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ART TALK: Tadesse Mesfin, Tsedaye Makonnen, Addis Gezehagn & Tizta Berhanu at Dubai 2021

Tadesse Mesfin, Pillars of Life: My Sisters Keeper II, 2021, Oil on canvas, 165 x 170 cm; Tizta Berhanu, Rest in the arms of trust, 2020, Oil on canvas, 120 x 120 cm; Addis Gezehagn, Floating City XXII, 2021, Acrylic and mixed media on canvas, 122 x 122 cm; Tsedaye Makonnen, Astral Sea II, 2019, Acrylic mirror and fabric, 457.2 x 91.44 cm. (Photos courtesy of Addis Fine Art)

Tadias Magazine

By Tadias Staff

Updated: April 9th, 2021

New York (TADIAS) — This month the 14th edition of Art Dubai took place at Dubai International Financial Centre featuring several artists from Ethiopia and the Diaspora including Tadesse Mesfin, Addis Gezehagn, Tsedaye Makonnen and Tizta Berhanu.

The Ethiopian artists were represented by Addis Fine Art — marking the fourth year in a row that the Addis Ababa and London-based gallery had participated in the global art fair, which was also the first major in-person group exhibition of its kind since the COVID-19 pandemic.

Below are bios of the Ethiopian artists courtesy of Addis Fine Art:

TADESSE MESFIN B. 1953

Tadesse Mesfin (1953) is a giant of the Ethiopian art scene. He holds a unique position as both a figurehead of the Ethiopian modernist movement, and as a long-time educator through his role as a professor at the influential Alle School of Fine Art and Design in Addis Ababa. Among the generations of painters he has taught are Addis Gezehagn, Ermias Kifleyesus, Merikokeb Berhanu and Tesfaye Urgessa.

Mesfin’s latest work is a continuation of his ongoing series celebrating the women who work as small-holder vendors in markets scattered across Ethiopian cities, who can typically be found standing or crouched down with their agricultural produce scattered in front of them, hoping to entice the eye of potential customers. As a visual paean to them, Tadesse places their occupations and personae front and centre, and the viewer is encouraged to appreciate their importance to the communities they serve.

The paintings, at times, resist the limitations of perspective, with the distant figures appearing to float in space between those in the foreground, their forms often abstracted through loosely defined brush strokes. Only their regal, statuesque poses and facial expressions are clearly discernible. Mesfin has stated that his previous fascination with the West-African tradition of mask-making prompted him to create his own “Ethiopian masks” from the expressions found in the faces of the women occupying his canvases. Their pointed chins and captivating stares are a nod to West-African masks; however, the distinctly Ethiopian features give them their own unique appearance. Each figure is carefully weighted in these paintings with a methodical precision born of decades of practise. There is often a central protagonist who is the focal point, slightly off-centre in accordance with the golden section rules of proportion, counter-balancing the figures in the background.

Tadesse Mesfin’s artistic career spans more than five decades. His painterly style has been greatly influenced by his early education under Gebre Kiristos Desta, the pioneer of Ethiopian Modernism and from his seven-year stint in the USSR during the 1980s, where he studied architecture and sculpture in St. Petersburg.

TSEDAYE MAKONNEN ETHIOPIAN-AMERICAN, B. 1984


Tsedaye Makonnen. (Photo: The Artist and Addis Fine Art)

Tsedaye Makonnen is a multidisciplinary artist whose studio, curatorial, and research-based practice threads together her identity as a daughter of Ethiopian immigrants, a Black American woman, doula and a mother. Makonnen invests in the transhistorical forced migration of Black communities across the globe and Feminism. Her work is both an intimate memorialization and protective sanctuary for Black lives. She is the recent recipient of a Smithsonian Artist Research Fellowship, DC Public Library Maker Residency and Art on the Vine’s Savage-Lewis Artist Residency (Martha’s Vineyard).

She has performed at the Venice Biennale, Art Basel Miami, Chale Wote (Ghana), El Museo del Barrio, Fendika (Ethiopia), FIAP (Martinique), Queens Museum, the Smithsonian’s and more. Her light monuments memorializing Black womxn exhibited at the August Wilson Center and National Gallery of Art. In 2019 she was on the front cover of the Washington City Paper’s People Issue. She recently curated a group show with Washington Project for the Arts in DC titled Black Women as/and the Living Archive and is publishing an exhibition book. This August she is exhibiting for Park Avenue Armory’s ’100 Years | 100 Women’ with NYU Tisch & Deb Willis, which was recently featured in Vogue Magazine.

ADDIS GEZEHAGN B. 1978

Addis Gezehagn (b.1978), a long-time artistic presence in Addis Ababa, is known for portraying the multifaceted characteristics of the city’s residents by detailing the external facades of their homes. In his “Floating Cities/ Floating Towers” series, Gezehagn depicts dreamlike deconstructed and layered renderings of the urban landscapes rising above the ground. These compositions made by layering magazine cut outs with acrylic paint, blend the boundaries of fantasy and reality of urban life, blurring the lines between the past, present and future.

Flattened and reductive, Gezehagn’s works imagine cityscapes as towers, or patchworks of colourful doors and gates, the architectural structures seeming to signify a natural, organic network of living spaces. The rootless and ephemeral nature of the layered towers call into question the lives of the inhabitants. Examining the personal and public spaces, the works archive walls and towers destined to crumble, tracing a pattern of classism and social injustice. Gezehagn’s works urge us to think beyond homes as functional entities and offer commentary on the socio-economic context of urban life.

Gezehagn currently lives and works in Addis Ababa, Ethiopia. He graduated from the Addis Ababa University School of Fine Arts and Design with a Diploma and BFA in 2011. His first international exhibtion was in 2017 at 1:54 Contemporary African Art Fair in London which was received with great acclaim. Since then, he has gone from strength to strength, garnering more international interest after having his first sold out solo show at Addis Fine Art’s main gallery in Addis Ababa in 2018 followed by 1-54 Contemporary Art Fair London (2018) and Art Dubai (2019).

TIZTA BERHANU ETHIOPIAN, B. 1991


Tizta Berhanu, Different Life in a Setting, 2019. (Addis Fine Art)

Tizta Berhanu was born in Addis Ababa, Ethiopia in 1991 where she has lived and worked her entire life. She graduated in 2013 from the Addis Ababa University, Alle School of Fine Arts and Design where she studied under the influential modernist painter Tadesse Mesfin.

Trained as a figurative painter, Tizta uses the medium to introspectively delve into human emotions. The figures in her work often express an array of sentiments, some comfort and embrace one another, whilst others are found isolated and searching in the backdrop of the enigmatic canvases. Her paintings are awash with lucid colours which flow across the canvases through the use of heavy undefined brush strokes. By portraying her subjects expressing love, hate, sadness, and loneliness, the observer is invited into moments of vulnerability and intimacy.

Learn more at addisfineart.com.

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Ethiopia at the MET, Part Two: Q&A with Curator Dr. Andrea Achi

Theo Eshetu, The Return of the Axum Obelisk, 2009, Video, Collection of the artist, courtesy of The Met

Tadias Magazine

Updated: February 23rd, 2024

New York (TADIAS) – The Metropolitan Museum of Art (MET) in New York is currently hosting its inaugural exhibition exploring the intersections between African and Byzantine art, with a significant focus on Ethiopia. In our ongoing interview series, we delve deeper into this topic with Dr. Andrea Achi, Curator of this groundbreaking exhibition at the MET.

TADIAS: What significance does Ethiopia hold within the context of this exhibition?

Dr. Andrea Achi: Ethiopia was closely connected to the Romans and Byzantines religiously, politically, and through shared artistic traditions. The Axum Empire became a Christian nation even before the Roman Empire. The Axumites were close political allies to the Byzantines, participating in proxy wars to help secure the Byzantine borders and remained close partners with the Byzantines for centuries.


Installation view of Africa & Byzantium at The Metropolitan Museum of Art. Photo by Anna Marie Kellen, courtesy of The Met


Photo by Anna Marie Kellen, courtesy of The Met


Photo by Anna Marie Kellen, courtesy of The Met

TADIAS: Could you elaborate on Ethiopia’s rich artistic and cultural heritage and how the exhibition redefines conventional perceptions of Byzantium and Africa, particularly in its portrayal of Ethiopian art and culture?

Dr. Achi: Africa & Byzantium showcases Ethiopia’s rich artistic and cultural legacy extending over nearly two millennia. The Aksumite city of Adulis connected the Mediterranean trade with the Red Sea and the Indian ocean, facilitating transregional exchange. From there, the Axumites exported locally made objects such as worked glass, ivory, and metal, which circulated throughout the Mediterranean basin.

By beginning with Roman North Africa and ending with Ethiopia, Africa & Byzantium situates Ethiopian art and culture directly within the context of Byzantine artistic legacies. Previous exhibitions of Ethiopian art, particularly in the United States, have rightly focused on tracing the history of Ethiopian visual and material culture across the centuries. Africa & Byzantium places Ethiopian art in conversation with the artistic traditions of neighboring regions in East Africa, including Nubia and Egypt, demonstrating not only the liturgical concordances between these area through their shared Orthodox faith, while also encouraging the visitor to draw visual parallels between these artistic traditions. Although Ethiopia was never formally part of the Byzantine Empire, this context is important to further understand Ethiopia’s global connections with the regions that were within the domain of Byzantium, such as Egypt. It also complicates our understandings of the art of Byzantine Egypt and North Africa – rather than seeing the artistic tradition of these regions as a monolith, seeing these various regional artistic legacies in the same space encourages our audience to highlight the differences as well as the similarities between these distinct, yet related, visual expressions.


Photo by Anna Marie Kellen, courtesy of The Met

TADIAS: The discussion among the featured contemporary artists, including Tsedaye Makonnen and Theo Eshetu, reflecting on the exhibition was truly captivating. Given the exhibition’s exploration of the lasting impact stemming from interactions between North Africa, Egypt, Nubia, Ethiopia, and Byzantium, could you provide further insights into how these artistic exchanges have shaped contemporary artistic practices?

Dr. Andrea AchI: Many of the Christian communities of North Africa, Egypt, Nubia, Ethiopia, and Byzantium are linked through their shared Orthodox faith, which shaped these region’s artistic traditions. In Africa & Byzantium, we see artists responding to this legacy, such as with Tsedaye Makonnen’s light sculptures, which feature incised forms of Ethiopian crosses on their modular structures. Other artists, such as Azza El Siddique, who is Sudanese-American, are thinking about how these cross-regional connections are shaped through shared ritual practices, such as through her work on Nubian and Egyptian perfume and scent. As a result of their shared geography, many of these regions also experienced colonial occupation, which profoundly affected how medieval art and heritage from the region is viewed and understood. In his work in the exhibition, The Return of the Axum Obelisk, and others, Theo Eshetu is reflective of this legacy: his work directly considers issues of provenance, repatriation, and cultural heritage, which are front of mind for many of the nation states that are in the regions of North Africa, Egypt, Nubia, and Ethiopia. These regional colonial histories have also in part resulted in the migration of these communities to North America and Europe – many of these artists hold dual nationalities. Tsedaye and the Ethiopian-American artist Tariku Shiferaw are also thinking about this history of immigration, and Shiferaw’s work deals with what it means to exist as an immigrant in the West, and how to fit this explicitly transnational practice within the canon of Western art history.


Installation view of Africa & Byzantium at The Metropolitan Museum of Art. Photo by Anna Marie Kellen, courtesy of The Met

TADIAS: Lastly, for those unable to attend the exhibition in person, are there alternative avenues for accessing its content?

Dr. Andrea AchI: The exhibition is accompanied by a richly illustrated catalogue available for purchase, featuring the research of over forty contributors spanning from the subfields of medieval art history, history, archaeology, and literary criticism. Photographs of the exhibition’s objects are included in the catalogue, accompanied by scholarly texts. A virtual tour of the exhibition, led by the show’s curator, is also available online. Other digital offerings on the museum’s website include the exhibition’s full audio guide, as well as photography of the exhibition objects with accompanying explanatory text. These are arranged in order of their display in the galleries to best simulate the in-person visitor’s experience.

Special thanks to Michelle Al-Ferzly at the MET for her assistance with the Q&A.

Video: Exhibition Tour—Africa & Byzantium | Met Exhibitions

If You Go:

Next week, the MET will present Tsedaye Makonnen for a “site-specific performance that journeys through the history of the Byzantine Era’s African diaspora.” This show coincides with the display of her Astral Sea textiles as part of The Met’s Africa & Byzantium exhibition.

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Related:

Ethiopia at the MET & the Walters Art Museum: TADIAS Interview Series on its Breakthrough Moment in Major U.S. Museums (Part One)

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Ethiopia at the MET & the Walters Art Museum: Interview Series on its Breakthrough in Major U.S. Museums

At the MET in New York, Ethiopia's artistic legacy takes center stage in the pivotal exhibition titled "Africa & Byzantium," showcasing its profound influence, extending even to contemporary art. (Photo: TADIAS)

Tadias Magazine

Updated: February 22nd, 2024

New York (TADIAS) – Ethiopia’s rich history is finally receiving the recognition it deserves in major U.S. art institutions, ranging from The Metropolitan Museum of Art (MET) in New York to the Walters Art Museum in Baltimore, the Toledo Museum of Art in Ohio, and the Peabody Essex Museum in Salem, Massachusetts. At the MET in New York, Ethiopia’s artistic heritage assumes a central role in the seminal exhibition dubbed “Africa & Byzantium,” spotlighting its profound influence, extending even to contemporary artists. Ethiopia stands as a significant contributor alongside other influential ancient African kingdoms, whose interactions with Byzantium have left an indelible mark on the Mediterranean world.

“This is Ethiopia’s moment,” declares Tsedaye Makonnen, a multidisciplinary Ethiopian American artist who serves as the guest curator of contemporary art for the Walters exhibition. Her captivating artwork features prominently in installations at both museums. At the MET, Makonnen’s pieces are showcased alongside Theo Eshetu’s compelling video montage, which commemorates the return of the Aksum Obelisk to Ethiopia from Rome in 2005, rich with symbols and iconic imagery.

Next week, the MET will host Tsedaye Makonnen for a “site-specific performance that journeys through the history of the Byzantine Era’s African diaspora.” This show coincides with the display of her Astral Sea textiles as part of The Met’s Africa & Byzantium exhibition.

Hailing from the vibrant Ethiopian community in the Washington, DC metropolitan area — home to the largest Ethiopian population in the United States and outside of Ethiopia — she brings a unique perspective to the exhibition’s narrative. In a recent conversation with Tadias Magazine, she described the DC region as a place where Ethiopian culture thrives alongside robust ties to Black American culture. Embracing this dual identity, Tsedaye emphasized how it shapes her approach to art making as well as curating.


Tsedaye Makonnen’s installations at the MET in New York. (Photo: TADIAS)


(Photo: TADIAS)


At the MET, Theo Eshetu’s video, showcased alongside Tsedaye Makonnen’s installations, juxtaposes footage of the 2005 return of the Aksum Obelisk to Ethiopia from Rome with images of Ethiopian painting. The multi-channel presentation unveils the intricate nuances of restitution, a topic currently dominating conversations among museum experts and art historians, under the theme “Legacies & Reflections.” (Photo: TADIAS)

Watch: Artists on Artworks—Africa & Byzantium


In this video, moderated by Hannah Giorgis, a staff writer for The Atlantic, Tsedaye Makonnen and Theo Eshetu are joined by fellow artist Azza El Siddique to discuss the exhibition “Africa & Byzantium” and explore its significance in relation to their own artistic pursuits.

“Ethiopia at Crossroads” at Walters Art Museum

In Baltimore, the traveling exhibition titled “Ethiopia at Crossroads,” currently on view at the Walters Art Museum, is the first major art exhibition in America to explore Ethiopian cultural and artistic traditions comprehensively, from their origins to the present day. It charts the ways in which engaging with surrounding cultures manifested in Ethiopian artistic practices.


Photo: The Walters Art Museum


Photo: The Walters Art Museum

The exhibition, which is set to travel to Ohio and Massachusetts this Spring and summer, also showcases artworks by contemporary Ethiopian painters and photographers from the diaspora, as well as those from Ethiopia, curated by Tsedaye Makonnen.

TADIAS: You’re an Ethiopian American multidisciplinary artist yourself, and how did your own experiences and perspectives influence your curation process?

Tsedaye Makonnen: That’s a great question. I think, well, having parents who migrated here in the ’70s, being born in DC.. at Howard, but then growing up in Silver Spring, definitely shaped how I moved through the world, because I really do feel like I grew up in a little Ethiopia in Silver Spring. But then also having really strong roots and being influenced and raised by Black American culture from being in the D.C. area. And even how much of that my parents and their crew of a lot of the Ethiopians who came here around the same time where they expressed, ‘We landed here and felt comfortable here because this is a very Black city, and we were welcomed. So it felt like a second home.’ And I carry that. So I’m very much aware of my Ethiopianness and my Blackness, and I’m very proud of both of those things. And I mean, to me, they’re the same thing.

But having those roots are, I realize when I leave and go elsewhere, how I’m so grounded, and I’m grateful for that grounding. Because my mom will always says, ‘You have to know who you are,’ and I’m like, ‘Oh, I know who I am.’ So I think all of that, I brought that to this creation with the Walters, and just seeing that in all of the artists that are a part of the show, that it’s not only that they’re making these very contemporary works that are reflecting the times, but they’re also sharing all of the different identities that exist within themselves. Right? So someone like Theo Eshetu, not only do I just visually love his work, it’s so stunning. And I’ve never seen a video artist make work in that way. So he’s clearly making a new visual language that hasn’t existed in video art.

But also, his background, his history to me is so fascinating. Someone who was born in the UK but of Ethiopian parents also has roots in Italy and has lived in Berlin. He’s a man of the world. But even with that, he’s Ethiopian, he carries that with him. And I think all of these artists who are in this show, as global as they are, that it’s really fascinating and telling how the presence of being Ethiopian or Ethiopia is so important to them. Because, Faith Ringgold isn’t Ethiopian, but as a Black American, the history of Ethiopia means so much to her, so yeah.


Tsedaye Makonnen, Walters Museum, Senait and Nahom installation, Smithsonian loan. (Walters Art Museum)

TADIAS: So how do you see contemporary art contributing to the broader narrative of Ethiopian culture, artistic tradition?

Tsedaye: Well, I think contemporary art, usually if it’s done well, it’s pulling from the present, but then also the past, and kind of bringing the two together. And it has the ability to see the future. So I think that a lot of these contemporary Ethiopian artists that are working now are doing that really well, as you can see in the Walters Show. And part of what this show is talking about is this literal crossroads, which also implicates migration.

So I think what’s so cool and important about the show is it really is highlighting not just Ethiopia, for Ethiopians on the continent, but for the diaspora as well. And as you know, you live here in the US, you have a child here. I keep thinking about the generations that are continuing to be born here and in other parts of the world outside of Ethiopia that really do, I think it’s so important for them to see themselves in these spaces outside of Ethiopia as well, because that’s their identity, and it reflects their existence.

And also, I think what’s so important about Ethiopian contemporary art is the fact that there’s generations, currently and in the past, that have been influenced by the art school in Addis, but then who’ve come from there and then come here, and have taught a whole new generation of artists. Somebody like Skunder Boghossian, for example. And it’s just this gift that keeps on giving. And that trajectory is so important to follow and to document because it’s now influencing outside of itself. Ethiopia has always been so influential towards the world, and I think there’s a contemporary version of that that’s happening actively now and has been happening since the ’60s and ’70s, that it’s just important to really document that for future generations. And then it’s important for obviously why something like Tadias Magazine exists. So we have to do that for ourselves, and force the narrative to shift as well, to acknowledge us.

If You Go:

The event at the Walters Art Museum culminates with a festive program during the Adwa celebration in the first week of March, featuring an evening of art-making, music, performances by Ras Band, a special appearance by Dereje Bekele, delectable treats from local Ethiopian vendors, and a fashion show organized by the Walters’ College Student Advisory Group. Visitors can savor the last weekend of the exhibition with special late-night hours.

Related:

Video: Artist Talk, Tsedaye Makonnen | The Walters Art Museum

Podcast: Ethiopia at the Crossroads featuring curator Christine Sciacca | The Walters Art Museum

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Art From the Horn of Africa Makes Exciting Debut in Sweden

Exhibition view: From Modern to Contemporary: Artists from the Horn of Africa and Diaspora, CFHILL, Stockholm (10 June–17 August 2021). Among them are two modern masters, and the first graduates of the Allé School of Fine Arts and Design at Addis Ababa University, the oldest art school in East Africa: Lulseged Retta and Tadesse Mesfin, who is also a long-time Allé educator. (Courtesy CFHILL and Addis Fine Art)

Ocula Magazine

This collaboration with London and Addis Ababa-based Addis Fine Art continues CFHILL’s commitment to offering an exhibition platform to international curators, artists, and galleries. Works by 19 artists including sculpture, painting, textiles, video, and photography are shown in five main galleries across two floors, highlighting important artists of Ethiopian, Eritrean, and Sudanese descent spanning the modern era to the present.

A large painting hanging in a white gallery shoes figures dancing and playing trumpets. In the background, the next-door room is visible, and on it a painting of a fragmentary painting of a figure sitting on a stool.


Left to right: Tesfaye Urgessa, Gesicht III (2019); Lulseged Retta, African Jazz (2021). Exhibition view: From Modern to Contemporary: Artists from the Horn of Africa and Diaspora, CFHILL, Stockholm (10 June–17 August 2021). Courtesy CFHILL and Addis Fine Art.

Among them are two modern masters, and the first graduates of the Allé School of Fine Arts and Design at Addis Ababa University, the oldest art school in East Africa: Lulseged Retta and Tadesse Mesfin, who is also a long-time Allé educator.

Founded by the artist Alle Felege Selam, the Allé School of Fine Arts and Design was the first art school in Ethiopia, and for over six decades has produced an impressive cohort, including seminal text-based painter Wosene Worke Kosrof, Elizabeth Habte Wold, and educator Bekele Mekonnen.

Works by Retta and Mesfin are included in the first of four sections that organise the show chronologically and thematically: ‘The Modernists’, which looks at the first graduates of the Allé School of Fine Arts and Design in the 1970s.

Retta’s figurative acrylic on canvas painting Setate (2010) shows two women cooking in rich saturated hews; and Mesfin’s Pillars of Life: Patience II (2020) is a striking portrait of Ethiopian women in the marketplace—part of an ongoing series celebrating women working as small-holder vendors in Ethiopian cities.


Left to right: Tegene Kunbi, Red Panther (2021); Lulseged Retta, Setate (2010); Tsedaye Makonnen, Senait & Makonnen, The Peacemaker & The Comforter I (2019). Exhibition view: From Modern to Contemporary: Artists from the Horn of Africa and Diaspora, CFHILL, Stockholm (10 June–17 August 2021). Courtesy CFHILL and Addis Fine Art.

‘The Contemporary’ is the largest section, with mid-career artists who emerged in the 2000s, with many former students/mentees of Mesfin, including Addis Gezehagn, Merikokeb Berhanu, Tesfaye Urgessa, and Ermias Kifleyesus.

Urgessa’s expressive paintings are rooted in his childhood and memories as a young man in Ethiopia, but also draw from his encounters with both German Neo-expressionism and the School of London through his travels abroad. Wandering Man (2019) depicts a black, partially abstracted figure contorted atop a stool, giving equal emphasis to the figure as well as the background composition’s play of colour, light, and shadow.

Read more »

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As Market for Their Artists Booms, African Galleries Expand to the West

Rakeb Sile and Mesai Haileleul, the co-founders of Addis Fine Art, started out as art consultants in London while simultaneously running a gallery in Addis-Ababa, which they founded in 2016. Last year, Addis Fine Art joined Cromwell Place, the gallery hub in South Kensington. “We need to make sure this region is included in the conversations and narrative around contemporary and Modern art; there’s a huge gap,” Sile says. (Photo: Courtesy of Bandele Zuberi and Addis Fine Art)

The Art Newspaper

As the market for their artists booms, African galleries take control by expanding to the West

With outposts springing up from London to Los Angeles, dealers are putting their artists on the global map

The fates and fortunes of African artists have, until recently, been largely shaped by outsider interests. But now, as the market for these artists grows apace, African galleries are taking a firmer hand in their fortunes by expanding to the West.

The catch-all term “African art”—one created by Western auction houses and dealers—has proven to be a brilliant marketing tactic. A critical and commercial domino effect has been spurred by events such as the 1-54 Contemporary African Art Fair and seminal exhibitions like Guess Who’s Coming to Dinner? at New York’s Richard Taittinger Gallery in 2015. Curated by Ugochukwu-Smooth C. Nzewi, the show helped spread the appeal of African artists stateside. Seeing an area ripe for development, US and European galleries started adding African artists to their rosters and last summer, as protests over racial justice swept across the world, interest in African (or Black) art surged.

In the past five years, against the odds, a cluster of African galleries have set up outposts in Western art-world centres in order to have greater agency in the fortunes of their artists—and, no doubt, to try to avoid them being poached by larger rivals. Last year alone, despite (or because of) the pandemic, Ghana’s Gallery 1957 and Ethiopia’s Addis Fine Art opened in London, while Nigeria’s Rele Gallery launched a Los Angeles space. They join South Africa’s Goodman Gallery, which opened in London in 2019; the Ivory Coast’s Galerie Cecile Fakhoury, which opened a showroom in Paris in 2018; and South Africa’s Stevenson, which has had an office in Amsterdam for the past couple of years.


Galerie Cecile Fakhoury in Abidjan, Ivory Coast, also has a Paris showroom Courtesy of Galerie Cecile Fakhoury

“Being in Johannesburg was too far away; relying on fairs wasn’t really sufficient,” says Liza Essers, the owner of Goodman Gallery. Essers chose London because: “If you look at the colonial history of South Africa, it made sense to be in a place to challenge those historical power structures, to speak back.”

Rakeb Sile and Mesai Haileleul, the co-founders of Addis Fine Art, started out as art consultants in London while simultaneously running a gallery in Addis-Ababa, which they founded in 2016. Last year, Addis Fine Art joined Cromwell Place, the gallery hub in South Kensington. “We need to make sure this region is included in the conversations and narrative around contemporary and Modern art; there’s a huge gap,” Sile says.

The right roster

The galleries have all made calculated bets with the artists they bring forward. Goodman Gallery works a wide remit, showing emerging and established artists from across the continent alongside non-African artists such as Hank Willis Thomas from the US. Addis Fine Art is more focused, showing contemporary and Modern artists from Ethiopia; its first (and so far only) London exhibition last autumn was of the Ethiopian Modernist Tadesse Mesfin—though nearly 70, this was his first European solo show.

Meanwhile, Gallery 1957 and Rele Gallery take their chances on young, raw talents. Victoria Cooke, the director of Gallery 1957, says its London gallery will be “an extension” of that in Accra—it opened last autumn with a show of the Ghanaian artist Kwesi Botchway, who is at the forefront of an emerging trend among young African artists who are resisting expectations that they must be political or didactic and instead concentrating on portraiture and scenes of black life. In its inaugural Los Angeles exhibition, Rele Gallery showed three promising Nigerian talents, discovered by its founder, Adenrele Sonariwo: Marcellina Akpojotor, Tonia Nneji, and Chidinma Nnoli. All touch on themes of family, womanhood and empowerment.

Kwesi Botchway’s Dark Purple is Everything Black (2020); Gallery 1957’s London space opened with a show by the Ghanaian artist Courtesy of Gallery 1957
The cost of doing business

Rele’s inaugural exhibition sold out within days and Essers reports that Goodman’s past few exhibitions have done well commercially, too. But running galleries on two continents is neither cheap nor straightforward. Works by African artists are often lower in price than their Western contemporaries—but rents in London, Paris and Los Angeles are steep and bills must be paid. “There has been growing interest in African artists from the global art market, which is of course throwing prices and market comparisons into the spotlight, but our focus has always been first and foremost our artists and our local audiences and collector base,” Cooke says. “We try to make our decisions based on this.”

