by St. Nicks Alliance & Arts@Renaissance (Brooklyn, 2015).


If You Go:
Addis Fine Art Project Space
Tafeta, 47 – 50 Margaret Street
London, W1W 8SB, UK
Tel: +44 7931557544
hello@addisfineart.com

Exhibition Hours:
14 Sept: Opening Reception (6-8pm)
16 Sept: Artists Talk with Sharon Obuobi (2-4pm)
17 Sept – 8 Oct: Mon to Sat 11am-6pm
Admission: Free
www.addisfineart.com

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Economist on Addis Movie Bootleggers

Ethiopia’s ingenious video pirates: Not even a slow internet can stop the bootleggers of Addis Ababa.

The Economist

DOWNLOADING a movie, legally or not, is prohibitively slow in Ethiopia, thanks to glacial internet speeds. Bootleg DVDs are everywhere, but even so it can be hard to find a reasonable-quality version of the latest Hollywood blockbuster. Only one cinema in Addis Ababa, the capital, screens foreign hits. Resourceful pirates spy an opportunity.

Last year yellow ATM-style kiosks began to spring up around Addis Ababa. The brainchild of three Ethiopian science graduates and their software company, Swift Media, the Chinese-built kiosks allow customers to transfer any of 6,000 pirated foreign movies or 500 music albums onto a USB stick they insert for as little as 10 cents per file. The kiosks are located in large malls in full view of authorities, who show no interest in shutting them down.

This is just one manifestation of a general disregard for foreign intellectual-property (IP) rights in Ethiopia. Swift Media is breaking no local laws by selling plundered foreign films. Ethiopia is not a member of the World Trade Organisation (WTO). Indeed, it is the largest country that has not yet signed any of the big international treaties governing IP, according to Seble Baraki, a local lawyer. Foreign trademarks are infringed with impunity. Kaldi’s, the country’s biggest coffee chain, has a logo suspiciously similar to that of Starbucks. Intercontinental Hotels Group, a British-owned hotel company, is suing a large hotel in central Addis Ababa with the same name. In-N-Out Burger, an American fast-food franchise, has a popular equivalent in Ethiopia that the American firm only learned about when tourists complained to it about poor standards.

Read more »


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Addis Fine Art US Show Preview

Abiy Solomon, Primordial Modernity: The Raw Spirit of Lalibela I, 2014. (Courtesy of Addis Fine Art Gallery)

Press release

Addis Fine Art

Ethiopia — Addis Fine Art is pleased to present Girma Berta, Leikun Nahusenay and Abiy Solomon at the 19th edition of Salon Zurcher, New York.

Girma Berta is an award winning young artist based in the capital of Ethiopia, Addis Ababa, whose work fuses street photography with fine art. Born in 1990, Berta is a self-taught photographer. In his Moving Shadows series, solitary figures are juxtaposed against vibrant backgrounds, creating truly unique artworks which exemplify the contrasting colours and personalities on the street of his home town

Leikun Nahusenay’s multidiscipline practice is based in Addis Ababa, where he works from the Nas Gedame studio creating exquisite mixed media works.

Abiy Solomon’s photography series, Primordial Modernity: The Raw Spirit of Lalibela, offers a meditation on spirituality and the profound interiority of faith, as he photographs monks in Lalibela exiting and entering the hushed, dark spaces within the ancient rock-hewn churches.

Full selection of artworks can be previewed here.


If You Go:
Zurcher Gallery
33 Bleecker Street, New York NY 10012
www.galeriezurcher.com

Tuesday 2 May: Preview Day
Wednesday 3 May: 12 – 8pm
Thursday 4 May: 12 – 8pm
Friday 5 May: 12 – 8pm
Saturday 6 May: 12 – 8pm
Sunday 7 May: 2 – 5pm

Related:
Girma Berta’s new series, Moving Shadows II, at Red Hook Labs, New York | 4 – 14 May 2017


Girma Berta, Moving Shadow Series II, II 2017

Addis Fine Art is pleased to announce the launch of Girma Berta’s new series, Moving Shadows II, at Red Hook Labs and Nataal’s second co-organized group exhibition: New African Photography II.

Girma will be joined by seven contemporary artists, whose work engages with present-day Africa. The selected artists are both emerging and internationally recognized, and will be showing new, personal bodies of work addressing issues of representation and celebrating fresh perspectives on the continent. Spanning documentary, fashion and portrait photography, as well as video and performance, the exhibition hopes to tell modern narratives that surprise, captivate and inspire.

New African Photography II follows the success of the inaugural curatorial collaboration between Red Hook Labs and Nataal in 2016. US Vogue called the exhibition “a journey into the rich visual culture of Africa” while i-D hailed the line-up as “the new generation of talent changing the face of African photography.” This latest show hopes to build upon these achievements by supporting a larger and more diverse roll call of exceptional image-makers.

Opening of 1:54 Contemporary African Art Fair will be held concurrently, and open to the public from May 5 – 7, 2017

Full selection of artworks can be previewed here.


If You Go:
Red Hook Labs
133-135 Imlay Street
Brooklyn, NY 11231
https://redhooklabs.com
http://nataal.com

Thursday 4 May: Preview 6-9pm
Friday 5 May: 12 – 8pm
Saturday 6 May: 12 – 8pm – Artists’ talk moderated by Sara Jennings: 2-4pm
Sunday 7 May: 12 – 8pm
Mon 8 – Sun 14 May: 10am-6pm (daily)


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Addis Trash Disaster: Survivors Ask Why

A funeral service last week for victims of a garbage landslide in Addis Ababa. At least 113 people were killed in the March 11 collapse, according to the government. (Photo: Associated Press)

The New York Times

As Trash Avalanche Toll Rises in Ethiopia, Survivors Ask Why

ADDIS ABABA, Ethiopia — At the moment when she lost her home and family, Hanna Tsegaye was spending her Saturday night with a neighborhood friend.

Around 8 p.m. on March 11, Ms. Hanna, 16, heard a strange sound, like rushing wind, and felt the ground shake beneath her feet. She rushed outside and saw that an enormous pile of garbage at a nearby landfill had collapsed.

Her home, which had been a couple of hundred yards from the trash heap, was buried. So were her parents and two siblings.

At least 113 people, according to the latest government estimate, were killed when part of the Repi landfill, in the southwest of Ethiopia’s capital, Addis Ababa, collapsed. In the days since, grieving survivors have been tormented by a pressing question: Could this tragedy have been prevented?

“We don’t know how such a thing could happen,” a weeping Ms. Hanna said. “Hopefully, someone can tell us and find a solution for the future. I hope this can be a lesson for the government, and that they remember us.”

Read more »


Related:
Desperate Choice of Ethiopia Landslide Survivor: Run or Die
What’s Wrong in Ethiopia? It’s Land, Stupid
In Ethiopia, Landslide at Garbage Dump Near Addis Ababa Kills at Least 46

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Addis Calling II: Ethiopia Exhibition Featuring Contemporary Artists

Artwork by Addis Gezahegn, 2017 Floating City I , Acrylic on Cavas. (Courtesy photo)

Tadias Magazine
By Tadias Staff

March 15th, 2017

New York (TADIAS) — The second installment of the Addis Calling group exhibition curated by Addis Fine Art Gallery will open in Ethiopia’s capital city on March 25th. The exhibition promotes the works of contemporary Ethiopian artists and will remain on display until May 20th, 2017.

“Representing a new selection of local talent engaged in a diverse range of artistic expression, the exhibition is an exciting mix of painting, glass mono-prints and photography,” the gallery announced in a press release.

Artists featured in Addis Calling II include Addis Gezahegn, Mulugeta Kassa, Abiy Solomon and Bezawit Wondwossen.

Below are bios of each artist courtesy of Addis Fine Art gallery:

Addis Gezahegn

Addis Gezahegn (b.1978), a long-time artistic presence in Addis Ababa, is known for portraying the multifaceted characteristics of the city’s residents by detailing the external facades of their homes,” His signature piece in the exhibition, from his series Floating City, features a vast, dramatic night sky—a black expanse that towers above a shimmering horizon of urban homes that mostly appear rootless, blurred, and ephemeral. Over the years, he has taken an increasingly reductive approach to his work, rendering entire cityscapes as a flat patchwork of colorful doors and gates. Gezahegn is a 2011 graduate of Addis Ababa University’s Alle School of Fine Art and Design.

Mulugeta Kassa


Paintings by Mulugeta Kassa, UNTITLED III, 2012, Glass Mono Print, 40 × 30 cm and UNTITLED I, 2012
Glass Mono Print 40 × 30 cm. (Courtesy photos)

Mulugeta Kassa (b.1973), co-founder of the experimental collective Netsa Art Village, considers the singular nature of conception and fertility through his glass mono-prints. Embryo and phallus-like structures float by in a sea of neutral grays, greens, and browns. One of these is tweaked to reveal the outline of a woman carrying a mountain-like bundle of sticks on her back. Kassa graduated from the Addis Ababa School of Fine Arts and Design in 2003.

Photographer Abiy Solomon


Photo by Abiy Solomon, LALIBELA IV, 2014, Digital Archival Print, 47 x 70.5cm, Edition of 7 + 1AP.

Abiy Solomon (b.1983), is a photographer and one of the most prominent graphic designers in Addis Ababa. In his photography series, Primordial Modernity: The Raw Spirit of Lalibela, he offers a meditation on spirituality and the profound interiority of faith, as he photographs monks in Lalibela exiting and entering the hushed, dark spaces within the ancient rock-hewn churches. Offset by the bright sunlight that pours in through the open windows and doorways, the images are imbued with a reverent feeling: a contemplation of light and darkness, as well as the inner and outer manifestations of religiosity. Solomon holds a degree in Animation and Visual Effects from Maac University in India (2008). He is the founder and Creative Director at Orangeswitch, a design company, and Partner at Africology Media.

Bezawit Wondwossen


Painting by By Bezawit Wondwosen, Untitled X, 2016. (Courtesy photograph)

Bezawit Wondwossen (b.1987) uses bold, thick strokes of blues, oranges, and browns to create an abstract yet vigorous cityscape, against which splashes of black silhouette. The black forms a meditative core—seemingly haphazard, yet controlled; ornamental, yet integral to the logic of the works. It pulls viewers in to contemplate its various weights, and the sense of angst it evokes—a feeling Bezawit, a 2003 graduate of the Abyssinia School of Fine Arts, ascribes to the travails of womanhood.


If You Go:
Addis Calling II Exhibit
March 25th through May 20th, 2017.
Addis Fine Art gallery
(3rd Floor, Red Building Behind Mafi City Mall)
Bole Medhane Alem
Addis Ababa, Ethiopia
Tel: +251 913 426553
www.addisfineart.com

Related:
Addis Fine Art Opens New Gallery With Inaugural Exhibition

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In Ethiopia, Landslide at Garbage Dump Near Addis Ababa Kills at Least 46

Police officers secured the perimeter around a garbage dump landslide on the outskirts of the Ethiopian capital, Addis Ababa, on Sunday as excavators helped the rescue efforts. (Photo: Elias Meseret/AP)

Associated Press

By ELIAS MESERET

46 killed, dozens missing in Ethiopia garbage dump landslide

ADDIS ABABA — A mountain of trash gave way in a massive garbage dump on the outskirts of Ethiopia’s capital, killing at least 46 people and leaving several dozen missing, residents said, as officials vowed to relocate those who called the landfill home.

Addis Ababa city spokeswoman Dagmawit Moges said most of the 46 dead were women and children, and more bodies were expected to be found in the coming hours.

It was not immediately clear what caused Saturday night’s collapse at the Koshe Garbage Landfill, which buried several makeshift homes and concrete buildings. The landfill has been a dumping ground for the capital’s garbage for more than 50 years.

About 150 people were there when the landslide occurred, resident Assefa Teklemahimanot told The Associated Press. Addis Ababa Mayor Diriba Kuma said 37 people had been rescued and were receiving medical treatment. Dagmawit said two had serious injuries.

Many people at the landfill had been scavenging items to make a living, but others live there because renting homes, largely built of mud and sticks, is relatively inexpensive.

An AP reporter saw four bodies taken away by ambulances after being pulled from the debris. Elderly women cried, and others stood anxiously waiting for news of loved ones. Six excavators dug through the ruins.

“My house was right inside there,” said a shaken Tebeju Asres, pointing to where one of the excavators was digging in deep, black mud. “My mother and three of my sisters were there when the landslide happened. Now I don’t know the fate of all of them.”

The resumption of garbage dumping at the site in recent months likely caused the landslide, Assefa said. The dumping had stopped in recent years, but it resumed after farmers in a nearby restive region where a new garbage landfill complex was being built blocked dumping in their area.

Smaller collapses have occurred at Koshe — or “dirty” in the local Amharic language — in the past two years but only two or three people were killed, Assefa said.

“In the long run, we will conduct a resettling program to relocate people who live in and around the landfill,” the Addis Ababa mayor said.

Around 500 waste-pickers are believed to work at the landfill every day, sorting through the debris from the capital’s estimated 4 million residents. City officials say close to 300,000 tons of waste are collected each year from the capital, most of it dumped at the landfill.

Since 2010, city officials have warned that the landfill was running out of room and was being closed in by nearby housing and schools.

City officials in recent years have been trying to turn the garbage into a source of clean energy with a $120 million investment. The Koshe waste-to-energy facility, which has been under construction since 2013, is expected to generate 50 megawatts of electricity upon completion.

Ethiopia, which has one of Africa’s fastest growing economies, is under a state of emergency imposed in October after several months of sometimes deadly protests demanding wider political freedoms.


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From DC to Addis: Spotlight on Artist Abel Tilahun & His Ethiopia Show ‘Odyssey’

Abel Tilahun is an Adjunct Professor of Digital Imaging at American University in D.C. (Courtesy photo)

Tadias Magazine
By Tadias Staff

Published: Monday, December 19th, 2016

New York (TADIAS) — Ethiopian American artist Abel Tilahun teaches Digital Imaging at American University in Washington D.C., and for the past few years his thought-provoking multidisciplinary work including video art and sculptural installations has captured the attention of acclaimed Ethiopian curator Meskerem Assegued, founder of Zoma Contemporary Art Center in Addis Ababa, who is helping to stage his upcoming show, Odyssey, in Ethiopia’s capital next month at Alliance Ethio-Française from January 3rd to 24th, 2017.

“ODYSSEY? captures the excitement and paradoxes of innovation, with a birds-eye view on the gravity of the contemporary moment as well as the continuity and patterns within human history,” the media release states. “At the heart of his work remains the intrinsic value of the human experience across time and space.”


Art work by Abel Tilahun Gebretsadik. (Courtesy photo)

The U.S. Embassy in Addis Ababa will also host Abel Tilahun’s Artist Talk at the Alliance Ethio-Française Theatre January 5, 2017. “The event will showcase a retrospective of Abel Tilahun’s work in the video art medium over the past decade,” the announcement said. “The U.S. Embassy will host a follow-up with an Artist’s Roundtable inside the Alliance Alliance Ethio-Française Gallery on January 21, 2017.”

Abel Tilahun’s past shows in Ethiopia include Curvature of Events, which was featured in 2015 at the Ethiopian National Museum following its presentation a year earlier in Germany at the Dresden New Master’s Gallery. In 2013 Abel submitted a commercial for Dorritos ‘Crash the Superbowl’ contest and his exhibition entitled Interface Effect (2014) was highlighted at AEF.

Abel is a graduate of the School of Fine Art & Design at Addis Ababa University and obtained a Masters in Fine Arts from Adams State College in Colorado in 2010.