Read more at theartnewspaper.com »

Related:

African collectors are snapping up African contemporary art (Quartz Africa)

ART TALK: Tadesse Mesfin, Tsedaye Makonnen, Addis Gezehagn & Tizta Berhanu at Dubai 2021

Learn more at addisfineart.com.

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Interview With Addisu Demissie: Senior Adviser to Joe Biden

Addisu Demissie currently serves as Senior Advisor to U.S. presidential candidate Joe Biden, and is responsible for organizing the nominating convention for the Democratic Party that is scheduled to open on August 17th, 2020 in Milwaukee, Wisconsin. (Photo: 50+1 Strategies)

Tadias Magazine

By Tseday Alehegn

Updated: August 10th, 2020

Interview With Addisu Demissie: Senior Adviser to Joe Biden

New York (TADIAS) — As the Democratic Party prepares to officially nominate Joe Biden as its candidate to become the next President of the United States, veteran campaign strategist Addisu Demissie is the person in charge of putting together the nominating convention that kicks off on August 17th in Milwaukee, Wisconsin.

The convention — one of the most anticipated American political events during a presidential election season — promises to be nothing but traditional this year amid the growing Coronavirus pandemic, which makes Addisu’s role all the more challenging and historic.

“My job is essentially to produce the convention,” Addisu told Tadias in a recent interview. “I do everything from the program, to the budget management, to fundraising, to political relations with members of Congress or with Governors or what have you.” He added: “It’s kind of a little bit of everything. No one day is like any other, that’s for sure. We’re trying to produce a convention in the midst of a pandemic. It’s gonna be nothing like anything anyone has ever done before, but we have a mission – and that is to present Joe Biden to the country. He is somebody who has been in public life for 40 years, but still people need a better sense of who he is and what he’s fighting for.”

Addisu, who is also a Principal & Co-Founder of 50+1 Strategies, a California-based consulting firm, comes armed with years of campaign experience including managing Senator Cory Booker’s 2013 Senate campaign and more recently his presidential campaign, as well as Gavin Newsom’s 2018 campaign for California governor, and working as National Director of Voter Outreach for Hillary Clinton’s 2016 presidential campaign. Addisu’s first got involved in politics when he joined Kerry’s 2004 presidential campaign prior to attending law school.

“I went back to school thinking I’d be leaving campaigns and go back to my original path, which was to be a civil rights lawyer, but I discovered that I missed the campaign,” Addisu said. “So all during law school I worked on campaigns. And then I graduated in 2008 and basically it was ‘do I go become a lawyer or do I go back into politics’ and I decided to go back to politics. Friends that I had worked with on campaigns starting in 2003 connected me and I ended up working on Obama presidential campaign’s as Get-Out-The-Vote Director in Ohio. That was really the fork in the road for me in terms of my career path.”

Below is our full interview with Addisu Demissie:

TADIAS: Please tell us a bit about yourself, where you grew up and were raised, your focus in school and college.

Addisu Demissie: I was born in Windsor in Ontario, Canada. My mother’s side is Black American and my grandmother is Black Canadian. My father’s side is Ethiopian. My dad came to Windsor to attend college and met my mother. I was raised in Toronto until the age of 11 and then became a U.S. citizen and moved to Atlanta, which became my first home in America. For high school I attended a boarding school in Massachusetts and then attended Yale for undergraduate studies. I grew up steeped in Ethiopian culture as well as American and Canadian. I’m Canadian by birth, American by choice and Ethiopian by ethnicity, history and tradition.

TADIAS: What were some early experiences that made you decide that you wanted to study political science in college, go to law school and then become active in state and national political campaigns?

Addisu: I actually started out as pre-med student in college. I was into math and sciences my whole schooling years, but I took a law class about civil rights during my sophomore year in college and I found myself liking it a lot more than I did my science classes. In my junior year I started asking myself “am I doing math and science because I’ve been doing it for 12 years or do I actually want to be a doctor or scientist?” I realized that I didn’t really want it anymore and basically took political science courses through my junior and senior years to get a political science degree. When I graduated from college I moved to Washington D.C. to work for the NAACP Legal Defense Fund. That was my first job out of college and it started me on my path in politics.

I ended up in Washington because I had taken a class in the fall semester of my senior year with a Connecticut Supreme Court Justice named Flemming Norcott, who taught a civil rights law course about Blacks and the law, which was seminal in my life and I wanted to work for the NAACP legal defense fund. By spring semester of my senior year I found a job opening at LDF and while I didn’t get the job that I had applied for in New York I received an offer from the Executive Director to work in Washington D.C.

TADIAS: You’ve worked on several presidential campaigns as well as served as Political Director of the Democratic National Committee’s Organizing for America project in 2009. What are some of the memorable highlights and lessons learned?

Addisu: I worked for the 2004 Kerry campaign before going to law school. I went back to school thinking I’d be leaving campaigns and go back to my original path, which was to be a civil rights lawyer, but I discovered that I missed campaign. So all during law school I worked on campaigns. And then I graduated in 2008 and basically it was ‘do I go become a lawyer or do I go back into politics’ and I decided to go back to politics. Friends that I had worked with on campaigns starting in 2003 connected me and I ended up becoming Obama campaign’s Get-Out-The-Vote Director in Ohio. That was really the fork in the road for me in terms of my career path.

TADIAS: As Principal of 50+1 Strategies you successfully led as Campaign Manager for Cory Booker and Gavin Newsom’s campaigns among other candidates. Can you share more about what motivated you to found your own organization?

Addisu: I started my own organization in 2011. I was getting married and my wife wanted to move to California, so I left Washington D.C. in 2010, and in the middle of 2011 I decided to start my own firm and figure out how I was going to continue working in politics and campaigns without having to keep flying to different places around the country to run campaigns. I started seeking out clients and doing it on my own. I currently have two big clients — one is the upcoming Democratic Convention and working for Biden’s campaign and the other is a new organization called More Than a Vote.

TADIAS: You are now Senior Advisor for presidential candidate Joe Biden and working on the 2020 Democratic Convention. Can you tell us more about your current work?

Addisu: My job is essentially to produce the convention, which starts on August 17th. I do everything from the program, to the budget management, to fundraising, to political relations with members of Congress or with Governors or what have you. It’s kind of a little bit of everything. No one day is like any other that’s for sure. We’re trying to produce a convention in the midst of a pandemic. It’s gonna be nothing like anything anyone has ever done before, but we have a mission – and that is to present Joe Biden to the country. He is somebody who has been in public life for 40 years, but still people need a better sense of who he is and what he’s fighting for. The job of the convention, every year, and especially this year, is to communicate that to the country and to the world. And I’m in charge of helping to make that happen.

TADIAS: You’ve also focused on fighting voter suppression with the organization More Than a Vote. Can you share more about their focus and how others can get more informed and involved?

Addisu: This is my other big client, and once the convention ends, it will be my main client as I want to put a lot of work into it for obvious reasons. I got connected through people I know who put me in touch with Maverick Carter who runs James LeBron’s organization as well as Adam Mendelsohn who is his Communications Advisor. And they had been talking about this idea with LeBron and others to have a coalition of athletes that can engage politically. They wanted someone to help lead the organization and I feel that I am the right person because you need someone who understands politics and understands campaigns and at the same time it’s as much a cultural movement as it is a political one. We’re trying to use culturally relevant figures to create politically relevant content that’s authentic, that’s grounded and real and raw. We got it off the ground in June, largely to be honest because of the murder of George Floyd and Breona Taylor and others, which galvanized athletes to action and wanted to put their voices together and lift it up, in this moment and beyond, on behalf of black people in America. So that is what we are doing. We’re building an organization just like any other, any union or political organization that exists out there to advocate for people – these are just people who have as big a platform as anyone and as loud a voice as anybody to make change. And they are ready to use it, and I’m ready to help them do it.

TADIAS: Who are the mentors who have inspired and encouraged you to blaze your trail?

Addisu: My dad obviously. He died five and half years ago. He was always supportive and proud of what I was doing. I would say he was initially confused when I switched my major from biochemistry to political science in college, and very confused when I decided to move to Iowa to work for John Kerry. I was gonna be a doctor, and then I scrapped that. And then I got a law degree and he was like “phew, he’s back on track.” Then I went back to politics and he was like “what the hell are you doing?” But I think once he saw me work for Obama and go to the White House and run Corey Booker’s campaign for Senate (the first one I ran) – he was like ‘okay I get that this is an actual career and actual profession and I appreciate it,’ and he was always great and definitely encouraging and supportive.

Professionally, Ben Jealous helped me get my first job on the Kerry campaign, and has been someone that I’ve stayed in touch with and has been helpful to me. I definitely look up to him as a justice warrior and he is a great guy. Terry McAulife, Former Governor of Virginia, who was my boss in 2004, taught me a lot about politics and about how to treat people and how to be a leader when he was the DNC Chair and I was his assistant. He has really been a great mentor to me. Corey Booker is certainly on that list too. He’s someone I look up to as a person of character. He’s a real mentor. I’ve ran his campaign for Senate and President, and he’s somebody who models good behavior as a public figure and somebody who has not compromised his values or his character to get to very high places in politics. There is this public image, and sometimes a private one as well, about the need to be a backstabbing, manipulative person to get ahead in politics and I actually don’t believe that. And Corey and Terry are proof of that. They’re just good people..people of high character, and good moral values who are in it for the right reasons. I’d like to think of myself as that and I’ve also tried to model myself after the way they conduct themselves and I definitely look up to both of them.

I’ve been lucky. I’ve had many people open doors for me like Elaine Jones when she was head of NAACP legal defense fund. My whole career wouldn’t have happened without her if she hadn’t spotted me and said, “you know what, you should go to Washington. You’ll be really good at this if you just get the opportunity.” I think I was 20 years old when I interviewed with her. Leslie Proll, who was also my boss at LDF, is someone that I still keep in touch with and who remains a big champion for me. To have people want to help you at a young age and see something in you, and want to lift you up, and put you in positions to succeed is a pretty cool thing. I’ve been lucky to have that at basically every stage of my career.

TADIAS: What do you like most about your work? What are the challenges?

Addisu: As I’ve gotten older what I really like about it is that every day I feel like I’m making a difference, which I know sounds trite, but every time I’ve tried to go into a profession or a job that doesn’t have a mission-driven basis then I fail. Money is not enough of a motivator for me, prestige is not a big enough motivator for me. I need mission. I need purpose in my professional work – what gets me up in the morning is doing mission-based work. I work 16 to17 hours a day right now because I got these two huge projects that I’m leading, but I don’t care because I love it. I feel like I’m changing the world. And when I see people like Corey introduce legislation or Gavin do something great here in California I’m like “you know what? I helped to put them there.” When Barack Obama got elected and passed the Affordable Care Act I may have had a very small piece in the broad scheme of things in doing it but I know that I did something that helped move the ball forward and that is what motivates me.

I think the challenge of this work is, first of all, there are very long and difficult hours and most of it is not glamourous. It’s very hard relational work that you put a lot of labor into, and so you’re really tired on a physical and emotional level if you do this work every day. It’s also slow, you don’t get everything that you want. You know, this moment even now that we’re in with George Floyd and the BLM movement gaining power, rightly so, it feels like I’ve seen this movie before and I’m thinking ‘is this gonna be the time where it has a different ending or not?’ I don’t know. But you gotta have hope that it is. Every once in a while you get your Affordable Care Acts, but more often than not you get nothing. And you gotta remember those wins, so that the losses that we had in 2016 or the one I had with Corey’s presidential campaign don’t land so hard, because you lose more often than you win or you get half wins. Pure victories are very rare. Election night 2008 was one of the greatest nights of my life, but I don’t think I’ve had that feeling in politics more than five times. That sort of ‘we did it’ pure, joy, bliss and feeling like we accomplished exactly what we set out to accomplish – it doesn’t happen very often. You’re reaching for that every day but in 20 years it has come five times – that’s few and far between. Oftentimes you have little wins that accumulate, and you gotta celebrate those, and ultimately something good happens at the end of the rainbow.

TADIAS: Your mission and work and the choices you made – your story is a brand new story for us. What advice would you give the young generation. What message would you share with them in terms of moving from being “interested in politics and political campaigns” to actually doing the footwork. Not just getting engaged themselves but getting communities mobilized?

Addisu: I think the key thing that I’ve learned in both doing it and now being in senior roles is how important ‘just doing it’ is. The people who stand out, and grow, and who succeed and ascend in this business, it’s a meritocracy. Hard work and throwing yourself into it and not looking for glory is what really pays off. And also, start your own thing. We’ve seen with the March for our Lives, the Women’s March that a lot of it is grassroots-driven. It’s just people saying “I’m sick of it, I’m doing it myself. I don’t know what I’m doing, but I’ll figure it out while I go along.”

The entrepreneurial spirit in our community, and many others, is there when it comes to business, but it’s not there when it comes to politics. Both Yohannes [Abraham] and I, we both started at the bottom. We didn’t try to jump in at the middle, or get jobs that have fancy titles. We were field organizers, which is the lowest on the totem pole when it comes to campaigns, but you gotta start there. Everybody starts there, that’s how you learn. That’s how you meet people. That’s how you grow your network. That’s how you get into positions that we are in right now after years of toiling. And you can’t rush that process. It happens fast if you let it happen but if you force it, it doesn’t happen. Think about Yohannes he went from being a field organizer in Iowa in 2007 to running the transition in 2020. That’s not that long, and frankly four years ago he was running the biggest office in the White House. That’s what you can actually do in this business. But you gotta start somewhere and learn it.

Tseday Alehegn is Co-Founder & Editor of Tadias.

Related:

Biden Selects Yohannes Abraham as Member of Transition Team

Interview: Helen Amelga, California Senate Field Rep & Founder of Ethiopian Democratic Club of LA

Join the conversation on Twitter and Facebook.

From Tadias Archives: African American & Ethiopia Relations

Former U.S. President Barack Obama is the first American leader to visit Ethiopia while in office. (Photo by Pete Souza / The White House)

Tadias Magazine

June 7th, 2020

Publisher/Editor’s note: Over the years Tadias has featured several original stories highlighting the long history of people to people relations between African Americans and Ethiopians dating back more than 200 years and covering literature, art history and politics. The latter aside, this friendship culminated when former U.S. President Barack Obama, America’s first Black president, became the only sitting U.S. president to visit Ethiopia and address the African Union from its headquarters in Addis Ababa five years ago this summer. In light of current events and in solidarity with the growing Black Lives Matter protest in the United States we are republishing these articles to spotlight the timeless and enduring cross-cultural relationships that were often forged under difficult historical circumstances.

Harlem: African American and Ethiopian Relations


Jazz great Duke Ellington toasts with Emperor Haile Selassie after receiving Ethiopia’s Medal of Honor in 1973. (Photo: Ethiopiancrown.org)

Tadias Magazine

By Tseday Alehegn

August 2008

New York (TADIAS) – Ethiopia stands as the oldest, continuous, black civilization on earth, and the second oldest civilization in history after China. This home of mine has been immortalized in fables, legends, and epics. Homer’s Illiad, Aristotle’s A Treatise on Government, Miguel Cervante’s Don Quixote, the Bible, the Koran, and the Torah are but a few potent examples of Ethiopia’s popularity in literature. But it is in studying the historical relations between African Americans and Ethiopians that I came to understand ‘ Ethiopia’ as a ray of light. Like the sun, Ethiopia has spread its beams on black nations across the globe. Her history is carefully preserved in dust-ridden books, in library corners and research centers. Her beauty is caught by a photographer’s discerning eye, her spirituality revived by priests and preachers. Ultimately, however, it is the oral journals of our elders that helped me capture glitters of wisdom that would palliate my thirst for a panoptic and definitive knowledge.

The term ‘Ethiopian’ has been used in a myriad of ways; it is attributed to the indigenous inhabitants of the land located in the Eastern Horn of Africa, as well as more generally denotive of individuals of African descent. Indeed, at one time, the body of water now known as the Atlantic Ocean was known as the Ethiopian Ocean. And it was across this very ocean that the ancestors of African Americans were brought to America and the ‘ New World.’

Early African American Writers

Although physically separated from their ancestral homeland and amidst the opprobrious shackles of slavery, African American poets, writers, abolitionists, and politicians persisted in forging a collective identity, seeking to link themselves figuratively if not literally to the African continent. One of the first published African American writers, Phillis Wheatly, sought refuge in referring to herself as an “Ethiop”. Wheatley, an outspoken poet, was also one of the earliest voices of the anti-slavery movement, and often wrote to newspapers of her passion for freedom. She eloquently asserted, “In every human breast God has implanted a principle, it is impatient of oppression.” In 1834 another anti-slavery poet, William Stanley Roscoe, published his poem “The Ethiop” recounting the tale of an African fighter ending the reign of slavery in the Caribbean. Paul Dunbar’s notable “Ode to Ethiopia,” published in 1896, was eventually put to music by William Grant Still and performed in 1930 by the Afro-American Symphony. In his fiery anti-slavery speech entitled “What to the Slave is the Fourth of July?” prominent black leader Frederick Douglas blazed at his opponents, “Africa must rise and put on her yet unwoven garment. Ethiopia shall stretch out her hand unto God.”

First Ethiopians Travel to America

As African Americans fixed their gaze on Ethiopia, Ethiopians also traveled to the ‘New World’ and learned of the African presence in the Americas. In 1808 merchants from Ethiopia arrived at New York’s famous Wall Street. While attempting to attend church services at the First Baptist Church of New York, the Ethiopian merchants, along with their African American colleagues, experienced the ongoing routine of racial discrimination. As an act of defiance against segregation in a house of worship, African Americans and Ethiopians organized their own church on Worth Street in Lower Manhattan and named it Abyssinia Baptist Church. Adam Clayton Powell, Sr. served as the first preacher, and new building was later purchased on Waverly Place in the West Village before the church was moved to its current location in Harlem. Scholar Fikru Negash Gebrekidan likewise notes that, along with such literal acts of rebellion, anti slavery leaders Robert Alexander Young and David Walker published pamphlets entitled Ethiopian Manifesto and Appeal in 1829 in an effort to galvanize blacks to rise against their slave masters.


Reverend Dr. Calvin O. Butts, III, current head of the Abyssinia Baptist Church in Harlem, led a delegation of 150 to Ethiopia in 2007 as part of the church’s bicentennial celebration. (Photo: At Abyssinian Baptist Church in Harlem, New York on Sunday, November 4, 2007/Tadias)

Adwa Victory & ‘Back to Africa’ Movement

When Italian colonialists encroached on Ethiopian territory and were soundly defeated in the Battle of Adwa on March 1, 1896, it became the first African victory over a European colonial power, and the victory resounded loud and clear among compatriots of the black diaspora. “For the oppressed masses Adwa…would become a cause célèbre,” writes Gebrekidan, “a metaphor for racial pride and anti-colonial defiance, living proof that skin color or hair texture bore no significance on intellect and character.” Soon, African Americans and blacks from the Caribbean Islands began to make their way to Ethiopia. In 1903, accompanied by Haitian poet and traveler Benito Sylvain, an affluent African American business magnate by the name of William Henry Ellis arrived in Ethiopia to greet and make acquaintances with Emperor Menelik. A prominent physician from the West Indies, Dr. Joseph Vitalien, also journeyed to Ethiopia and eventually became Menelik’s trusted personal physician.

For black America, the early 1900s was a time consumed with the notion of “returning to Africa,” to the source. With physical proof of the beginnings of colonial demise, a charismatic and savvy Jamaican immigrant and businessman named Marcus Garvey established his grassroots organization in 1917 under the title United Negro Improvement Association (UNIA) with branches in various states. Using the success of Ethiopia’s independence as a beacon of freedom for blacks residing in the Americas, Garvey envisioned a shipping business that would raise enough money and register members to volunteer to be repatriated to Africa. In a few years time, Garvey’s UNIA raised approximately ten million dollars and boasted an impressive membership of half a million individuals.

Notable civil rights leader Malcolm X began his autobiography by mentioning his father, Reverend Earl Little, as a staunch supporter of the UNIA. “It was only me that he sometimes took with him to the Garvey U.N.I.A. meetings which he held quietly in different people’s homes,” says Malcolm. “I can remember hearing of ‘ Africa for the Africans,’ ‘Ethiopians, Awake!’” Malcolm’s early association with Garvey’s pan-African message resonated with him as he schooled himself in reading, writing, and history. “I can remember accurately the very first set of books that really impressed me,” Malcolm professes, “J.A. Rogers’ three volumes told about Aesop being a black man who told fables; about the great Coptic Christian Empires; about Ethiopia, the earth’s oldest continuous black civilization.”

By the time the Ethiopian government had decided to send its first official diplomatic mission to the United States in 1919, Marcus Garvey had already emblazoned an image of Ethiopia into the minds and hearts of his African American supporters. “I see a great ray of light and the bursting of a mighty political cloud which will bring you complete freedom,” he promised them, and they in turn eagerly propagated his message.

The Harlem Renaissance & Emigrating to Ethiopia


A headline by the Chicago Defender announcing the arrival of the first Ethiopian diplomatic delegation to the United States on July 11, 1919.

In 1919 an official Ethiopian goodwill mission was sent to the United States, the first African delegation of diplomats, in hopes of creating amicable ties with the American people and government. The four-person delegation included Dejazmach Nadew, Ato Belanteghetta Hiruy Wolde Selassie, Kentiba Gebru, and Ato Sinkas. Having been acquainted with African Americans such as businessman William Ellis, Kentiba Gebru, the mayor of Gondar, made a formal appeal during his trip for African Americans to emigrate to Ethiopia. Arnold Josiah Ford, a Harlem resident from Barbados, had an opportunity to meet the 1919 Ethiopian delegation. Having already heard of the existence of black Jews in Ethiopia, Ford established his own synagogue for the black community soon after meeting the Ethiopian delegation. Along with a Nigerian-born bishop named Arthur Wentworth Matthews, Ford created the Commandment Keepers Church on 123rd Street in Harlem and taught the congregation about the existence of black Jews in Ethiopia. Meanwhile, in the international spotlight, 1919 was the year the League of Nations was created, of which Ethiopia became the first member from the African continent. The mid 1900s gave birth to the Harlem Renaissance. With many African Americans migrating to the north in search of a segregation-free life, and a large contention of black writers, actors, artists and singers gathering in places like Harlem, a new culture of black artistic expression thrived. Even so, the Harlem Renaissance was more than just a time of literary discussions and hot jazz; it represented a confluence of creativity summoning forth the humanity and pride of blacks in America – a counterculture subverting the grain of thought ‘separate and unequal.’


Commandment Keepers Synagogue. (Photography by Chester Higgins. ©chesterhiggins.com)

As in earlier times, the terms ‘Ethiopian’ and ‘Ethiop’ continued to be utilized by Harlem writers and poets to instill black pride. In other U.S. cities like Chicago, actors calling themselves the ‘National Ethiopian Art Players’ performed The Chip Woman’s Fortune by Willis Richardson, the first serious play by a black writer to hit Broadway.

In 1927, Ethiopia’s Ambassador to London, Azaj Workneh Martin, arrived in New York and appealed once again for African American professionals to emigrate and work in Ethiopia. In return they were promised free land and high wages. In 1931 the Emperor granted eight hundred acres for settlement by African Americans, and Arnold Josiah Ford, bishop of the Commandment Keepers Church, became one of the first to accept the invitation. Along with sixty-six other individuals, Ford emigrated and started life anew in Ethiopia.

Ethiopian Students in America: Mobilizing Support

In November 1930, Haile Selassie was coronated as Emperor of Ethiopia. The event blared on radios, and Harlemites heard and marveled at the ceremonies of an African king. The emperor’s face glossed the cover of Time Magazine, which remarked on black news outlets in America hailing the king “as their own.” African American pilot Hubert Julian, dubbed “The Black Eagle of Harlem,” had visited Ethiopia and attended the coronation. Describing the momentous occasion to Time Magazine, Hubert rhapsodized:

“When I arrived in Ethiopia the King was glad to see me… I took off with a French pilot… We climbed to 5,000 ft. as 50,000 people cheered, and then I jumped out and tugged open my parachute… I floated down to within 40 ft. of the King, who incidentally is the greatest of all modern rulers… He rushed up and pinned the highest medal given in that country on my breast, made me a colonel and the leader of his air force — and here I am!”

Joel Augustus Rogers, famed author and correspondent for New York’s black newspaper Amsterdam News, also covered the Coronation of Haile Selassie and was likewise presented with a coronation medal.

After his official coronation, Emperor Haile Selassie sent forth the first wave of Ethiopian students to continue their education abroad. Melaku Beyan was a member of the primary batch of students sent to America in the 1930s. He attended Ohio State University and later received his medical degree at Howard Medical School in Washington, D.C. During his schooling years at Howard, he forged lasting friendships with members of the black community and, at Emperor Haile Selassie’s request, he endeavored to enlist African American professionals to work in Ethiopia. Beyan was successful in recruiting several individuals, including teachers Joseph Hall and William Jackson, as well as physicians Dr. John West and Dr. Reuben S. Young, the latter of whom began a private practice in Ethiopia’s capital, Addis Ababa, prior to his official assignment as a municipal health officer in Dire Dawa.


African American professionals in Addis Ababa – 1942: Kneeling, left to right, Andrew Howard Hester, Edward Eugene Jones, Edgar E. Love. Standing, left to right, David Talbot, Thurlow Evan Tibbs, James William Cheeks, the Reverend Mr. Hamilton, John Robinson, Edgar D. Draper (Photo: Crown Council of Ethiopia)

Italo-Ethiopian War 1935-1941

beyan1.jpg
Melaku Beyan

By the mid 1930s the Emperor had sent a second diplomatic mission to the U.S. Vexed at Italy’s consistently aggressive behavior towards his nation, Haile Selassie attempted to forge stronger ties with America. Despite being a member of the League of Nations, Italy disregarded international law and invaded Ethiopia in 1935. The Ethiopian government appealed for support at the League of Nations and elsewhere, through representatives such as the young, charismatic speaker Melaku Beyan in the United States. Beyan had married an African American activist, Dorothy Hadley, and together they created a newspaper called Voice of Ethiopia to simultaneously denounce Jim Crow in America and fascist invasion in Ethiopia. Joel Rogers, the correspondent who had previously attended the Emperor’s coronation, returned to Ethiopia as a war correspondent for The Pittsburgh Courier, then America’s most widely-circulated black newspaper. Upon returning to the United States a year later, he published a pamphlet entitled The Real Facts About Ethiopia, a scathing and uncompromising report on the destruction caused by Italian troops in Ethiopia. Melaku Beyan used the pamphlet in his speaking tours, while his wife Dorothy designed and passed out pins that read “Save Ethiopia.”

In Harlem, Chicago, and various other cities African American churches urged their members to speak out against the invasion. Beyan established at least 28 branches of the newly-formed Ethiopian World Federation, an organ of resistance calling on Ethiopians and friends of Ethiopia throughout the United States, Europe, and the Caribbean. News of Ethiopia’s plight fueled indignation and furious debates among African Americans. Touched by the Emperor’s speech at the League of Nations, Roger’s accounts, and Melaku’s impassioned message, blacks vowed to support Ethiopia. Still others wrote letters to Haile Selassie, some giving advice, others support and commentary. “I pray that you will deliver yourself from crucifixion,” wrote one black woman from Los Angeles, “and show the whites that they are not as civilized as they loudly assert themselves to be.”