If You Go:
Exhibition by Abel Tilahun
Curator: Meskerem Assegued
Alliance Ethio-Française
Addis Ababa
January 3 – 24, 2017
Opening: January 3, 6 PM
Artist Talk (Retrospective): January 5, 6 PM
Roundtable (ODYSSEY?): January 21, 6 PM

Related:
Ethiopian Artist Abel Tilahun Speaks to Independent Curators Hub in NYC
Ethiopia Exhibition Featuring Multimedia Artist and Animator Abel Tilahun
Three Ethiopian Animators Vie For Doritos Superbowl AD Grand Prize

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Photographer Aida Muluneh, Founder of Addis Foto Fest, on Rebranding Africa

Aida Muluneh. (Getty Images)

AFP

December 15, 2016

Ethiopian photographer seeks new portrayal of Africa

ADDIS ABABA – Surrounded by untidy stacks of paper and abandoned half-empty coffee cups, photographer Aida Muluneh chain smokes cigarettes in her Addis Ababa office and rails against the negative portrayals of Africa by foreigners.

The 42-year-old came returned to Ethiopia nine years ago after living in Yemen and Canada and set herself the task of changing perceptions of the continent, replacing the outsiders’ dominant eye with an African one.

The Addis Foto Fest, which she founded and which opens its fourth edition Thursday, is one way of doing this, she said.

Read more »


Related:
Tadias Interview: Aida Muluneh on Her Ethiopia Exhibition ‘So Long a Letter’

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2017 Design Week Addis Ababa Announces Open Call

(Photo: Design Week Addis/Instagram)

Tadias Magazine
By Tadias Staff

Published: Wednesday, November 2nd, 2016

New York (TADIAS) — Since it was founded 130 years ago by Emperor Menelik II Ethiopia’s capital Addis Ababa has endured many trials and tribulations in the country’s turbulent history while the city itself has gone through its own transformations over time to become the “diplomatic capital of Africa” and host the headquarters of the African Union (AU), the United Nations Economic Commission for Africa (ECA) and several other international organizations.

Today Addis is also quickly becoming home to the highly acclaimed annual design event in East Africa: Design Week Addis Ababa (DWAA), which takes place each year in mid-January.

For their upcoming 2017 DWAA exhibition (January 14-21, 2017) organizers announced this week that they have launched “a one month Open Call for interested participants and programming partners” covering various fields including architecture, urban planning, industrial design, interiors, visual communication, food & gastronomy, art, multimedia, technology and fashion.

In September the London Design Festival presented Design Week Addis Ababa as a part of the British Council Arts’ Design Connections initiative. And last month two Ethiopia-inspired furniture by Jomo Design Furniture and Actuel Urban Living were selected as part of winning “design concepts” from Design Week Addis and featured at the 2016 international Dubai Design Week festival in October.


Design Week Addis featured during the 2016 international Dubai Design Week festival in October. (Courtesy photo)

“This multidisciplinary festival covers themes in alignment with UNESCO’s Creative Cities Initiative,” the media release said. “The Design Week Addis Ababa festival aims to further the creative industries in Ethiopia and foster the economic potential of designers, creators, and innovators by showcasing their projects and products directly to the end users and commercial partners.

Through the open call participants can propose an “exhibition, open gallery, studio, or workshop, product launch, pop-up shop or installation, competition, informative workshop, talk, or lecture, film screening, fashion show, concert or live performance, cooking demonstration, food/ beverage tasting, social event, or something totally different.”


You can learn more about the open call for the 2017 Design Week Addis Ababa at www.designweekaa.org

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Addis Standard Stops Printing Over Draconian Emergency Rules

(Images: Addis Standard magazine covers)

Reuters

An Ethiopian English-language magazine which has been critical of the government has ceased publishing its print edition saying restrictions imposed when emergency rule was declared early this month made it “impossible” to continue.

The Horn of Africa country introduced a state of emergency on Oct. 9 after a wave of protests over land grabs and political rights, which resulted in violent clashes and attacks on both local and foreign businesses.

The emergency measures introduced for six months granted security forces more powers to make searches and arrests, and imposed curbs on the “preparation and distribution of publications that could incite conflicts”.

Tsedale Lemma, editor and founder of the Addis Standard monthly, told Reuters that printers had refused to publish the magazine unless an authority set up to oversee the implementation of the new regulations gave them permission.

“(It is) a proposal we have vehemently refused because it will subject us to submitting our editorial to voluntary censorship by a military command post,” Tsedale said, without saying what the monthly print run was.

Vendors and supermarkets have also pulled the magazine from newsstands in the wake of the announcement, she said.

The magazine continued to publish articles on its website, she added.

Read more »


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Photos: Hub of Africa Addis Fashion Week

At the 5th annual Hub of Africa Addis Fashion Week, October 6th, 2016. (Courtesy photograph)

Tadias Magazine
By Tadias Staff

Published: Sunday, October 16h, 2016

New York (TADIAS) — This year’s Hub of Africa Addis Fashion Week (HAFW), which celebrated its 5th anniversary, was held last week at the Millennium Hall in Ethiopia’s capital. According to the event’s press release the 2016 runway show featured “designers, stylists, hair & makeup artists as well as models from all across the African continent to promote African Fashion on an international stage.”

Among the local Ethiopian designers highlighted included works by Hirut Gugsa (MELA), Lemlem (LALI COLLECTION), Aynalem Ayele (AYNI’S DESGIN), Mahlet Afework (MAFI), Fikerte Addis (YEFIKIR), Samrawit Mersiehazen (SAMRA Luxury World Class Leather), and Haile Garment by Jackie Mota (RATATOUILLE).

HAFW was held in collaboration with the Italian Embassy in Addis Ababa as well as the Italian Agency for Development Cooperation, while Senior Editor of Vogue Italia, Sara Maino, “directed a talk show for industry stakeholders on becoming the next vogue talent at Millenium Hall.”

Since its inception HAFW has featured over 50 African designers and the organizers note that “opportunities that designers have gained include showing during New York African Fashion Week, connecting with international buyers and media, and projecting their brands to the international market.”

Below are images courtesy of HAFW organizers.


Related:
Hub of Africa Addis Fashion Week 2015
In Pictures: Hub of Africa Fashion Week 2014

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Benjamin Joy Award Goes to US Staff in Addis

Charles H. Rivkin (left), U.S. Assistant Secretary of State for Economic and Business Affairs, and Assistant Secretary of Commerce Arun M. Kumar presented the award at a ceremony in D.C. on September 29, 2016.

Media Note

U.S. Departments of State Office of the Spokesperson

Washington, DC — The first-ever joint award given by the U.S. Departments of State and Commerce was presented today to the U.S. Embassy Addis Ababa, Ethiopia. U.S. Assistant Secretary of State for Economic and Business Affairs Charles H. Rivkin and Department of Commerce Global Markets Assistant Secretary and Director General of the U.S. and Foreign Commercial Service Arun Kumar presented the Benjamin Joy award to the U.S. Embassy Addis Ababa State-Commerce-Team at a ceremony in Washington, D.C.

The Benjamin Joy Award was created to highlight and promote interagency collaboration and honor commercial diplomacy excellence. The winning team, led by former U.S. Ambassador to Ethiopia Patricia M. Haslach, includes Deputy Chief of Mission Peter H. Vrooman, Senior Foreign Commercial Service Officer Tanya Cole, Trade and Investment Promotion Officer Gaia Self, Commercial Specialist Tewodros Tefera, and Advocacy Center Regional Manager Nnaji Campbell. Embassy Addis Ababa’s leadership and innovation advanced U.S. business interests in Ethiopia and created a model for U.S. missions to support fair competition and increase U.S. exports in Africa.

The winner was selected from 43 nominations from posts around the world. The award’s namesake, Benjamin Joy, was an early exemplar of U.S. commercial and economic diplomacy, appointed in 1792 by President George Washington as the first American Consul and Commercial Agent to India. Today, there are more than 200 diplomatic outposts helping to strengthen America’s economic reach and positive economic impact.


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Meet Markos Lemma, CEO of Iceaddis

Markos Lemma, Co-founder of iceaddis. (Photo by Abenezer Zenebe)

Tadias Magazine

By Feven Jembere

Published: Thursday, September 29th, 2016

Markos Lemma, CEO of Iceaddis, Runs Ethiopia’s First Startup Incubator

Ethiopia (TADIAS) — A graduate of Australia’s RMIT University where he studied computer science, Markos Lemma, who is the co-founder of iceaddis — Ethiopia’s First Startup Incubator — is one of the leading tech entrepreneurs in Addis Ababa participating in the recent growth of smartphone and internet users as well as technology oriented startups in Ethiopia.

Markos describes himself as “a cofounder, slash-consultant, slash blogger, slash speaker,” attesting to being part of what the renown actor Idris Elba calls the “slash culture.”

Since its inception in 2013, iceaddis has incubated 19 local startups, including Karta, Mekina, 50Lomi and Besew, and has gained high traction in Ethiopia housing 15 entrepreneurs working on startups and winning international competitions in Kenya, Rwanda, Germany, Finland and Switzerland.

Markos shares that he launched his venture so that he can assist young people like himself with dreams of building a tech-related business in Ethiopia. “The driving force of innovation is the country’s educated youth,” Markos says, noting that there was few if any such support for youth of like-minded passion. He adds that he wanted to create a “home for grass-root innovation and to be a one-stop shop for tech startups to get open-space, support and networking opportunities to start their own venture and grow.”

There are many challenges to running a successful tech incubator and startup in Ethiopia including the dearth of financial support and reliable internet connection.

“It isn’t, per se, hi-tech that I was always interested in, but the possibility of developing technological tools which assist us to solve our daily challenges,” Markos says, emphasizing that there are many high potential startups in the pipeline that “will improve our lives, once they get into the market.” He names Stavimer, Flowius and Hulubet as a few examples.

As part of the icehubs network in the Middle East and Africa, iceaddis has received international media coverage including features on BBC, Disrupt Africa and VC4Africa.


Iceaddis. (Courtesy photo)

In addition, Iceaddis has a community of 5000+ individuals with different levels of membership, and organizes various events such as hackathons and pitching competitions throughout the year in collaboration with international organizations.

“Most people get their ideas from events not trainings, and they also have opportunities to find someone who will assist them on the ideas they seek to realize,” Markos says. “These events also help build an entrepreneurial mindset among the youth, enabling them to learn what’s happening and to cope with challenges while developing a harmonized direction.”

Markos partly attributes iceaddis’ success to his organization’s management style of “non-hierarchical and open environment” as well as their focus on “extreme collaborative methods.” He argues that “personal drive and the ability to build strong relationships” are key to his endeavors. Markos, who had previously co-founded various other startups such as SelamCompany — a venture working on primary education and literacy — says his company is expanding to launch events across Ethiopia in Jimma, Mekelle and Jijiga.

“There is something rewarding about being a pioneer and betting on the youth in a big country like Ethiopia,” Markos enthuses.


About the Author:
Feven Jembere is a recent high school graduate from ICS Addis now attending the University of Chicago. She is interested in topics related to entrepreneurship, health sciences, music and anthropology. “I enjoy playing soccer and reading books,” Feven shares. “Cutting for Stone by Abraham Verghese, Gifted Hands by Dr. Ben Carson and Blindness by Jose Sarajevo are some of my favorite books.” (Feven Jembere’s profile photo by Danel Kidane)

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NY Fashion Week Africa Features Designs by Ethiopia’s Fikirte Addis

Ethiopian Designer Fikirte-Addis' work to be featured at 2016 New York Fashion Week Africa. (Photos: AFW)

Tadias Magazine
By Tadias Staff

Published: Wednesday, September 7th, 2016

New York (TADIAS) — Recent works by Ethiopian designer Fikirte Addis, Founder & Creative Director of the Addis Ababa-based clothing line Yefikr Design, will be featured on September 10th during the New York Fashion Week Africa at Adiree Concept Store in downtown Manhattan.

Fikirte Addis, who is also a psychologist, “perfectly blends her love and passion for children and culture with creativity in her work,” Africa Fashion Week (AFW) notes. “Her label, Yefikir Design, celebrates urban Africa, featuring everyday wear in Ethiopia. Fikirte gets her inspiration from Ethiopian culture and the vibrant environment to reflect the everyday life of the people. She designs clothing from casual to wedding dresses mainly for women.”

Fikirte says she started designing in high school and launched her own company, Yefikir Design, in 2009. She states, “It is important for me not to lose the connection I have with my culture, just giving it a modern twist and bringing it to the international fashion arena.” Most of Fikirte’s fabrics are made from handspun cotton with design intended to provide comfort while maintaining top-tier style.


Photos: Fikirte Addis designs at Caribbean Fashion Week 2013. (Facebook)


Ethiopian Designer Fikirte Addis. (Courtesy photo/Facebook)

Africa Fashion Week adds: “Fikirte’s design aesthetic gently weaves between modern and traditional styles; using fabrics made by hand, assisted by a weaving machine, albeit producing clothing through century old techniques. Yefikr Design is mainly known for turning this fabric into tailor-made and fashionable designs without losing its cultural touch for the modern day woman..the Ethiopian designer is known for giving everyday cultural wear a modern twist.”


If You Go:
NYFWAfrica featuring Designer Fikirte Addis
Saturday, September 10, 2016 from 3:30 PM to 8:30 PM (EDT)
Adiree Concept Store (SOHO)
104 Charlton St
between Hudson St and Greenwich St.
New York, NY 10014
Click here for Tickets
www.africafashionweekny.com

Related:
Video: Director of Africa Fashion Week in New York speaks to CNN:

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In Photos: Women’s Safe House in Addis

The Association for Women’s Sanctuary and Development (Awsad) provides holistic services for women and girls who have survived violence in Ethiopia. (Photograph: Maheder Haileselassie Tadese/Womankind)

The Guardian

Photographs by Maheder Haileselassie Tadese

Women and girls who have been abused need a range of services to help their recovery, including medical care, counselling and legal aid as well as training in life skills and employment, according to a report by Womankind Worldwide, More than a roof. A shelter in Ethiopia’s capital, Addis Ababa, offers exactly this holistic approach.


The shelter set up in 2003, was the first organisation to open a women-only shelter in Ethiopia to support survivors of violence. The World Health Organisation estimates that one in three women have experienced violence in their lifetime. In Ethiopia, the most recent figures show that more than 48% of women aged between 15 and 49 had experienced physical violence by an intimate partner, and 59% reported sexual violence. (Photo by Maheder Haileselassie Tadese)


(Photo by Maheder Haileselassie Tadese)


Amelework Bezawork, 38, was among the first employees at the shelter. She is now assistant coordinator and trains residents in food preparation. (Photo by Maheder Haileselassie Tadese)

Read the full report and see more photos at The Guardian »


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Julie Mehretu: The Addis Show at Modern Art Museum Gebre Kristos Desta Center

Julie Mehretu. (Photo: Jean-Philippe Boucicaut)

Tadias Magazine
By Tadias Staff

Published: Friday, June 24th, 2016

New York (TADIAS) — Renowned Ethiopian American artist Julie Mehretu returns to Ethiopia this Summer for her inaugural show at The Modern Art Museum Gebre Kristos Desta Center in Addis Ababa. The exhibition entitled Julie Mehretu: The Addis Show — which is jointly presented by the Gebre Kristos Desta Center and the United States Embassy in Addis Ababa — is scheduled to open on July 8, 2016 and will remain on display through August 6, 2016.

“The show will feature 17 of Mehretu’s paintings, ranging from her earliest paintings to her most recent works,” the announcement said. “The Museum is especially pleased to host this show as it will mark the first time that Mehretu will exhibit her work in Ethiopia, where she was born and raised until she was 7.”

Mehretu, who lives and works in New York, was born in Addis Ababa in 1970 and immigrated to the United States with her family in 1977. She has received numerous international awards for her work including the American Art Award from the Whitney Museum of American Art and the prestigious MacArthur Fellowship. She had residencies at the Museum of Fine Arts in Houston (1998–99), the Studio Museum in Harlem, New York (2001), the Walker Art Center, Minneapolis, Minnesota (2003), and the American Academy in Berlin (2007).

“Julie Mehretu is widely considered one of the finest painters of her generation,” the Gebre Kristos Desta Center added in a press release. “She is known for her densely layered and mesmerizing abstract paintings, which often gesture to the language of architecture and geography as inspiration for abstract compositions, as well as commentary on the complex social worlds we inhabit. Mehretu’s work offers not only a new form of visual abstraction, but also a new perspective of the social and geographic networks that underpin the modern world.”


(Artwork by Julie Mehretu, Entropia (review) 2004 32-color Lithograph and screenprint 33 1/2 x 44 inches.)

In addition, this Spring Julie Mehretu was honored by the prestigious U.S. arts institution, The Skowhegan School of Painting, receiving the medal for painting at the 70th anniversary celebration and 2016 Awards Dinner that was held in New York City on April 26th. Last Fall, Julie was the only living female artist whose work was featured at Christie’s postwar and contemporary sale, according to a New York Times article highlighting “The Resurgence of Women-Only Art Shows” in the United States. The Times notes that “The Ethiopian-born painter was offered at Christie’s postwar and contemporary sale, alongside 18 living male artists.”

A series of events is planned in conjunction with the Addis Show exhibition in Ethiopia next month “including a day-long symposium featuring artists, architects, curators, art historians, and workshops and lectures at Addis Ababa and Bahir Dar Universities.”


Related:
Julie Mehretu: A Trailblazing Artist Honored with Skowhegan Medal of Painting
Julie Mehretu: An Abstract Artist Absorbing Multiple Identities (NBC News)
Julie Mehretu Awarded 2015 Medal of Arts by U.S. State Department
American Artist Lecture: Julie Mehretu at Tate Modern in London
Julie Mehretu on Africa’s Emerging Presence in Contemporary Art

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Process and Progression: Solo Exhibition by Leikun Nahusenay at Addis Fine Art

BROKEN MIRRORS II, 2009. Digital Photography. 80 x 80 cm, by Artist Leikun Nahusenay. (Addis Fine Art)

Tadias Magazine
By Tadias Staff

Published: Wednesday, April 13th, 2016

New York (TADIAS) — Leikun Nahusenay’s upcoming solo art exhibition, entitled Process and Progression, will open at the newly inaugurated Addis Fine Art gallery in Ethiopia’s capital on April 16th, 2016. Leikun was recently part of Addis Fine Art’s debut exhibition last December featuring several contemporary artists representing “the breadth and depth of artistic practice” in the city.

“Addis Fine Art gallery is pleased to continue its programme with a solo exhibition of works by multidisciplinary artist Leikun Nahusenay featuring works in photography, painting, mixed media, and sculpture,” the gallery announced in a press release. “Process and Progression is a retrospective of Nahusenay’s work over the last 16 years. Though wide-ranging in his choice of medium, Nahusenay’s exploration of the Himeme Siqlet, a sacred Ethiopian Orthodox text, is what grounds his seemingly disparate pieces together, through its evocation of the world’s opposing forces (light, dark; flesh, spirit; good, evil) and the futility of their reconciliation.”

Leikun Nahusenay was born in 1982 in Addis Ababa and completed his art training from the Ale School of Fine Arts (2006) and Teferi Mekonnen School (2011). As a member of the Netsa Art Village Leikun largely considers himself as a self-taught artist, and has based his multidisciplinary practice at the Nas Gedame Studio in Addis Ababa. His work has been shown at numerous exhibitions including the Addis Calling exhibit in December 2015.

“Nahusenay’s fascination with life’s cyclical nature, and its expression in physical spaces, is evident throughout the collection,” adds the press release. “Informed by the simple yet layered, circular structure of a traditional hut, Gojo Bet (2000) one of his earliest works, features interposed cardboard shapes, each of various textures, sizes, and shades of taupe, suggesting movement, and a certain playfulness of perspective. This playfulness seeps into other pieces where Nahusenay quite literally offers us a window into a dark, tenuous landscape, albeit through the protective shield of a woman’s shawl.”

Founded by Mesai Haileleul and Rakeb Sile, Addis Fine Art gallery aims to represent established and emerging international artists primarily from Ethiopia and the Diaspora. Addis Fine Art Gallery participated in the 2016 Armory Show in New York City this past March.


If You Go:
Process and Progression Exhibit – Leikun Nahusenay
Date: April 16th – June 11th, 2016
Location: Addis Fine Art Gallery, 3rd Floor, Wold-Fikir Building
Bole Medhane Alem, Addis Ababa, Ethiopia
Tel: +251 913 426553
www.addisfineart.com

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The Ethio-jazz Revival in Addis Ababa

A hypnotic mix of musical styles, Ethio-jazz has a fascinating history and is enjoying a comeback at venues across the city. (Photograph: Meleket performing at African Jazz Village/ by Oliver Gordon)

The Guardian

By Oliver Gordon

I’m submerged in a heaving, sweaty mass of bodies, all singing, dancing, clapping along to the mesmeric crooning of Alemayehu Eshete – the man known as the Ethiopian Elvis. It’s Saturday night and I’m sharing limited oxygen with Addis Ababa’s great and good at Mama’s Kitchen, a wood-and-glass bar on the fourth floor of an innocuous shopping mall near Bole airport. Eshete, a shining star of the 1960s Ethiopian music scene, conducts the revelry in local Amharic tones as his band deliver a hypnotic mix of funky jazz, rockabilly and the swinging scales of traditional Ethiopian folk. This is Ethio-jazz.

A fusion of the eerie rhythms of ancient Ethiopian tribal music with the soulful undertones of jazz and the funky bounce of Afrobeat, Ethio-jazz had its heyday in the 1950s and 60s but in recent years has been making a slow but unmistakable comeback in the country’s capital.

“There are kids now playing Ethio-Jazz. It’s really becoming big again,” music legend Mulatu Astatke tells me on the sidelines of a gig at his bar, African Jazz Village. “I have this radio programme; for seven years I have been pumping out Ethio-jazz, teaching the people what it’s all about, but it’s definitely catching on now.”

Ethio-jazz is now played on the radio and taught at all the capital’s music colleges, and a new crop of musicians is beginning to flower as a result. “There are talented young musicians out there, such as Girum Gizaw (from the aforementioned Meleket) and Samuel Yirga, who are really coming up’,” says Astatke. “But they’re not just mimicking the old music, they’re evolving it into new directions.”


Mulatu Astatke. (Photograph: Alamy)

Read more at The Guardian »


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In Addis Ababa, Students Demand End to Police Crackdowns in Rare Protest

Women mourn during the funeral ceremony of Dinka Chala, a primary school teacher shot dead by military forces during a demonstration in Holonkomi, Oromia, Ethiopia on December 17th, 2015. (Photo: Reuters)

Reuters

By Aaron Maasho

ADDIS ABABA – Dozens of university students protested in Ethiopia’s capital on Tuesday, demanding an end to police crackdowns that followed months of demonstrations over plans to requisition farmland in the country’s Oromiya region late last year.

The government wanted to develop farmland around the capital, Addis Ababa, and its plan triggered some of the worst civil unrest for a decade, with rights groups and U.S.-based dissidents saying as many as 200 people may have been killed.

Officials suggest the figure is far lower but have not given a specific number.

Ethiopia has long been one of the world’s poorest nations but has industrialised rapidly in the past decade and now boasts double-digit growth. However, reallocating land is a thorny issue for Ethiopians, many of whom are subsistence farmers.

Authorities scrapped the land scheme in January, but sporadic demonstrations persist and, on Tuesday, students from Addis Ababa University marched in two groups towards the embassy of the United States, a major donor, holding signs that read “We are not terrorists. Stop killing Oromo people.”

Such protests are rare in a country where police are feared as heavy-handed and the government is seen as repressive.

A government spokesman did not immediately respond to requests for comment.

Read more at Reuters.com »


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Ethiopian Airlines Announces New Flights From Addis Ababa to NYC

(Photo by Gediyon Kifle/Tadias File)

Tadias Magazine
By Tadias Staff

Published: Friday, January 22nd, 2016

New York (TADIAS) — Ethiopian Airlines announced Thursday that it will offer new service between Addis Ababa and New York City’s JFK airport starting in June.

“Flights from Addis Ababa to JFK will depart Tuesday, Thursday and Sunday mornings, and will return from JFK to Addis Ababa the same evening,” Ethiopian Airlines said in a press release. “Flights will make an intermediate stop in Lomé, home base for Ethiopian Airline’s partner ASKY Airlines, in both directions.”

The airline said it “will be deploying the most modern aircraft in the world on this flight, the Boeing 787 Dreamliner, which not only offers unparalleled onboard comfort to passengers, but is also the world’s most environmentally friendly aircraft with its lower fuel usage and noise emissions.”

Read more at ethiopianairlines.com »


Related:
Photos: Ethiopian Airlines Inaugurates Flight Connecting Addis, LA, Dublin

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Addis Ababa Master Plan Canceled

Protesters blocked a road in Wolenkomi, Ethiopia, in December. (Getty Images)

The New York Times

By JACEY FORTIN

ADDIS ABABA, Ethiopia — The Ethiopian government has canceled a widely promoted plan to integrate the capital, Addis Ababa, with the surrounding region after it touched off protests and violence that has killed scores of people since late last year.

Opposition activists belonging to the Oromo, Ethiopia’s largest ethnic group, called the plan unfair because it threatened the sovereignty of their communities in the Oromia region on the edges of the capital.

The so-called master plan was abandoned after the Oromo branch of the governing coalition decided to withdraw its support, according to Getachew Reda, a government spokesman. He added that he did not expect violence to decrease, claiming that the protests have been hijacked by antigovernment elements.

“This is not an attempt to pander to some violent people,” Mr. Getachew said Wednesday. “This is a decision by the ruling party in Oromia, which believes in heeding the call of the people.”

But Merera Gudina, chairman of the opposition Oromo Federalist Congress, expressed suspicion as to whether or not the plan would be scrapped for good. “They say they stopped it, but it could be temporarily,” he said.

The estimated death toll of at least 140, he said, was still rising.

Read more at The New York Times »


Ethiopia confronts its worst ethnic violence in years (The Washington Post)


Women mourn at the funeral for Dinka Chala, a schoolteacher who family members said was shot to death by military forces during a protest in Holonkomi, in the Oromo region of Ethi­o­pia. (Tiksa Negeri/Reuters)

The Washington Post

By Paul Schemm

January 14th, 2016

WENCHI, Ethi­o­pia — The cows are back in the valley near the village of Wenchi in Ethiopia’s highlands, after being driven out five years ago by the arrival of a Dutch agricultural company.

They returned in the past few weeks, after villagers burned the warehouses filled with seed potatoes that were to be planted on communal grazing lands that authorities had turned over to the Solagrow PLC company.

This attack is among dozens of demonstrations taking place for the past two months across Ethiopia’s Oromo state, which comprises a third of the country.

Protesters from the Oromo ethnic group say the government is trying to take away their lands and use them for everything from industrial development to luxury housing projects.

The response has been harsh, with Human Rights Watch estimating that 140 people have been killed by security forces using live rounds to quell the protests. The demonstrations are threatening Ethiopia’s goal of transforming itself into a new industrial and agribusiness powerhouse for the continent and harming its reputation for stability.

The violence has also earned Ethiopia a rare rebuke from the U.S. government, which considers it a key ally in the fight against terrorism.

“We were protesting peacefully and marching around the town when we heard about the deaths in the other villages, and so we became angry and attacked the farm,” said 27-year-old Drabuma Terrafa, standing near the charred remnants of a Solagrow potato warehouse.

Ethiopia’s federal police and army counterterrorism units have poured into the state. In more than a dozen interviews, people described arbitrary arrests, beatings and killings by security forces.

“I think the strategy is to terrorize people by shooting them point blank,” said Merera Gudina, the chairman of the opposition Oromo Federalist Congress party.

Read more at The Washington Post »


Related:
The United States Calls for Meaningful Dialogue About Oromo Community Concerns
The Washington Post Editorial on Deadly Crackdown in Ethiopia Land Dispute
140 Dead In Ethiopia Land Dispute: The Problem With Government Ownership Of Land (Forbes)
Residents in Addis Ababa Worried at Ongoing Protests and Deadly Crackdown (RFI)
White House: US Wants Journalists Detained in Ethiopia Set Free (VOA)
US urges Ethiopia to free jailed journalists (Daily Mail)
White House says concerned by arrest of journalists in Ethiopia (Reuters)
In Ethiopia a Second Journalist is Arrested in a Week, Zone 9 Bloggers Summoned (BSN)
Professor Bekele Gerba Arrested Over Land Protests in Ethiopia
Ethiopian opposition figures arrested over land protests (Reuters)
Ethiopia Opposition: 80 Killed in Protests Against Land Plan (AP)

U.S. State Department, Human Rights Organizations Address Crackdown on Protestors in Ethiopia
Crackdown Turns Deadly In Ethiopia As Government Turns Against Protesters (NPR)
US Concerned About Protester Deaths in Ethiopia (VOA)
At least 75 killed in Ethiopia protests: HRW (AFP)
‘Unprecedented’ Protests in Ethiopia Against Capital Expansion Plan (VOA News)
Ethiopians on Edge as Infrastructure Plan Stirs Protests (The New York Times)
Opposition: More Than 40 Killed in Ethiopia Protests (VOA News)
Violent clashes in Ethiopia over ‘master plan’ to expand Addis (The Guardian)
Protests in Ethiopia leave at least five dead, possibly many more (Reuters)
Why Are Students in Ethiopia Protesting Against a Capital City Expansion Plan? (Global Voices)
Yet Again, a Bloody Crackdown on Protesters in Ethiopia (Human Rights Watch)
Anger Over ‘Violent Crackdown’ at Protest in Oromia, Ethiopia (BBC Video)
Ethiopian mother’s anger at murdered son in student protests (BBC News)
Minnesota Senate Condemns Recent Violence in Ethiopia’s Oromia State
The Brutal Crackdown on Ethiopia Protesters (Human Rights Watch)
Deadly Ethiopia Protest: At Least 17 Ambo Students Killed in Oromia State (VOA)
Ethiopia protest: Ambo students killed in Oromia state (BBC)
Students killed in violent confrontations with police in Ethiopia’s largest state (AP)
Ethiopia: Oromia State Clashes Leave At Least 11 Students Dead (International Business Times)
Ethiopia: Discussing Ethnic Politics in Social Media (TADIAS)

Join the conversation on Twitter and Facebook.

Insider’s Guide to Shopping in Addis (CNN)

Hamere Eleni Demissie is the founder of Actuel Urban Living which makes contemporary furniture in Ethiopia.

CNN

BY Eliza Anyangwe

January 12, 2016

With the headquarters of the African Union located in Ethiopia’s capital city, as well as an award-winning airline and a rapidly-growing economy, Addis Ababa is increasingly recognized as a political and economic hub in Africa.

Now, with its rich cultural and artistic heritage, a new generation of Ethiopians are trying to put Addis on the world’s retail map.

Luxury brands and boutiques

Abai Schulze is one of these entrepreneurs. Her brand, Zaaf, sells a delectable range of handmade leather handbags and accessories. With an online store and stockists in Europe and the US, it’s hard to believe that the business was started just over two years ago, or that Schulze — who is 27– grew up in an orphanage.

Born in remote Gishen in northeastern Ethiopia, Schulze’s life took a very different turn when she was adopted by an American family at age 11. That hard start would give her the desire to make change happen in her native Ethiopia. “I grew up in Texas but always had the desire to come back and start a business,” Schulze says. “I knew I wanted to be in the creative space and create jobs in Ethiopia so Zaaf was a combination of passion and opportunity.”

Today, Zaaf which means tree in Amharic, employs 17 people — 10 of which are artisans — but the team often swells to many times its size. “We outsource when we have large orders,” Schulze explains.