Although the United States was not officially in support of Ethiopia, scores of African Americans attempted to enlist to fight in Ethiopia. Unable to legally succeed on this front, several individuals traveled to Ethiopia on ‘humanitarian’ grounds. Author Gail Lumet Buckley cites two African American pilots, John Robinson and the ‘Black Eagle of Harlem’ Hubert Julian, who joined the Ethiopian Air Force, then made up of only three non-combat planes. John Robinson, a member of the first group of black students that entered Curtis Wright Flight School, flew his plane delivering medical supplies to different towns across the country. Blacks in America continued to stand behind the Emperor and organized medical supply drives from New York’s Harlem Hospital. Melaku Beyan and his African American counterparts remained undeterred for the remainder of Ethiopia’s struggle against fascism. In 1940, a year before Ethiopia’s victory against Italy, Melaku Beyan succumbed to pneumonia, which he had caught while walking door-to-door in the peak of winter, speaking boldly about the war for freedom in Ethiopia.

colonerobinson1_inside.jpg
Above: Colonel John C. Robinson arrives in Chicago after heroically
leading the Ethiopian Air Force against the invading Mussolini’s
Italian forces.
(Photo via Ethiopiancrown.org)

Lasting Legacies: Ties That Bind

Traveling through Harlem in my mind’s eye, I see the mighty organs of resistance that played such a pivotal role in “keeping aloft” the banner of Ethiopia and fostering deep friendships among blacks in Africa and America. I envision the doors Melaku Beyan knocked on as he passed out pamphlets; the pulpits on street corners where Malcolm X stood preaching about the strength and beauty of black people, fired up by the history he read. The Abyssinia Baptist Church stands today bigger and bolder, and inside you find the most exquisite Ethiopian cross, a gift from the late Emperor Haile Selassie to the people of Harlem and a symbol of love and gratitude for their support and friendship.


Left, Emperor Haile Selassie presenting the cross to Reverend Adam Clayton Powell, Jr., on May 27, 1954. (Photography by Marvin Smith). Right, Rev. Dr. Calvin Butts, the current head of the Abyssinia Baptist Church.

Several Coptic churches line the streets of Harlem, and the ancient synagogue of the Commandment Keepers established by Arnold Ford continues to have Sabbath services. The offices of the Amsterdam News are still as busy as ever, recording and recounting the past and present state of black struggles. Over the years, the Schomburg Center for Research in Black Culture has carefully preserved the photographic proofs of the ties that bind African Americans and Ethiopians, just in case the stories told are too magical to grasp.The name ‘Ethiopia’ conjures a kaleidoscope of images and verbs. In researching the historical relations between African Americans and Ethiopians, I learned that Ethiopia is synonymous with ‘freedom,’ ‘black dignity’ and ‘self-worth.’ In the process, I looked to my elders and heeded the wisdom they have to share. In his message to the grassroots of Detroit, Michigan, Malcolm X once asserted, “Of all our studies, history is best qualified to reward our research.” It is this kernel of truth that propelled me to share this rich history in celebration of Black History Month and the victory of Adwa.

In attempting to understand what Ethiopia really means, I turn to Ethiopia’s Poet Laureate Tsegaye Gabre-Medhin. “The Ethiopia of rich history is the heart of Africa’s civilization,” he said. “She is the greatest example of Africa’s pride. Ethiopia means peace. The word ‘ Ethiopia’ emanates from a connection of three old Egyptian words, Et, Op and Bia, meaning truth and peace, up and upper, country and land. Et-Op-Bia is land of upper truth or land of higher peace.”


Poet Laureate Tsegaye Gebremedhin reading an article about him on the 10th issue of Tadias Magazine, which was dedicated to African American & Ethiopia Relations. (Photo © Chester Higgins, Jr.)

This is my all-time, favorite definition of Ethiopia, because it brings us back to our indigenous roots: The same roots that African Americans and the diaspora have searched for; the same roots from which we have sprung and grown into individuals rich in confidence. Welcome to blackness. Welcome to Ethiopia!

The Case of Melaku E. Bayen and John Robinson: Ethiopia, America and the Pan-African Movement


Photo: Melaku E. Beyan. (Wikimedia)

Tadias Magazine

By Ayele Bekerie, PhD

Updated: April 18th, 2007

New York (TADIAS) — Seventy two years ago, African Americans of all classes, regions, genders, and beliefs expressed their opposition to and outrage over the Italian invasion of Ethiopia in various forms and various means. The invasion aroused African Americans – from intellectuals to common people in the street – more than any other Pan-African-oriented historical events or movements had. It fired the imagination of African Americans and brought to the surface the organic link to their ancestral land and peoples.

1935 was indeed a turning point in the relations between Ethiopia and the African Diaspora. Harris calls 1935 a watershed in the history of African peoples. It was a year when the relations substantively shifted from symbolic to actual interactions. The massive expression of support for the Ethiopian cause by African Americans has also contributed, in my opinion, to the re-Africanization of Ethiopia. This article attempts to examine the history of the relations between Ethiopians and African Americans by focusing on brief biographies of two great leaders, one from Ethiopia and another one from African America, who made extraordinary contributions to these relations.

It is fair to argue that the Italo-Ethiopian War in the 1930s was instrumental in the rebirth of the Pan-African movement. The African Diaspora was mobilized in support of the Ethiopian cause during both the war and the subsequent Italian occupation of Ethiopia. Italy’s brutal attempt to wipe out the symbol of freedom and hope to the African world ultimately became a powerful catalyst in the struggle against colonialism and oppression. The Italo-Ethiopian War brought about an extraordinary unification of African people’s political awareness and heightened level of political consciousness. Africans, African Americans, Afro-Caribbean’s, and other Diaspora and continental Africans from every social stratum were in union in their support of Ethiopia, bringing the establishment of “global Pan-Africanism.” The brutal aggression against Ethiopia made it clear to African people in the United States that the Europeans’ intent and purpose was to conquer, dominate, and exploit all African people. Mussolini’s disregard and outright contempt for the sovereignty of Ethiopia angered and reawakened the African world.

Response went beyond mere condemnation by demanding self-determination and independence for all colonized African people throughout the world. For instance, the 1900-1945 Pan-African Congresses regularly issued statements that emphasized a sense of solidarity with Haiti, Ethiopia, and Liberia, thereby affirming the importance of defending the sovereignty and independence of African and Afro-Caribbean states. A new generation of militant Pan-Africanists emerged who called for decolonization, elimination of racial discrimination in the United States, African unity, and political empowerment of African people.

One of the most significant Pan-Africanist Conferences took place in 1945, immediately after the defeat of the Italians in Ethiopia and the end of World War II. This conference passed resolutions clearly demanding the end of colonization in Africa, and the question of self-determination emerged as the most important issue of the time. As Mazrui and Tidy put it: “To a considerable extent the 1945 Congress was a natural outgrowth of Pan-African activity in Britain since the outbreak of the Italo-Ethiopian War.”

Another of the most remarkable outcomes of the reawakening of the African Diaspora was the emergence of so many outstanding leaders, among them the Ethiopian Melaku E. Bayen and the African American John Robinson. Other outstanding leaders were Willis N. Huggins, Arnold Josiah Ford, and Mignon Innis Ford, who were active against the war in both the United States and Ethiopia. Mignon Ford, the founder of Princess Zenebe Work School, did not even leave Ethiopia during the war. The Fords and other followers of Marcus Garvey settled in Ethiopia in the 1920s. Mignon Ford raised her family among Ethiopians as Ethiopians. Her children, fluent speakers of Amharic, have been at home both in Ethiopia and the United States.

Pan-Africanists in Thoughts & Practice

Melaku E. Bayen, an Ethiopian, significantly contributed to the re-Africanization of Ethiopia. His noble dedication to the Pan-African cause and his activities in the United States helped to dispel the notion of “racial fog” that surrounded the Ethiopians. William R. Scott expounded on this: “Melaku Bayen was the first Ethiopian seriously and steadfastly to commit himself to achieving spiritual and physical bonds of fellowship between his people and peoples of African descent in the Americas. Melaku exerted himself to the fullest in attempting to bring about some kind of formal and continuing relationship designed to benefit both the Ethiopian and Afro-American.” To Scott, Bayen’s activities stand out as “the most prominent example of Ethiopian identification with African Americans and seriously challenges the multitude of claims which have been made now for a long time about the negative nature of Ethiopian attitudes toward African Americans.”

The issues raised by Scott and the exemplary Pan-Africanism of Melaku Bayen are useful in establishing respectful and meaningful relations between Ethiopia and the African Diaspora. They dedicated their entire lives in order to lay down the foundation for relations rooted in mutual understanding and historical facts, free of stereotypes and false perceptions. African American scholars, such as William Scott, Joseph E. Harris, and Leo Hansberry contributed immensely by documenting the thoughts and activities of Bayen, both in Ethiopia and the United States.

Melaku E. Bayen was raised and educated in the compound of Ras Mekonnen, then the Governor of Harar and the father of Emperor Haile Selassie. He was sent to India to study medicine in 1920 at the age of 21 with permission from Emperor Haile Selassie. Saddened by the untimely death of a young Ethiopian woman friend, who was also studying in India, he decided to leave India and continue his studies in the United States. In 1922, he enrolled at Marietta College, where he obtained his bachelor’s degree. He is believed to be the first Ethiopian to receive a college degree from the United Sates.

Melaku started his medical studies at Ohio State University in 1928, then, a year later, decided to transfer to Howard University in Washington D.C. in order to be close to Ethiopians who lived there. Melaku formally annulled his engagement to a daughter of the Ethiopian Foreign Minister and later married Dorothy Hadley, an African American and a great activist in her own right for the Ethiopian and pan-Africanist causes. Both in his married and intellectual life, Melaku wanted to create a new bond between Ethiopia and the African Diaspora.

Melaku obtained his medical degree from Howard University in 1936, at the height of the Italo-Ethiopian War. He immediately returned to Ethiopia with his wife and their son, Melaku E. Bayen, Jr. There, he joined the Ethiopian Red Cross and assisted the wounded on the Eastern Front. When the Italian Army captured Addis Ababa, Melaku’s family went to England and later to the United States to fully campaign for Ethiopia.

Schooled in Pan-African solidarity from a young age, Melaku co-founded the Ethiopian Research Council with the late Leo Hansberry in 1930, while he was student at Howard. According to Joseph Harris, the Council was regarded as the principal link between Ethiopians and African Americans in the early years of the Italo-Ethiopian conflict. The Council’s papers are housed at the Moorland-Spingarn Research Center at Howard University. At present, Professor Aster Mengesha of Arizona State University heads the Ethiopian Research Council. Leo Hansberry was the recipient of Emperor Haile Selassie’s Trust Foundation Prize in the 1960s.

Melaku founded and published the Voice of Ethiopia, the media organ of the Ethiopian World Federation and a pro-African newspaper that urged the “millions of the sons and daughters of Ethiopia, scattered throughout the world, to join hands with Ethiopians to save Ethiopia from the wolves of Europe.” Melaku founded the Ethiopian World Federation in 1937, and it eventually became one of the most important international organizations, with branches throughout the United States, the Caribbean, and Europe. The Caribbean branch helped to further solidify the ideological foundation for the Rasta Movement.

Melaku died at the age of forty from pneumonia he contracted while campaigning door-to-door for the Ethiopian cause in the United States. Melaku died in 1940, just a year before the defeat of the Italians in Ethiopia. His tireless and vigorous campaign, however, contributed to the demise of Italian colonial ambition in Ethiopia. Melaku strove to bring Ethiopia back into the African world. Melaku sewed the seeds for a “re-Africanization” of Ethiopia. Furthermore, Melaku was a model Pan-Africanist who brought the Ethiopian and African American people together through his exemplary work and his remarkable love and dedication to the African people.

Another heroic figure produced by the anti-war campaign was Colonel John Robinson. It is interesting to note that while Melaku conducted his campaign and died in the United States, the Chicago-born Robinson fought, lived, and died in Ethiopia.

robinson.jpg
Above: John Robinson

When the Italo-Ethiopian War erupted, he left his family and went to Ethiopia to fight alongside the Ethiopians. According to William R. Scott, who conducted thorough research in documenting the life and accomplishments of John Robinson, wrote about Robinson’s ability to overcome racial barriers to go to an aviation school in the United States. In Ethiopia, Robinson served as a courier between Haile Selassie and his army commanders in the war zone. According to Scott, Robinson was the founder of the Ethiopian Air Force. He died in a plane crash in 1954.

Scott makes the following critical assessment of Robinson’s historical role in building ties between Ethiopia and the African Diaspora. I quote him in length: “Rarely, if ever, is there any mention of John Robinson’s role as Haile Selassie’s special courier during the Italo-Ethiopian conflict. He has been but all forgotten in Ethiopia as well as in Afro-America. [Ambassodor Brazeal mentioned his name at the planting of a tree to honor the African Diaspora in Addis Ababa recently.] Nonetheless, it is important to remember John Robinson, as one of the two Afro-Americans to serve in the Ethiopia campaign and the only one to be consistently exposed to the dangers of the war front.

Colonel Robinson stands out in Afro-America as perhaps the very first of the minute number of Black Americans to have ever taken up arms to defend the African homeland against the forces of imperialism.”

John Robinson set the standard in terms of goals and accomplishments that could be attained by Pan-Africanists. Through his activities, Robinson earned the trust and affection of both Ethiopians and African Americans. Like Melaku, he made concrete contributions to bring the two peoples together. He truly built a bridge of Pan African unity.

It is our hope that the youth of today learn from the examples set by Melaku and Robinson, and strive to build lasting and mutually beneficial relations between Ethiopia and the African Diaspora. As we celebrate Black History Month in the United States, let us recommit ourselves to Pan-African principles and practices with the sole purpose of empowering African people. The Ethiopian American community ought to empower itself by forging alliances with African Americans in places such as Washington D.C. We also urge the Ethiopian Government to, for now, at least name streets in Addis Ababa after Bayen and Robinson.

I would like to conclude with Melaku’s profound statement: “The philosophy of the Ethiopian World Federation is to instill in the minds of the Black people of the world that the word Black is not to be considered in any way dishonorable but rather an honor and dignity because of the past history of the race.”

To further explore the history of Ethiopian & African American relations, consult the following texts:

• Joseph E. Harris’s African-American Reactions to War in Ethiopia 1936-1941(1994).

• William R. Scott’s The Sons of Sheba’s Race: African-Americans and the Italo- Ethiopian War, 1935-1941. (2005 reprint).

• Ayele Bekerie’s “African Americans and the Italo-Ethiopian War,” in Revisioning Italy: National Identity and Global Culture (1997).

• Melaku E. Bayen’s The March of Black Men (1939).

• David Talbot’s Contemporary Ethiopia (1952).

In Pictures: Harlem Rekindles Old Friendship With Ethiopia


This photograph of Emperor Haile Selassie was presented by Abyssinian members as an appreciation gift to Reverend Butts. (Photo: Tadias)

Tadias Magazine

By Tadias Staff

November 6, 2007.

New York - Members of Harlem’s legendary Abyssinian Baptist Church congregated together on Sunday, November 4th to describe their recent travel to Ethiopia and to brainstorm ways in which they could play a meaningful role in the nation’s economic and social development.

It was the first time that the group had met since their return from their historic trip. The church sent 150 delegates to Ethiopia this fall as part of its bicentennial celebration and in honor of the Ethiopian Millennium.

The meeting officially opened with Abyssinian members presenting an appreciation gift to Reverend Butts – a photograph of Haile Selassie, which they believe to be the Emperor celebrating the 25th anniversary of his reign. The photo had recently been purchased in Addis Ababa, after having been discovered lying covered in dust in a back room at one of the local shops (souks), according to church members who presented the gift.

Reverend Butts thanked the members and reiterated how much he enjoyed his stay in Ethiopia. “We are focusing on Ethiopia,” Butts said, “because our church is named after this nation. We also believe that Ethiopia is the heart of Africa. What happens here may be replicated elsewhere on the continent. It is the seat of the African Union.”


Raymond Goulbourne, Executive Vice President of Media Sales at B.E.T. He is already thinking about purchasing a home in the old airport area of Addis Ababa and starting a flower farm business with Ethiopian partners. (Photo: Tadias)


Adrienne Ingrum, Publishing Consultant and Book Packager, chats with Tseday Alehegn, Editor of Tadias Magazine. Ms. Ingrum is working on a proposal to create a writers cultural exchange program. (Photo: Tadias)

Both local Ethiopian media and the U.S. press had given coverage to the congregation’s two-week journey. While in Ethiopia, Reverend Butts received an honorary degree from Addis Ababa University. The celebration included liturgical music chanted by Ethiopian Orthodox priests, manzuma and zikir performed in the Islamic tradition, and Gospel music by the Abyssinian Church Choir.


Jamelah Arnold, member of the Abyssinian Baptist Church delegation to Ethiopia. (Photo: Tadias)

The Abyssinian Church members visited schools, hospitals and NGOs in addition to touring towns and cities in Northern Ethiopia and Addis Ababa.

As they discussed various charity work, Reverend Butts encouraged the group to brainstorm ideas on how to make the maximum impact through volunteer work guided by the Abyssinian Baptist Church. Reverend Butts also shared the invitation that he had received from the Ethiopian Government to make a second group trip back to Ethiopia with the intention of meeting business men and women with whom they could start joint business ventures.

“We should think about the economic impact that our trip has made – we have invested close to $8 million dollars and we focus not just on charity but also on developing business opportunities.”

A spokesperson from the Ethiopian Mission to the United Nations addressed the group and mentioned the recent reorganization of Ethiopia’s foreign ministry, which now includes a “Business and Economy Department” that focuses on joint business ventures.


Ethiopian-American social entrepreneur Abaynesh Asrat (middle), Founder and CEO of Nation to Nation Networking (NNN), accompanied the group during their Ethiopia trip. (Photo: Tadias)

In addition, an initiative to involve more youth in volunteer work in Ethiopia was presented. Possible charity work suggested by the Abyssinian Baptist Church members included providing soccer uniforms for a team in Lalibela, assisting NGO work in setting up mobile clinics, aiding priests in their quest to preserve and guard ancient relics, creating a writers cultural exchange program, providing young athletes with running shoes, and improving education and teacher training.

Reverend Butts reminded the audience that civic participation is also another avenue that the church could focus on.

“Our ability to influence public policy – this too will be a great help to Ethiopia,” he said.

“We should write our congressmen and senators and let them know that we’re interested in seeing economic and social projects with Ethiopia’s progress in mind.”


Brenda Morgan. (Photo: Tadias)


Sheila Dozier, Edwin Robinson, and Dr. Martha Goodson. (Photo: Tadias)

Reverend Butts thanked his congregation for sharing their ideas and experiences and expressed his hope to once again make a return pilgrimmage to do meaningful work in Ethiopia. Perhaps, even set up a permanent center from where the work of the Abyssinian Baptist Church could florish from one generation to another.

In 1808, after refusing to participate in segregated worship services at a lower Manhattan church, a group of free Africans in America and Ethiopian sea merchants formed their own church, naming it Abyssinian Baptist Church in honor of Abyssinia, the former name of Ethiopia.

In 1954, former Ethiopian Emperor, Haile Selassie I, presented Abyssinian’s pastor, Rev. Adam Clayton Powell, Jr., with the Ethiopian Coptic Cross. This cross has since become the official symbol of the church.


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President Obama Becomes First Sitting U.S. President to Visit Ethiopia

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Sofia Kifle and the Jazz Experience: Go See the Music!

Painting by Sofia Kifle. (Courtesy of the artist)

Tadias Magazine

By Tseday Alehegn

Updated: January 30th, 2020

New York (TADIAS) — The Hill Center Galleries in Washington D.C. is currently showcasing a sensational exhibit titled ‘The Jazz Experience’ curated by visual artist Sofia Kifle in collaboration with her brother, Gediyon Kifle, who is a photographer. For Sofia, her latest exhibit fuses together her two lifelong passions – music and art.

Having arrived in America in the early 1980s to pursue a college degree, and encouraged by her mother to major in business, Sofia enrolled at Mary Baldwin University in Virginia. Sofia recalled struggling through her first two years in her technical studies until she chose to enroll in a theatre course, which re-ignited her interest in the creative arts.

“Growing up in Ethiopia I had been inspired by my uncle, Fasil Dawit, who is an artist. I was always keen on learning more from him. But with family members who stressed the importance of getting a practical education, I initially put aside my creative interests,” Sofia shares. Once she started focusing on her theatre studies and also taking elective courses in studio art Sofia became more certain that she wanted to work as a visual artist, and subsequently earning an MFA at Howard University while studying with the late Ethiopian artist Eskinder Bogosian after completing her undergraduate studies as a double-major in Theatre and Arts Management.

Sofia’s first exhibition in the 90s featured Jazz as an African American art form with her works including paintings inspired by Billie Holiday’s “Strange Fruit,” and Miles Davis’ “So What” musical compositions.

“I’m not a musician,” says Sofia, “I’m a listener. And I try to come close to the music whether it’s jazz or classical.”

So how does it feel now to come full circle and have a joint jazz-based art exhibit with her brother?

“I really admire Gediyon as a photographer. He has the emotional eye in photography and passion for jazz” she responds. “I started with a jazz exhibit and now re-focusing on my love of jazz. It’s a blessing to be able to delve so deeply into a culture other than my own and also be able to share how to ‘see’ the music and not just hear it.”

Emphasizing that she conducts extensive research on concepts prior to painting about it, Sofia also notes that her endeavors are not about “repeating the message of the composers” but rather “understanding the human connection and emotion.” That’s precisely the experience she has curated in her current exhibition, which she worked on through the whole of 2019 after reflecting solely on rhythm and movement in the year prior. She then compiled her jazz paintings alongside photographs taken by Gediyon Kifle over a broader period of time.

While Sofia has also immersed herself in developing an extensive series of artworks such as the 2014 Visual Narrative 100 — consisting of the artist completing one painting a day for a hundred days with the last piece of work in the series called ‘2017 Suspended Movement 100’ presented as a blank, untouched canvas — she has also worked on and presented art for a global human rights dialogue. The non-profit Vital Voices, focusing on women’s economic and political empowerment is one of several examples with Mimi Wolford, the Founder/Curator of the MBARI Institute for Contemporary African Art in Washington, DC, assisting in exhibited Sofia’s work in Cape Town, South Africa. Sofia’s paintings have been exhibited at various institutions including the University of North Carolina Wilmington and Westfield State College, as well as via programs such as Art in Embassies and the D.C. Commission of the Arts. Sofia has also participated in the Artists for Fistula initiative where donated artwork helped raise community-based funds to build fistula hospitals in Ethiopia. In addition, her paintings are part of the Art of Ethiopia Catalogue.


Paintings by Sofia Kifle. (Courtesy of the artist)

For Sofia painting consists of “infinite possibilities to create beauty” and in addition to music she considers dance, literature, and poetry as well as her hobby of reading in the field of behavioral sciences as muses for her work as a visual artist. Although she is inspired by a diverse range of poets, writers and artists including Gebrekristos Desta, Federico Garcia Lorca, Fernando Pessoa, Rainer Maria Rilke, Rumi, and Haruki Murakami – who have all helped her in understanding human behavior – she shares that she never wanted to follow or repeat what somebody was doing. “I never even want to repeat myself,” she shares.

Her message is clear: “You have to have some kind of passion for yourself. Life can be repetitive – you wake up, eat, work and come home — but also remember that everything is constantly changing.” She adds: “Everybody thinks everything is permanent, but it’s not. We are creating movement and moments, and for me, music calls me in deeply to sense that feelings are not just sentiments but emotional understanding as well as knowledge. At the same time competition with myself on the canvas really helps me grow.”

Sofia’s next art series will continue her passion for studying jazz and delve into John Coltraine’s “Alabama” composition.

The Jazz Experience exhibit at The Hill Center Galleries in Washington D.C. ends on February 1st. Go see it before it closes. Go “see” the music!

‘The Music’ is her last painting series for 2019

Watch: The Jazz Experience show by Gediyon and Sofia Kifle


Tseday Alehegn is Co-Founder & Editor of Tadias.

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‘Congratulations Madam President’: Reactions to Ethiopia’s Historic Week

Ethiopia's new president Sahle-Work Zewde. (Photo twitted by Fitsum Arega, Chief of Staff, PM's office)

Tadias Magazine
By Tadias Staff

Updated: October 29th, 2018

New York (TADIAS) — “Congratulations Madam President,” many tweeted and posted on social media around the world to express their praise and good wishes to Ms. Sahle-Work Zewde, a former senior United Nations official, who became Ethiopia’s first female president last week.

“It represents me, it represents young woman and my mom and my sisters,” a young lady tells BBC News Africa as the news agency gathered street reactions on Friday in Ethiopia’s capital.

The news of Zewde’s appointment was announced early Thursday morning in a series of tweets by PM Abiy Ahmed’s Chief of Staff, Fitsum Arega, generating immediate global media interest. Fitsum tweeted: “In a patriarchal society such as ours, the appointment of a female head of state not only sets the standard for the future but also normalizes women as decision-makers in public life.”

Ethiopia’s parliamentary approval of President Sahle-Work Zewde on October 25th also came on the heels of the previous week’s equally stunning appointment of a cabinet comprising of 50% female MPs, including at the Ministry of Peace, which controls the country’s intelligence agency and security forces.

In her acceptance speech to Parliament President Sahle-Work highlighted the need to uplift women and to shape a “society that rejects the oppression of women.” She stated: “I am a product of people who fought for equality and political freedom in this country, and I will work hard to serve them.” She added: “If you thought I spoke a lot about women already, know that I am just getting started.”

Global reactions on social media shared the enthusiasm of Ethiopians. “Congratulations to Sahle-Work Zewde & to Ethiopians, on your first woman president & new cabinet in which women ministers head key departments,” said the Secretary-General of the UN, António Guterres, in his own Twitter post. “The African continent is leading the way in showcasing that women’s engagement and leadership are crucial to lasting peace.”

UK’s Prime Minister Theresa May noted: “Congratulations to President Sahle-Work Zewde on being elected the first female President of Ethiopia – a strong symbol of growing female empowerment in Africa.”

And U.S. Embassy Addis chimed in: “Congratulations to Ambassador Sahelwork Zewde on her selection as Ethiopia’s first woman President. We welcome her appointment not because of her gender but in recognition of her many years of experience and leadership in public service. No society succeeds by excluding people from participation. We see the Ethiopian government focus on including women in leadership roles as a strong signal of commitment to build an inclusive political system where leaders attain their positions based on their ability to lead.”

Yohannes Gedamu, an Ethiopian-American lecturer of Political Science at Georgia Gwinnett College in Lawrenceville, GA, pointed out:

With this appointment, Zewde also became the second woman in the country’s modern history to serve as head of state. Ethiopia’s last female leader before Zewde was Empress Zewditu, who had governed the country between 1916-1930.”…This appointment is unquestionably momentous and groundbreaking…Anyone who serves in that role gets the opportunity to build a personal legacy, and leave their mark in the country’s history. The head of state also presides over special parliamentary sessions and delivers speeches on the parliament opening sessions where he or she presents what the priorities of the government should be. Having a woman take over such a revered office is undoubtedly going to inspire millions of Ethiopian women.

Yohannes, whose article is titled ‘Ethiopia’s First Female President Can Be a Force for Reform,’ also emphasized Sahle-Work’s final role at the UN as being arguably the most important. “She was the first woman to be appointed by the international body as special representative to the African Union and head of the United Nations Office to the African Union, a role she served at the level of Under-Secretary-General.”

Below are photos and related news links:


Related:
Who is Sahle-Work Zewde, Ethiopia’s first female president? (By Elias Gebreselassie)
Former UN Official Sahle-Work Zewde Becomes Ethiopia’s First Female President
The Power of Ethiopia’s Gender-Balanced Cabinet
In Ethiopian leader’s new cabinet, half the ministers are women (The Washington Post)

Spotlight: Helen Show on Professional Women and Motherhood (Video)


The latest episode of the Helen Show on EBS TV features a timely topic: professional women
and motherhood. The show’s host Helen Mesfin speaks with Mimi Hailegiorghis, who is
a Department Head of Systems Performance Engineering at Mitre Corporation, & Tseday Alehegn,
Co-Founder and Editor-in-Chief of Tadias Magazine.