Abai Shculze, founder of Ethiopian accessories brand Zaaf (Photo: CNN)


Amelsa Yazew, (L) founder of baby boutique Little Gabies poses with Tensae who works in the shop. (CNN)

Read more and view photos at CNN.com »


Related:
Meet Abai Schulze: Owner of Zaaf Collection, a Luxury Handbag Brand from Ethiopia (TADIAS)

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Addis Fine Art Opens New Gallery With Inaugural Exhibition

A painting by Ethiopian artist Yosef Lule (Past and Future I, 2015, Acrylic on Canvas, 40 x 40 cm), one of the works featured at the upcoming inaugural exhibition of Addis Fine Art Gallery in Ethiopia. (Courtesy of AFA)

Tadias Magazine
By Tadias Staff

Published: Saturday, December 26th, 2015

New York (TADIAS) — Addis Fine Art announced that it will launch its new gallery in Addis Ababa on January 9th, 2016 with an inaugural exhibition featuring contemporary Ethiopian artists including Dawit Abebe, Workneh Bezu, Tamrat Gezahegne, Yosef Lule, Leikun Nahusenay, Emanuel Tegene and Michael Tsegaye.

The group exhibition entitled Addis Calling “celebrates the breadth and depth of artistic practice in Addis Ababa through the presentation of works by seven contemporary artists who live and work in the capital,” Addis Fine Art said in a press release. “The exhibition — a vibrant mix of painting, photography and mixed media — reflects the dynamic artistic activity in Addis Ababa today.”

Founded by Mesai Haileleul and Rakeb Sile, Addis Fine Art gallery aims to represent established and emerging international artists primarily from Ethiopia and the Diaspora.


Founders of Addis Fine Art Mesai Haileleul & Rakeb Sile. (Photo: 2015 Addis Fine Art)

Addis Fine Arts’s official website states that “AFA strives to promote the work of Ethiopian artists on a global stage, increasing their visibility and inscribing their practice within the global language of cultural production.”


If You Go:
Addis Calling Exhibit
Jan 9th through Feb 12th, 2016
Bole Medhane Alem
Addis Ababa, Ethiopia
Tel: +251 913 426553
www.addisfineart.com

Join the conversation on Twitter and Facebook.

Ethiopia Protests Over Addis ‘Master Plan’

Students mourning at Haramaya University after at least ten students were reportedly killed and hundreds injured by police across Ethiopia's oromia region. (Photograph shared widely on social media/ Global Voices)

The Guardian

By Endalk Chala

Updated: Friday 11 December 2015

At least 10 students are said to have been killed and hundreds injured during protests against the Ethiopian government’s plans to expand the capital city into surrounding farmland.

According to Human Rights Watch, the students were killed this week when security forces used excessive force and live ammunition to disperse the crowds.

The students were protesting against a controversial proposal, known as “the master plan”, to expand Addis Ababa into surrounding Oromia state, which they say will threaten local farmers with mass evictions.

According to the Ethiopian constitution, Oromia is one of the nine politically autonomous regional states in the country, and the region’s Oromo people make up the largest ethnic group in Ethiopia.


(Photograph: STR New/Reuters)

Read more at The Guardian »


Related:
Protests in Ethiopia leave at least five dead, possibly many more (Reuters)
Why Are Students in Ethiopia Protesting Against a Capital City Expansion Plan? (Global Voices)
Yet Again, a Bloody Crackdown on Protesters in Ethiopia (Human Rights Watch)
Anger Over ‘Violent Crackdown’ at Protest in Oromia, Ethiopia (BBC Video)
Ethiopian mother’s anger at murdered son in student protests (BBC News)
Minnesota Senate Condemns Recent Violence in Ethiopia’s Oromia State
The Brutal Crackdown on Ethiopia Protesters (Human Rights Watch)
Deadly Ethiopia Protest: At Least 17 Ambo Students Killed in Oromia State (VOA)
Ethiopia protest: Ambo students killed in Oromia state (BBC)
Students killed in violent confrontations with police in Ethiopia’s largest state (AP)
Ethiopia: Oromia State Clashes Leave At Least 11 Students Dead (International Business Times)
Ethiopia: Discussing Ethnic Politics in Social Media (TADIAS)

Join the conversation on Twitter and Facebook.

Inaugural Design Week Addis Ababa Hopes to Give Wider Platform for Local Artists

Ethiopia's 1st Design Week will launch with a pop-up event in Addis Ababa on Saturday, December 12th, 2015. (Courtesy photos)

Tadias Magazine
By Tadias Staff

Published: Wednesday, December 2nd, 2015

New York (TADIAS) — Ethiopia’s first annual Design Week launches in Addis Ababa this month with a line-up of local talents from a range of fields including technology, fashion, food, architecture, industrial and interiors design.

“Founded by Creative Director Metasebia Yoseph, Design Week Addis Ababa (DWAA) was established in an effort to provide an international platform both emerging and established artists, artisans and designers of all kinds, while promoting Addis Ababa as a global design capital,” organizers said in a press release. “It also advocates for the implementation of projects that incorporate a design-centered approach to Ethiopia’s development challenges, which Yoseph describes as, “development by design.”

“Made possible by cooperative partnerships with both local and international organizations, DWAA aims to develop programs that strengthen local innovation and creative economies through lectures, workshops, trainings, and events that enhance the true potential of East African ingenuity.”


If You Go:
Public Exhibition
Saturday, December 12th
Sunday, December 13th
11am to 6pm
Location: Mosaic Hotel, Bole Medhanealem
Tel. (+251) 913-742-847
www.designweekaa.org


Related:
Contemporary Design Africa Book Features Jomo Tariku’s Ethiopia Furniture

Join the conversation on Twitter and Facebook.

New Album ‘Out Of Addis’ Celebrates Ethiopia’s Diverse Musical Traditions

Album cover for "Out of Addis." (Image: Sheba Sound and Paradise Bangkok)

Tadias Magazine
By Tadias Staff

Published: Tuesday, December 1st, 2015

New York (TADIAS) — In complement to the more famous “Ethio-Funk” and “Swinging-Addis” sounds of an earlier era, popularized by the Éthiopiques CD series, a new album called Out Of Addis was released last week by the Ethiopian label Sheba Sound in collaboration with Anglo-Thai company Paradise Bangkok bringing forth an eclectic collection of traditional Ethiopian recordings hailing from the country’s vast rural areas.

“This album is the product of more than six years of music digging, road trips, recordings and events, from the northern rocky expanses of Tigray to the central forested highlands of Oromia to the western sweltering grasslands of Gambella,” Paradise Bangkok said in a press release.

“Ethiopia has over 80 ethnic groups, each with its own deep-rooted language and culture. Contemporary musicians living outside Addis Abeba, the capital, have had few opportunities to record or play their mesmerising sounds for visitors,” the press release stated. “Sheba Sound, a label and sound system collective based in Addis, wanted to redress this by recording and releasing little-known classics to Ethiopian and foreign audiences.”

According to the label: “This album showcases northern-based rhythms such as the Tigray, Amhara and Gurage beat. The song ‘Mal Ameni’ distinguishes itself by coming from the Oromo people.”

“This music touches the tip of the iceberg,” the Thai record company said. “There are so many more unique, intoxicating sounds to be shared, testifying to the diversity that lives on.”

Video: Out Of Addis (Official Teaser)


Learn more at Paradise Bangkok’s website.

Join the conversation on Twitter and Facebook.

Ethiopian Airlines to Fly All-Female Operated Flight on Addis-Bangkok Route

Ethiopian Airlines will operate an all-women crew flight on November 19, 2015 from Addis to Bangkok. (ET)

Tadias Magazine
By Tadias Staff

Published: Tuesday, November 17th, 2015

New York (TADIAS) — Ethiopian Airlines says it will fly an all-female operated flight to Asia this week to publicize its diverse workforce, which the company states is made up of 30% women employees.

The airline’s flight scheduled for November 19th on the Addis Ababa – Bangkok route “is aimed at crystalizing Ethiopian corporate conviction of ‘Women Empowerment for a Sustainable Growth’ and it is the first of its kind in Ethiopian 70 years of service,” the press release said.

“This historical flight will be operated by an all-female crew led by female flight deck, crew members and senior female executives onboard that flight.”

The on-ground flight preparations will also be conducted by an all-female crew including in “Cabin Operations, Airport Operations, Ramp Operations, On-board Logistics, Aviation Safety & Security, Ticket Offices, Catering, and Global Call Center” as well as those working as “Flight Dispatcher, Load Controller, and Air Traffic Controllers.”

Read more at ethiopianairlines.com »


Related:
Zimbabwe’s Airlines Starts All-Female Operated Flight

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Over 9,000 Ethiopians Waiting for Years in Gondar and Addis Ababa to Move to Israel

Israel has granted permission to over 9000 members of the last remaining Bete Israel community in Ethiopia to migrate to the Jewish State. (Photo: Ethiopians arriving in Israel in 2008/Photograph via Haaretz)

THE JERUSALEM POST

By SAM SOKOL

Updated: 11/16/2015

The cabinet on Sunday unanimously approved an Interior Ministry proposal to resume aliya from Ethiopia, which was suspended in 2013.

Around 9,000 people have been waiting in Addis Ababa and Gondar transit camps for the past several years in the hopes of making their way to the Jewish state. However, Jerusalem closed its doors in 2013 following a ceremony at Ben-Gurion Airport at which officials declared the “end” of Ethiopian aliya.

The fate of the prospective immigrants has been a matter of some debate, with Ethiopian-Israeli activists protesting what they saw as the breaking up of families.

Read more at JPost.com »


Related:
Israel okays immigration for last group of Ethiopian Falash Mura (Reuters)
Israel Set to Greenlight Final Aliyah of Ethiopia’s Falashmura Community (Haaretz)

Join the conversation on Twitter and Facebook.

Hub of Africa Addis Fashion Week 2015

Abugida designs at the 2015 Hub of Africa Addis Fashion Week, October 22nd, 2015. (Courtesy photograph)

Tadias Magazine
By Tadias Staff

Published: Friday, November 6th, 2015

New York (TADIAS) — The fourth edition of Hub of Africa Addis Fashion Week was held on October 22nd at the Millennium Hall in Addis Ababa.

The annual runway event, which this year showcased the work of 17 African designers, was followed with a special private presentation at the Italian Embassy Ambassador’s residence on October 24th.

“This year’s event was extra special as we had Sara Maino, Senior Fashion Editor & Head of Talent at Vogue Italia, attending the event” organizers said in a statement.

Hub of Africa Addis Fashion Week also arranged a panel discussion on promoting African fashion and designers to the international market. Panelists included Sara Maino (Vogue Italia); Marian Spadafora (Italian Designer); Anna Getaneh (Founder of African Mosaique); and Aurelia Calabro (UNIDO).

Below are photos from the 2015 Hub of Africa Addis Fashion Week:


Related:
In Pictures: Hub of Africa Fashion Week 2014

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Photos: Addis Ababa’s Skate Community

Addis Ababa's growing skateboarding scene is documented by photographer Daniel Reiter. (Courtesy photo)

Okay Africa

In January, Berlin-based photographer Daniel Reiter fell in love with the growing skate community in Addis Ababa. It was there that he teamed up with the grassroots youth skateboard movement known as Ethiopia Skate. Soon, Reiter found himself documenting the city’s skatelife and collecting skateboards and streetwear for donations.

Reiter’s pictures–over thirty of which were featured in his debut art exhibition this month in Vienna–encapsulate the hopes and dreams of young skaters in Addis Ababa. Now, with a crowdfunding campaign recently launched and a trip back to Ethiopia on the horizon, the photographer looks to take his Ethiopiaskate series worldwide.

Okayafrica caught up with Reiter to learn more about his work photographing Addis Ababa’s skate community and the wider impact of skateboarding in Ethiopia.

Read Okayafrica’s Q&A with photographer Daniel Reiter at Okayafrica.com »


Join the conversation on Twitter and Facebook.

Hub of Africa Addis Fashion Week 2015

Photo courtesy: Hub of Africa Addis Fashion Week (HAFW)

Tadias Magazine
By Tadias Staff

Published: Monday, October 12th, 2015

New York (TADIAS) — The 2015 Hub of Africa Addis Fashion Week will take place on October 22nd at the Millennium Hall in Addis Ababa.

The 4th edition of the event will showcase the work of fifteen African designers. Organizers say that this year’s program partners include the Embassy of Italy, the Italian Development Cooperation and UNIDO.

“The objective is to create awareness in the fashion industry through capacity building and unite the industry with key players in Africa and abroad,” the press release said, noting that its presentations last year were highlighted in Vogue Italia and CNN, the latter of which featured an interview with Hub of Africa Fashion Week founder Mahlet Teklemariam.


If You Go:
Hub of Africa Addis Fashion Week 2015
October 22, 2015
Millennium Hall – Addis Ababa, Ethiopia
More Info and Tickets:
www.hubfashionweekafrica.com

Related:
In Pictures: Hub of Africa Fashion Week 2014

Join the conversation on Twitter and Facebook.

Shaken & Stirred by Beauty: Review of Awol Erizku’s New Flower (Addis Ababa) Exhibit

New Flower: Images of the Reclining Venus in NYC (Photo: Tadias Magazine)

Tadias Magazine
By Tadias Staff

Published: Monday, September 21st, 2015

New York (TADIAS) — Conceptual artist Awol Erizku’s New Flower: Images of the Reclining Venus exhibit, currently on display at The Flag Art Foundation in New York City’s Chelsea Gallery District, is his latest body of work challenging mainstream narratives and representations of beauty.

A few weeks prior to the opening of New Flower Erizku had posted Manet’s Olympia portrait on his Instagram account and shared “I’ve always had an issue with this painting.” Olympia had created controversy in its time primarily because the reclining nude in the portrait was a prostitute. The problem Erizku points to, however, is what Manet’s audience ignores — the side presence of the black servant bringing in flowers for the model. Where is the black beauty that is front and center in a work of art? That’s the central question that Erizku focuses on as he pays commercial sex workers in Addis Ababa to strike the same pose.

Climbing up the stairs to the 10th floor exhibition space one is greeted at the entrance with large-framed portraits of Ethiopian women, unconventionally nude, lying on beds that seem to take up the entire space of claustrophobia-inducing, minimally furnished hotel rooms.

Turning the corner and heading into the gallery’s main space pink neon lights burn on a wall emblazoning the words Addis Ababa in Amharic font — it’s the literal translation of the exhibit title, New Flower, which is also the name of Ethiopia’s capital city where Erizku traveled to and made these portraits in 2013. A mixtape co-produced with DJ SOSUPERSAM played during the reception highlights Ethiopian Canadian music sensation The Weeknd (Abel Tesfaye) as well as songstress Aster Aweke. Across from the neon sign a table features copies of the exhibit press release and an elaborate flower arrangement — fresh flowers among the flowering beauty of Ethiopian reclining nudes.

Born in Ethiopia and raised in the Bronx Erizku seeks an alternate interpretation of the spaces that black bodies are allowed to inhabit in portraits. While his 2012 show at Hasted Kraeutler Gallery challenged Vermeer’s portrait, Girl with a Pearl Earring, with a photographic reinterpretation of an Ethiopian woman entitled Girl with a Bamboo Earring, his current exhibit focuses on introducing a more universal image of the reclining venus.


(New Flower. Photo: Flag Art Foundation)

Erizku’s reclining venus is a black beauty. In one portrait entitled Elsa an empty chair replaces the space where Manet’s black servant once stood bearing flowers; it’s an invitation for a visitor to enter the space, or perhaps to join and jumpstart a conversation on what is considered beautiful. The environment for this conversation is narrow, just like the windowless rooms that the nudes inhabit, but Erizku is pushing for this space to grow. Out of the thirteen images in the exhibit there is only one photograph of a room with its windows flung wide open, finally revealing a glimpse of the city’s scenery; the model in this portrait also appears more relaxed. It feels like a flicker of the artist’s hope for the acceptance and wider inclusion of universal blackness in modern art.