Join the conversation on Twitter and Facebook. ‘

Former UN Official Sahle-Work Zewde Becomes Ethiopia’s First Female President

Sahle-Work Zewde leaves Parliament after being elected as Ethiopia's first female president, in Addis Ababa on Oct. 25, 2018. (Getty Images)

The Washington Post

By Paul Schemm

Ethiopia appoints first female president in its modern history in latest reform

ADDIS ABABA, Ethi­o­pia — Ethiopia’s Parliament on Thursday approved the East African country’s first female president, Sahle-Work Zewde, a veteran of the United Nations and the diplomatic corps.

The position of president is ceremonial in Ethiopia, with executive power vested in the office of the prime minister. But the appointment is deeply symbolic and follows up on last week’s cabinet reshuffle. Half the ministers are now women in Africa’s second-most populous country.

“In a patriarchal society such as ours, the appointment of a female head of state not only sets the standard for the future but also normalizes women as decision-makers in public life,” tweeted Fitsum Arega, the prime minister’s chief of staff and de facto government spokesman.

Parliament accepted the resignation of Mulatu Teshome, who had served as president since 2013.

In remarks to Parliament after she took her oath of office, Sahle-Work emphasized the importance of respecting women and the need to build a “society that rejects the oppression of women.” She also promised to work for peace and unity in the country.

Read more »


Related:
‘Congratulations Madam President’: Reactions & Pictures to Ethiopia’s Historic Week
The Power of Ethiopia’s Gender-Balanced Cabinet
In Ethiopian leader’s new cabinet, half the ministers are women (The Washington Post)

Spotlight: Helen Show on Professional Women and Motherhood (Video)


The latest episode of the Helen Show on EBS TV features a timely topic: professional women
and motherhood. The show’s host Helen Mesfin speaks with Mimi Hailegiorghis, who is
a Department Head of Systems Performance Engineering at Mitre Corporation, & Tseday Alehegn,
Co-Founder and Editor-in-Chief of Tadias Magazine.

Join the conversation on Twitter and Facebook.

Ethiopia’s Gender-Balanced Cabinet

Ethiopia's gender balanced cabinet is sending women around the country a clear message: the patriarchy can be beaten...PM Abiy's new cabinet has a tremendous transformative potential to end Ethiopian women's experience of invisibility and the silencing of their voice and capacity, writes Awol K Allo, a Lecturer in Law at Keele University, UK. (Photo: Reuters)

By Awol K Allo

The Power of Ethiopia’s Gender-Balanced Cabinet

Ethiopia’s Prime Minister Abiy Ahmed is drawing admiration from all corners for his transformative leadership. Since coming to power six months ago, he has released political prisoners, widened the democratic space, ended the military stalemate with Eritrea, and averted a looming financial crisis. In short, his dynamic leadership, energy, and enthusiasm have pulled off what a Washington Post editorial described as an “astonishing turnaround” for the country.

Ahmed’s latest decision to fill 50 percent of his cabinet with female ministers is an integral part of the transformative agenda he has set out during his inaugural speech on April 2. It is easy to dismiss this move as a token gesture or a mere publicity stunt, but in a highly patriarchal society such as Ethiopia where public discourse about gender equality is non-existent or confined to the margins, the mere existence of a gender-balanced cabinet can have a transformative effect.

Ethiopia’s prime minister brought youthful vigour and bold confidence to the masculine, patriarchal, and archaic traditions of the Ethiopian state. During his inaugural address, he broke with tradition and acknowledged his mother and wife. Towards the end of his speech, he said, “in a manner that is not customary in this house, … I would like to politely ask you to thank one Ethiopian mother who … planted this distant and deep and elaborate vision in me, who raised me, and brought me to fruition.” He went on to say that “My mother is counted among the many kind, innocent, and hardworking Ethiopian mothers … In thanking my mother, I consider it equivalent to extending thanks to all Ethiopian mothers.” Given his numerous policy statements and his commitment to liberal ideas of equality, fairness, and representation visible in these policies, there is no reason to believe that these announcements had ulterior motives.

Read more »


Related:
In Ethiopian leader’s new cabinet, half the ministers are women (The Washington Post)

Spotlight: Helen Show on Professional Women and Motherhood (Video)


The latest episode of the Helen Show on EBS TV features a timely topic: professional women
and motherhood. The show’s host Helen Mesfin speaks with Mimi Hailegiorghis, who is
a Department Head of Systems Performance Engineering at Mitre Corporation, & Tseday Alehegn,
Co-Founder and Editor-in-Chief of Tadias Magazine.

Join the conversation on Twitter and Facebook.

Spotlight: Helen Show on Professional Women and Motherhood (Video)

Mimi Hailegiorghis, Department Head Systems Performance Engineering at Mitre Corporation, and Tseday Alehegn, Co-Founder and Editor-in-Chief of Tadias Magazine, on Helen Show. (EBS TV)

Tadias Magazine
By Tadias Staff

Published: October 16th, 2018

New York (TADIAS) — The latest episode of the Helen Show on EBS TV features a timely topic: professional women and motherhood.

The show’s host Helen Mesfin speaks with Mimi Hailegiorghis, who is a Department Head of Systems Performance Engineering at Mitre Corporation, and Tseday Alehegn, Co-Founder and Editor-in-Chief of Tadias Magazine.

Watch: HELEN SHOW SEASON 15 EPISODE 5 PROFESSIONAL WOMEN AND MOTHERHOOD (AMHARIC)


Join the conversation on Twitter and Facebook.

Photos: Hub of Africa Addis Fashion Week

Sebeatu by designer Muse Legesse and Roots in Style by Tigist Seife. (courtesy of HAFW)

Tadias Magazine
By Tadias Staff

Published: October 13th, 2018

New York (TADIAS) – The 2018 Hub of Africa Addis Fashion Week took place in Ethiopia’s capital city last week. This year’s runway show, which was held on October 3rd at Millennium Hall, highlighted a diverse collection of local and international designers.

Below are photos courtesy of Hub of Africa Addis Fashion Week:

Samra Leather by Samrawit Mersiehazen:

Ayni’s by Aynalem Ayele:

Roots in Style by Tigist Seife:

Precious design by Nasra Mustofa:

Meron Addis Ababa by Meron Seid:

Lali by Lemlem Haile Michael:

ZAAF by Abai Schulze:

Wuwi Couture by Egla Negusse:

Sebeatu by Muse Legesse:

Aleph Design by Meseret Teferra:

Yefikir by Fikerte Addis:

Tseday Design by Tseday Kebede:

Komtare by Dawit Ketema:

Kahindo (Democratic Republic of the Congo):

Basse (Senegal ):

ArtC (Morocco):

Alaoui M’hammdi Amina (Morocco):


Related:
2017 Hub of Africa Addis Fashion Week in Pictures
Photos: Hub of Africa Addis Fashion Week 2016
Hub of Africa Addis Fashion Week 2015
In Pictures: Hub of Africa Fashion Week 2014

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Hub of Africa Addis Fashion Week 2018

Photo from previous Hub of Africa Addis Fashion Week. (courtesy of HAFW)

Tadias Magazine
By Tadias Staff

Published: October 2nd, 2018

New York (TADIAS) – This week in Addis Ababa the annual Hub of Africa Addis Fashion Week is taking place at Millennium Hall. This year’s runway show, which will be held on October 3rd, features the collection of 15 Ethiopian designers as well as international guest presenters hailing from Morocco, DRC and Kenya.

“As in past events, HAFW will also be hosting key industry players including international and regional buyers and media. Vogue Italia / Talents will keep their dedication to scouting talents during the event,” organizers shared in a press release. “HAFW 2018 is happy to be continuing its platform as a source for supporting and encouraging the fashion, textile, and manufacturing industries in Africa as a key part of the sustainable development of the continent.”

In addition, HAFW announced that it is collaborating with the Italian Trade Agency (ITA) to connect experts with five young fashion designers whose work will also be showcased on October 4th, 2018 at the Italian Embassy.

The participating Ethiopian designers include Abai Schulze (ZAAF), Aynalem Ayele (Ayni’s), Dawit Ketema (Komtare), Egla Negusse (Wuwi Couture), Fikerte Addis (Yefiki), Lemlem Haile Michael (Lali), Meseret Teferra (Aleph Design), Muse Legesse (Sebeatu), Nasra Mustofa (Precious design), Samrawit Mersiehazen (Samra Leather), Tigist Seife (Roots in Style), Tigist Shiferaw (TG’SH), Tseday Kebede (Tseday Design), Yordanos Aberra (Yordi Design), Mahlet Afework (MAFI), Meron Seid (Meron Addis Ababa), as well as emerging designers Hiwot Solomon (BELLAHIWOT), Fozia Endrias (Fozia Endrias Clothing & Accessories) and Kunjina Tesfaye (Kunjina).


Related:
2017 Hub of Africa Addis Fashion Week in Pictures

Photos: Hub of Africa Addis Fashion Week 2016
Hub of Africa Addis Fashion Week 2015
In Pictures: Hub of Africa Fashion Week 2014

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Interview with Yohannes Abraham

Yohannes Abraham, Chief of Staff of the White House Office of Public Engagement and Intergovernmental Affairs. (Courtesy Photo)

Tadias Magazine

By Tseday Alehegn

Published: Monday, December 19th, 2016

Yohannes Abraham Reflects on Public Service, Civic Engagement and the White House

New York (TADIAS) — As the first Ethiopian American in a senior White House role, Yohannes Abraham is a trailblazer in both our community and within the larger African Diaspora in America. Since 2009, he has worked diligently inside the White House, only steps away from the Oval Office, helping to shape the Obama legacy while serving as Chief of Staff to Valerie Jarrett, Senior Advisor to President Obama.

Reflecting back on the past eight years and the personal journey that led him to serve in the historic presidency of Barack Obama, Yohannes credits his parents first and foremost for his interest in public service and civic engagement.

“It’s difficult to pinpoint the exact time when I became interested in public service, because serving our community and country was always part of the family dialogue,” Yohannes tells Tadias in a recent interview. “Both my parents are proud U.S. citizens, and they wanted us to be engaged citizens as well.” His mother and father immigrated to the United States from Ethiopia in the 60s and Yohannes was born in Alexandria, VA and raised in Springfield.

“I attended Thomas Jefferson High School for Science & Technology and was a Political Science major at Yale, focusing on U.S. foreign policy” Yohannes adds, noting that his parents raised him and his sister with a strong sense of service to community and the importance of helping people.

What solidified Yohannes’ choice to work in government and politics was a desire to give back. “I am lucky to have always had an extremely supportive family,” Yohannes says. “My parents gave my sister and me a great foundation and made clear to us that it was incumbent upon us to give back, reminding us that not everyone had the same opportunities that we had.”

Shortly after graduating from Yale, Yohannes secured a job with Senator Obama’s campaign in Iowa in 2007 with the assistance of a fellow Ethiopian American.

Like many young people at the time in this country, Yohannes points out that the inspiring moment for him came following the 2004 election, where one of the high points was the election of Obama as a Senator. “At the time I was in college, and I was captivated by his 2004 convention speech,” Yohannes remembers. “When he won the Senate seat I followed him more closely and realized that his values were very much aligned with my own, and that from a vision and policy perspective he stood for things that I was passionate about.”

For Yohannes, there are many highlights from his job organizing 14 precincts in Iowa for the President’s first campaign. “There were many memorable parts of working on the campaign, and it was especially interesting to be there early on in Iowa. We were a relatively small team. None of us went to Iowa because we wanted to work in the White House one day – that wouldn’t have been a smart bet at the time. We were there because we believed, and we worked hard to build support for the Senator, block by block, voter by voter. We became a part of the communities we lived in, and we built a sense of family with our teammates. It was not glamorous stuff…we would work all week to get a couple hundred people to come see him,” Yohannes shares. “It was pretty incredible going from those smaller events of a couple hundred people to events with tens thousands of people over time.

And what was the most memorable moment of working for President Obama at the White House?

“The night that the House passed the Affordable Care Act,” Yohannes fires back. “It was a moment that I felt we did something good to improve people’s lives. That’s the good stuff. Of course, I’m hugely grateful to have had the opportunity to do some very cool things, and I treasure those memories as well – Air Force One, formal dinners, those sort of things are once in a lifetime. But the best memories are either when we moved the needle in a way that did some good in the world, or simple moments of camaraderie with teammates. In fact the best part of my job is the team that he put around him that I have had the chance to work with, and became friends with. It’s a group of really talented, committed people.”

“As my Chief of Staff, Yohannes has been one of my closest and most trusted advisors,” his boss Valerie Jarrett shares. “He’s smart, passionate, hardworking, and most importantly deeply committed to helping people. It’s been a great joy having him by my side over the past four years, and I’ve enjoyed watching him ‎grow into the talented leader that he is today. I have no doubt that he will continue to be a force for good in whatever he does in the future.”

Yohannes is also quick to point out that he is not alone in having served as an Ethiopian American in the current administration. “There are several Ethiopian Americans in the administration, some of them in very senior positions,” he shared. “If you speak with any of them and chart their path you’ll come up with a few common threads. You’ll see that there is a real commitment to education. I think you’ll also see that most of them followed their passion and raised their hand to be helpful. There’s no road map or secret memo that lays out the path to making a difference. If you see a cause or candidate that moves you, show up. Lend a hand. Don’t wait for a formal invitation.”

Among those making a difference is fellow Ethiopian American Henock Dory, a White House Staff Assistant and Policy Advisor, who reports to Yohannes.

“Working for Yohannes has been a truly invaluable experience,” Henock said in a statement sent to Tadias. “His dedication to serving both his country and the Ethiopian American community is driven by a passion and work ethic that knows no bounds. As a young Ethiopian American myself, I’ve been fortunate to find in him a role model and mentor that inspires me to emulate the integrity, intellect, and leadership he displays on a daily basis. I’m eager to see how the example he has set, the work he has executed, and his future accomplishments will carry our community forward.”

And what role did mentors have in Yohannes’ career trajectory? “First and foremost, it’s my parents who are my mentors,” Yohannes explains. “Over the course of my service for President Obama they were my constant rock, giving me wisdom and strength when I was frustrated or discouraged. Look, they came to the United States not knowing anyone, immigrating to a country where they barely spoke the language and had no family and little money. In the face of all that, they worked their way through college and graduate school and built successful professional careers. They did all that to build a better life for us here, and they are my inspiration. Now, in addition to my parents, I also have also had fantastic bosses who have helped me along the way. Over the course of these past years, Valerie Jarrett has been both a fantastic boss and friend; she is like a member of my family. She is a really strong and active force in my life. Another great mentor is Jeff Zientz, Director of the National Economic Council.

“Yohannes possesses a rare combination of intellect, drive, and leadership ability. He is one of the most effective individuals I have had the privilege to work with across my decades of experience in the private sector, and, more recently, in government,” says Jeff Zientz. “Most importantly, Yohannes is at his core a dedicated, high-integrity person. I look forward to seeing the good he will do for the world in the years to come.”

Of course, along with all the things Yohannes loves about his job come the challenges.

“Firstly, even when things are bad, even when things aren’t necessarily fun you never have to doubt that the work you are doing is important. What you do matters to people’s lives” Yohannes emphasizes. “It’s highly motivating to know that if you do a good job you help more people, and if you do a bad job you help less people. This is something that has kept me and the whole team energized. What I really enjoy about the job is being surrounded by people who are as committed to the work as you are, and are going the extra mile — it gives you the strength to do so yourself.”

“The challenges are varied,” Yohannes adds. “No two days, let alone two weeks are the same. Only a certain percentage of the day works out as you assumed, and the challenges range from dealing with a natural disaster to working in support of a priority item on the legislative docket; not having a template makes it exciting. There is also the challenge of losing time with family and friends. I definitely wish I had seen more of my family. Some of my younger cousins are now talking about driver’s permits — I blinked and now they are young adults.”

Asked to sum up his current motto in three words, Yohannes responds: “Try to Help.” He elaborates on this message a bit more to say: “this runs across both professional and personal life. It is a driving force in my life and it’s largely driven by my parents who stressed the importance of giving back. It’s part of my Christian faith. This is not to say that it’s unique just to the Christian faith, but I was raised to believe that it’s incumbent on me to help folks that might not be in a position to help themselves or go it alone.”

Yohannes encourages the broader Ethiopian community to remain engaged.

“I think it’s important for those of us who were born in this country to fully appreciate the sacrifices our parents made to forge better lives for us. That puts whatever challenges we face — however daunting they may be — into context. When I think about the scale of the obstacles my own parents faced as compared to my own, I’m both humbled by and deeply grateful for their incredible strength of character. I think an important way for my generation to honor our parents and the foundation they have created for us is to be active, engaged citizens here in America. Think about it. Our parents moved to a new country, in most cases knowing no one, having nothing, and speaking little English. They did so in the hopes of finding a better life for their families, and by and large they did. We are the beneficiaries of their choices, and we owe it to them to make the most of the opportunities they unlocked for us. We also owe it to our communities, and America writ large, to contribute to the diverse fabric of civic life. Doing so makes the country stronger, and it makes our community’s voice stronger within it.”

“In much the same vein, as a newer immigrant community, we owe it to those who fought for justice in the country before we ever got here — Latino farmworkers, civil rights organizers, foot soldiers in the women’s suffrage movement, and so on — to be good stewards of the duty of citizenship. If a civil rights organizer could risk their life for the right to vote, what excuse do we have to not be first in line at the polls? What excuse do we have to be unregistered or apathetic? What excuse do we have to ignore the plight of other communities that may find themselves in need of allies in the face of injustice? To my mind, none. That’s why I’ve been so happy to see a surge of civic engagement amongst younger Ethiopian Americans in the past few years. I hope it’s something that will continue.”

Last but not least, Tadias posed the question of a future run for Congress or Senate to Yohannes, and although he doesn’t yet know if he’ll run for office he certainly has “100% clarity” that he is going to stay involved in public service.

“I’ve seen firsthand many examples of how active civic participation can lead to change and I’m committed to being a part of that for the rest of my life,” Yohannes shares. “Big picture, I hope in the near future we have Ethiopian American Senators, Governors, and Mayors. That hope is not unique to politics — I also hope we have Ethiopian American Generals, Admirals, CEOs, union presidents, and news anchors. That’s what we should aspire to as a community. As for me personally, I’ve seen that there are a lot of ways to be of service without running for office, and so I plan to focus more on what I want to see get done than on where I want to be. That could lead me in a lot of different directions.”


Tseday Alehegn is Co-Founder & Editor of Tadias.

Related:
Overview of White House Ethiopian American Policy Briefing

White House Ethiopian American Policy Briefing and Civic Engagement

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When Technology-Inspired Fashion Meets Architecture: Azmara Asefa’s Runway Collection

Ethiopian American Fashion Designer & Architect Azmara Asefa. (Courtesy photo)

Tadias Magazine
By Tseday Alehegn

Published: Wednesday, February 3rd, 2016

New York (TADIAS) — Take one look at Azmara Asefa’s laser-cut leather jackets lined with mesh that acts as ventilation for hot summer days, or her 3D-printed wooden jewelry lines held together with gold posts — reminiscent of an architectural project — and you know that her fashion line is a bold runway collection.

Named after the 29-year-old owner and designer who was born in Ohio to immigrant parents from Ethiopia, the Azmara Asefa collection was featured in last October’s Phoenix Fashion Week — following a four month bootcamp session offering training in fashion business and marketing — and selected as one of 13 best emerging designers in the United States. It also stood out as one of the most technology driven fashion lines.

Azmara had prepared several pieces for smaller scale collections before recently rolling out her full and impressive Spring/Summer 2016 collection designed by her womenswear company based in Los Angeles with all materials made and assembled in American fair trade factories.


Azmara Asefa’s Runway Collection at the Phoenix Fashion Week final walk. (Courtesy photo)


Laser-cut leather moto jacket with diamond motif details that are inspired by Ethiopian motifs on traditional dresses. (Photo: Courtesy of Azmara Asefa)

“Fashion was always loved” Azmara told Tadias. “In the back of my mind it was always around, and part of it comes from watching older movies from the 1930s with my mom, and traveling and seeing how people dress.” But Azmara’s first love, since the age of 7, was architecture.

“My interest in architecture first peaked when I went to Ethiopia as a child and my family and I visited the Blue Nile waterfalls,” Azmara recalled. “It would be so cool to have a bridge here,” she remembered thinking. “And soon after that I started drawing and finding out more about what I needed to study in order to become an architect. I learned that math was required, for instance, and I prepared myself for the field.”

Azmara attended Miami University in Ohio where she majored in architecture and met one of her first mentors, Professor Gail Della-Piana. “She was the only Black professor in the architecture program, and her studios focused on culturally-centered projects including the design of a Native American center” Azmara said.

For her thesis Azmara studied refugee and migrant camps in the horn of Africa. “Often individuals at the camps would use what they wear as part of their shelter,” she noticed. “In the migration process individuals retained their culture, traditions and adapted to new situations by using the materials around them including their clothing” Azmara said.

She continued her studies in architecture at the graduate level at the University of Cincinnati, guided by her culture-centered focus. Adding courses in fashion to her class schedule Azmara found another mentor in Ann Firestone at the School of Design. Upon graduation Azmara worked as an architect in Ohio, Atlanta, London and Los Angeles including practicing at Gensler, the largest architecture firm in the world.

Azmara cited Zaha Hadid as one of her biggest influencers in architecture “as a woman of color who has this really great firm, is well-respected and has a really unique perspective.”

“If you look at one of Zaha Hadid’s buildings, you know she designed it,” Azmara added. “She has made her mark as someone who uses technology to generate her design concepts, and I love that, of course.”

In the world of fashion Azmara has several role models including Ethiopian-American couture wedding gown designer Amsale Aberra, technology-driven Japanese fashion designer Issey Miyake, and Kym Gold, Co-Founder of the True Religion brand who she met at Phoenix Fashion week.

“The link between architecture and fashion is strong, and the leap from architecture to fashion was simple to me,” Azmara admitted.

“Entrepreneurship in the Ethiopian community in Ohio is also really big,” Azmara pointed out. “I grew up surrounded by people who owned a lot of small businesses and were very enterprising.”

Following her participation at Phoenix Fashion Week Azmara decided to commit to creating her first full runway collection of what she called “bold, technology-driven, apocalypse-ready womenswear and accessories that are laden with culturally inspired symbols and yet remain minimal.”

Azmara is incredibly resourceful and creative in the materials she picks for her fashion line, which ranges from natural materials such as wood, silk and leather to meshes and neoprene (scuba fabric). Often she also inserts cultural references from her own heritage. Her 3D-printed jewelry line, for example, is “a play on Ethiopian wooden crosses and traditional diamond patterns.”

“Clothing as armor?” states her website. “Yes. We believe that when you are donned in bold architectural lines, laser-cut geometries, and intensely detailed 3D-printed accessories, you feel strong, bold and confident enough to make it through anything!”

Describing her latest collection Azmara said her intention was to make women feel empowered, confident, and to stand out.

“I am using the term ‘apocalypse-ready’ as a metaphor for my collection in a future-looking sort of way, and reminding ourselves that we all have the ability to overcome challenging events in our day,” Azmara added. “Internally, for the business it also give a really clear and decisive direction as a technology-focused brand. The clothes use architectural lines and silhouettes to enhance women’s forms in an artful, strong and flattering way.”

In addition to emphasizing a blend of architectural technology in her designs, Azmara is also keen on building a company firmly rooted in fair trade principles.

“I try to be very ethical so when I source fabric I want to be able to track it and make sure it is fair trade” Azmara told Tadias. “Right now my designs are produced in America and we can ensure that workers are getting a fair wage. I can see the factory — it’s just thirty minutes from where I live, and I can just drive down there and look at everything.”

Azmara also hopes to grow her ethically sourced runway collection and expand her base to Ethiopia while still making sure it remains fair trade. For now her company has partnered with the Women’s Refugee Commission with 10% of sales going towards their programs. “I really want to work more closely with them,” Azmara said “and do more than just provide proceeds. I want to provide something more immediate and tangible for the women they work with.”

As she prepares to launch a Kickstarter campaign this month, Azmara shared that she would love to design high-tech wearable technology and go digital in the second half of this year while continuing to incorporate architecture and designing pop-up shops in a multi-disciplinary trajectory later down the line.

“I think that growing up with people who came as immigrants to this country — and made the American dream come true for themselves — I was inspired by how the human spirit is so resilient” Azmara said. Her visionary debut runway collection says it all – intriguing, cutting-edge, and exuding resilience.


You can learn more about Azmara Asefa’s design work at www.azmaraasefa.com.

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Spotlight on Ethiopia’s First Aikido Association & Training Center

Aikido demonstration with Tesfaye Tekelu in Hawassa, Ethiopia. (Courtesy photo)

Tadias Magazine
By Tseday Alehegn

Updated: Monday, January 25th, 2016

New York (TADIAS) — The city of Hawassa in southern Ethiopia — located by the beautiful Great Rift valley lake of the same name — is also home to the country’s first Aikido center (dojo). The Hawassa dojo is the main headquarter for training in this modern Japanese martial art, which is a non-competitive practice developed by Morihei Ueshiba in the late 1920s. The term Aikido is often translated as ‘The Way of Harmony’ and the techniques emphasize self defense while simultaneously protecting an attacker from harm. Since the first official association was registered in Japan in 1942 aikido has spread across the globe.

In 2005 the late sociologist and professor Don Levine, who practiced and wrote extensively about Aikido in addition to his scholarly work on Ethiopian society, formed the foundation for Aikido Ethiopia with his first mentee Tesfaye Tekelu. After pursuing several years of intensive training at dojos around the world and completing leadership and training courses in Petaluma, California Tesfaye received his first black belt in 2009. With his second black belt Tesfaye is now the highest ranking Aikido practitioner from East Africa.

Hawassa’s original dojo was part of a broader project entitled ‘Action for Youth and Community Change’ (AYCC) that functioned as an NGO run by youth leaders. In addition to an aikido center, the project incorporates a circus (One Love Theater), a girls empowerment program (Long Live the Girls), a health education and recreation center, a visual and music program, and a library.


(Photo Courtesy of Aikido Ethiopia)

“The principles of Aikido are part of the foundation of the entire AYCC project” Tesfaye tells Tadias. “The bigger picture was that whether it’s music, theater, or even a library or resource center it all had an Aikido component as its base.” This includes a primary focus on developing conflict resolution skills, non-violent communication and peace education. In partnership with Aiki Extensions, a U.S. based non-profit focusing on applying Aikido principles off-the-matt, AYCC provides programming and resources to approximately 400 youth in Hawassa. AYCC’s circus, theater shows, sports and arts exhibitions currently reach an audience of over 75,000 individuals. As one of the leaders of AYCC Tesfaye wants the participating youth “to not just engage in the activities, but also to be in charge of running the project and leading it.”

Two months ago, Tesfaye launched a crowdfunding campaign that successfully raised approximately $30,000 to secure land in Hawassa to build Ethiopia’s (and East Africa’s) first fully furnished Aikido center and dojo. With additional financial assistance of $70,000 from the Japanese Embassy for construction Aikido Ethiopia’s new dojo, named in memory of Don Levine, plans to serve 1,000 youth and local community members and provide high quality mats for Aikido practice as well as AYCC’s One Love Theater circus.


(Photo Courtesy of Aikido Ethiopia)


Don Levine shows Tesfaye Tekelu his very first Aikido technique in 2005. (Photo: Aikido Ethiopia)


In January 2015 Tesfaye celebrates the first Aikido black belt tests administered in Ethiopia. (Courtesy photo)

“I’m hoping to take Aikido Ethiopia to the next level,” Tesfaye says as he describes plans to build the new space. “It is our vision to develop the compound as an inclusive environment dedicated to teaching Aikido. The dojo in Ethiopia welcomes everybody to engage in training across borders, and aims to promote a unified Pan-African relationship bearing in mind the Aikido spirit of being open-hearted.” Tesfaye also seeks to build an international connection with Aikido World Headquarters (Hombu Dojo) in Japan while continuing the partnership with Aiki Extensions and Peace Dojos International.

Last January Tesfaye’s Sensei, Richard Strozzi-Heckler, traveled to Ethiopia to administer the first six black belt tests in Hawassa. “All six of the tests were unequivocally superior in technique, execution, finesse, and spirit,” Strozzi-Heckler shared in a reflection piece.

The new batch of black belt practitioners are poised to help expand Aikido nationally in Ethiopia with dojos scheduled to be established in Addis Ababa, Gondar, Bahir Dar, Mekele, Adama (Nazret), Arba Minch, Shashamene, Wolaita Sodo, Dire Dawa, and Harar in 2016.

“I think Aikido Ethiopia has a strong base and foundation,” Tesfaye says enthusiastically. “We’re in a transformation period right now.”


Related:
The Art of Peace, Tesfaye Tekelu’s Journey and Ethiopia’s First Aikido Dojo

Aikido Ethiopia Association

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Tadias Interview With Women of Difret

Difret producer Mehret Mandefro, telefa victim Aberash Bekele and lawyer Meaza Ashenafi. (Photo: Tadias)

Tadias Magazine
By Tseday Alehegn

Published: Monday, October 26th, 2015

Tadias Interview With Real-life Inspirations for Award-winning Film Difret

New York (TADIAS) — Tadias Magazine caught up with the real-life inspirations for the award-winning Ethiopian film Difret — Aberash Bekele and her lawyer Meaza Ashenafi as well as Producer Mehret Mandefro — last week during the movie’s U.S. premiere in New York City.

Below is our conversation with three of the women behind Difret about the case that launched a global spotlight on the practice of abduction for marriage (telefa) and the educational efforts underway to end it.


Related:
Difret Coming to Theatres Near You (TADIAS)
Julie Mehretu on Helping to Make the Powerful Ethiopian Film Difret (Vogue)

Tseday Alehegn is Co-Founder & Editor of Tadias.

Join the conversation on Twitter and Facebook.

Tadias Interview: Grammy-Nominated Ethiopian American Musician Kenna

Kenna is a Grammy® and Emmy Award®-nominated Ethiopian American artist. (Courtesy photo)

Tadias Magazine

By Tseday Alehegn

Published: Monday, October 5th, 2015

New York (TADIAS) The last time that we featured Kenna (Née Kenna Zemedkun) in January of 2010 the Grammy and Emmy-nominated Ethiopian American singer was leading a team of celebrity friends to climb Mount Kilimanjaro, Africa’s highest peak and one of the world’s largest stratovolcanoes, in an effort to raise more awareness about the global clean water crisis — a personal initiative that Kenna says was inspired by his father’s story as a child survivor of a water-born disease. Kenna also served on the Arts & Policy Roundtable for Americans for the Arts as well as the UN Entrepreneurs Council and the brain trust for Fortune 500 Businesses on the economics of altruism.

Five years later Kenna, who was born in Ethiopia and grew up in the U.S., is combining social activism with the production of his upcoming third album Songs For Flight, which is expected to be released in 2016 featuring his latest single Sleep When We Die.

“I am in this for change in music,” Kenna tells Tadias. “Its time has come.”

“It’s difficult to convince a very greedy industry to be philanthropic with music,” Kenna says recently announcing the first One-For-One Artist campaign and promising to donate 50% of his profits to deserving causes and social issues around the world that he and his fans care about.

As a One-For-One Artist Kenna seeks “a social entrepreneurial slant to make a sustainable model that includes the fans and how they can contribute to the well-being of the artist and their world at the same time at a considerably significant level.”

Kenna lists three social causes that are close to his heart: Human Rights (Water), Equality (Women’s Rights) and Arts & Education. “My inheritance is my driver for the causes I have chosen,” he says. “Water (human right) for my father and his struggle as a child and the continued struggle of so many to have access to clean safe drinking water. Women’s rights because of my mother and sister. And the Arts because it has been the vehicle for me to be able to focus on the causes my family and I care about.”

Kenna is taking his campaign on the road with a sponsored worldwide tour that includes stops in Los Angeles, Tokyo, Hong Kong, Mumbai, Chennai, Moscow, Tel Aviv, Paris, London, New York, Haiti and Mexico City.

Asked about artists from East Africa that have inspired him Kenna says, “Wayna is always inspiring. The Weeknd is great and has Ethiopia on his heart. Also Avi Wassa and Cabra in Israel are representing us as well. Very cool to be on the journey and learn so much from others.”

“I think it’s just my responsibility to lead by example,” Kenna tells Tadias. “Hopefully it’ll become an option for the many artists I know believe similarly to me. I have had a cool group of friends and allies who have been encouraging, but this is a very lonely path,” Kenna shares. “I can only hope that the people of my culture can be a part of the journey with me and support the mission that will help Ethiopia the most because it is my heart.”

Tseday Alehegn is Co-Founder & Editor of Tadias.

Learn more about the campaign at kenna.com

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First Lady Michelle Obama Speaks on Girls’ Education at Presidential Summit for Young African Leaders

Mandela Washington Fellows from Ethiopia Yonas Moges, Helawi Sewnet, Mesganaw Mulugeta Assefa, Michael Addisu, Haleta Fisseha and Edda Zekarias at the YALI Summit in D,C. on July 30th, 2014. (Tadias)

Tadias Magazine
By Tseday Alehegn

Published: Thursday, July 31st, 2014

Washington, D.C. (TADIAS)- At yesterday’s Presidential Summit for Young African Leaders First Lady Michelle Obama gave a speech focusing on increasing girls’ access to education. Addressing the 2014 Mandela Washington Fellows and invited guests at the Omni Shoreham Hotel in Washington, DC, the U.S. First Lady stated “Many of you are barely half my age, yet you have already founded businesses and NGOs. You’ve served as leaders in your government.. so you all represent the talent, energy, and diversity that is Africa’s life blood, and it is an honor to host you here.” She added “The roots of my family tree is in Africa. The blood of Africa runs through my veins.”

The First Lady pointed out that while great strides have been made by women in Africa — including that “the number of women who serve in parliament in Rwanda is over 50%, which by the way is more than double the percentage of women in the U.S. House” — greater efforts are still needed to address the consequences of harmful traditional practices.

“While I have great respect for cultural differences, I think we can all agree that things like female genital cutting, forced marriages, and domestic violence are not legitimate cultural practices,” The First Lady stated. “They are serious human rights violations, and they have no place in any country on this earth.”

Acknowledging the struggles girls face in pursuing their dreams for education, The First Lady shared her own unlikely ascent to leadership. Quoting Nelson Mandela, she stated “As Madiba once said: ‘It always seems impossible until it’s done,’” and she recounted her beginnings. “My ancestors came in chains. My grandparents and parents knew the sting of inequality. Yet I attended some of the best universities, and today I live in the White House, in a home that was constructed by slaves.” Following a standing ovation, The First Lady continued: “And I know my story and the story of my country is the story of the impossible getting done, and I know that can be your story.”

The First Lady also highlighted the stories of several Mandela Washington Fellows including that of Fikiri Nzoyisenga from Burundi who created a youth coalition to address violence against girls.

Mrs. Obama’s speech was preceded by a forum on ‘Enabling Inclusive Economic Development,’ hosted by Ambassador Michael Froman. Panelist Steve Case, Founder of AOL, shared how only 3% of Americans were online at the time that he created AOL .”It took us 10 years to get 1 million people online,” he said. “It was not easy in the beginning to literally get Americans online.” Citing how the Mandela Washington Fellows have grown up in a more connected world, he noted: “Now we are seeing some of the great technologies coming out of Africa such as mobile banking. Some of the best ideas may not start in Silicon Valley; they may start in Nairobi.” He added: “The mentality of mobile first would create new infrastructure, but we also must make sure that the regulations in place make it easier for startup culture.”

Responding to a question from Ghanaian Fellow Ethel Delali Cofie regarding how to stay ahead of the curve and remain competitive, Steve Case responded that “competition is a signal that [your idea] is a big idea, so competition is a good thing.” Case also encouraged Fellows interested in entrepreneurship to remember the three Ps: “People, Partnerships, and Possibility.”

Panelist Alexa von Tobel, Founder of Learnvest, encouraged the audience to “dream big and perceive yourself as customer #1 when trying to solve a problem.” She admitted that it does take time to get ideas off the ground, but it helps to “pay it forward, look ahead, and get to work everyday.” Von Tobel also noted that “competition helps to sharpen your decision skills.”

Panelist Tcheguan Adebo Koba, Washington Fellow, addressed the need to go beyond acknowledging the rapid economic growth in African countries and find ways to make societies more inclusive. He lauded the Mandela Washington Fellowship’s public management track and called for greater opportunities for African youth entrepreneurs to gain access to markets across regional borders.

Yonas Moges, one of the 13 Mandela Washington Fellows from Ethiopia, told Tadias that he is inspired by his experiences as a participant. “I strongly feel the time has come to shine for Africa with the brilliant fellows I have met,” he said. Yonas has worked for more than a decade in the hospitality industry while focusing on international hotel chains. He is currently Managing Partner at Calibra Hospitality Consultancy and Business Plc, and “advises local developers in hotel design concept development, site selection, conducting feasibility studies, searching and selecting for hotel operators, and sourcing debt and equity finance for hotel projects.”

What has Yonas enjoyed most about the Young African Leaders Summit so far? “The networking, attending Obama’s speech and how he is simple to relate to for any aspiring young person, and community service culture in USA,” he shared.

Below are some photos from the Presidential Summit for Young African Leaders.



Related:
Obama Announces $33B Commitment at Africa Forum
Civil Society Forum Kicks Off at Historic US-Africa Summit in DC
Bill Clinton, Michael Bloomberg at Africa Summit
Meet the Mandela Washington Fellows From Ethiopia
Obama Renames Africa Young Leaders Program For Nelson Mandela
U.S.-AFRICA SUMMIT 2014: Preview
Transport Chiefs From Five Countries to Visit Chicago Ahead of U.S.-Africa Summit
Ambassador David Shinn on the 2014 U.S.-Africa Leaders Summit

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Tadias Interview With Bruktawit Tigabu: Her Amharic Classroom Library Project

Bruktawit Tigabu, founder of Ethiopia's Whiz Kids Workshop. (Photo: ©Rolex Awards/Ambroise Tézenas)

Tadias Magazine
By Tseday Alehegn

Published: February 27th, 2014

New York (TADIAS) — As a primary school teacher in Addis Ababa, Bruktawit Tigabu wanted to improve literacy skills not only for children in her classroom but also for those who had limited educational opportunities. In 2006 she launched Whiz Kids Workshop and developed Ethiopia’s first educational TV show for preschool kids entitled Tsehai Loves Learning, which is watched by approximately 5 million children and also broadcast in schools, refugee centers, and clinics. 25 million listeners also hear Tsehai Loves Learning via radio. The educational TV show is highly successful and has earned several international accolades including the Japan Prize International Contest for Education Media and Next Generation Prize at Prix Jeunesse International (2008) and Microsoft Education Award (2011). Bruktawit was named a Rolex Young Laureate in 2010.

Following Tsehai Loves Learning Bruktawit released a TV series made by students called Involve Me in 2010. She was featured as one of the ‘Most Creative People of 2012′ by Fast Company and is currently running a crowdfunding campaign to launch her latest idea — building Tsehai’s Amharic Classroom Library Project and establishing 60 classroom-based libraries in several public elementary schools in Addis Ababa. Bruktawit’s dream is to have classroom libraries in schools across Ethiopia.

Below is our interview with Bruktawit Tigabu:


Bruktawit Tigabu. (Photograph credit: ©Rolex Awards/Ambroise Tézenas)

TADIAS: Please tell us a bit about yourself and how you started Whiz Kids Workshop. What inspired you to develop it?

BRUKTAWIT: I began my career as a teacher in my hometown of Addis Ababa. After a few years as a classroom teacher, I noticed most children entered the school system as late as age seven. This is because Ethiopia lacks public kindergartens. At Whiz Kids, we call this the early education gap and it is one of the main contributing factors to the high illiteracy rate in Ethiopia. These early years between ages three and six are developmentally critical to a child’s educational success; I knew something had to be done to fill this education gap for so many children. Whiz Kids Workshop began as an idea of how the power of television could close the gap. My husband Shane and I started out by making short films using some of the low-cost media technology that was becoming available to us at the time. We tested our films in classrooms and then conceived of the character of Tsehai, a curious young giraffe who loves books and music. Her show, Tsehai Loves Learning (Tsehai Memare Tewedaletch), has become a national hit that reaches millions weekly throughout Ethiopia on public television. Although our television show continues to reach and impact more and more children, we decided, a few years ago, to increase this impact by going beyond television into radio programming. This season, Tsehai’s radio programs will be reaching up to 25 million young listeners. We have also created Tsehai classroom libraries, where children and teachers can have a rich experience of our reading materials that include storybooks, workbooks, classroom posters and flashcards, developed by a large team of literacy experts, writers and artists.

TADIAS: Can you share some highlights of achievements and lessons learned from producing the Tsehai Loves Learning educational series?

BRUKTAWIT: Since we began in 2005, we have produced over 60 episodes of Tsehai Loves Learning that are viewed regularly by over 5 million children across the country. We continue to be the longest standing children’s TV series in the country. We have also been recognized for our work with over six international awards including Japan Prize in 2008, 2009 & 2010, Prix Jeunesse International – Next Generation Prize in Germany, 2010 Rolex Young Laureate award in Switzerland, and Microsoft Education Award 2011 of The Tech Awards in the USA. We recently won All Children Reading grant which helped us produce 32 episodes of Tsehai Loves Learning television and radio series.

We have learned many valuable lessons in this amazing journey of developing an educational series for children in Ethiopia. The three most meaningful are:

First, we never compromise on quality. Despite the challenge of producing for children, we have learned that to ensure and maintain quality—children’s production must be educational, fun, culturally and age appropriate, and relevant. To guarantee that we meet this standard, we spend close to a thousand hours of work for each episode of Tsehai Loves Learning. Besides the labor of love, we also use research, music, beautiful artwork and animation to bring it to life.

Second, dedication and persistence is a must to overcome the daily challenges of being a pioneer of such innovative work in Ethiopia. We face numerous challenges including financial, human resource capacity in the field, and bureaucratic hiccups on a daily basis. But we have learned that when we stay focused on our goal—reaching the millions of children who eagerly wait to see what we are producing and the vision of a better Ethiopia because we are providing children’s education– we are incredibly energized to persevere.

Third, building community — We have learned that no development or growth is sustainable or successful without the involvement of its community. We believe that every child in Ethiopia deserves the very best educational materials, regardless of their economic background. That’s why we are so excited to be reaching out to Ethiopians across the world to make this campaign succeed.

TADIAS: You recently announced the launch of an innovative crowdfunding campaign for an Amharic Classroom Library Project. Please tell us more about the initiative. Is this also in conjunction with the TV series?

BRUKTAWIT: Reading is a foundational skill for all learning in school. In some regions of Ethiopia, according to the 2010 Early Grade Reading Assessment, a majority of children have 0% comprehension, even at the end of grade 2. The same research showed that having teachers who provide focused reading instruction and story books, are a promising approach for identifying and beginning to remedy this critical problem. This is the reason we are building Tsehai classroom libraries beyond our TV and radio programs; to ensure sustainable reading success, the reading materials must be in the children’s hands.

Each classroom library revolves around a set of powerful elements that achieve reading success. Our classroom library materials includes 32 full-color, original storybooks that focus on one of the families of Ethiopian fidel; 32 beautiful classroom posters of all the fidels; 297 illustrated flashcards for learning the fidels; a wall-mounted sleeve used for teaching the fidels; five shelves for displaying the books, mounted at the right height for children to reach; and a mural featuring the beloved character Tsehai to create a special space for reading and exploration. We also include teacher training videos to demonstrate to teachers how to these materials in the classrooms most effectively.

Our initial goal will be to establish 60 classroom libraries in public schools in Addis Ababa. But if we go beyond our initial $25,000 goal it means we will be able to reach more schools in the country.

The new season of Tsehai Loves Learning is fully integrated into this initiative. Each of the 32 new episodes of the show features one of the books as an animated short within the show, with the characters reading them along with students and using the flashcards to learn the fidel. We will be including these episodes in each classroom library set on eight DVDs.

TADIAS: What is one thing you absolutely enjoy about running Whiz Kids Workshop?

BRUKTAWIT: I love to see people’s reactions to our work. It never gets old for me to see children sing along with Tsehai as they watch the show or to see a teacher’s reaction to the new classroom set we have developed for them. Most Ethiopian children know and love Tsehai; today’s teens grew up with her and adults keep telling me how much they wished for our materials to have been available when they were growing up.

TADIAS: Where do you hope to take your organization in five years?

BRUKTAWIT: Over the next five years we will continue to produce more innovative episodes of Tsehai Loves Learning that help children develop capacities in literacy, science, math, the arts, and moral values. We are going to keep building our library of books and supplementary materials, not only in Amharic, but in other Ethiopian languages. We want to create a nationwide movement based upon an appreciation of the importance of reading as the foundation of success in education and in life! This campaign is the beginning of raising awareness among parents, teachers, and school administrators to elevate the importance of helping children fall in love with books and learning to read by putting the right kind of learning materials into their hands. I can also see the Tsehai brand expanding beyond the borders of Ethiopia to develop curriculum in other African languages.

TADIAS: Is there anything in particular that you want to share with Tadias readers?

BRUKTAWIT: Having lived in the U.S. for a few years with my children, I know how hard it can be to maintain our language and culture while we are away from Ethiopia. We all know how important it is for us to help our children stay connected to our people and our heritage while we are far away, but it isn’t an easy task when they are immersed in another culture and strongly influenced by it.

With this new campaign, we are reaching out specifically to Ethiopians living abroad and giving them two important ways to meaningfully strengthen their connection with their country and people. By becoming contributors to our campaign, they will be the very first to get access to our new set of books, videos flashcards and posters to enjoy with their family. At the same time, they are making a direct contribution to the improvement of quality education in Ethiopia – critical to the development of our country.

To participate in the crowdfunding campaign to build Tsehai’s Amharic Classroom Library Project please visit: www.highercircle.com/campaigns/tsehai-loves-learning-libraries



Tseday Alehegn is Co-Founder & Editor of Tadias.
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Dr. Catherine Hamlin Nominated for the Nobel Peace Prize

Dr. Catherine Hamlin has been nominated for the Nobel Peace Prize. (Photo courtesy: hamlinfistula.org)

Tadias Magazine
By Tseday Alehegn

Published: Saturday, February 8th, 2014

New York (TADIAS) — Dr. Catherine Hamlin, an Australian-born, honorary Ethiopian citizen, recently celebrated her 90th birthday surrounded by the women whose lives she changed for the better at the fistula hospital she established with her husband in Addis Ababa in 1974.

According to the World Health Organization, up to 100,000 women are affected worldwide by obstetric fistula — an injury during the birthing process that women with obstructive labor suffer from when they have inadequate access to medical support.

Earlier this month the Ethiopian government sent a letter nominating Hamlin for the Nobel Peace Prize, and over the years Dr. Hamlin’s work has received global support and financial assistance from organizations such as Hamlin Fistula USA, Fistula Foundation, and Tesfa Ineste – an Ethiopian Diaspora initiative that helped establish the Harar Hamlin Fistula Center.

In 2014 the Hamlin College of Midwives enrolled 21 Ethiopian students for the Bachelor of Science degree, making the total count of midwifery students up to 89. “The opening of the Hamlin College of Midwives, about 12 kilometers from Addis Ababa, is the key to tackle, and even eradicate completely, this devasting childbirth injury” says Abaynesh Asrat, Board Member of Hamlin Fistula USA. “I think, as we did a phenomenal job collectively to build the Harar Center, we can once again use our intellect and our financial support, individually and collectively, three-fold, toward the education of more students to graduate from the Hamlin Midwifery College.”

Still working as a surgeon Dr. Hamlin recently told World News Australia Radio that she plans to continue her lifelong dedication to women suffering from obstetric fistula in Ethiopia. Several of her former patients now also work by her side performing some of the most challenging fistula repairs, which is a testament to her legacy of training the next generation of reproductive rights champions and being a beacon of light to many more thousands of women around the world.

Related:
At 90 this doctor is still calling by Nicholas kristof (NYT)
90 Year Old Surgeon Keeps a Steady Hand in Ethiopia (Australia Radio)

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Pop-up Bunna Cafe in Brooklyn

(Photos courtesy Bunna Cafe)

Tadias Magazine
By Tseday Alehegn

Published: Sunday, January 26th, 2014

New York (TADIAS) – More than two years ago, New Yorkers Liyuw Ayalew and Sam Saverance hosted a party in Brooklyn to launch their pop-up Ethiopian Vegan restaurant named Bunna Cafe. Their mobile restaurant could be found at street fairs and at Smorgasburg — Brooklyn’s Flea Food Market — and dozens of other locations in the city. As the popularity of their Ethiopian dinners, layered fruit smoothies (Espris) and traditional coffee ceremonies grew strong the duo decided to scout for a permanent location and found a place on Flushing Avenue in Brooklyn. They are keen on revamping the bar top, storefront as well as furniture, and building a stage surrounded by a half-hut to host the Ethiopian coffee ceremony and live music. This past December they launched an indiegogo campaign for the permanent restaurant.

Below is an interview with Bunna Cafe about their venture’s evolvement:

TADIAS: Please tell us a bit about how you started Bunna Cafe. Who are the main individuals behind it? Your mission/goals?

BC: Bunna Cafe is a partnership of Liyuw Ayalew and Sam Saverance. Liyuw had spent years managing restaurants and coffee shops, and also worked deep in the tourism industry back in Ethiopia. Sam has a graphic design and publishing background and spent some time in Ethiopia to working on launching an org to teach people graphic/web design and desktop publishing. We came together two years ago with a desire to do something unique, creative, and authentic with Ethiopian cuisine and coffee in a way that adequately reflects our own dining experiences. We felt it was important to emphasize the family-oriented feel of eating together, and not least, the sensual experience of the coffee ceremony. We also decided to focus on the vegan tradition of Ethiopian cuisine, which was something we both deeply appreciated despite being meat eaters. Our vegetarian chef Kedija Srage provided an amazing set of recipes from her cooking experiences and helped us get going as a functioning pop-up restaurant.

TADIAS: You started Bunna Cafe as a pop-up at various locations in New York City. What was that experience like?

BC: We started by doing secret dinner parties in Bushwick, Brooklyn. While there are very few Habesha and no Ethiopian cuisine to speak of in this area, most people there were at least a little knowledgeable of the food and were eager to experience it again. So we found a strong home base there very quickly. Soon we were arranging pop-up dinners at bars and cafes around Bushwick and Williamsburg as well as street markets and major events. When we did a popup or dinner, we made sure to perform the coffee ceremony whenever possible. Also we would bring in musical entertainment of a variety of genres, including Ethiopian performers such as Tadele Daba and Girma Yifrashewa. The feeling was amazing — we were able to be creative with each event we performed, and we quickly began to see regular customers. But perhaps more impressive, we would see people who had attended one of our early dinner parties appear two years later saying they had been keeping track of our progress all this time and were eager to make time to pay another visit.

TADIAS: What made you decide to get a permanent place? Can you tell us a bit more about your current crowdfunding campaign?

BC: We have always planned on opening a permanent spot. Being a pop-up was a strategic decision for the moment given our lack of funds and the need to build a following. Now the time is right to make the switch to being a restaurant. However, we are still intending to pop up even when we open doors. We will focus more on elegant, well-crafted dinner and entertainment events, coffee and coffee ceremony-oriented events, and also on emerging further outside of our corner of Brooklyn, into Manhattan, Harlem, Queens, and New Jersey.

In July we began operating as a pop-up lunch counter in a southern food restaurant/bar called Mama Joy’s. They only worked dinner service so we were able to take daytime hours for a nominal rent. In November, Mama Joy’s went out of business and we took the opportunity to take over the space. After a whirlwind negotiating period we took over officially in mid-December. There was no time to get a bank loan so we are renovating off of our cash reserve. To supplement this we decided to launch an Indiegogo crowdfunding campaign and get our supporters invested in our growth. There has been a great response so far and with 22 days to go we are pushing hard to reach our goal of $15,000. People can learn more and contribute at http://igg.me/at/bunnacafe.

TADIAS: What is one thing you absolutely enjoy about running Bunna Cafe?

BC: Not to sound like a cliche, but we love everything about it. Perhaps the greatest thing though is seeing the overwhelmingly positive and amazed response from our customers to the food, drink, and ambiance. It cannot be denied that Ethiopian cuisine is growing in popularity in this country and the world. Being a part of that growth and seeing people react positively and with overdue respect to Habesha culture and identity is something that is invigorating and something that gives us hope for the future.



You can learn more about Bunna Cafe at their website www.bunnaethiopia.net.
You can support their indiegogo campaign at http://igg.me/at/bunnacafe.

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Severe Flooding in Saudi Capital Riyadh Claims Several Lives

Severe flooding in Riyadh, Saudi Arabia has killed at least three people. The government has ordered schools to be closed and is urging the city's residents to stay indoors. (Photo: RT)

Gulf News

By Habib Toumi, Bureau Chief

The heavy rains that have been lashing the Saudi capital have claimed at least three lives, according to civil defence officials in Riyadh on Sunday.

Two men and one woman died in the floods caused by the rains on Saturday, a civil defence official was quoted as saying in Saudi news site Sabq, adding that the search was ongoing for those reported missing.

“There were 5,015 reports of incidents out of which 4,968 were in Riyadh, and 47 in the provinces,” said the spokesperson for the civil defence, Captain Mohammad Al Hammadi.

“98 trapped people were rescued,” he said, adding that three people were reported missing in Riyadh.

Civil defence teams had recovered 148 waters that had been submerged in water, out of which 101 were in Riyadh.

The rain reportedly caused damage to public and private property. The damage became apparent on Saturday as the bad weather eased.

Schools in Riyadh and some of its suburbs were closed on Sunday as the authorities worked on reopening roads shut down due to heavy rains.

The education ministry said that it decided to shut down the schools “due to the weather conditions and to the expected rains,” the official news agency (SPA) reported.

Read more at Gulf News.

Video: Saudi Capital Riyadh Hit With Rare Floods, Residents Urged to Stay Indoors

Al-Arabiya English

Heavy rainfall flooded Saudi Arabia’s capital Riyadh late Saturday, disrupting road traffic and prompting authorities to close schools.

Saudi Arabia’s Civil Defense urged people in Riyadh to remain indoors until the floodwater subsides.

Pictures and videos circulated on social media showed the streets of Riyadh, a city of about 5 million people, flooded.

Road traffic and normal life was brought to a near halt in the usually bustling capital, Al Arabiya television reported.

The correspondent said security and civil defense forces were heavily mobilized in the capital to deal with any emergencies that may arise.

Read more at Al-Arabiya.

Related:
Saudi capital hit with rare floods, residents urged to stay indoors (RT)
Crazy photos are coming out of Saudi Arabia After rain leaves capital flooded (Business Insider)
Heavy rains lash Riyadh (Arab News)

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Ethiopians Shame Saudi Arabia On Twitter For Inhumane Treatment Of Migrant Workers

(Photo: Stringer / Reuters)

Tadias Magazine
News Update

Wednesday, November 13, 2013.

New York (TADIAS) — Ethiopians have taken to Twitter to express their outrage and draw much needed attention to the ongoing brutal treatment of tens of thousands of migrant workers stuck in Saudi Arabia. So far police and vigilante civilians have killed at least three Ethiopian citizens.

BuzzFeed highlighted a Twitter campaign that started yesterday with a message from user Abdi Lemessa who wrote: “#SomeoneTellSaudiArabia to stop killing our brothers and sisters.”

The hashtag has since ignited a social media storm over the kingdom’s abuse of migrant workers.