No matter how elegant a reclining pose the young Ethiopian models may hold, however, none of them are smiling. Their eyes are hauntingly sad; the girl in the portrait entitled Aziza looks downright bewildered. This is not an effort to make commercial sex work appear glamorous or a campaign for women’s sexual liberation; it’s impossible to brush away the harsh realities of their lives. According to the U.S State Department’s Trafficking in Persons report from last year cited in the exhibit’s press release “the central market in Addis Ababa is home to the largest collection of brothels in Africa, with girls as young as 8-years-old in prostitution in these establishments.” This is the untalked-of cost of rapid progress and globalization in Ethiopia’s capital city. And yet, to an Ethiopian audience, it is striking that the names of Erizku’s models (pseudonym or otherwise) are anything but gloomy: Desta (happiness), Tigist (patience), Zewditu (the crown), Worknesh (you are golden), Bruktawit (blessed), Aziza (cherished), Feker (love), and Meskerem (the month of September when Ethiopians celebrate the new year). Here again is beauty hidden in plain sight, the inherent royalty and humanity of the black model. The black servant does not exist in Erizku’s reconceptualization of the reclining venus and the girls’ names further nudge the windows open.

Erizku is not the first Ethiopian-born artist to photograph commercial sex workers in Ethiopia. In a 2011 interview with Tadias Magazine, award-winning photographer and artist Michael Tsegaye described how he spent close to two weeks “talking, eating meals together, drinking tea and coffee” with commercial sex workers in the Sebategna area of Merkato (known unofficially as the red light district) and spending time in the rooms where they live before photographing them. He noted that most of the commercial sex workers came to Addis Ababa from different towns across the country, lured as much by better financial prospects as the desire to remain anonymous in their line of work.

While Tsegaye spoke directly to commercial sex workers and took monochrome photographs of them in their natural setting, Erizku hired a translator to help him communicate with the girls — who themselves were selected by his assistant — as they agreed to recline in the nude in hotel rooms chosen by the artist. The walls of the rooms are painted in solid bright red, sunshine yellow, lime green or pastel baby blue colors and otherwise unadorned except for the jarring presence, in four of the portraits, of either a poster of a white Jesus or a westernized image of the Virgin Mary. Christianity was introduced in Ethiopia long before its advent in Europe and the walls and ceilings of ancient Ethiopian churches traditionally depict the Virgin Mary and her Son as well as angels more commonly with brown faces. In Erizku’s portraits one of the white Jesus posters contains a verse in Amharic stating: “For him who believes in me there is eternal life.” The masculine tone and non-black representation is out of place and in stark contrast to the models’ personal belongings including handmade wooden crosses in traditional Ethiopian design worn around their necks on black string. As much as this exhibit is about the status of blackness and interpretations of beauty in the art world, it is also about breaking cultural taboos and shattering globalized western narratives.

The day after the opening reception Erizku Instagrammed “I like making art that evokes an emotional response from people, I hope I was able to show you all something new & different.” Not only does Erizku share new images of the reclining venus but he is taking both the art and media establishments to task, shaking and stirring up a much-needed conversation about moving black bodies from the sides and bringing them to the foreground in modern art portraiture. Can we do this without slipping into simplified narratives that label the artist primarily as a “black artist” when he/she attempts such interpretations? That is the second challenge.

Erizku stirs in us the possibility to reconceptualize the space for black beauty in the new global art history being made. His work is soaringly hopeful and gut-wrenching in its honesty at one and the same time.

New Flower (Addis Ababa): Images of the Reclining Venus is on exhibit in New York City until December 12th, 2015.


If You Go:
The FLAG Art Foundation Presents
Awol Erizku: New Flower | Images of the Reclining Venus
from September 17 – December 12, 2015
545 West 25th Street, 10th Floor
New York, NY 10001
Tel (212) 206-0220
www.flagartfoundation.org

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Addis Ababa: Esubalew Meaza’s New Photo Book Explores Ethiopia’s Capital

Photos from the book "Addis Ababa: The New Flower of Africa" by Esubalew Meaza. (Courtesy of the author)

Tadias Magazine
By Tadias Staff

Published: Monday, August 24th, 2015

New York (TADIAS) — Esubalew Meaza, the author of Inspiring Journey (2012) and his latest photo book Addis Ababa: The New Flower of Africa (2015), is scheduled to make a presentation at the Library of Congress in Washington D.C. on September 24th discussing his travels through Ethiopia.

After many years residing abroad, amateur photographer Esubalew returned to Ethiopia, and his rediscovery of Addis Ababa — the place where he was born and raised — led him to his most recent project, which he calls “a labor of love.”

“When I went abroad, my experience and knowledge of my homeland could only be described as embryonic,” writes Esubalew, who currently lives in Alexandria, Virginia and works for the U.S. Department of Defense in Information Technology, a field that he has been practicing since 1996.

Esubalew’s latest book Addis Ababa is a beautifully organized collection of both original and archival photographs combined with historical and statistical data gathered from various sources including the Ethiopian Mapping Agency, the city government of Addis Ababa, and the Library of Congress in Washington D.C.

“It was a hobby with determination” Esubalew said regarding his photo book in an interview with Tadias. “People often joke that there is nothing to see in Addis except at night.” Esu added: “My book proves that’s not the case.”

Indeed his book highlights Addis Ababa’s hidden treasures including the city’s monuments, museums, parks and religious sites. Esubalew also includes maps and population data for each of Addis Ababa’s ten sub-cities whose combined population number exceeds three million: Addis Ketema (271,644), Akaki Kaliti (195,273), Arada (225,999), Bole (328,900), Gulele (284,865), Kirkos (235,441), Kolfe Keranyo (546,219), Lideta (214,769), Nefas Silk Lafto (335,740), Yeka (314,000).


Image from page 10 the book “Addis Ababa: the new flower of Africa” (Photograph: Courtesy of the author)

In his review of Addis Ababa Zewde Retta, former Ethiopian Ambassador to Italy and Tunisia (from 1972 to 1975) who is also an author, historian and journalist, says Esubalew’s book is a “lively, insightful and comprehensive representation of the city of Addis Ababa and Ethiopia’s diverse tourist attractions. The author showcases the culture, history, landscape and people of Ethiopia through infectious enthusiasm, clarity, and style.”

Hapte-Selassie Tafesse, the ‘Father of Ethiopian Tourism,’ adds that the book is a “faithful rendering of our country’s cultural and physical features.” While Abebe Worku, who served as Ethiopia’s Tourism Commissioner from 1979 to 1982 states that the book’s “descriptions are all personal and all first-hand. The result is a very impressive piece of work.”

Some of the photographed locations include the National Palace, St. Mary of Entoto church, Saint Raguel and Selassie churches, Legehar train terminal, the post office, the National Museum of Ethiopia, the Netsa Art Village in Ferensay Park near the French Embassy, a statue of marathon legend Abebe Bikila at Saint Joseph’s cemetery and the iconic Taitu Hotel, which earlier this year was badly damaged by fire. Esubalew said he was in Ethiopia during the tragic incident last January and had a chance to document the aftermath, but he said it was too late to include it in the book. “It was a sad day in Addis,” he said. “People felt as if their own house had burned down.”


Photograph of Taitu hotel from the book “Addis Ababa” by Esubalew Meaza. (Courtesy of the author)

“I traveled throughout Ethiopia, and I noticed that, in addition to their diverse culture and rich history, the people of Ethiopia unite through their own long-held, common values,” Esubalew wrote in his introduction of Addis Ababa. “My study of Ethiopia…informed me about events I had once dismissed as irrelevant, by exposing me to new ways of looking at the human spirit.”


If You Go:
The Library of Congress
Presentation by Esubalew Meaza
Thursday, September 24, 2015
12 noon – 1:00 p.m.
African and Middle Eastern Division
Thomas Jefferson Building, LJ 220
101 Independence Avenue, SE
Washington D.C. 20540
Free and open to the public
FOR INFORMATION PLEASE CONTACT FENTA TIRUNEH
202-707-4163 OR EMAIL: ftir@loc.gov
Request ADA accommodation 5 days in advance @202-707-6362
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Following the power-point presentation: A book signing session and a modest reception will be severed in the AMED conference room.

A separate, but official book launch event hosted by Meshcart will take place on September 18, 2015 at 901 S Highland St Arlington, VA 22204. More info at https://www.facebook.com/events/1606252199634485/

Related:
‘Ethiopia: Inspiring Journey’ A Coffee Table Book by Esubalew Meaza

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US Ambassador to OECD Daniel Yohannes Reflects on Addis Financing Conference

(Image: Third Financing for Development Conference, Addis Ababa, July 2015. Photo credit: UNECA/Flickr)

U.S. Department of State

By Daniel Yohannes

Daniel Yohannes is the United States Ambassador to the Organization for Economic Cooperation and Development (OECD). Born in Addis Ababa, Ambassador Yohannes has worked in banking and economic development for over thirty years. In the following article he reflects on the 2015 Financing for Development Conference held in Addis Ababa last month.

Washington, DC — This July, the world came together in Addis Ababa to agree on a financing framework for the sustainable development agenda.

It was a key moment that gave new impetus to development cooperation and laid a solid foundation for the adoption of the post-2015 agenda later this year. But the Addis conference was also significant because it signaled a paradigm shift in the way we think about development. Addis built off of previous Financing for Development conferences but went further in emphasizing that private investment and domestic resource mobilization are just as critical to development cooperation as foreign assistance.

Private investment is already dwarfing Official Development Assistance (ODA). Forty years ago, ODA represented 70% of funding from developed to developing countries; today it makes up only 13%. According to the OECD, developing countries attract more than 50% of foreign direct investment worldwide, up from less than 20% in 1990. And there is potential for much, much more.

Africa in particular is ripe for additional private investment. Home to seven of the world’s 10 fastest-growing economies, the continent has become the second most attractive investment destination in the world according to the World Bank. But adequate infrastructure is essential to unlocking the full potential of private investment flows and ensuring that resilient global value chains are spread across the continent, rather than concentrated in a few countries.

In Addis, the international community agreed, among a number of initiatives, to establish a Global Infrastructure Forum in order to identify and address infrastructure gaps. The United States will support this initiative through the G20′s Working Group on Infrastructure and the OECD’s work on transportation and telecoms infrastructure, as well as through innovative projects such as Power Africa. Announced by President Obama in 2013, Power Africa is mobilizing public and private partners with the aim of doubling electricity access in sub-Saharan Africa. Already, it has succeeded in attracting nearly $32 billion in public and private sector commitments.

The U.S. Government’s Millennium Challenge Corporation (MCC) is also leveraging public-private partnerships to expand infrastructure in Africa. During my time as CEO of MCC, I saw first-hand how effective these partnerships are at facilitating trade, attracting investment, and driving economic growth and development. I inaugurated highways paved through MCC partnerships in Ghana and Tanzania that are roadways to regional commerce and a lifeline for farmers and entrepreneurs. MCC’s port expansion project in Benin attracted $256 million in private investment. Its electricity project in Ghana led General Electric to build a $1.5 billion power park.

Of course, inadequate infrastructure isn’t the only impediment to private investment. The OECD Policy Framework on Investment, updated this year, reflects the reality that the investment climate is affected by a number of factors, including public governance, ease of doing business, property rights, rule of law, and political stability. Using this tool, the United States is working with the OECD to help a number of African countries improve their investment climates.

Just as private investment is necessary to produce economic growth, domestic public resources are needed to ensure that this growth is sustainable and that its benefits are shared broadly across all levels of society. Tax revenues help countries finance their own development and invest in public services such as health care, education and infrastructure. Today, half of sub-Saharan African countries mobilize less than 15% of their GDP in tax revenues, compared to an average of 34% in OECD member countries.

That’s why we launched the Addis Tax Initiative, which promises to help developing countries improve tax administration. Donor countries will provide funding and technical assistance to help developing countries broaden their tax bases, develop stronger tax institutions, and redouble efforts to stem tax evasion and avoidance. These efforts can also be supported through greater participation by developing countries in the OECD-led Global Forum on Tax Transparency and Exchange of Information for Tax Purposes (Global Forum).

The OECD’s research shows that international cooperation in this area can have a major impact. Thanks to a capacity-building program, Colombia was able to increase its tax revenue from transfer-pricing ten-fold, from $3.3 million in 2011 to over $33 million in 2014. Support from the Global Forum helped South Africa collect $62.3 million through a settlement with one taxpayer.

As a member of the Addis Tax Initiative, the United States will be increasing tax support and assistance while doubling the base resources for the Department of Treasury’s Office of Technical Assistance by 2020.

To help tackle illicit financial flows, which cost African economies billions of dollars each year, we will also be stepping up the Partnership on Illicit Finance, announced by President Obama last year at the U.S.-Africa Leaders Summit.

Of course, ODA remains a precious resource, particularly for Least Developed Countries and fragile states. The United States is proud to be the world’s top contributor of ODA, with nearly $33 billion committed in 2014. But what Addis recognized is that assistance is most powerful when it is used as a transformative tool — one that can catalyze investment and support domestic resource mobilization.

While much progress has been made since the first Financing for Development conference in 2002, we still have a long way to go towards eradicating extreme poverty and ensuring that economic growth everywhere is inclusive and sustainable. What is clear is that we will need to maximize all three sources of development finance — assistance, investment and domestic resources — if we are to meet the challenges ahead.


This article was originally published in Jeune Afrique.

Related:
US Hopes AGOA 10-Year Extension Helps Africa’s Trade Supply Side Gaps (TADIAS)
With the OECD, the United States Can Lead Against Inequality (The Huffington Post)

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Addis: A Local View by Metasebia Yoseph

Enrico, one of the oldest pastry shops in Addis. (Photograph: Girma Berta/@gboxcreative/instagram)

Tadias Magazine
By Tadias Staff

Published: Tuesday, June 30th, 2015

New York (TADIAS) — In the following multimedia presentation published by The Guardian, Metasebia Yoseph, Founder of Design Week Addis Ababa and author of A Culture of Coffee, highlight the sights and sounds of modern Addis Ababa with “the rhythmic pounding of construction, coupled with car horns, ambulances, dogs barking, random yelling in the street and the occasional rooster.” She also features video clips and photos of favorite nightly TV shows, local rock bands, street art and traditional singers.

“There are two divergent looks going on in the city: the trendy, slightly conservative style of young professionals, and the edgier youth subculture style. What ties both styles together is that they always feature a touch of cultural flair,” Metasebia writes.

And what’s the talk of the town? “Although most would assume the major talking point would be the recent elections, the real topic on everyone’s lips, regardless of their political affiliation, is car accidents,” Metasebia adds. “There are so many wrecked cars and destroyed roads that there are Facebook pages and forums dedicated to documenting the absurd pervasiveness of accidents in Addis Ababa.”


Driving in Addis is a topic of hot debate. (Photograph: Various/Facebook)

In the following video Metasebia gives a shout-out to comedian “Filfilu – his shtick is playing the idiot savant and his comedy covers everything from changing traditions to sex. No matter how crude a joke, he’s always able to charm you with his signature toothless smile.”

Read more and see photos at The Guardian »

Related:
Metasebia Yoseph’s Transmedia Project: ‘A Culture Of Coffee’

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Photos: Ethiopian Airlines Inaugurates Flight Connecting Addis, LA, Dublin

Ethiopian Airlines crewmembers at Dublin Airport in Ireland. (Photo: Twitter @Vanskie)

Tadias Magazine
By Tadias Staff

Published: Tuesday, June 23rd, 2015

New York (TADIAS) — This past weekend in Los Angeles, California Ethiopian Airlines inaugurated its newest route connecting America’s second largest city and Ethiopia’s capital Addis Ababa with a stopover in Dublin, Ireland.

Ethiopian Airlines, which already serves the East Coast with multiple flights per week to Washington, D.C., said that the new tri-continental flight is the first direct flight by an African airline linking Africa with the West Coast of the United States. Ethiopia‍‍’‍s flag carrier said it plans to fly to Los Angeles three times a week.

At a ceremony celebrating the launch of the new flight Tewolde Gebremariam, Chief Executive Officer of Ethiopian Airlines, noted that the thrice-a-week flights using Boeing 787 aircrafts created opportunities for Ethiopian and foreign investors from Ireland and the US to come and do business in the country. He added: “Ethiopia is the seat of the African Union (AU); the airline is striving to connect the continent with different parts of the world.”