Below are several tweets:



Related:
NYC Ethiopians Make Presence Felt at the Saudi Mission to the United Nations (TADIAS)
Ethiopians demonstrate outside Saudi embassy in London (BBC News)
Photos: Ethiopians Hold Protest Outside Saudi Embassy in Washington, D.C. (TADIAS)
Ethiopians: #SomeoneTellSaudiArabia to Stop Immigration Crackdown (Global Voices)
23,000 Ethiopians ‘Surrender’ in Saudi After Clamp Down (BBC)
Saudi Arabian Immigrant Crackdown: 23,000 Ethiopians Surrender to Authorities (AFP)
23,000 undocumented Ethiopians surrender to authorities (Arab News)
Ethiopians Shame Saudi Arabia On Twitter (TADIAS)
Three Ethiopians Killed in Saudi Arabia in Visa Crackdown (AFP)

Video shows mass exodus of immigrants in Saudi Arabia

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DCTV Honors Tsedey Aragie: ‘New Producer of the Year’

Tsedey Aragie accepts an award at the DCTV Viewers' Choice Awards on June 22, 2013. (Photo: A. Kiiza)

Tadias Magazine
By Tadias Staff

Updated: Sunday, June 30, 2013

New York (TADIAS) – Tsedey Aragie, Tadias Magazine’s video reporter since 2010, has been honored by DCTV with the “Best at Viewers’ Choice” award for her TV program on the local public access channel highlighting health and lifestyle topics affecting residents of Washington, D.C.

Tsedey received the “New Producer of the Year and Innovative Program of the Year for creativity, production quality and audience impact” awards at a ceremony held in the District for her show entitled The 30-Day Health Challenge.

“I am very humbled by the awards,” said Tsedey, who shared the stage on June 22nd at the DCTV Viewers’ Choice Awards gala with other winners including Denise Rolark Barnes, Publisher of The Washington Informer, whose publication was recognized in Sports category for an interview marking the resurgence of boxing in the District of Columbia.

“I can honestly say the awards came by surprise,” Tsedey told Tadias. “The purpose of the show is to educate and empower people to be proactive about their health and lifestyle and influence others around them.”

In an interview with The Washington Informer, Bob Thomas, DCTV’s vice president of operations, expressed his admiration for Tsedey and her contribution to the station. “I really appreciate her growth,” he said. “The awards are very important because they allow not-famous producers to become known.”

Tsedey, who was born in D.C. and raised in New Jersey, has covered several Ethiopia-related events in Washington and New York for Tadias, including the unforgettable performance by Debo Band and Fendika collective two years ago at the 41st annual Lincoln center summer music festival in New York, where she interviewed the band members, as well as the Director of Public Programming for Lincoln Center. The same year she sat down with Ethiopian-born couture bridal fashion designer Amsale Aberra highlighting the reality TV show Amsale Girls, the celebrity designer’s success in the wedding-gown industry, and her memories of Ethiopia. More recently Tseday had a well received Google hangout session with Emmy award-winning Ethiopian American journalist Bofta Yimam, and a series of Town Hall meetings spotlighting mental health issues in the community, which has attracted the attention of health authorities both in the U.S. and Ethiopia.

Regarding The 30-Day Health Challenge on DCTV, Tsedey notes that the participants in the show are committed to a one month challenge to adopt long-term lifestyle changes. “The outcome has been outstanding,” she said. “In the 30-day period our participants experienced a range of results.” She added: “Some were able to loose 10-30 lbs., discontinue the use of blood pressure medication, reverse diabetes, and even discontinue the use of inhalers.”

This fall “The 30-Day Health Challenge Reality T.V. show” (3rd season episode) is heading to Eleanor Roosevelt High School, a Maryland public magnet high school specializing in science, mathematics, technology, and engineering. “Very excited about that,” Tsedey said. “It has been my goal since the inception of the show to work with the youth. In this country the statistics are staggering and young people are suffering from high instances of obesity and diabetes. And so, I’m really looking forward to work in a field that I’m passionate about.”

Related:
DCTV Honors the Best at Viewers’ Choice Ceremony (Washington Informer)

Watch: 30 Day Health Challenge – TV Show (2nd season)


For updates you can follow the program on Twitter @30DayHCTV.

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Photos: United Nations Marks OAU-AU 50th Anniversary

At the United Nations in New York on Wednesday, June 26th, 2013. (Photo: Tadias Magazine)

Tadias Magazine
By Tseday Alehegn

Published: Thursday, June 27th, 2013

New York (TADIAS) – The African Union Permanent Observer Mission to the United Nations in New York hosted a “High level Panel Discussion and Workshop” on Wednesday June 26th inside the UN building marking the 50th anniversary of the Organization of African Unity (OAU), the predecessor to the African Union (AU), headquartered in Addis Ababa, Ethiopia.

The event opened with a remark by Ambassador Tete Antonio of the Permanent Observer of the AU to the UN, who delivered an introductory message from Dr. Nkosazana Dlamini-Zuma, Chairperson of the AU Commission and the first woman to lead the organization. Statements were also made by the head of the African Group for the month of June 2013, Mr. Roble Olhaye, Permanent Representative of Djibouti to the United Nations.

The keynote speaker was Dr. Ali A. Mazrui, the famed academic and political writer on African and Islamic studies as well as North-South relations. During his speech Professor Mazrui, who turned 80 last year, proposed that the AU, which currently has no real authority to make binding decisions for all of Africa’s 54 states, perhaps should establish a permanent member council similar to the U.N. with a rotating chairmanship. He suggested the body should be made up of 4 or five countries, one from each region based on size of population: “Nigeria from the West, Egypt from the North, Ethiopia from the East and South Africa from the South.”

Mazuri also recalled Nelson Mandela’s memorable interview with Ted Koppel on ABC’s Nightline on February 15th, 1990, soon after he was released from his 27-year imprisonment. “Most people would look at the last 27 years of your life or at the life of someone who has spent the last 27 years in prison and say to themselves “what a waste.” What about you?,” the ABC host had asked. “That is true, to spend 27 years at the prime of your life is a tragedy and I regret those years that I have wasted in prison,” Mandela had responded. “But there are very positive aspects too because I had the opportunity to think about problems and to reflect on my mistakes.” Mandela added: “I also had the opportunity of reading very widely and especially biographies and I could see what men sometimes from very humble beginnings were able to lift themselves with boot strings and become international figures and men that are useful to society in their own community and to the world.”

The gathering also included screenings of a short documentary focusing on the history of the founding of the OAU in Addis Ababa on May 25th, 1963 as well as a trailer of a film highlighting the organization’s 50th anniversary celebrations .

Below is a slideshow of images from the panel discussion:

Watch: Feb. 15, 1990: Nelson Mandela Interview with Ted Koppel on ABC’s Nighline


Related:
Yadesa Bojia Reflects on African Union Flag on 50th Anniversary (TADIAS)
The African Union Turns 50: Voices From Ethiopia — Past and Present (TADIAS)

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Tadias Interview with Miss Israel Titi Aynaw

Miss Israel 2013, Yityish Aynaw, in New York on Tuesday June 11th, 2013. (Photo: Tadias Magazine)

Tadias Magazine
By Tseday Alehegn

Updated: Thursday, June 13th, 2013

New York (TADIAS) – Yityish (Titi) Aynaw, Miss Israel 2013, was recently in New York where she stayed for a week. At a gathering open to the press on Tuesday, June 11th in Manhattan Titi spoke to the media, and Tadias briefly interviewed her in Amharic. Miss Israel shared that she came to New York City to fundraise for a project she is working on through the Netanya Foundation.

“I live in Netanya in Israel,” Titi said. “And some children who live there don’t have the financial resources to participate in after school activities. For example, if I want to learn music, and my parents have the resources they can send me to take music lessons.” But in Netanya, she noted that some children don’t have these opportunities.

“So I’ve taken the initiative to bring together these children in a community room and help them to learn what they show interest in, whether it’s dance or music. I am fundraising to create these opportunities for them” Titi explained.

We asked what she thought of her visit to New York and she replied “Nice..Betam des yilal. Titi added that only a week ago she was in Ethiopia. When we inquired if it was her first time returning to Ethiopia since she moved to Israel, she replied “No I have been to Ethiopia before, after I completed my military training.”

She noted the fast-paced changes in Addis and said: “Every time I go to Ethiopia I feel that it’s changing. There are always new buildings, more growth.” She added: “Arif bota nech Ethiopia” (Ethiopia is a great place).”

Below are photos from the evening’s event:


Tseday Alehegn is Co-Founder & Editor of Tadias.

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Women’s Rights Activists Bogaletch Gebre wins King Baudouin Prize

Ethiopian activist Bogaletch Gebre has won an international prize for her campaign to eradicate female genital mutilation -- FGM. (BBC)

BBC News

22 May 2013

Ms Gebre was awarded the King Baudouin Prize in Belgium for confronting “culturally entrenched taboo subjects”, the selection committee said.

She helped reduce cases of FGM from 100% of newborn girls to less than 3% in parts of Ethiopia, it said. FGM is practised mainly in communities in Africa and the Middle East. Also known as female circumcision, it is seen as a traditional rite of passage and is used culturally to ensure virginity and to make a woman marriageable. It typically involves removing the clitoris, and can lead to bleeding, infections and childbirth problems.

Ms Bogaletch told BBC Focus on Africa that her message to community elders who promoted FGM was: “Daddy, you lived your time. This is our period, our children’s period. We don’t want to kill our children. I hope you are wise enough to accept that.”

The Belgium-based King Baudouin Foundation awarded Ms Gebre the 450,000 euros ($580,000; £385,000) prize for her “innovative” campaign to eradicate FGM.

The Kembatti Mentti Gezzimma (KMG) group, which she founded, focused on arranging “community conversations” in areas of Ethiopia where illiteracy levels were high and FGM “endemic”, the Foundation said in a statement.

Read more at BBC.
—-

Profile: Dr. Bogaletch Gebre — Fulbright Scholar & Community Activist Uplifting Women (Tadias)


Dr. Bogaletch Gebre (From Tadias Magazine Print Issue 2003)

Tadias Magazine
By Tseday Alehegn

The following profile of Dr. Bogaletch Gebre was first published in the August/September 2003 print issue of Tadias Magazine.

Los Angeles (TADIAS) — “What is good for women is good for the community,” Dr. Bogaletch Gebre declares as she promotes her non-profit organization, KMG (The Kembatti Mentti Gezzima ‚ Tope). Literally translated it means “Women of Kembatta pooling their efforts to work together.” Located on a lush 7.4 acre land donated by the township of Durame in southern Ethiopia, close to where she grew up as a child, the Kembatta women’s self-help center stands complete with an Administrative Center, Cafeteria, Skills Training Center, Women’s Dialogue House, Library Resource Center, Heritage Center, and a Round House. Her dream realized, Dr. Bogaletch Gebre could now focus on hot issues affecting women’s health, livelihood, education and environment. “What I discovered in our work,” she says, “is not changing the whole society at once, but to change one person at a time. And it works.” This oasis is a far cry from the township she knew as a girl in the village of Zato.

Daughter of a farmer, Bogaletch was taught how to read and write by a relative; she would study by the campfire at night after completing her daily house chores and responsibilities. In a village where the education of girls was rarely encouraged, Bogaletch’s father was reluctant to allow his daughter to continue with her primary school education. Occasionally, she was given permission and she would willingly make the six-mile run to and from school. “I would never dream of complaining,” she says, “I felt fortunate; one of the chosen few.” “Demands at home kept me away from school for weeks, sometimes months,” she continues, “but still I skipped grades, completing four levels in three years.” She became the first girl in her village to be educated beyond the fourth grade. By the time she was nine she was reading and translating court documents for her father, a task he had previously paid others to do for him. She helped people in her community write their court applications free of charge. “As a sign of respect in Kambatta tradition, a father is called after his first-born son, and a mother after her first-born daughter,” she explains, “Imagine his surprise when my fatherís peers started calling him ëFather of Bogaletch.”

Her father now won over by her diligence and perseverance Bogaletch was allowed to attend the one and only women’s boarding school in Addis Ababa on a government scholarship. She then went on to attend Hebrew University in Jerusalem on a full scholarship. Saving her stipend money with great effort she demonstrated her appreciation to her father by building him a new house with a corrugated tin roof ‚ the only one of its kind in Zato. “People came from miles to see what a woman could do. Now I wanted to do more,” she confessed. Once people in her village saw what women could achieve with education they were willing to let their daughters become educated too and a ripple-effect ensued.

Bogaletch continued her education securing a Fulbright scholarship to the University of Massachusetts and later completing a PhD program in Epidemiology at UCLA. Returning to Ethiopia after 13 years she realized the disparities in education opportunities in her hometown and began to conceive of a way to give back to her community. In 1997 she established KMG and ran five marathon races in Los Angeles, California to raise the funds necessary to build the center. The slogan on her t-shirt summed up her conviction: “If my people can walk for miles barefoot, hungry, and sick, I can run 26 miles to help them.”

Ensuring that Ethiopian girls and women have the same opportunities for education as she did has been Dr. Gebre’s foremost desire. Since its inception, KMG has to date trained 120 women as community-based reproductive health educators and an additional 500 peer-group educators from 52 schools. The center has organized annual anti-AIDS rallies and sensitization workshops for over 6,000 local participants and provided paralegal civic education training for women’s groups, police, teachers, government officials and community elders.

After receiving funding from more than twenty-four international donors including OXFAM, the Rockefeller Foundation, and the European Commission, KMG established the first public library in the region. A ‘Dialogue House’ was designed for women to gather together to openly discuss their ideas and concerns. Efforts to relieve women from walking many miles in search of water were also made as KMG created women’s work cooperatives and constructed reservoirs for potable water. Legal clinics have been set up to teach women their legal rights to health and education.

KMG has primarily tackled the issue of female genital excision (FGE) and educates women to refuse to undergo this dangerous and harmful tradition. The approach of including elders and local leaders in the re-education process has been successful, and slowly attitudes and social behaviors are changing with emphasis on protection of women’s health and reproductive rights. In January 2003, a young couple in Bogaletchís hometown made international headlines as BBC carried their inspiring wedding ceremony. The bride wore a placard reading “I am so happy to be an uncircumcised woman.” The groom’s placard read: “Iím extremely glad to be marrying an uncircumcised girl.” In a society where 85% of the population is estimated to undergo FGE it is indeed brave to stand up against such a practice, and it is becoming increasingly more important to do so as the HIV/AIDS infection rate of young girls aged 15-19 is now seven times that of boys the same age. Traditional practices such as FGE and abductions leading to rape have left many girls and women prone to this deadly epidemic.

Additional future KMG projects include strengthening women’s leadership and decision-making capacity in the prevention and control of HIV/AIDS, establishment of a mother child health center, creation of a voluntary counseling and testing center, and developing a business center for women to gain skills training for more income-generation. Dr. Gebre’s emphasis on giving back to her community is noteworthy. “It is roughly 7,000 miles from Los Angeles to Ethiopia, but the distance is compressed by a growing awareness that we are all one on this small, blue planet,” she states. Living up to her name, which means “she who is like a flash of light”, Bogaletch is providing a light for other concerned citizens to follow. “Poor women don’t like breaks,” she reminds us, “they like opportunities. Once you give them that they run with it. They asked us for a library, water, bridge, school, women’s center, and women’s health clinic. When we provide that, they create their own solutions.” Awe-inspiring, talented, and dedicated, Dr. Bogaletch Gebre is transforming society and telling each of us “We are the ones we’ve been waiting for.”

To learn more about KMG and Dr. Bogaletch Gebre you may visit her website at www.kmg-ethiopia.org.

Related:
Bogaletch Gebre: Talking Female Circumcision Out of Existence (NYT)
Ethiopian Activist Recognized for Fight Against Female Genital Mutilation (VOA)
New Book Highlights Stories of 70 Accomplished Ethiopian Women
Le Figaro Names Three Ethiopians to ‘Africa’s 15 Most Powerful Women’ List
For Ethiopian Women, Construction Jobs Offer A Better Life (NPR)

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Three Goats Org Inaugural Launch at Ginny’s Supper Club

The inaugural launch of Three Goat organization was held on Sunday, April 7th, 2013 at Ginny's Supper Club in New York. (photo courtesy Three Goat.org)

Tadias Magazine
By Tseday Alehegn

Updated: Monday, April 8th, 2013

New York (TADIAS) – When model and philanthropist Maya Gate Haile visited Ethiopia in November 2011 she headed to Togowichale, a small border town sitting between Ethiopia and Somalia – a place needing dire assistance where she delivered resources collected from a fundraiser she had hosted with her husband, Marcus Samuelsson, at their home in Harlem. In return for her work the people of the town gave her three goats as a token of their appreciation. Maya was sincerely touched by their gesture of thanks and vowed to continue dedicating herself to improving the health and well-being of children, women and families in the country.

“We flew from New York to Addis and from there we took a plane to Harrar then went to Jijiga and drove for five hours to Togowichale,” Maya says. “The residents in Togowichale have no clean water, there is no medical clinic, there is hardly any school for young people.” She added: “The place needs many things but what we can do is start somewhere by giving hope.”

Three Goats Organization, a New York based non-profit, has now been established to promote and support social entrepreneurial projects in various regions of Ethiopia. Programs include providing access to clean water via wells and innovative water purification systems as well as focusing on increasing retention rates and access to education for young girls.

By incorporating and designing nutrition workshops and developing recipes from local produce for balanced nutrient intake Three Goats organization aims to reduce the time spent by young girls on cooking chores, which usually keeps them away from attending school as regularly as their male peers. Children are also often pulled out of school to help their families earn income and the Three Goats’ City Food program will focus on increasing school attendance by providing food from local producers to assist struggling families to purchase food and offset inflation and high cost of living. Workshops are also being developed for farmers to assist them on how to diversify their crops. In addition, the Change Through Dialogue program offers funding for seminars, conferences, and academic workshops that focus on developing sustainable and entrepreneurial models to reduce chronic poverty as well as to provide mentoring opportunities for youth.

The inaugural launch of Three Goat organization was held on Sunday, April 7th, 2013 at Ginny’s Supper Club in Harlem.

Click here for Photos from Three Goats Org Inaugural Launch at Ginny’s Supper Club.

To learn more and support please click here.

Video: “HORN OF AFRICA” by THREE GOATS ORG. (ThreeGoatsTV)


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Today in New York: Ethiopia A Reenactment Through Fiction and Image

The Magnum Foundation Emergency Fund, Warscapes Magazine, and Apexart present: "Ethiopia: A Reenactment Through Fiction and Image" on Wednesday, March 27th, 2013 in New York.

Tadias Magazine
By Tseday Alehegn

Published: Wednesday, March 20, 2013

New York (TADIAS) – A discussion on human rights issues in Ethiopia will be co-hosted by Apexart, a contemporary visual arts organization located in Lower Manhattan, the Magnum Foundation Emergency Fund and Warscapes Magazine on Wednesday, March 27th. The featured speakers include Photographer Eric Gottesman, independent filmmaker Yemane Demissie, and novelist Maaza Mengiste.

Below is their short bio courtesy of Apexart:

Eric Gottesman


©Eric Gottesman

Eric Gottesman is a photographic artist, a teacher and an organizer. His work usually employs local strategies of display and addresses themes of participation, politics, identity, translation, transnationality, pedagogy, portraiture, and authorship. Many of his projects examine the long-term psychological impact of mass trauma. He has received an Aaron Siskind Fellowship, an Artadia award, a Massachusetts Cultural Council award and a Fulbright Fellowship in Art. In 2011, Gottesman and Toleen Touq organized the apexart Franchise exhibition We Have Woven the Motherlands with Nets of Iron in Amman, Jordan. In Baalu Girma, he addresses the repercussions of Ethiopia’s Derg regime through the life and fiction of Baalu Girma, an Ethiopian writer who was assassinated in 1983 after completing his novel, Oromai. Gottesman’s work explores the Ethiopian author’s life through re-enactment and documentary imagery that imagines the characters in Girma’s novel. He is currently an artist in residence at Amherst College.

Maaza Mengiste


At Göteborg Book Fair

Maaza Mengiste was born in Addis Ababa, Ethiopia, and lived in Nigeria and Kenya before settling in the United States. Her debut novel, the critically acclaimed Beneath the Lion’s Gaze, has been translated into several languages and appeared on several “Best of 2010″ lists. The book was also selected by The Guardian as one of the 10 best contemporary African books. Her work has appeared in The New York Times, BBC Radio 4, Granta, and Lettre International, among other places. She is a Fulbright Scholar who has also received fellowships from the Emily Harvey Foundation, the Virginia Center for the Creative Arts, the Prague Summer Program, and Yaddo. Her new novel, set during the early days of WWII, tells the story of Fascist Italy’s invasion and occupation of Ethiopia and the army of Ethiopian men and women who confront them.

Yemane I. Demissie

Photo credit: NYU

Yemane Demissie is an award winning independent filmmaker who has received numerous awards for his work including the John Simon Guggenheim Fellowship, the Walter Mosley award for Best Documentary and the American Film Institute’s Filmmaker’s Grant. His films include two narrative features, Tumult and Dead Weight, and a documentary, Twilight Revelations: Episodes in the Life and Times of Emperor Haile Selassie. Currently, Yemane is producing The Quantum Leapers: Ethiopia 1930-1975, a six-part documentary series focusing on Ethiopian social, artistic, intellectual, political, and cultural history during the Emperor Haile Selassie era. He is also developing …and then the rains return, a narrative feature film set during the 1918 Spanish Influenza pandemic, a worldwide catastrophe in which over fifty million people lost their lives. Yemane teaches directing, writing, production, and film history and criticism in the Undergraduate Department of Film & Television at New York University’s Tisch School of the Arts.

If You Go:
Wednesday, March 27: 7-9pm
At Apexart
291 Church Street, NYC, 10013
Phone: 212 431 5270
www.apexart.org
Subway Directions: A, C, E, N, R, W, Q, J, M, Z, 6 to Canal or 1 to Franklin.
Event is free and open to the public.

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Solomon Assefa: 2013 World Economic Forum Young Global Leader

Solomon Assefa (Courtesy photo)

Tadias Magazine
By Tseday Alehegn

Published: Saturday, March 16th, 2013

New York (TADIAS) – IBM Research Scientist, Solomon Assefa, has been honored as one of the World Economic Forum’s Young Global Leaders of 2013. The Young Global Leaders “will join and co-create a community of insight and action that is committed to improving the state of the world,” stated the official press release. 199 young global leaders were selected from 70 countries worldwide including 19 honorees from Sub-Saharan Africa and 12 from the Middle East and North Africa. Other notable honorees in 2013 include Chelsea Clinton, Clinton Foundation Board member and special corespondent for NBC News; Nate Silver, statistician and writer of New York TImes Five Thirty Eight section; and William James Adams (aka will.i.am), singer and founder of i.am.angel Foundation. There are currently 756 members of the Forum of Young Global Leaders and the annual summit will be held in Yangon, Mynamar from June 2-5th, 2013.

Solomon Assefa was selected as one of the world’s 35 top young innovators by Technology Review in 2011.

A complete list of the 2013 honorees is available at WEF Young Global Leaders 2013

Related:
Interview with Solomon Assefa: One of the World’s 35 Top Young Innovators

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Ethiopia, Rwanda, Uganda, Norway Co-host First Global Education & Technology Health Summit

The global education and technology health (GETHealth) summit was held at the United Nations in New York from February 6- 7th, 2013. (Photo: Tadias Magazine)

Tadias Magazine
By Tseday Alehegn

Published: Monday, February 11, 2013

New York (TADIAS) – The first Global Education and Technology Health Summit was held at the United Nations in New York last week, which brought together academics, social entrepreneurs, distance learning experts, physicians, business leaders and ministers of health for a talk on the impact of mobile technologies to improve global health.

The summit was organized by Johns Hopkins Center for Clinical Global Health Education and Global Partnerships Forum and co-hosted by the International Telecommunication Union as well as the governments of Ethiopia, Rwanda, Uganda, and Norway.

Dr. Enawgaw Mehari, Neurologist and Founder of People to People (P2P) global network was a panelist discussing information and communications technologies, and the patient versus provider relationship. Citing his organization’s work, Mehari described the People to People as being founded on the principle of triangular partnership consisting of “the mother country (Africa), the Diaspora, and Western institutions.” The main effort is to “implement programs that contribute to closing the gap through education, training, and research,” Mehari told Tadias in a later interview. An example of such a program was an emergency medicine initiative coordinated by People to People, Black Lion Hospital in Addis Ababa, and Wisconsin University as well as a neurology program at Black Lion Hospital in collaboration with the Mayo Clinic.

Another panelist, Ms. Amy Lockwood, Deputy Director of the Center for Innovation in Global Health at Stanford University, supported Mehari and the role that individuals from the Diaspora can play by noting that pilots implemented by NGOs or student interns are short-term and don’t help to form the deeper, and more meaningful connections needed to scale and grow programs. “When you are a member of the Diaspora you have an umbilical cord” she said and urged practitioners to move towards implemented innovative projects with the support and collaboration of diaspora resources.

Dr. Seble Frehywot, Principal Investigator of the MEPI Coordinating Center at George Washington University also presented on the topic of creating centers of excellence for ICT in health education and research training that would likewise serve as hubs of innovation.

Ethiopian Diaspora physicians participating in the summit included Dr. Senait Fisseha from the University of Michigan who is both a doctor and lawyer by training and is involved in global health activities in collaboration with medical schools in Ethiopia. She felt the summit was “an interesting meeting looking at the impact of technology to improve health care services as well as global medical education,” but also pointed out that she “would like to see more healthcare providers and stakeholders at this meeting as well as diaspora from all African and Asian countries who really have a vested interest in addition to NGOs and funders.” She travels once a month to Ethiopia to oversee projects that are currently being developed on the ground.

On the topic of leveraging mobile technology to strengthen health systems, Dr. Ferew Lemma Feyissa, Senior Advisor at the Ministry of Health in Ethiopia, told Tadias that the summit has enabled them to network and meet with various technology company representatives including from Dell and Verizon who have shown interest in working with them as private sector partners. An area of health that Ethiopian Ministry of Health is primarily focused on is improving maternal and child health outcomes, and expanding emergency obstetric care at the district level. Dr. Feyissa notes that Ministry is also using mobile technology tools to “help us enhance the skills of health extension workers in the primary health care unit.” In the future, Ethiopia also hopes to use mobile health to address chronic care and to support the vastly expanded medical education system in Ethiopia.

During the ministerial addresses, Ethiopia’s Minister of Health, Dr. Kesetebirhan Admazu Birhane, described the three-tier health system, which is comprised of health centers and community health extension workers. “We consider our community health extension program as a pillar of our health system,” he said. “And through this program we have trained and deployed 38,000 health extension workers, with two workers per village.” Most of these professionals are women who have been “tasked to do health promotion, disease prevention, and provide basic curative services,” he added. The four areas of support for them include data exchange, improving supply chain so that workers are receiving supplies on a continuous basis, and using mobile technology to improve both communication between the community health extension workers and labs and hospitals. One outcome of this program is that “we have seen an increase in antenatal visits as well as an increase in institutional delivery rates,” Dr. Birhane said, citing the use of mobile technology to reduce maternal mortality in Ethiopia. “So the challenge is to have the same quality of success at scale.”

Similarly, the Director of e-health at the Rwandan Ministry of Health said his nation has three community health workers per 75,000 villagers, which exceeds the goal of the million community health worker campaign for Sub-Saharan Africa announced by President Paul Kagame, Novartis CEO Joseph Jiminez, and Columbia Professor Jeffrey Sachs this past January at the World Economic Forum.

In addressing some of the current challenges faced, Dr. Birhane noted the recent expansion of Ethiopia’s medical schools from just three to 25 new medical schools. Dr. Birhane spoke of the difficulty in retention of physicians who leave and practice in other countries, and mentioned the initiative to increase medical school enrollment capacity from “150 five years ago to 3,000 this year.” The challenge is that “we don’t have enough faculty,” he said, “and that’s where technology will definitely help.”

Dr. Wuleta Lemma, Director for the Center for Global Health Equity at Tulane University and Country Director for Tulane’s program in Ethiopia has been working for several years in Addis Ababa spearheading the development of a pre-service Master’s training program in health monitoring and evaluation, as well implementing an e-health and mobile health strategy called HealthNet in collaboration with the Ethiopian Ministry of Health.