Gold Star Aviation posted the following photograph on Twitter sharing: “Celebrating our first Tri-continent service aboard #B787 above 30,000 feet. #Dublin #LosAngeles #EthiopianAirlines.”

Below is another photo that came from Amb Taye Atske Amde: “A warm welcome [in Dublin] for the Ethiopian Airlines maiden flight to Los Angeles. An all green Ethiopian & Irish musical ensemble.”


(Photo: Twitter @TayeAtske)

And in the following picture the air cargo industry services provider, HAE, and Ethiopian Airlines celebrate the new LAX-ADD flights. The festivities included a two-hour dinner cruise in Marina Del Rey, California. According to HAE “The event culminated with the selection of a grand prize winner of a round trip ticket for two from LAX to any African destination served by Ethiopian airlines.”


(Photo courtesy: HAE Group)


(Photo: Ethiopian Airlines)


You can learn more about Ethiopian Airline at www.ethiopianairlines.com.

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Skateboarding New Hobby for Addis’ Young

Skating has become a way to escape trouble on the streets of the Ethiopian capital for many of Addis Ababa's young. (Photo: By Zacharias Abubeker/AFP)

ABC Australia

Swerving around potholes and speeding through chaotic traffic makes skateboarding the crowded streets of Ethiopia’s capital a risky game.

Yet growing numbers of fans are taking up this once unknown sport in Addis Ababa and attracting the support of skateboarders worldwide.

In the bustling market district of Shiro Meda, gangs of children rattle down the hills, flipping boards painted in the colours of Ethiopia – green, yellow and red – as they show off the latest tricks they have learnt.

It is a tough area, and skateboarding offers moments of fun and escape for the young people living here.

“There’s nothing for the kids in the neighbourhood, nothing to inspire them,” said Israel Dejene, founder of a local skateboarding group, who said he was inspired by watching children slide down the pavements with bits of plastic fixed to the bottom of their shoes for fun.

“These skate sessions are the only positive thing they can do,” added Israel, who named his “Megabiskate” project after the Ethiopian word “megabi”, meaning someone who “gives life to others”.

The group aims to use the sport to help the children, as “a tool to engage the kids, to develop self-esteem, confidence and an alternative lifestyle to the troubles” on the streets.

“Skateboarding creates a positive community, it teaches them to teach each other tricks and promotes a good self-image,” added the dreadlocked Rastafarian musician, who discovered the sport during a visit to Sweden, where he was fascinated by “this board that seemed attached to the feet in the air”.

The project has won international admirers: American professional skateboarders Tony Hawk and Nyjah Huston visited in February bringing with them dozens of boards.

Their visit was excitedly reported on social media, putting the spotlight on Ethiopia’s small but growing community of skateboarders and inspiring still more to join.

Read more »


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Police Attack Protesters in Addis Ababa

Police brutally attacked and dispersed peaceful demonstrators in Addis Ababa last Sunday. (Photo: TDJ)

The Daily Journalist

By Betre Yacob

Police brutally attacked and dispersed peaceful demonstrators in the capital Addis Ababa on Sunday as they try to protest against the ongoing government repression on opposition political parties and dissents in run-up to the countries general election..

Political activists say the Sunday’s attack against the peaceful demonstrators is further evidence of the authorities’ determination to clamp down the activities of opposition political parties ahead the election.

In this latest brutal attack against peaceful protesters, dozens of members and supporters of Unity for Democracy and Justice Party (UDJ) were seriously injured. The incident is the most blatant and massive case of lethal police brutality in Ethiopia.

According to reports, demonstrators were brutally beaten with baton, stick and iron rod in the head, face, hands, and legs. One of the victims is said to have been a pregnant woman. Reports show the victims were taken to hospital right away, and some of them are still receiving medical treatment.

Among seriously injured was Sileshi Hagose, the member of the general assembly of the party and editor in chief of a weekly newspaper. Recently released photographs show that he was wounded in the face and head, and his both hands were seriously broken.

UDJ is the main opposition political party struggling in the narrowing political landscape in Ethiopia and is one of the few parties working at national level with an inclusive structure by bringing different ethnic groups all together.

Read more »

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Sisi Goes to Addis Ababa (Opinion)

(Illustration by Anthony Russo)

The New York Times | The Opinion Pages

By ALEX DE WAAL

On one of the last occasions an Egyptian president visited Addis Ababa, he got no further than the road from the airport: In 1995 the motorcade of President Hosni Mubarak came under fire from Egyptian jihadists. Mr. Mubarak was saved by his bulletproof car, his driver’s skill and Ethiopian sharpshooters.

After that, Ethiopian and Egyptian intelligence officers worked together to root out terrorists in the Horn of Africa, contributing, along with pressure from the United States government, to Osama bin Laden’s expulsion from Sudan in 1996. But that was the limit of their cooperation.

Egypt and Ethiopia have otherwise been locked in a low-intensity contest over which nation would dominate the region, undermining each other’s interests in Eritrea, Somalia and South Sudan. A quiet but long-sustained rivalry, it is one of those rarely noticed but important fault lines in international relations that allow other conflicts to rumble on.

This week, however, President Abdel Fattah el-Sisi of Egypt is expected to fly to Addis Ababa, the capital of Ethiopia, to attend a summit of the African Union. He will also meet with Prime Minister Hailemariam Desalegn of Ethiopia, a rare chance to shift the political landscape in northeastern Africa.

The heart of the rivalry hinges on how to share the precious waters of the Nile River. Running low is Egypt’s nightmare, and more than 80 percent of the Nile’s water comes from rain that falls on the Ethiopian highlands and is then carried north by the fast-flowing Blue Nile. (Ethiopia is nicknamed “Africa’s water tower.”) Yet management of the Nile is formally governed by a 1929 treaty between Egypt and colonial Britain, and a 1959 treaty between Egypt and Sudan that awarded most water rights to Egypt, some to Sudan and none explicitly to Ethiopia or the other states upstream. This arrangement is widely considered unfair, especially to Ethiopia, which was never colonized, and on whose behalf Britain could not even claim to have spoken. This legal framework also limits the right of upper riparian states to build dams or irrigation systems even though they were sidelined from helping shape it.

Read more at NYT »

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Addis Ababa Metro Set for Completion in January (Reuters)

The Ethiopian Railway Corporation (ERC) overseas the Addis Ababa Light Railway project (LRT) backed and to be operated by Chinese firms. (Photo: Addis Fortune)

Reuters

By Aaron Maasho

December 18th, 2014

ADDIS ABABA – Ethiopia expects to complete the Chinese-backed construction of a $475 million metro rail system in the capital Addis Ababa next month, the head of the project said.

The project, built by China Railway Engineering Corporation (CREC) and mostly financed through a loan from China’s Exim Bank, is a rarity on a continent plagued by poor transport links.

Beijing is a major partner in Ethiopia’s bid to expand its infrastructure, with cumulative investments by Chinese firms reaching well over $1 billion, official figures show.

The Horn of Africa country is building a new rail link to neighbouring Djibouti and wants to complete 5,000 km of railway lines by 2020. It will also aims to almost treble the size of the road network by next year, from less than 50,000 km in 2010.

Ethiopia is one of Africa’s fastest growing economies, expanding by about 9 percent a year and attracting overseas investment with its with rock-bottom wages, cheap and stable electricity and transport projects such as the metro.

A country where many still rely on subsistence agriculture, Ethiopia is nonetheless developing a reputation for producing clothes, shoes and other basic goods that have attracted firms from China, as well as India and the Gulf.

The metro system will transform the lives of the more than 5 million people in the capital, where commuters currently wait in long queues before they are crammed onto buses and minivans.

Project manager Behailu Sintayehu told Reuters nearly 80 percent of the tracks had been laid and he expected it to be completed by the end of January 2015, three years after the plan was launched in January 2012.

“We believe that it will have a great impact in alleviating the problem of transportation in the city,” Behailu said.

Stretching for a combined 32 km, two lines dividing Addis Ababa north-south and east-west will serve 39 stations, in underground and overground sections.

The state-run Ethiopian Railways Corporation signed an agreement this month that will see Shenzhen Metro – the enterprise managing the Chinese city’s subway system – operate the lines for a period of 41 months alongside CREC.

CREC will carry out a trial phase of up to three months and then the teams will decide when to start operating the system, Ethiopian Railway Corporation’s spokesman Dereje Tefera said.

Other African capitals with either subway systems or light rail networks are Cairo, Algiers and Tunis. South Africa has an extensive system linking several cities.

(Editing by James Macharia and Alison Williams)

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Third Hub of Africa Fashion Week Underway in Addis Ababa, Ethiopia

Photo Courtesy: Hub of Africa Fashion Week.

Tadias Magazine
By Tadias Staff

Published: Thursday, October 23rd, 2014

New York (TADIAS) – The 3rd Hub of Africa Fashion Week is underway in the Ethiopian capital, Addis Ababa. Clairvoyant Marketing Agency PLC and In the Bag — organizers of the event — announced that the two-day international runway show dubbed the “Editorial Edition” highlights twelve brands including designers Mahlet Afework (aka Mafi – from Ethiopia), Sheria Ngowi (Tanzania), Ruald Rheeder (South Africa), Taibo Bacar (Mozambique), Kahindo of Modanik (DRC), Mataano (Somali – Ayaan and Idyl), Katungulu Mwendwa (Kenya), Doreen Mashika (Zanzibar), Kepha Maina (Kenya), and Sandstorm (Kenya).

“For editors, buyers and industry tastemakers, there will be an up-close-and-personal presentation of designers and their collection,” states the announcement. “The Editorial Edition is created to fill the void of African designers on the global platform; by having the right editors on board we will be able to showcase the brands that are coming out of Africa. We are looking to make sure that business in the African Fashion Market is well represented and can fast-forward Africa as the fashion forward continent.”

The organizers add: “We are at the pinnacle of making fashion history. We realize that global brands also borrow from our cultures, which is why we see our designers as those that will carry us to the next frontier. Key editors and media including Fashion One TV, Vogue Italy, Zen Magazine, Pana TV, Designing Africa, Style Cartel, Latina Magazine and Tatler Magazine, as well as buyers such as FA254 of Germany will be attending.”

DHL is listed as logistics partner of this year’s event, which is taking place on October 23rd and 24th at Galani Coffee & Gallery in Addis Ababa.

If You Go:
More information at www.hubfashionweekafrica.com

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Arabica in Addis Ababa: Climbing the Coffee Ladder in Ethiopia

Selling the drink in its homeland offers a path to success, but now foreign companies want to get in on the game. (Photo: Customers in the Tomoca coffeehouse in the heart of Addis Ababa/James Jeffrey)

Aljazeera America

By James Jeffrey

October 20, 2014

ADDIS ABABA, Ethiopia — Eighteen-year-old Aster Endale quickly gives the coffee cups a rinse before putting them back into her basket and picking up a bag with canisters of coffee. Then she crosses the road, weaving between traffic, to find her next customers.

Time wasted is coffee not poured — and money not earned — in the Ethiopian capital, where the humble cup of coffee is contributing to economic advancement starting at the lowest level and finishing at the counters of upmarket gourmet coffee houses in Tokyo and beyond.

Coffee has long played a central role in Ethiopia’s macroeconomic fortunes as the country’s largest export earner. In 2012 coffee exports generated more than $800 million, a figure expected to exceed $1 billion by 2015.

But besides the grand figures in annual economic reports, the simple act of selling a cup of cheap coffee plays a significant socioeconomic role for many trying to carve out a better life in Ethiopia. This is especially true amid the hubbub of a rapidly changing Addis Ababa, where a hierarchy of diverse coffee services by various practitioners exists.

At the bottom are women like Endale, roaming the streets carrying flasks in baskets full of tiny porcelain cups and saucers, dispensing coffee for three Ethiopian birr ($0.15) a cup. Next in line are the traditional coffee stands, known as jeubeuna bunna, outside bars and restaurants serving coffee for five birr ($0.25) a cup. Then there are the established coffeehouses, where a cup costs upward of 10 birr ($0.50).

“Everyone wants to graduate to the next level,” said Wondwossen Meshesha, operations manager for Tomoca, one of Addis’ original coffeehouses, inaugurated in 1953 by Emperor Haile Selassie.

For Tomoca, the next level up means securing foreign partners to help it export more roasted coffee to new international markets — doubling the revenue of raw beans, traditionally the bulk of Ethiopia’s coffee exports — and even opening cafes abroad.

Read more »

Related:
Boom Times for Ethiopia’s Coffee Shops (BBC)
Blessed Coffee Wins Start Up Africa Entrepreneurship of the Year Award (TADIAS)

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Dublin Airport Announces Direct Flights to LA and Addis Ababa

Ethiopian Airlines will fly from Addis Ababa to LA with a stopover in Dublin from next summer, creating two new direct routes from Ireland in the process. (Photo by Gediyon Kifle for Tadias)

Independent.ie

By Pól Ó Conghaile

Dublin Airport’s route network for 2015 is rapidly expanding.

The airport’s latest coup comes in the shape of a stopover on a new Ethiopian Airlines route from Addis Ababa to LA – a move that will create two new year-round direct flights for the capital.

Ethiopian will sell both the Dublin-LA and the Dublin-Addis Ababa segments separately, Dublin Airport said in a statement issued this evening.

Three return flights per week will operate from Addis Ababa to Los Angeles from June 15th next, using a Boeing 787 Dreamliner.

The aircraft will have a two-hour stopover in Dublin.

Ireland has granted Ethiopian what are termed fifth freedom rights, enabling the airline to sell tickets on all sectors of the new route.

Read more »

Related:
Ethiopian Receives its 10th Dreamliner, the Largest Operator of the Aircraft in Africa

In Pictures: First Ethiopian airlines 787 Dreamliner lands in D.C. (2012)

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Q & A with General Manager of Hilton Addis Ababa Haakon Gaarder-Larsen

Haakon Gaarder-Larsen, General Manager of Hilton Addis Ababa. (Courtesy photo)

Tadias Magazine
By Tadias Staff

Published: Friday, October 3rd, 2014

New York (TADIAS) – Hilton Addis Ababa first opened its doors in 1969 with an inaugural ceremony for the ages — led by Emperor Haile Selassie who helped celebrate the launch of the hotel by hosting international dignitaries and diplomats while using the special occasion to introduce international hospitality to Ethiopia. “From that early significant opening, Hilton Addis Ababa has been part of the Addis Ababa city landscape and a leading member of the city’s community for 45 years, and has proudly witnessed the capital’s development into the economic powerhouse it is today” says the hotel’s current General Manager Haakon Gaarder-Larsen in a recent interview with Tadias Magazine. He adds: “As one of the first international hospitality operators in the capital, Hilton Addis Ababa was in the unique position to lead the hospitality sector and has served as a standard-bearing role model for Ethiopia’s evolving tourism industry, setting the standard for others to merge in to the city.”

Haakon, who joined Hilton Addis Ababa in April 2013, has been working in the hospitality industry for 26 years in Europe, North America, the Middle East and Africa. “My first experience with Hilton Worldwide was in Cairo in 2007, where I joined as Director of Operations for Nile Hilton, a hotel with extensive restaurant and bar operations,” he told Tadias.

Hilton Worldwide, Haakon points out, is “the pre-eminent global hospitality company” and remains “synonymous with the word ‘hotel.’ From inaugural balls and Hollywood award galas to business events and days to remember, a Hilton hotel is where the world makes history, closes the deal, toasts special occasions and gets away from it all. Today, the brand continues to be one of the most recognized names in the hospitality industry as an innovative, forward-thinking global leader of hospitality.”

Below is our Q & A with Haakon Gaarder-Larsen, General Manager of Hilton Addis Ababa:

TADIAS: Tell us about some of the unique and historic design features of Hilton Addis Ababa (such as its amenities including a pool that is heated from natural hot springs)?

Haakon Gaarder-Larsen: Hilton Addis Ababa has many unique characteristics designed to reflect the pride we have in Ethiopia and in the capital. The building showcases the unique architectural style of the famous Ethiopian Lalibela Church, globally recognized by UNESCO as an important Historic Heritage Site. The renowned hotel swimming pool was specially designed to mirror the Lalibela Cross and is, uniquely, the only geothermal spring water pool, providing a rare and distinctive attraction for hotel visitors as well as local residents.

TADIAS: As Addis Ababa continues to grow dramatically we have also seen the rise of several high-end hotels in Ethiopia. What are some of the services that make Hilton stand out from the competition?

Haakon: Hilton Worldwide is proud to have been the pre-eminent pioneer to Ethiopian Hospitality Industry and to have encouraged other key players to join the market. As Addis Ababa has grown in size and status in the past 45 years, hospitality has become a significant contributor to the capital’s economic welfare.

Another advantage of being a Hilton Worldwide hotel is the company’s Hhonors loyalty program, it is really more than just a guest loyalty program. With more than 40 million members worldwide, the program goes far beyond the standard with regular, exciting update benefits for members across more than 4200 hotels in 93 countries. Ethiopia also benefits from the system, providing exposure for Addis Ababa as a prominent leisure and business destination to over 40 million potential visitors.

Hilton Addis Ababa’s well known advantage is its compound, and its diverse range of restaurants and bars. From the main Kaffa House restaurant serving various Ethnic food such as Asian Cuisine, Italian, Middle Eastern, Ethiopian are few to mention our famous Gazebo Bar & Restaurant poolside restaurant is also serving a la carte menu. The hotel also offers a fully-equipped Health Club with Geothermal Pool, Massage Rooms, Sauna, Steam Room, Jacuzzi and Hair Salon for both male and female guests. We like to think we cater for all guest needs during their stay.

The hidden advantage of Hilton Addis Ababa is the hotel’s fully equipped long stay apartments. With private entrance and parking, this allows an element of privacy for longer stay guests, corporate business and Embassies.

Finally, and equally important, the hotel is served by a team of well experienced and professional staff. The teams not only expect to meet guest requirements but to also anticipate their needs and there are many examples of delighted guests becoming loyal clients as a result of the difference the staff make to their stay at the hotel. Staff instinctively understand the needs of guests and know their preferences and remember the small details that make people feel so much at home when they come to our hotel.

As many have told us on different occasions they feel an attachment with Hilton Addis Ababa one way or another, some had their own or close family weddings at the hotel; others have fond childhood memories from our recreation center or just hanging out with friends, but all feel a connection as part of us. That’s why the hotel has special packages for diaspora community to come and enjoy everything they remember and to create new memories.

Hilton Addis Ababa recognizes the importance of the Ethiopian key personalities and influencers for the industry, and what better way for us to welcome them back then by offering special packages at the familiar and historic Hilton Addis Ababa, which for most has been a positive part of their lives.

TADIAS: Addis Ababa also serves as the headquarters of both the African Union and UN ECA. How does Hilton Worldwide cater to the city’s diplomatic and international conference needs?

Haakon: Hilton Addis Ababa has been catering to the city’s diplomatic and international conference market from the first day of opening until today. With one of the largest and flexible conference spaces in the capital, we attract the vast majority of the country’s high profile delegations, meetings, balls and conferences. As a Hilton Worldwide hotel, our guests know they have the support, reassurance and quality associated with one of the world’s leading hospitality operators as well as the backing of a team of exceptionally experienced staff members, dedicated to ensuring that every hotel event is a successful one. Guests and event booking specialists can also enjoy the benefits of programs such as “Meeting Simplified” by Hilton. Designed for up to 25 delegates, the system encourages repeat business with an inclusive price from $1,000 and has proved a popular option for many guests.

TADIAS: When did you join Hilton Ethiopia and what was your previous professional background?

Haakon: I have been working in the hospitality industry for 26 years in Europe, North America, Middle East and Africa. My first experience with Hilton Worldwide was in Cairo in 2007, where I joined as Director of Operations for Nile Hilton, a hotel with extensive restaurant and bar operations. I then moved on to Hilton Ras Al Khaimah Resort & Spa located in the Northern Emirate of the United Arab Emirate as a Resort Manager and this led me to opening the first Hilton Garden Inn in Riyadh, Saudi Arabia, where I worked for four years. I joined Hilton Addis Ababa in April 2013 and have been enjoying every moment since.

TADIAS: Is there anything else that you’d like to share with our readers?

Haakon: We want to let readers know that any visit to Ethiopia would not be complete without a stay at the hotel that pioneered hospitality in the country. And we continue that proud legacy by welcoming guests from around the world with the highest levels of service and the philosophy that at Hilton Addis Ababa our passionate and devoted staff will always go above and beyond the typical hotel service to make it right for guests at all times.

TADIAS: Tell us more about Hilton’s community involvement?

Haakon: Hilton Worldwide believes in making a difference in every community we are part of, one of the means is to provide opportunity to the next generations. Hilton Addis Ababa has been working regularly with schools like Catering and Tourism Training Institute (CTTI) to boost the future of the Hospitality industry by offering first-hand experience for students in the hotel. To support the program, we recently organized a career day to showcase the benefits to local youth of working with a major hospitality company.

We also work with the Ethiopian Red Cross Society and the National Blood Bank, with staff from Hilton Addis Ababa organizing an annual event to contribute blood and supporting the service. This year we took it to the next level by inviting our corporate customers to join us in our annual blood drive and, as a result, collected a record breaking amount. As a key member of the community, Hilton Addis Ababa organizes numerous activities through the year to help make a difference to local people and local communities.

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NPR: A Not-So-Grand Tour Of Tikur Anbessa Hospital in Addis Ababa (Audio)

Family members sit in the waiting room for the neonatal unit at Black Lion hospital in Addis Ababa. (NPR)

NPR

By AMY WALTERS

August 14, 2014

Listen to the Story on NPR’s Morning Edition

When you sign up for a reporting fellowship to learn about the health of newborns in Ethiopia, you expect things to be a little different from what you’re used to in the U.S. To be perfectly honest, a little worse. But Ethiopia actually surprised me, even before I took off.

I did my research, and it turns out that Ethiopia’s health care system is getting better — significantly better. It’s meeting international goals, winning awards from the United States and, more important, babies are living longer and fewer mothers are dying in childbirth.

This is great news. Maybe Ethiopia would be better than I expected. I got some shots in the arm, popped a few anti-malaria pills and hoped for the best.

It was worse. Now, to be fair, all those things I said before are true. More babies are living through childbirth. Infant mortality has decreased by 39 percent in the past 15 years. But one in every 17 Ethiopian children still dies before turning 1, and one in every 11 children dies before age 5. There’s a ways to go.

Once I arrived, it took me awhile to figure out what was actually happening with Ethiopia’s health care. I was more involved in recovering from the jet lag that woke me up at 1 a.m. every day and avoiding mosquitoes like the plague. I was honestly a little mosquito obsessive. I covered myself and each of my belongings with every repellent known to man: cream, spray, patches, bracelets, small mechanized devices. I needed all the help I could get — the little critters are hopelessly attracted to me.

Read more at NPR »

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Bill Gates Receives Honorary Doctoral Degree From Addis Ababa University

Bill Gates receives an honorary doctoral degree from Addis Ababa University (Photograph: UNECSO)

Tadias Magazine
By Tadias Staff

Published: Thursday, July 24th, 2014

New York (TADIAS) – Although Bill Gates never graduated from college, dropping out of Harvard to start Microsoft, the American business magnate and philanthropist has received many honorary degrees from around the world, and now also his first from an African university. Gates was awarded an honorary doctoral degree from Addis Ababa University on Thursday, July 24th.

“It is a special honor to receive an honorary degree from Addis Ababa University,” Gates said in his speech. “This is one of the leading institutions of higher learning in Africa – a continent whose future has been a central interest of my career ever since my wife and I began our foundation nearly 15 years ago.”

Per AllAfrica.com “Ethiopian Foreign Minister Tedros Adhanom Ghebreyesus said it is the Microsoft founder’s first honorary degree from an African university.”

Below is the text of Bill Gates’ Speech to students at Addis Ababa University courtesy the gatesfoundation.org.

Bill Gates
Addis Ababa University Honorary Degree
July 24, 2014
AS PREPARED

Thank you for that introduction, Dr. Admasu Tsegaye [President of Addis Ababa University].

Prime Minister Hailemariam; distinguished guests; faculty and students of Addis Ababa University.

I am deeply grateful for this honorary degree.

I never got my real degree. I dropped out to start Microsoft, and never went back. So getting a diploma I can put on the wall and show my father is a relief.

It is a special honor to receive an honorary degree from Addis Ababa University.

This is one of the leading institutions of higher learning in Africa – a continent whose future has been a central interest of my career ever since my wife and I began our foundation nearly 15 years ago.

The first time Melinda and I came to Africa, 20 years ago, we were on vacation. We visited Kenya, Tanzania, Rwanda, and Burundi. We were awed by the natural beauty. But we were no less awed by the poverty we witnessed. Children were dying from illnesses we’d never even heard of.

This struck us as deeply wrong – and totally unnecessary.

The foundation we started took as its motto “All Lives Have Equal Value” – because it was so obvious to us that the world was clearly not treating all lives as having equal value. If it were, kids wouldn’t be dying by the millions from diseases that are preventable and treatable.

In short, coming to Africa inspired us to start our foundation.

Of course, the Africa I’m visiting today is not the Africa we saw back then.

You know the stats: Income per-person in sub-Saharan Africa is up by two-thirds. Seven of the 10 fastest-growing economies in the world are on this continent.

I could go on. But I didn’t come here to give a speech about economic statistical phenomena – because those figures don’t get at the real reason why I’m optimistic about Africa.

The real reason why I’m optimistic about Africa is that this continent is now in an incredible position to shape its own destiny for the better.

Why is this the case?

For one very simple and powerful reason: the countries of Africa are learning from each other.

I know that much of the narrative over the years about Africa has focused on how outside entities can help the people of this continent – whether those entities are foreign governments, or international aid organizations, or non-profits such as our own foundation.

Make no mistake – outside support has made a big difference, and will continue to do so. I spend a lot of my time advocating for donor countries to maintain foreign assistance focused on the needs of the poorest – and such assistance does indeed have an absolutely critical role to play.

That is also why our foundation has such a focus on Africa, investing in research and supporting delivery efforts on the issues of greatest consequence to the people of this continent – from HIV/AIDS to malaria.

In doing so, our priority is to support programs developed by Africans, for Africans, because we understand that the real fuel for development will be the resources of African nations themselves – whether that’s in the form of government funding, private-sector investment, or just plain human creativity at all levels of society.

This is where the idea of “African countries learning from each other” becomes so important. If you want to spend your national budgets as effectively as possible, there is now a clear path for doing exactly that – and Africans themselves are defining that path, for others to follow if they choose.

That path may not be easy, but it’s fairly simple to explain, and it comes down to this: If you want your country to rise from low-income to middle-income status, emphasize two things: health and agricultural development.

If you get health and agricultural development right, the gains are exceptional, and they reverberate through the rest of your economy for decades to come.

African leaders have formally acknowledged these truths. At Abuja in 2001 and Maputo in 2003, the delegates to the African Union agreed to targets for investment in these sectors.

While the progress since then has been uneven, the emphasis on health and agriculture is absolutely right.

The reason for this is straightforward: There is no path to lasting growth within Africa that is not widespread growth. It’s not possible. If Africa seeks prosperity, it must provide for the health and nutrition of all – including the poorest. Unless this continent brings its rates of malnutrition and premature mortality way down, it will not achieve the productivity levels necessary to compete in the global marketplace.

I fully realize that health and agricultural productivity are far from the only factors in economic growth. There are plenty of others – education, good governance, a sound physical infrastructure, to name just a few.

There’s no question that a modernized approach to development finance is another much-needed factor in equitable growth. Ethiopia is going to host a very important Financing for Development conference a year from now. That gathering will seek to establish a vision of finance for the new targets that will succeed the Millennium Development Goals.

That will be a critical opportunity for the world to commit to the public and private investments that are necessary if we are to continue to accelerate human development and economic growth.

To be successful, that new vision of development finance will need to be rooted in basic human needs. In fact, any sensible definition of what it means to be a middle-income country should go beyond per-capita numbers and include some measure of achievement on basic human needs like health and nutrition.

Across Africa, some countries are doing a very good job of meeting those needs – and others are not. The differences in outcomes are striking, even for countries with similar resources.

That variance represents a massive opportunity for countries to learn from each other’s best practices. If you learn from each other, then all countries in Africa should be able to do as well as the highest performing countries. That would be a stunning transformation.

A great place to start this conversation is where I’m standing today – Ethiopia.

I realize this is a nation that still faces many fundamental challenges, but Ethiopia has made enormous relative improvement in both health and agricultural productivity, which will give the country a solid basis for lasting growth.

Yes, Ethiopia remains for now a low-income nation by global standards – but that’s exactly my point.

With per-capita income comparable to many other African nations – and considerably smaller than some – Ethiopia is putting itself on a path to the global middle class.

If this proud country – which 30 years ago was seen by many as the world’s most extreme example of poverty and malnutrition – can put itself on this trajectory, there’s no good reason why other African countries can’t do the same.

What has Ethiopia done right? Quite simply, it has made health and agricultural development top priorities.

I want to talk briefly about what it’s done in both of these areas, and mention a few other nations that have also generated good examples in each.

Let’s start with health.

Our foundation started with a focus on health because that’s where the evidence pointed us. We were looking for the most strategic way to fight inequity so that our resources did the greatest good for the greatest number. Investing in health generates extremely high returns for huge numbers of people.

Here’s a striking illustration of that: A recent global commission of leading economists found a strong connection between health and national prosperity. Its report stated that about 11 percent of the economic growth in low- and middle-income countries from 1970 to 2000 resulted from reductions in adult mortality.

Conversely, there’s a vicious cycle that results from not investing in health – and here too, the results show up on a national scale.

For example, malaria kills more than 600,000 people a year. That’s a big number. But it actually understates the problem – including the calamitous economic costs of the disease.

Malaria infects roughly 200 million people annually, of whom probably more than 99 percent survive. At best, the survivors have to miss school or work for extended periods. At worst, they suffer lifelong disabilities, including cognitive impairment that virtually guarantees they’ll never reach their full potential.

Even when malaria and other diseases don’t take children’s lives, they can steal their future – and slow the progress of a nation.

This is the right time to invest in eradicating malaria – and other diseases that have long plagued this continent.

When I first started learning about development, there wasn’t a lot of hope that we could make rapid progress against malaria. Parasites had developed resistance to chloroquine – the main drug used to treat the disease – and malaria was resurgent across much of sub-Saharan Africa.

Since then, the global research community has begun committing more resources to malaria and other illnesses that disproportionately affect this continent. New vaccines and other health advances are emerging as a result.

But something else has been happening, as well. And that “something,” once again, is that Africa is learning from itself.

Countries on this continent – including some very poor countries – have made crucial innovations in providing for the health of their people. These innovations are models that virtually any African nation can follow, regardless of income.

Ethiopia has helped set the standard – most notably with its groundbreaking Health Extension Program. The federal government recognized that if it was going to make good on the Millennium Development Goals, it was going to have to expand access to primary health care across this large, predominantly rural country.

It came up with a smart plan. It identified the geographical gaps in health coverage, and went about filling those gaps, deploying more than 38,000 health-extension workers – nearly all of them women – in over 16,000 health posts nationwide.

Since its inception in 2004, the Health Extension Program has provided a range of vital services in maternal and child health; disease prevention; sanitation and hygiene; and basic health education.

Overall, the Health Extension Program has been a great success – and you can see it in the data.

The under-five mortality rate fell 67 percent from 1990 to 2012, meaning that Ethiopia met this Millennium Development Goal. The rate of decline has been especially impressive since the middle of the last decade, when the Health Extension Program began its work.