Speaking of such efforts, Dr. Birhane said “we have tried to create a linkage between universities in Europe and the U.S. with our newer medical schools. And we have also created a network with the Ethiopian Diaspora.” He added, “I would like to call upon our partners here to work with us to really improve the quality of medical education in Ethiopia using information and communications technologies.”

State Minister for Primary Health Care in Uganda, Ms. Sarah Opendi cited similar hardship in the retention of trained doctors in her country, noting physician preferences to work for higher pay in the private sector or abroad. Yet, by using mobile technologies, Uganda has improved service delivery and monitoring of medicines, and has better quality of data from monthly reports, as well as improved anonymous consultation services for HIV/AIDS patients through the national, toll-free hotline. Uganda has also “connected regional referral hospitals with the national hospital so that doctors can easily consult with their colleagues.”

The Minister of State for Health in Nigeria, Dr. Alit Pate, shared with participants that his country has 65,000 registered health extension workers, but more initiative is needed, especially when it comes to evaluating the impact of using mobile technology to improve health outcomes. He mentioned an online portal for training midwives that initially received a lot of hits but then experienced a decline in submissions, and emphasized that incentives need to be put in place to encourage community health extension workers to continue submitting valuable data used for tracking progress.

Incentives such as providing promotion opportunities for community health workers to supervisory levels, and providing access to medical education via distance learning modules to increase medical student enrollment and retention are just a few ways that Dr. Feyissa at the Ethiopian Ministry of Health hopes to build and maintain a trained health workforce. Uganda’s integrated use of an innovative health system tracking service known as IHRIS is yet another avenue for better monitoring and evaluation of health outcomes.

The Summit also covered subjects such as health and media literacy, and leveraging social media to address issues including increasing organ donation. Sarah Wynn-Williams, Manager of Global Public Policy at Facebook informed the audience that the launch of Facebook organ donation profiles increased organ donation by 800% in California in the first week alone.

Lee Wells, Head of Health Programs (Africa) at Vodaphone Foundation looked forward to translating the success of mobile money such as the M-Pesa system in Kenya to the mobile health sector. He stated that “last year, 25% of Kenya’s GDP was transferred via M-Pesa mobile system.” He emphasized “It’s low-cost, let’s use what’s already available.”

Below are photos from the event:



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Novelist Maaza Mengiste Writes Script for ‘Girl Rising’ Film

Maaza Mengiste (Photo courtesy of the 10 x 10 project)

Tadias Magazine

By Tseday Alehegn

Updated: Thursday, January 10, 2013

New York (TADIAS) – Last week we highlighted an upcoming documentary entitled Girl Rising, which is scheduled for release in Spring 2013. The feature-length film displays the power of access to education in the life of a girl residing in a developing nation. Each girl’s story is told by a talented writer from her native country. The script writer for the segment on Ethiopia is Maaza Mengiste, author of the critically acclaimed novel Beneath the Lion’s Gaze. In preparation for the documentary, Maaza spent time with a young girl from a village outside of Bahir Dar.

Below is our interview with Maaza Mengiste.

TADIAS: Please tell us about how you got involved with the film?

Maaza Mengiste: I was living in Rome when Richard Robbins, the director of the film, contacted me about the project. I learned more about it then spoke further with two of the producers, Martha Adams and Alex Dionne. I was skeptical at first about whether this could really happen, but soon, I was on a plane to Addis, then a smaller plane to Bahir Dar, then on a very shaky Land Rover through mountain roads to Yilmana Densa to visit Azmera and her family.

The main focus of the 10×10 campaign is to show audiences how educating one girl can impact her entire family and her community and make positive changes. Each of the 10 segments in the 10×10 film highlights a country and the biggest obstacles preventing girls from getting their education. It’s different in each country and in Ethiopia, the biggest issue is forced early marriage. This film is different from so many of those charity programs or other documentaries we see. It’s not about the tragic lives of people in poor countries. This film is about how these young girls took their own first steps in making their lives better. They aren’t asking for charity. They only want the right to fulfill their potential and go to school. The idea of working on a project that told stories of how young girls were changing their own lives, rather than waiting for adults, fascinated me.

TADIAS: Can you also tell us a bit about your script and character?

Maaza: This is a documentary film, but Richard gave me full freedom to create what I wanted based on the time I spent with Azmera and her family. I talked to her and found her to be painfully shy, like a typical abesha girl. But something else was there also, a quiet strength and a stubbornness I saw when she played with her cousins. I also witnessed the intense love her family has for her. She is adored. I was interested to put this picture next to the image of a young girl forced to marry a stranger when she wasn’t even a teenager. But I had a chance to talk to her mother and other family members and the story that emerged helped me to write my script and find a focus of how to write about their lives.

TADIAS: The 10×10 site also features a book club focused on your novel Beneath the Lion’s Gaze as well as articles and policy briefs on Ethiopia. Can you tell us more?

Maaza: Each of the writers on the project (there are 10) has a specially designed book club tool kit available on the 10×10 website. That tool kit gives you step-by-step instructions on how to host your own book club, how to invite people, how to facilitate discussions, what questions you can ask, and even has an in-depth interview with the writer. It’s a wonderful way to get involved with the 10×10 project beyond the film.

TADIAS: What do you see as the primary challenge for girls seeking access to education in rural Ethiopia?

Maaza: It was heartbreaking to see how hard young girls were trying to go to school and get their education. They are intelligent, they are eager, they are determined, but they don’t have the simple resources to attend school. They are needed to work at home and take care of family or bring in extra income. I think the primary challenge involves finding ways for families to be able to send their daughters to school and still survive financially. It wouldn’t take much, and there are good organizations helping, but more needs to be done and I hope this film raises that awareness. I hope the film shows the world that these young Ethiopian girls have had the courage to fight for their future, and now they want the ability to continue living their dream of going to school. I am so very proud of each of them, and of Azmera and her family.

TADIAS: Thank you for sharing with our audience!

Maaza: Thank you, Tadias!
—-

Watch the trailer:


Related:
Learn more about ‘Girl Rising’ Film + Campaign (10 x 10)

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‘Girl Rising’ Film & Campaign Coming in Spring

The film and campaign, created and launched by an award-winning team of former ABC News journalists, delivers a single message: educating girls in developing nations will change the world.

Tadias Magazine

By Tseday Alehegn

Updated: Friday, January 4, 2013

New York (TADIAS) – At the Clinton Global Initiative’s Annual Meeting in New York City two years ago, New York Times columnist and author Nicholas Kristof moderated a panel discussion focused on better preparing girls for the world, launching the 10×10 project – a film and social action campaign that highlights the significance of investing in girls and compels people to action. Ethiopia is among the countries featured in the upcoming documentary entitled Girl Rising, which is scheduled for release in Spring 2013.

The feature-length film displays the power of access to education in the life of a girl residing in a developing nation; each girl’s story is told by a talented writer from her native country. The script writer for the segment on Ethiopia is Maaza Mengiste, author of the critically acclaimed novel Beneath the Lion’s Gaze. In preparation for the documentary, Maaza spent time with a young girl from a village outside of Bahir Dar.

Click here to read our interview with Maaza Mengiste.

Below is the trailer.



Related:
Learn more about ‘Girl Rising’ Film + Campaign (10 x 10)

Join the conversation on Twitter and Facebook.

Cover image credit: (10 x 10)

2012 in Review: Ten Arts & Culture Stories

The late artist Afewerk Tekle speaking at Stanford University on March 7, 2004. (Photo: Tadias Magazine File)

Tadias Magazine
By Tadias Staff

Updated: Wednesday, December 26, 2012

New York (TADIAS) – In 2012 we lost Ethiopia’s most famous painter, Maitre Artiste Afewerk Tekle, who died last Spring at the age of 80 and was laid to rest at the cemetery of the Holy Trinity Cathedral in Addis Ababa on April 14th. Speaking about his life-long dedication to the fine arts, Afewerk Tekle once said: “At the end of the day, my message is quite simple. I am not a pessimist, I want people to look at my art and find hope. I want people to feel good about Ethiopia, about Africa, to feel the delicate rays of the sun. And most of all, I want them to think: Yitchalal! [It's possible!]” Our coverage of Afewerk’s passing was one of the most shared articles from Tadias magazine this year: (In Memory of Maitre Artiste Afewerk Tekle: His Life Odyssey).

Below are other arts and culture stories that captured our attention in 2012.

Marcus Samuelsson’s Memoir ‘Yes, Chef’

Marcus Samuelsson released his best-selling memoir Yes, Chef back in June. From contracting tuberculosis at age 2, losing his birth mother to the same disease, and being adopted by a middle-class family in Sweden, Marcus would eventually break into one of the most exclusive clubs in the world, rising to become a top chef with a resume including cooking at the White House as a guest chef for President Obama’s first State Dinner three years ago. Since then, Marcus has morphed into a brand of his own, both as an author and as owner of Red Rooster in Harlem. Earlier this year, Tseday Alehegn interviewed Marcus about his book.

Watch: Tadias interview with Marcus Samuelsson

Dinaw Mengestu Named MacArthur ‘genius’ Fellow

Ethiopian American novelist and writer Dinaw Mengestu was named a MacArthur genius Fellow in September. The Associated Press reported Dinaw’s selection along with the full list of 22 other winners. Dinaw is the author of The Beautiful Things that Heaven Bears and How to Read the Air. In addition to the two novels, he has written for several publications, including Rolling Stone, Jane Magazine, Harper’s, and The Wall Street Journal. According to MacArthur Foundation, the “genius grant” is a recognition of the winners “originality, insight, and potential” and each person will receive $500,000 over the next five years. Below is a video of Dinaw discussing the award.

Ethiopia at Miss Universe 2012


Helen Getachew (Photo credit: Miss Universe)

After years of absence from the Miss Universe pageant, Ethiopia graced the global stage this year represented by 22-year-old Helen Getachew. The competition was held in Las Vegas on December 19, 2012. Women from over 80 countries participated in the 61st annual contest. The new Miss Universe is Miss USA Olivia Culpo, a 20-year-old beauty queen from Rhode Island and the first American to claim the coveted title since 1997. Olivia was crowned Miss Universe 2012 by Miss Universe 2011 Leila Lopes of Angola. Over the next year Olivia will hit the road on behalf of her cause: HIV/AIDS prevention as mentioned on her official pageant profile.

A Prodigy Reviving Ethiopian Jazz & A Rock Band from Ethiopia Called Jano


Samuel Yirga (Photo courtesy of Worldisc)

Two distinctly different Ethiopian musical acts emerged in 2012 that are sure to dominate the entertainment scene in the coming year. Samuel Yirga (pictured above) is a U.S.-based pianist from Ethiopia whose debut album Guzo has won critical acclaim. Here is how NPR described the artist and his work in its recent review of his new CD: “A 20-something prodigy, Yirga is too young to have experienced the Ethio-jazz movement of the early 1970s, but he has absorbed its music deeply — and plenty more as well. With his debut release, Guzo (Journey) Yirga both revives and updates Ethiopian jazz.” Likewise, the new Ethiopian rock band Jano is also influenced by legendary musicians of the same era, but as their producer Bill Laswell put it: They don’t join the ranks of Ethiopian music, they break the rules.” Below is the latest music video teaser by Jano.

Teddy Afro Abroad


Teddy Afro pictured during a surprise party thrown for him at Meaza Restaurant in Falls Church, Virginia following his performance at Echostage in Washington D.C on Friday, November 23rd, 2012. (Photo: By Matt Andrea for Tadias Magazine)

In 2012 Teddy Afro gave us Tikur Sew, which is undoubtedly the most talked about music video of the year in our community. And Teddy’s current world tour is winning him new international support outside of his loyal Ethiopian fan base. (Click here to watch a highlight of Teddy’s growing popularity on the global stage by China Central Television – CCTV)

Two Ethiopian American Bands Make a Splash: Debo & CopperWire


Debo Band is an 11-member Boston-based group led by Ethiopian-American saxophonist Danny Mekonnen and fronted by vocalist Bruck Tesfaye. (Courtesy Photo)

In its thumbs-up review of Debo band’s self-titled first album released this year, NPR noted: “The particular beauty of Debo Band is that you don’t have to be an ethnomusicologist to love it: It’s all about the groove. Debo Band transforms the Ethiopian sound through the filter of its members’ collective subconscious as imaginative and plugged-in 21st-century musicians…The swooning, hot romance of Yefikir Wegene bursts up from the same ground as the funky horns of Ney Ney Weleba. From that hazy shimmer of musical heat from faraway Addis, a thoroughly American sound emerges.” Similarly, another Ethiopian American musical ensemble that made a splash this year is the sci-fi trio ‘CopperWire’ that produced the futuristic album Earthbound. The hip-hop space opera takes place in the year 2089 featuring three renegades from another world who hijack a spacecraft and ride it to Earth, and eventually land in Ethiopia. Watch below CopperWire’s music video ET Phone Home.

Fendika Dancers’s First Solo American Tour


Melaku Belay and Zenash Tsegaye of Fendika Dancers (Courtesy photo )

After thrilling New York audiences at Lincoln Center in summer 2011, members of the Addis Ababa-based musical troupe, Fendika, returned to the East Coast for their first solo tour in 2012 with stops that included New York, Washington, D.C, Boston, Hartford, Connecticut and Smithfield, Rhode Island.

Mahmoud Ahmed, Gosaye Tesfaye and Selam Woldemariam at the Historic Howard Theatre


Mahmoud Ahmed performs at Howard Theatre in Washington, D.C. on Saturday, May 26th, 2012. (Photo by Matt Andrea)

Mahmoud Ahmed and Gosaye Tesfaye performed at the historic Howard Theatre in Washington, D.C. during a Memorial Day weekend concert on Saturday, May 26th, 2012. It was the first time that Ethiopian music was featured at the iconic venue, which re-opened in April following a $29 million renovation. The event was organized by Massinko Entertainment, and also included an appearance by guitarist Selam Woldemariam whose collaborative concerts with Brooklyn-based musician Tomas Donker at Summer Stage in New York was part of the biggest entertainment stories that we covered this year.

Journalist Bofta Yimam Nominated for Regional Emmy Awards


Bofta Yimam is an Ethiopian American reporter currently working for Fox 13 News in Memphis, Tennessee. (Courtesy photo)

Last but not least, Ethiopian American Journalist Bofta Yimam who is a reporter for Fox 13 News in Memphis, Tennessee, was nominated this year for Regional Emmy Awards by the National Academy of Television Arts & Sciences (Nashville/Mid-South Chapter) for her journalism work. The winners will be announced on Saturday, January 26th, 2013 at the Schermerhorn Symphony Center in Nashville where the ceremony will be telecast live beginning at 8:00 PM. Below is a video of Tsedey Aragie’s interview with Bofta Yimam.



Related:
2012 in Pictures: Politics, London Olympics and Alem Dechasa

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Interview with Atti Worku: Founder of Seeds of Africa Foundation

Atti Worku, Miss Ethiopia 2005, founded The Seeds of Africa Foundation six years ago. (Courtesy photo)

Tadias Magazine
By Tseday Alehegn

Published: Wednesday, April 25, 2012

New York (TADIAS) – In 2005, when Atti Worku, was named Miss Ethiopia, she used her newly found public-platform to start the non-profit ‘Seeds of Africa Foundation,’ which operates a center for education and community development in her hometown of Adama (Nazret) in Ethiopia.

In a recent interview with Tadias Magazine, the founder and executive director said her New York-based organization began work in 2006 on what she calls the “Take-Root center,” a multi-faceted project that combines school for children and young adults with community development services, a prototype that the organization hopes to duplicate in other African countries.

“Our goal is to move beyond traditional aid models, providing more than just short-term relief efforts by giving our community the skills they need to support themselves and rise above poverty,” Atti Worku said. “Unequal childhoods can lead to exponentially more inequality in adult life.”

Atti is now a student attending Columbia University and shared her thoughts on education with Tadias. “By educating our children and providing the resources, we can combat the initial inequalities stemming from a vicious cycle of poverty, ensuring that the next generation will reach their full potential as leaders, educators, athletes, actors, musicians, and artists,” She says. “At this point in time, Seeds of Africa’s programming includes supplementary educational and tutorial services for students enrolled in local schools, as well as a full time curriculum for pre-kindergarden students. We also offer adult education classes and community development seminars and support.”

Atti was born and raised in Adama as the youngest sibling in her family and attended St. Joseph’s school in Adama from kindergarten to twelfth grade. After graduating from high school she moved to Addis Ababa where she attended HiLCoE school of computer science and technology. “After college I began my career as a model, traveling internationally, and ultimately moving to the U.S., where I am studying Sustainable Development at Columbia University in New York,” she said.

According to Atti, her inspiration to create Seeds of Africa came at a very young age. “When I was in middle school, I became distinctly aware that my peers and I who were fortunate enough to attend St. Joseph’s performed well in school largely because of the individual attention we received and the resources we had available to to us – a library, science lab and computer lab,” she said. “In addition, our school, as well as our parents, set high expectations of us and supported our academic goals.” She added: “In contrast, the public school system lacked the necessary tools and had high teacher to student ratios, which often resulted in lower expectations of student performance. As a result, children who attended public schools struggled to perform and at times dropped out.”

Atti said her organization works with children ages 5 through 15, as well as with their families. “Seeds of Africa has grown in leaps and bounds in the past few years,” she said. “Major accomplishments have included expansion to a new center which has enabled us to double our student body and welcome our first full-time pre-k class.”

The community development side of the organization has also been flourishing. “In the past year, we have been excited and honored to work with such partners as Canadian-based Working to Empower and the Family Guidance Association of Ethiopia (FGAE),” she shared. “We are also thrilled to now offer adult literacy courses with access to our new library, courtesy of a U.S. based partner Hawthrone Elementary.”


Photo courtesy of Seeds of Africa Foundation.


Photo courtesy of Seeds of Africa Foundation.
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You can learn more about Seeds of Africa at www.seedsofafrica.org.

Tseday Alehegn is Co-Founder & Editor of Tadias.

Celebrating Women’s History Month 2012: Tadias Interview with Birtukan Mideksa

Birtukan Mideksa is currently the Reagan-Fascell Democracy Fellow at the International Forum for Democratic Studies in Washington, D.C. (Courtesy photo)

Tadias Magazine

By Tseday Alehegn

Published: Friday, March 30, 2012

New York (TADIAS) – We conclude this year’s Women’s History Month series with a Q & A with political leader, human rights activist, and former judge Birtukan Mideksa who joined the Ethiopian Diaspora community in the United States last year. She is currently a Reagan-Fascell Democracy Fellow at the International Forum for Democratic Studies in Washington, D.C., which is supported by The National Endowment for Democracy. The program offers a select group of global leaders with a scholarly environment to reflect on their experiences, conduct research, write, consider best practices and lessons learned, and develop worldwide professional networks.

Prior to her arrival in the United States, Birtukan, who is a mother of a young daughter, had been twice imprisoned as leader of an opposition party in Ethiopia that won more than one-third of the seats during the 2005 elections. On January 6th, 2012 Birtukan spoke at the memorial tribute for Vaclav Havel, the former President of the Czech Republic who was also a playwright and poet, and recalled her imprisonment experience. Of the first 21 months behind bars following the 2005 elections Birtukan stated: “though going to prison despite not committing a criminal offense is a painful experience of every political prisoner, the pain didn’t make us weaker.” However, she described her second imprisonment for 19 months in solitary confinement as being “alone in every sense of the term.” Birtukan was released in October 2010. She noted: “coincidentally Aung San Syu Ki and I were released just days apart from each other. However, unlike her I found my party weakened when I went out. After all the pain that was inflicted on me and my dear ones, I had to ask myself if the struggle was worth it.”

At Vaclav Havel’s memorial tribute Birtukan referred to a book authored by Havel and acknowledged, “the truth illustrated in The Power of the Powerless has always preserved my fervent dedication for the cause of free and dignified human life.” She added: “So we should be vigilant and remind ourselves that the power of the powerless is directly correlated with features like friendship, compassion, forgiveness, and humility which might seem weak and meek rather than vanity, hate, and anger. Only the politics of the heart, which bases itself with capacities of love, friendship, solidarity, sympathy and tolerance are worthy of hardship.”

Birtukan Mideksa is the most prominent Ethiopian female political leader of our generation. Below is our Q & A with her:

TADIAS: As a fellow at the National Endowment for Democracy you have spoken about pathways to peace in the Horn of Africa. Can you share more about your current work? What do you enjoy most about it?

Birtukan Mideksa: As a Regan Fascel Democracy fellow, I am primarily engaged in an academic exploration focusing on the basic challenges of democratization in our country Ethiopia. The program gave me an opportunity to reflect on the issues and analyze the root causes underpinning the core political problems of the country.

The National Endowment for Democracy is a venue where political activists from across the globe come together to exchange views and experiences. What is so fascinating in my stay here has been observing the similarity in the challenges that citizens across borders have to overcome to realize their aspirations for free and dignified life. Yet, this comparative examination also helps one to realize that this noble cause eventually triumphs. That in turn is inspiring. Besides, as a fellow based in Washington, DC, I have lots of opportunities to shed light on the plight inflicted on my fellow Ethiopians by an authoritarian and unaccountable regime ruling the country.

TADIAS: Who are your female role models?

BM: One might say she was from the world of legend and myth. But, the heartfelt desire of the Queen of Sheba to acquire the wisdom and art of governance is celebrated by both major religions in our country. I am fascinated by her story, a story that is perhaps one of the most ancient ones showing a woman who did not consider her femininity as an inhibition for achieving something great and worthwhile.

Of course, there are lots of contemporary women, both Ethiopian and non-Ethiopian whose life is inspiring. I have, however, to single out Aung San Suu Kyi as one whose life has immensely influenced mine. Her courage, her moral integrity and her rigorous adherence and commitment to non-violence are unique in the stage of world politics. This woman who looks weak and frail, who has nothing to do with anger or malice, and who is often low-key and modest has exerted such a huge influence on world leaders, policy makers and more importantly millions of fellow humans including her countrymen and countrywomen. She showed fearlessness without foregoing her humility. She defied the rulers in the Military Junta of Burma without becoming hateful towards them. She is my icon who always affirms to me that it is possible to advance politics guided by moral principles based on respect and love for humanity.

TADIAS: What are some ways you have personally chosen to overcome the hurdles that you have faced both as a woman and as a leader in law & politics?

BM: What helps me most to survive the hurdles I faced is the depth and intensity of the ideal and vision I have with regard to the worth and dignity of the individual citizen and the way our society should be organized based on this universal ideal of human rights and the rule of law. My belief and conviction that we can and should change the status quo, though it appears to be daunting, has kept me going. And my trust in the power of the individual to bring about change enables me to consider the price I paid as a sacrifice made for a worthy causes and purpose.

TADIAS: What are some practical tips you can give for young women who want to follow in your footsteps?

BM: I would like to remind young women that public service or political engagement is not a domain exclusively reserved for men. In fact, I don’t think we can truly succeed in transforming the political system into a system which incorporates equality and fairness at its epicenter, unless Ethiopian young women are determined to contribute something significant to the process.

So I would like to encourage our young women to dream a future for our nation with a dignified and flourishing life for all citizens. And it’s important to believe in the ability of everyone of us to champion change. It is obvious the public discourse and the political process of our country is complex and traversing through it is an uphill journey. But if we stay committed and if we focus on the things we can offer and the societal issues we can be engaged in, all of us can play a role to lead our country towards freedom and democracy eventually.

TADIAS: Please tell us more about yourself (where you were born, grew up, school and how you developed your passion for your work?)

BM: I was born and brought up in the Ferensay Legacion neighborhood of Addis Ababa. I went to a public mid school called Miazia 23 and Yekatit 12 (Menen) for my elementary and high school education respectively. And I graduated from Addis Ababa University with a degree in law. I believe my passion for politics has a strong correlation with the fact that I was brought up in a community whose members are strongly committed to maintaining healthy social relations and to looking after the well-being of individual members. My training as a lawyer later on gave me some coherent narrative and vision for this aspiration of mine.

TADIAS: What would like to share on Women’s History Month with Tadias readers that we have not asked you about?

BM: I think we need to celebrate our unsung Ethiopian heroines who really made it in every realm of life. From the queens and wives and mothers of kings who take part in leadership to promote peace and security, to women advocates of change in Ethiopian popular revolution who paid dearly as equal with their male partners deserve our respect and commemoration for what they did and attempted to achieve in securing better societal destiny for our nation.

Most importantly, we should cherish and recognize the Ethiopian mothers and wives who bear tremendous burden and tirelessly struggle amidst challenges of impoverishment to feed their family, and to send their kids to school to get an education that perhaps they never had an opportunity to access themselves.

TADIAS: Thank you and happy Women’s History Month from all of us at Tadias.
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Click here to watch Birtukan Mideksa’s tribute to Vaclav Havel.

Related Women’s History Month Stories:
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Author Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Tadias Interview with Julie Mehretu: Celebrating Women’s History Month 2012

Julie Mehretu is an artist best known for her large scale abstract paintings and drawings. She lives and works in New York City. (Photo Credit: ©Sarah Rentz)

Tadias Magazine

By Tseday Alehegn

Updated: Friday, March 30, 2012

New York (TADIAS) – Julie Mehretu is one of the most celebrated contemporary artists in the United States, and one of two Ethiopian-born artists whose work is part of the permanent collection at the Museum of Modern Art. Julie, who currently lives and works in New York, has received numerous international recognitions for her work including the American Art Award from the Whitney Museum of American Art and the prestigious MacArthur Fellow award. She had residencies at the Core Program at the Museum of Fine Arts in Houston (1998–99), the Studio Museum in Harlem, New York (2001), the Walker Art Center, Minneapolis, Minnesota (2003), and the American Academy in Berlin (2007).

Julie was born in Addis Ababa in 1970 and immigrated to the United States with her family in 1977. Speaking about her upbringing Julie tells Tadias: “I was then raised in East Lansing, Michigan, where my father was professor of economic geography at the university and my mother a montessorian for young children.” Julie completed her undergraduate studies at Kalamzoo College and her MFA at RISD. “I was always drawing and painting since very young,” she said. “My parents always encouraged me to draw and pushed us to think differently.” She added: Although, it wasn’t until I was in graduate school that I really thought it could be possible to make a life as an artist. I think it is super important to realize that given a privileged circumstance you can craft a life like you can an object or a picture, with deep intention and vision.”

What does she most enjoy about her work? “Making art is difficult and intense work that consumes all of me,” Julie said. “Even still, I am so grateful and privileged that I am able to spend my time dedicated to painting and making art.”

In celebration of Women’s History Month, we asked Julie who her female role models are. “My mother, Doree Mehretu, my sister Neeshan Mehretu and my partner Jessica Rankin,” she shared, adding a few practical tips for young women who want to follow in her footsteps: “Work hard, don’t hesitate, and trust your intuition. Take deep care of your work and it will take care of you.”

Correction:
We have updated this story and made the following correction: Mehretu is one of two Ethiopian artists whose work is part of the permanent collection at MOMA. The other artist is Skunder Boghossian.

Click here to watch Video of Julie Mehretu from Art 21 Season 5 Preview.

Related Women’s History Month Stories:
Interview with Birtukan Midekssa
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Author Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Tseday Alehegn is Co-Founder & Editor of Tadias.

Join the conversation on Twitter and Facebook

Celebrating Women’s History Month 2012: Tadias Interview With Model Maya Gate Haile

Maya Gate Haile is an Ethiopian model and philanthropist based in New York City. (Courtesy photo)

Tadias Magazine

By Tseday Alehegn

Published: Thursday, March 29, 2012

New York (TADIAS) – Our next feature for Women’s History Month is model and philanthropist Maya Gate Haile. Maya is signed with Elite New York and Los Angeles, and has worked with Ford Model (Chicago & Miami), IMG (Paris), and Zero Management Model (South Africa). She was born in Ethiopia, grew up in Holland and speaks four languages (English, Dutch, Amharic, and Guragena). She currently resides in Harlem, New York with her husband Chef Marcus Samuelsson. In addition to fashion & modeling, Maya’s personal interests include photography and learning about diverse cultures. “I believe it enriches people’s lives and everyone should embrace the best part of different cultures to create your own culture without forgetting your original one,” she says.