Ethiopia has shown a willingness not only to invest in health, but to do something that is sometimes even more difficult for governments, on any continent: It has been willing to measure results, adapt where needed, and admit the shortcomings that still exist.

For example, the Health Extension Program has been quick to offer new interventions in response to practical needs – such as by allowing health extension workers to treat childhood pneumonia and provide new, long-acting family-planning methods.

It has also been willing to collaborate – as it has with one of our grantees, L10K, which serves as a bridge from households to the Health Extension Program.

The government recognizes that while it has achieved great gains in combating child mortality, it still has much work to do to reduce Ethiopia’s maternal mortality rate, which remains one of the highest in Africa.

The Health Extension Program is a remarkable example that other African nations, such as Namibia, are already learning from.

On vaccines, there is enormous variance across Africa. Across the continent, vaccine coverage ranges from the mid-90s to well under 50 percent. Ghana – another African country that could serve as a model for development in both health and agriculture – has been among the continent’s best examples on vaccination.

In 2012, with assistance from the GAVI Alliance, Ghana took the innovative step of simultaneously rolling out pneumococcal and rotavirus vaccines – the first time any African country had introduced the two vaccines at the same time.

The project was a success, and by the end of the decade, vaccines against two of the most prolific killers in the world – diarrhea and pneumonia – will be available in nearly every African country, thanks in part to GAVI’s excellent work, and in part to the national model that Ghana has established.

With regard to malaria – which I talked about a moment ago as an example of the economic burden of disease – a number of African countries, such as Zambia, are demonstrating that progress is possible where governments take determined action.

If this is the case now, with the weapons currently at our disposal, it will be even more so as new medications and other tools become available.

And while there is still a long way to go, it is inspiring to see the public-health gains so many countries in Africa have made in recent years. Along with Ethiopia, countries from Liberia to Malawi to Tanzania have met the MDG goal of cutting mortality by two-thirds even before the 2015 deadline. Others, like Madagascar and Niger, are on the verge of doing so.

That progress is both accelerating and spreading – in countries like Senegal and Rwanda, the rates of improvement are among the fastest we have measured in recent decades. That translates into millions of lives saved – young Africans who will soon be the ones leading the continent into the future.

Now I’d like to turn to the other central element of lasting growth for Africa – agricultural productivity.

Here too, Ethiopia has been a leader. The federal government did something extraordinary – it set up an organization, the Agricultural Transformation Agency, or ATA – that focused on providing data-driven, evidence-based solutions to improving farm productivity nationwide.

It’s very strategic for an African government to place this kind of bet on agricultural innovation. After all, the continent’s economy remains heavily reliant on agriculture: Two-thirds of Africans depend on farming for their livelihoods. Ethiopia is no exception to this reliance: Agriculture accounts for about 45 percent of its GDP.

I’d like to mention a couple of great examples of what Ethiopia has achieved with its ATA initiatives. One of them involves one of my favorite subjects: fertilizer.

For the past three decades, Ethiopia had used only two types of fertilizer. When you think about how big and geographically varied this country is, that didn’t make much sense. After all, different fertilizers work best in different soils.

The ATA, working with the Ministry of Agriculture, found that the best way to assess fertilizer needs nationwide was to analyze the soil using a combination of ground measurements and remote sensing.

I had the privilege of seeing this project myself on my last visit to Ethiopia. I got to see the special soil augurs and sampling techniques that your teams were using. The result of this effort is a soil-mapping system that’s unprecedented not just for Africa, but for virtually anyone in the world.

By the end of this year, the government will have mapped soil properties for the whole of Ethiopia. Our foundation provided some early support for this effort, and we’re proud of the results.

There’s also been some great innovation with regard to farmer-owned cooperatives. These have a mixed record in Ethiopia and across Africa, but can provide much-needed services for their members, such as distribution and marketing. The world-renowned coffee sector here in Ethiopia has seen good examples of this.

Now the ATA is leading a $50 million project to build storage capacity within these cooperatives – it’s a three-year undertaking, and is drawing upon $3 million in capital from the World Bank. It’s a good illustration of how a little outside money can supplement a much larger government-led initiative to support farmer-owned, private-sector organizations.

Ethiopia has begun to branch out from the collectives, and to open up its agricultural market. It is expanding its own version of an agro-dealer program as seen in other parts of Africa, including through direct-seed marketing.

Just last year, some regional bureaus of agriculture began supporting the marketing of certified seed from producers directly to farmers through independent distribution agents – a departure from the traditional approach, which was exclusively through a public-sector process.

By opening its markets further – and by seeking the involvement and consent of the rural communities themselves – Ethiopia could realize significant gains from its most important resources of all: the ingenuity and creativity of its own people.

Other countries – such as Ghana, Nigeria and Tanzania – have undertaken their own bold investments, with huge payoffs. These are innovations that nations throughout Africa could emulate or adapt.

For example, Nigeria has established staple-crop processing zones to encourage investors to set up processing facilities near areas of high production for certain key crops, such as rice or cassava. This literally shortens the distance between producers and processors, and helps ensure more effective use of resources.

While we admire these and other agricultural innovations unfolding across the continent, far more needs to be done. African food production has not kept up with population growth – and that growth will only accelerate in the near future.

Nor is Africa’s agricultural sector moving quickly enough to meet another accelerating challenge: global climate change, which poses an especially severe danger to this continent, its agricultural productivity, and its overall development.

What is needed is a continent-wide commitment to a new generation of sustainable agricultural productivity, in the spirit of the Green Revolution that did so much to propel large sections of Asia and Latin America into the global middle class.

We are proud to be partners with the Alliance for a Green Revolution in Africa – an African organization advancing African solutions, with a necessary emphasis on smallholder farmers, and on female farmers – who bear immense responsibility for overall agricultural production in Africa, but who realize relatively few of the economic gains.

I am heartened by the commitments made on agricultural development at the African Union summit last month – including commitments to allocate at least 10 percent of public expenditure to agriculture, and to work toward ending hunger in Africa by 2025 by at least doubling productivity in the sector.

Any commitment to lifting agricultural productivity in Africa – or to improving health – will require both realism and optimism.

Usually, people assume that realism and optimism describe two different schools of thought. I disagree. I believe my optimism about the future of Africa is extremely realistic.

You already have the tools to decrease child mortality and increase agricultural yields significantly. In the next decade, these tools will keep improving. You also have examples of countries that have invested in health and agriculture to make life better for their people.

So, we know that if a country in Africa is not improving in health, or not producing enough food, its first reaction should not be to seek scapegoats or excuses.

No, the first reaction should be to learn from your neighbor. Because that country has as many challenges as you do – but it also has good ideas that you can adapt to your own circumstances.

The rise of this continent will depend on whether leaders – here in Ethiopia and all across Africa – are open to learning from each other, and from their own people.

Whether or not that happens will depend on you – the future leaders of this country, and this continent. By focusing on basic health and agricultural productivity – and by learning from what is actually working right here – you can ensure that Africa will keep rising.

Our foundation is committed to working with you as you make this happen.

Thank you.

Related:
Why John Green and Bill Gates Joined Forces In Ethiopia (The Wall Street Journal)
Bill Gates in Ethiopia Says Africa Needs Better International Aid Audit

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Ethiopia Deports Head of Egypt’s Middle East News Agency in Addis Ababa

(Photo: egyptindependent.com)

Egypt Independent

Edited translation from Al-Masry Al-Youm

The Egyptian Embassy in Addis Ababa sent an official note to the Ethiopian Foreign Ministry to express its deep regret at the decision of Ethiopian authorities to deport the manager of Egypt’s official Middle East News Agency in Addis Ababa for no apparent reason.

“The ministry has formally asked the Ethiopian authorities to provide explanations and clarifications for deporting [MENA's office manager] without notifying the Egyptian Embassy in Addis Ababa immediately once he was detained,” spokesperson for the Egyptian Foreign Ministry Badr Abdel Aaty said.

Relations between Cairo and Addis Ababa were strained after the latter started the construction of the Renaissance Dam on the Blue Nile, which Egypt says would threaten its share of the Nile River water.

Read more.

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Ethiopia: It Is Very Simple – Respect the Constitution (Addis Standard Editorial)

Zone Nine bloggers in Addis Ababa, all arrested on April 25. (Photograph credit: By Endalk/Global Voices)

Addis Standard

EDITORIAL

Addis Ababa – Once again Ethiopia is in the headlines. It is not for its dazzling double digit economic growth, nor for its once familiar tale of famine and poverty that it tries so hard to leave behind, or not even for two consecutive mega state visits by the US Secretary of State John Kerry and Chinese Premier Li Keqiang; but for its inexplicable and heavy-handed onslaught against three independent journalists and a group of six bloggers, who were detained from their homes on Friday April 25th and Saturday April 26th by plain-clothed security personnel. As the nauseating ritual of Ethiopian politics repeatedly proved itself in the past, this time too, the detainees are not ordinary youngsters.

They include prominent journalist Tesfalem Wadyes, who was freelancing for the weekly English Fortune and this magazine, journalist Asmamaw Hailegiorgis, senior editor at an influential Amharic weekly magazine Addis Guday, and journalist Edom Kassaye, a freelancer and an active member of the Ethiopian Environmental Journalists Association (EEJA) and a close associate of Zone9 bloggers, who make up the other six. They are: Zelalem Kibret, a lecturer at Ambo University, Atnaf Berhane, IT professional, Natnail Feleke, an employee of the Construction and Business Bank, Mahlet Fantahun, Data expert, Befekadu Hailu, an employee of St. Mary’s University College, and Abel Wabella, an engineer at Ethiopian Airlines. They came together to blog under the motto: “we blog because we care.”

Read more at AllAfrica.com.


—-
Related:
Scholars at Risk ‘Gravely Concerned’ About University Lecturers Arrested in Ethiopia
UN human rights chief condemns crackdown on journalists in Ethiopia (UN News Center)
Global Voices Calls for the Release of Nine Journalists in Ethiopia (TADIAS)
Jailed Zone Nine Bloggers Spark Ethiopia Trend on Social Media (BBC)
Ethiopian Government Charges Journalists With Inciting Public Violence (VOA News)
Nine journalists and bloggers arrested in Ethiopia ahead of Kerry visit (The Guardian)
Six Members of Zone Nine Blogging Collective Arrested in Ethiopia (TADIAS)

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Addis Ababa Ranks Third Among Global Leaders

Addis Ababa city view. (Photo: ketchum blog)

Tadias Magazine
News Update

Published: Thursday, April 17th, 2014

New York (TADIAS) — Addis Ababa ranks number three among 34 cities in low-and-middle-income countries dubbed most likely to become global leaders in the next two decades.

The Wall Street Journal reported that the U.S.-based management consulting firm A.T. Kearney compiled the list which measures “everything from business activity to workforce health and security.”

The Indonesian capital Jakarta topped the list followed by Manila, Philippines.

Read more at The Wall Street Journal.

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Addis Ababa Listed on New York Times ’52 Places to Go in 2014′

Zoma Contemporary Art Center Designed by Elias Sime (photo courtesy: Michel Temteme for NYT)

The New York Times

By GISELA WILLIAMS

Building on a strong historical legacy (Addis boasts one of East Africa’s oldest art schools) are a host of events scheduled for 2014: a photography festival, two film festivals and a jazz and world music festival. Thanks to the city’s diverse art institutions and galleries, including the artist-in-residence village Zoma Contemporary Art Center and the Asni Gallery (really more an art collective than a gallery), there is an art opening at least once a week.

Read more at NYT.

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Addis and DC Sign Sister City Agreement

DC Mayor Vincent Gray and Addis Ababa Mayor Diriba Kuma toasting the signing of a Sister City Agreement between their respective cities on Wednesday, December 11th, 2013. (Photo by Matt Andrea)

Tadias Magazine
Events News

Published: Thursday, December 12th, 2013

Washington, D.C. (TADIAS) — Mayor Vincent Gray and Addis Ababa mayor Diriba Kuma signed a Sister City Agreement on Wednesday evening (December 11th) laying the groundwork for a closer relationship between residents of the two cities. In a press release the DC Mayor’s office stated that the agreement will be in force for a period of five years focusing on mutual interests including economic development, information exchange, cultural education and youth engagement.

“Inspired by the District’s vibrant Ethiopian diaspora and by the similarities shared by our two capital cities, I am proud today to call Addis Ababa the District’s newest Sister City,” Mayor Gray said. ” I am deeply grateful to the members of the Ethiopian community for their contributions to the District and view this signing ceremony and the partnering of our two cities as an opportunity for the residents of these two great capital cities to enrich each other culturally, educationally, economically and in quality of life.”

The Mayor added: “With such a large Ethiopian community right here in the District, the signing of this Sister City Agreement presents an unprecedented opportunity for the District and Addis Ababa to work and grow together, and I am very excited about the prospects of our bright future. These important agreements help to foster the international ties that strengthen civil society and goodwill between nations. I look forward to our fruitful collaboration and thank Mayor Kuma for visiting our great city for this truly special occasion.”

Addis Ababa is Washington, D.C.’s fourteenth sister city including Bangkok, Thailand; Dakar, Senegal; Beijing, China; Brussels, Belgium; Athens, Greece; Paris, France; Pretoria, South Africa; Seoul, South Korea; Accra, Ghana; Sunderland, U.K.; Rome, Italy; Ankara, Turkey; and Brasília, Brazil.

Belwo are photos. Stay tuned for video coverage of the event.



Related:
Photos: 2nd Annual DC to Africa Business Symposium

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DC & Addis to Become Sister Cities

Tadias Magazine
Events News

Published: Wednesday, December 4th, 2013

Washington, D.C. (TADIAS) — Washington, D.C. and Addis Ababa will become sister cities this month when leaders from the two cities formalize Protocols of Friendship. The Sister City Agreement signing ceremony is scheduled to take place on Wednesday, December 11th at the John A. Wilson Building in Washington, D.C. Officials say the initiative will pave the way for various joint projects between the two municipalities in areas of mutual interest including economic development, information exchange, cultural education and youth engagement.

“I’m proud to announce that our city and Addis Ababa, Ethiopia have agreed to enter into a sister city agreement,” Mayor Vincent Gray told an enthusiastic crowd in November during his appearance at the Debre Selam Kidist Mariam Ethiopian Orthodox Church in D.C., where he first made the proposal public. “This agreement is inspired by the large and vibrant Ethiopian diaspora here in the District and by Ethiopia’s emergence as one of the fastest growing economies in Africa.”

The accord makes the Ethiopian capital the fourteenth sister city of Washington, D.C. The District of Columbia has similar arrangements with Bangkok, Thailand (since 1962); Dakar, Senegal (since 1980); Beijing, China (since 1984); Brussels, Belgium (since 1985); Tshwane, South Africa (since 2002); Paris, France (since 2000); Athens, Greece (since 2000); Seoul, Korea (since 2006); Accra, Ghana (since 2006); and Sunderland, United Kingdom – George Washington’s Ancestral Home (since 2006); Rome, Italy (since 2011); Ankara, Turkey (since 2011); Brasilia, Brazil (since 2013). According to Sister Cities International (SCI), the national membership organization for sister city programs in the U.S., sister city affiliations between the United States and other nations began shortly after World War II and developed into a national initiative when President Dwight D. Eisenhower proposed the people-to-people program at a White House Conference in 1956.

During his remarks at DSK Mariam Ethiopian Orthodox Church last month, Mayor Gray encouraged the Ethiopian community to attend the signing ceremony.

If You Go:
Signing of the Sister City Agreement between Addis Ababa and Washington, D.C.
Wednesday, December 11, 2013
Ceremony starts at 6:00 P.M. (Seating Begins at 5:30 P.M.)
Reception to Follow at The John A. Wilson Building
1350 Pennsylvania Avenue, N.W.
Mayor’s Press Room, G9
Washington, District of Columbia 20004
RSVP REQUIRED: No-Later-Than Monday, December 9, 2013
More info at: http://addisababa-dc-sistercitysigningceremony.eventbrite.com

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