Maya serves on the steering committee for UNICEF’s Next Generation and focuses on reducing child mortality and improving the lives of children through education, engagement and advocacy work. Maya is also involved with 10×10, a feature film and social action campaign developed by ABC news journalists to empower girls in developing nations by providing access to education.

In 2011, Maya launched ‘Ethiopia’s Next Number One Model,’ an initiative to provide Ethiopian women with support and resources to gain access to international modeling opportunities. Maya serves as host of the program where the winning contestant receives a 3-year contract with a top international modeling agency as well as travel opportunities to network with high-fashion designers. Maya has been quoted as saying “Modeling is not a destination, it’s a start.” Her work both in the fashion industry as well as her outreach with youth is a testament of her desire to uplift and inspire the next generation.

“What I love about my job the most is working with creative people,” Maya tells Tadias. “I work and learn at the same time, and meet new people every day.” Her role models are “the women of Ethiopia, who work hard everyday to make their parents and family proud.”

Reflecting on her volunteer and charity work Maya says: “Working and being a model is glamourous and it’s been so great, but what’s next? Helping people. My family did that and they are still doing it, and when you get so much love and you see how people care you just want to give back to your people.”

To Tadias readers Maya says: “Dream big. Be positive. Take chances. Be mindful of your day. Respect yourself and you will respect others.”

Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

Related Women’s History Month Stories:

Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Author Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Celebrating Women’s History Month 2012: Tadias Interview with Nini Legesse

Nini Legesse is the founder of the Virginia-based Wegene Ethiopian Foundation. (Courtesy photo)

Tadias Magazine

By Tseday Alehegn

Published: Monday, March 26, 2012

New York (TADIAS)- Nini Legesse was one of the fourteen community leaders from the East African Diaspora that were honored at the White House as “Champions of Change” last month. Her organization Wegene Ethiopian Foundation provided, among other services, financial support to build an elementary school in Abelti-Jimma, Ethiopia. The White House said: “These leaders are helping to build stronger neighborhoods in communities across the country, and are working to mobilize networks across borders to address global challenges.”

Below is our Q & A with Nini Legesse.

TADIAS: Please tell us about Wegene Ethiopian Foundation. What inspired it?

Nini Legesse: I founded Wegene in 2000 with similarly inspired friends who like me had left their home country in their teenage years. We felt morally obligated to give back. Even though my friends and I feel grateful for the security, opportunity, education and better life that we enjoy in our adoptive country, the United States, we wanted to assist those who have less opportunities in Ethiopia. The goal of Wegene is to enable hardworking, poor families to meet their daily needs and send their children to school in a sustainable way.

We also have Wegene Kids Club. The club raises funds through bake sales, movie nights, crafting, and other various activities in order to create awareness and reach out to Ethiopian American youth. In addition to our projects in Ethiopia, the Wogene Kids Club also volunteers by feeding and distributing clothing to the homeless in the Washington, D.C. area. One of Wegene’s unique features is that it is 100% volunteer based. As a result, our overhead cost is near to nothing, because everyone involved is donating their time, money, and other in-kind donations.

TADIAS: What do you most enjoy about your work?

NL: My work for Wegene is more of a mission and it’s something that I’m very passionate about. It is meaningful and intensely rewarding. Also, I’m grateful that Wegene has created an opportunity to cultivate social ties to my home country and to make a difference in someone’s life at a personal level. This work offers me fulfillment and civic satisfaction beyond imagination. I think we each have to realize our human potential for compassion and love. I see our world as a generous place where we reach out to others as we move through life. It doesn’t matter if our contribution is large or small; doing what we can to positively affect the life of a single person provides immense gratification. I also work full time as a patent examiner at the U.S. Patent and Trademark Office. I have been working at this job since 2001.

TADIAS: In a celebrating Women’s History Month, who are your female role models?

NL: I have numerous. One of my role models is Dr. Catherine Hamlin. I admire her lifetime devotion and mission to treating childbirth-related injures of disadvantaged women in Ethiopia. I’m amazed at how humble and loving she is. Her book, The Hospital by the River, is one of my favorite books. My other role model is Mrs. Marta Gebre-Tsadick, the founder of Project Merci. Marta is a remarkable woman. It is incredible what she and her husband have created. They built a school and hospital and established agricultural development programs. To me, she is a woman who has become a force of nature. Lastly, but equally as important, my mother and each of my six sisters have been my role models especially because I am the youngest child in my family.

TADIAS: Please tell us more about yourself (where you were born, grew up, school and how you developed your passion for your work).

NL: I was born in Addis Ababa, Ethiopia. My parents are Mrs. Kebrework Senke and Dejazmach Legesse Bezou. I have five sisters and two brothers. Now I lost one of my sisters to Lou Gehrig’s disease. I came to the United States at the age of 17. The school that I attended in Ethiopia was Nazareth School, of which I have many good memories. I received my undergraduate degree from Berea College in Kentucky and my Master’s Degree in Industrial Technology from Ball State University in Indiana. I am happily married to Eskinder Teklu for over 17 years and I have three wonderful children ages 16, 15, and 11. I have many relatives and friends I love and adore. In addition to a lot of new friends I have made each year, I am lucky that I also still have my kindergarten friends actively involved in my life. In my spare time, I love to read, listen to music, write poems, watch movies, decorate, help my kids with their school projects, garden, and do craftwork.

TADIAS: What are some practical tips you can give for young Ethiopian women who want to follow in your footsteps?

NL: It’s okay to fail, as long as you learn from your mistakes and avoid making the same mistakes again. There is no single problem that can’t be solved through determination. Understand that hard work will pay off. The main thing is to find your purpose in life. Find something that gives your life meaning.

TADIAS: Is there anything else you would like to share with Tadias readers that we haven’t asked you?

NL: I just want to thank all of your readers for taking their valuable time to read about me and the Wegene Ethiopian Foundation. My heartfelt thank you to Tadias magazine for the opportunity given to me to share about my passion.

For more information about Wegene, visit their website at www.wegene.org. Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

Video: Photo slide show of Wegene’s School Project in Abelti, Jimma – Ethiopia


Related Women’s History Month Stories:
Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Author Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Celebrating Women’s History Month 2012: Tadias Interview with Lydia Gobena

Lydia Gobena is an Intellectual Property attorney and a partner at the law firm Fross Zelnick Lehrman & Zissu in New York. She is also the owner of the jewelry line, Birabiro. (Courtesy photo)

Tadias Magazine
By Tseday Alehegn

Updated: Saturday, March 24, 2012

New York (TADIAS)- Our next interview for Women’s History Month features Lydia Gobena, a partner at Intellectual Property law firm Fross Zelnick Lehrman & Zissu and a designer who recently launched her own jewelry line, Birabiro. As a legal professional Lydia has represented diverse international clientele including those in the sports, fashion, architectural, engineering, music, and pharmaceutical sectors. She launched her own jewelry line at the end of 2011.

Below is our Q&A with Lydia Gobena.

TADIAS: Please tell us more about yourself and your interest in a legal career.

Lydia Gobena: I was born in Addis Ababa, Ethiopia, and moved to the U.S. when I was 2 years old. I grew up in Northern Virginia, where I graduated high school, and received a B.A. at the University of Toronto in Philosophy and History. After college, I worked in retail and at a law firm for a year and then studied law at the University of London, School of Oriental and African Studies (“SOAS”), receiving an LL.B. While working at the law firm, I realized that I enjoyed the intellectual aspects of the law. I was particularly interested in comparative law, having traveled extensively as a child. The program at SOAS appealed to me as it enabled me to take the more traditional legal courses while also studying different legal systems in Africa and Asia. After completing my law degree in London, I received an LL.M. at Georgetown University Law Center in International Law. I joined Fross Zelnick Lehrman & Zissu, an intellectual property boutique, in 2000 as an associate in the International Group. I became a partner in December 2005. I counsel and advise clients on international trademark, industrial design, copyright, and unfair competition issues. I have represented a diverse international clientele, including well-known fashion and apparel brands, a luxury goods company, a leading provider of engineering and architectural software, one of the world’s largest music and entertainment companies, leading pharmaceutical companies and beverage and sports brands.

TADIAS: You have recently also launched a jewelry design business called Birabiro. Can you tell us a bit more about this venture?

LG: I have enjoyed making beaded necklaces since I was a child. I started silversmithing in 2001, initially out of necessity. I love large rings and bracelets but could not find ones to fit my small fingers and wrists. While I have been making jewelry for friends and family over the years, I decided to launch my own jewelry line, which can now be viewed and purchased at birabiro.com, in order to make the designs available to a larger audience.

My love of jewelry most definitely came from my mother, who collects unique pieces from around the world. I love large, bold pieces of an artistic nature and this aesthetic is reflected in my line. Jewelry for me is an expression of who I am, and I am happy that I can share my creative expression with people outside my everyday circles.

TADIAS: Who are your female role models?

LG: In terms of career, I would have to say that my mother and her friends inspired me to pursue a challenging career. They were university-educated women in Ethiopia in the 60s/70s, who worked fulltime but yet managed to have a family. This career/life balance is something that I strive to have today, with a full-time career, a developing side business and a family life. I also have a number of female colleagues and clients at work, who have also helped guide my legal career. With respect to jewelry and style, my role models tend to be women, who push the boundaries when it comes to adornment. I was also inspired by my late sister, a fantastic artist, who had a unique worldview and aesthetic.

TADIAS: What are some practical tips you can give for young women who want to follow in your footsteps? (Both in law and in the arts).

LG: Find mentors at all stages of your career: I have had male and female mentors throughout my career and I actively seek them out to guide me in my professional life. I believe that it is particularly important, as a woman, to have female mentors, because they have been where you are and are good sounding boards when you need advice.

Follow your dreams: Many years ago, when reading The Alchemist by Paulo Coelho, I came across the following quote that has guided me in my life and career “…[W]hen you want something, all the universe conspires in helping you to achieve it.” In other words, desire, determination, dedication, and, above all, belief in your dreams, coupled with hard work, will enable you to achieve your goals. Be a mentor: Just as others have guided you, it is important to help others in their journeys. You will learn and grow from the experience of mentoring as well.

TADIAS: What are some ways you have personally chosen to overcome the hurdles that you may have faced as a woman executive?

LG: I am fortunate to work at a law firm where being a minority woman was irrelevant as I am judged based solely on my work product. Thus, I do not believe that I have faced significant hurdles in my current work environment because of my gender or color. To the extent there have been any during my career, I have tried to ignore them and focus on trying to be the best in my field (a byproduct of how I was raised). Initially, I faced hurdles because I took an untraditional route in my legal career. It took a fair amount of networking to secure my first IP job. However, my perseverance paid off. You have to realize that disappointment is a part of life. However, you need to use it to your advantage: You may not necessarily win every case, or get every client that you pitch, but each of these experiences can make you into a better lawyer and individual.

TADIAS: What would like to share on Women’s History Month with Tadias readers?

LG: It is OK to march to the beat of your own drum. My approach to my legal career was not traditional; neither was my path to being a jewelry maker. At the end of the day, you just have to love what you do.
—-
Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

Related Women’s History Month Stories:
Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Author Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Celebrating Women’s History Month 2012: Tadias Interview with Maaza Mengiste

Maaza Mengiste is a writer based in New York City. (Photo credit: Miriam Berkley)

Tadias Magazine
By Tseday Alehegn

Updated: Thursday, March 22, 2012

New York (TADIAS) – Maaza Mengiste is the author of the critically acclaimed novel Beneath the Lion’s Gaze. She was born in Addis Ababa, Ethiopia and graduated with an MFA in Creative Writing from New York University. Maaza is also the writer for the Ethiopia segment of the “Ten by Ten” project, a feature film that tells the stories of 10 extraordinary girls from 10 developing countries around the world. These stories, written by a female writer from the girl’s country and narrated by a celebrated actress, describe a unique personal journey of triumph and achievement against incredible odds.

Maaza ‘s book Beneath the Lion’s Gaze has been translated into several languages and her work has appeared in The New York Times, BBC Radio 4, The Granta Anthology of the African Short Story, and Lettre International, to name a few. She is a Fulbright Scholar who has also received fellowships from the Emily Harvey Foundation, the Virginia Center for the Creative Arts, the Prague Summer Program, and Yaddo. She teaches at NYU and lives in New York City.

Below is our Q & A with Maaza Mengiste:

TADIAS: What would you like to share about Women’s History Month with Tadias readers?

Maaza Mengiste: As I continue my reading and research and learn more about Ethiopian history, I’ve become increasingly aware of how significant women have been throughout that history. Can we talk about Ethiopian history without mentioning Saba or Zewditu or Taitu or so many of the women whose names aren’t in history books but in their families’ memories? I’m so proud of all the heroines, famous and unsung. My hope is that somewhere, there is a writer putting some of their stories down on paper.

I think it’s hard to consider Women’s History Month and consider Ethiopian women without thinking of what’s happening to domestic workers across the Middle East. In particular, the horrible and tragic death of Alem Dechassa. I still don’t have the right words to describe how I feel. I swing between so many emotions, most of them degrees of sorrow and anger. I think as women and as Ethiopians, we are each other’s sisters. In 10×10 film, through Azmera’s story and those young girls in her school who are saying ‘no’ to forced marriage and supporting each other to study hard, I’m hopeful of the potential we unleash when we band together. If we can reach even one woman trapped in an abusive household, if we can give her a place to tell her story and a place to turn for help, then maybe, in some small way, Alem’s death will not have been futile. It is a horrible price to pay, and one that I hope no other woman chooses, thinking it is her only way out of a terrible situation. It’s wonderful to see people, men and women, coming together to do something as a result of Alem’s death. I know events are happening in many places and social media is spreading the word and it’s great.

TADIAS: What do you enjoy most about being a writer?

MM: Most of the time, writing is hard work. It requires hours of solitude and many, many weeks and months and years of conceptualizing, writing, then revising again and again. It can often be the most difficult thing I’ve ever done, but it is also the most rewarding. One of the most rewarding aspects of my current life, as a writer with a published book, is the opportunity to meet so many people with incredible life stories. Writing demands that I am alone most of my days, but being able to interact with so many whose lives in some way echo those of my characters, or to connect with people who worked in Ethiopia or are students of Ethiopian history, has been a wonderful experience.

TADIAS: You are the writer for the 10×10 segment on Ethiopia. Can you share with us a bit more about your work on this project?

MM: The 10×10 documentary is a film focused on girls’ education as a means to positively impact a community and a country. The producers and director chose 10 countries and looked at the biggest obstacle to girls’ education in those countries. For Ethiopia, that issue was forced early marriage. I had the opportunity to meet Azmera, a young girl from a village outside of Bahir Dar. She was going to be married at age 12, but reported this to her teachers and the marriage was stopped and she was allowed to continue school. My role in the documentary was to spend time with Azmera and her family, which included her mother and grandmother and her aunts, uncles and cousins, and get to know her and learn more about her life. Then, I would write a script based on my time with Azmera and the director would take that and use it to shoot the documentary.

What I realized through this process was that, contrary to so many stories we hear about cruel parents forcing children into these marriages, Azmera comes from a loving, caring family. They adore her. Her mother was doing her best to make the right decisions for her child. She began to understand the physical and psychological damages inflicted on young girls when they’re married too young, and she was determined that her daughter finish school and improve her life. What was important to me as a woman, as an Ethiopian and as a writer was to convey this mother’s love but also talk about the thousands of young girls who are not as lucky as Azmera. The experience has been life-changing, I’m excited to see the finished film, which will be released sometime in 2013. But most important, I am so grateful for the kindness Azmera and her family extended to me and their willingness to let me into a small part of their lives. We will continue to stay in touch.

TADIAS: Who are your female role models?

MM: My grandmother and my mother. I learned kindness from one and stubbornness from the other, and it’s good to have both in this world, I’ve found.

Tadias: What challenges have you faced as a writer and how did you overcome those hurdles at work or life in general?

MM: Maybe the hardest thing is to maintain the daily discipline of writing, no matter what. It is often a juggling act between work, family and writing. Sometimes one outweighs the other, but the most important thing is that every day, I’ve spent some time focused on my writing.

TADIAS: What are some practical tips you can give for young women who want to follow in your footsteps?

MM: There will be many, many people who will find many, many reasons to discourage you from writing or from the arts. But the best advice I’ve ever received was from one of my aunts, who told me that no one lives with your decisions except you. So no matter what you want to do, do it well. Practice discipline. Be fearless. And be kind to people.

TADIAS: Please tell us more about yourself (where you were born, grew up, school and how you developed your passion for your work?)

MM: I was born in Addis Ababa, Ethiopia but came to the U.S. when I was a child. I’ve grown up in the States but maintained ties to Ethiopia through family, friends and my work. I got my Masters in Fine Arts at New York University and I teach creative writing there. I developed my passion for my work by reading writers I admire. My passion for reading came much earlier than my passion for writing. I still love to read, I read every day, and that’s continuing to help me become a stronger writer.

TADIAS: Thank you so much and Happy Women’s History month from all of us at Tadias!

Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

Related Women’s History Month Stories:
Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro

Watch: Maaza reading from “Ten by Ten” (The story of Azmera, a young girl from Bahir Dar)


‘Girl Rising’ Film & Campaign Coming in 2013 (TADIAS)

Related:
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Celebrating Women’s History Month 2012: Interview with Wayna

Woyneab Miraf Wondwossen (Wayna ) - is an Ethiopian-born American singer and songwriter. (Courtesy photo)

Tadias Magazine

By Tseday Alehegn

Published: Tuesday, March 20, 2012

New York (TADIAS)- Our next highlight for Women’s History Month series features Grammy-nominated singer and songwriter Wayna. The Ethiopian-born artist moved to the U.S. when she was a toddler and grew up in the suburbs of D.C. After graduating from the University of Maryland where she double majored in English and Speech communication, Wayna worked for three years as a writer at the Clinton White House before launching her music career. Her debut album ‘Moments of Clarity’ was released in 2004. Five years later, she was nominated for Best Urban/Alternative Performance at the 2009 Grammy Awards. Wayna is currently back on tour and gearing up for another album. In honor of Billie Holiday’s birthday Wayna will be performing at the Blue Note in New York on April 6, 2012.

Below is our Q & A with Wayna.

TADIAS: What do you most enjoy about your work?

Wayna: I most enjoy writing and performing when it’s in the zone — and by that I mean the moment when you lose yourself in what you’re doing and something special happens that’s beyond you. It’s like all your daily thought and effort at honing your craft goes out the window, and you really let go in front of a crowd or in a writing session, and something better than you comes out. It’s awesome. I usually don’t sleep after days like those.

TADIAS: Who are your female role models?

Wayna: My late aunt, Yeshie Immebet Emagnu. She was a real pioneer — one of the first women to graduate from Addis Ababa University and one of the first Ethiopian graduate students to come to the States on a scholarship at a time when very few women, Black people and/or immigrants were earning advanced degrees. They urged her to study Education, because that was one of the few programs acceptable for women at the time, but her interest was in Political Science. So without her funder knowing, she enrolled in both programs and completed two masters in the amount of time allotted for one. At the end of her studies, she had to fight for them to honor the second degree. I admire that self-determination, and all while being very young and very far away from your family and all that’s familiar. I hope she passed a little bit of that down to me.

TADIAS: What challenges have you faced as a female artist? How did you cope?

Wayna: Sometimes, people will welcome your opinions about vocals or what you’re going to wear, but not about which drum sound you want in the song or how you want the video edited. Because I’m executive producing my albums, I have to be involved in all kinds of decisions, and it was striking to me in the beginning how frequently people thought they could talk me out of my opinions or how often they assumed the good choices were someone else’s — something I don’t see a lot of male artists or producers encountering. In fact, it seems like women at every level of success in the industry still experience this, no matter how accomplished. So I had to learn very early on to trust my instincts and to not look for validation for everything. I more than welcome input, and I take advice that feels right, but at the end of the day, its my call, and I am comfortable with that and with accepting whatever comes as a result.

TADIAS: What are some practical tips you can give for young females who want to follow in your footsteps?

My best advice for young women pursuing music is to really find themselves personally and creatively and to figure out what absolutely unique thing it is they have to give, whether it’s the story they’re telling or something about their voice or their background or the way they play. Above all, it should be unique and honest. That takes experimentation and trying things out of the comfort zone, and not protecting our ego. You can’t grow and inspire anybody if you’re not willing to be vulnerable. So everyday try to give yourself the gift of imperfection and to dig a little deeper into who you are. It’s not easy, but it’s worth it, because at the end of the day, none of this is really even about how well we do what we do, it’s about who we’re become along the way.

TADIAS: Please tell us briefly about yourself (where you were born, grew up, school and how you developed your passion for your work?)

Wayna: I was born in Addis Ababa, I immigrated with my mom to the U.S. when I was a toddler and grew up in the suburbs of D.C. I graduated from University of Maryland and worked for 3 years as a writer in the Clinton White House. I stayed there because I felt like I owed it to my family, who made a lot of sacrifices to raise me in the States and give me the best opportunity at a stable life and “a real job.” But one thing I was always clear on, from as early as I can remember, was that I wanted to sing. It took a while before I was willing to risk disappointing my family to make music my main goal, but once I did, I found that it came as no surprise to anyone and that everybody was really excited and pulling for me.

TADIAS: Is there anything else you would like to share with Tadias readers that we have not asked you about?

Wayna: My third album is the culmination of a tremendous amount of musical and self-exploration, coming off the biggest highs and challenges of my career and the birth of my daughter. I was determined to make something honest and unique, so I got out of my element and went to Toronto, where a friend had encouraged me to come and jam with some musicians. These guys were from all over the world and understood every genre of music from habesha to arabic to reggae to rock. A year later, we’re putting the finishing touches on the LP, ‘Freak Show,’ a blend of african and reggae-infused soul mixed with alternative rock. I am going to be offering some of these songs for free soon and playing them live at the Blue Note Friday April 6th at 12:30am, so please join us if you’re in NYC and/or follow me on Twitter @waynamusic or find me on Facebook, so you can hear and have the new material. I hope you love it as much as I do.

TADIAS: Thank you so much and Happy Women’s History month from all of us at Tadias!

Wayna: Thank you Tadias, for all your support over the years.

Video: In honor of Billie Holiday’s birthday Wayna performed in NYC on April, 6, 2012

Related Women’s History Month Stories:

Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Maaza Mengiste
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)


Join the conversation on Twitter and Facebook

Celebrating Women’s History Month 2012: Tadias Interview with Bethlehem Tilahun Alemu

Bethlehem Tilahun Alemu is the Founder & Managing Director of SoleRebels — a fair trade certified green footwear company based in Ethiopia. (Photo: Courtesy of SoleRebels)

Tadias Magazine
By Tseday Alehegn

Published: Monday, March 19, 2012

New York (TADIAS)- Our third highlight for Women’s History Month series is Bethlehem Tilahun Alemu, Founder & Managing Director of SoleRebels, the internationally recognized green footwear company based in Addis Ababa. Bethlehem was born, raised and educated in Ethiopia. Since she launched her company in 2005, allowing for the creation of hundreds of local jobs, she has garnered international recognition. Last year she was named one of the World Economic Forum’s Young Global Leaders. And most recently Forbes Magazine declared her one of Africa’s Most Successful Women. She is currently an NYC Venture Fellow, a program established by Mayor Michael Bloomberg two years ago that is designed to connect promising entrepreneurs from around the world with mentors and investors from leading companies in New York City.

Below is our Q&A with Bethlehem Tilahun Alemu.

TADIAS: What do you most enjoy about your work?

Bethlehem Tilahun Alemu: I really love sharing Ethiopia’s artisan heritages with the world and combining our cultural products with modern design sensibilities. For example, our sandals and shoes are lined with fabric produced from organic cotton, which we hand-spin and loom. So working in this manner not only preserves local assets, but also provides our customers with stylish and comfortable footwear. And we are constantly taking our idea further and pushing the boundaries.

TADIAS: Who are your female role models?

BTA: My mother is my role model. A simple hardworking woman who taught me the value of hard, honest work, encouraged me to get a good education and supported my desire to dream! I am also surrounded by strong, talented creative women in my company, who put in a full day of honest work in order to both elevate this company and provide for their families. Their work ethic inspires me daily.

TADIAS: What challenges have you faced as an entrepreneur and business executive?

BTA: Any entrepreneur building something from scratch is bound to face obstacles and a myriad of challenges. Its been interesting because my experience in running my company has been a very positive one. I don’t feel limitations because of my gender nor allowed myself to be limited by others’ perceptions of my gender. However, I am well aware that there have been many times when people attempted to limit me because of my gender. My belief has been in never allowing those limitations to take hold. It always carried me through and let me transcend those obstacles placed in front of me. Such experiences have made me aware of the challenges faced by women, and has made me passionate about ensuring that women around me are given all the tools they need to not simply cope with these challenges, but to flourish in spite of them. At the end of the day, the best weapon for success is performance.

TADIAS: What are some practical tips you can give for young Ethiopian women who want to follow in your footsteps?

BTA: First and foremost, I would say get a good education. That’s critical. And never be afraid of hard work. Believe me there is no such thing as “overnight success.” So get ready for reality. And never ever be afraid to dream big.

TADIAS: Please tell us briefly about yourself (where you were born, grew up, school and how you developed your passion for your work?)

BTA: I was born and raised in the Zenabwork/Total area of Addis Abeba, which is one of the most impoverished and marginalized communities in Ethiopia. When I was growing up, Ethiopia had plenty of charity “brands” but not enough grassroots effort for development. I was fresh out of college in 2005 when I embarked to shift the discourse on development from one of dependecy only on foreign aid and NGOs to maximizing local talent and resources. Our vision was to provide solid community-based jobs while creating a world class brand, which we have done.

TADIAS: Is there anything else you would like to share with Tadias readers that we have not asked you about?

BTA: We are aiming to open at least fifteen stores outside of Ethiopia by 2015. we have already implemented franchise agreements in Taiwan and are currently finalizing retail proposals in China, US, UK, Australia, Italy, Canada, Spain and Japan. We have many more exciting initiatives in the pipeline so stay tuned!

TADIAS: Thank you so much, Bethlehem, and Happy Women’s History month from all of us at Tadias!

Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

Watch: Bethlehem Tells SoleRebels’ History (2011 Africa Awards for Entrepreneurship)


Related:
Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women

Join the conversation on Twitter and Facebook

Tadias Interview with Fanna Haile-Selassie

Fanna Haile-Selassie is a correspondent for ABC-affiliated WSIL-TV's News 3 - a television station that covers parts of Illinois, Missouri, and Tennessee. (Courtesy photo)

Tadias Magazine
By Tseday Alehegn

Published: Monday, March 12, 2012

New York (TADIAS) – Our second interview for the Women’s History Month series features broadcast journalist Fanna Haile-Selassie, a political reporter for the ABC-affiliated WSIL-TV – a television station that covers Southern Illinois, Southeastern Missouri, and parts of West Tennessee.

Fanna joined WSIL-TV’s News 3 team in August of last year. She was previously in Rochester, Minnesota, where she worked as the political, crime, and courts reporter for a local TV station for more than three years. Fanna has been honored for her work by the Minnesota Associated Press and the Minnesota Society of Professional journalists. She is a graduate of University of Missouri’s School of Journalism.

Below is our Q&A with Fanna Haile-Selassie:

TADIAS: What do you most enjoy about your work?

Fanna Haile-Selassie: I love that I am always learning something new at my job. Each day means a new story, whether I am heading to the state Capitol or into a medical clinic to learn about the latest scientific breakthroughs; my job is always exciting.

TADIAS: Who are your female role models?

FH: I admire all women who have the gumption and perseverance to reach their goals. Christiane Amanpour has always been a long-standing favorite of mine, but I actually find new role models almost on a weekly basis in my career. I have told many stories about strong women breaking barriers in their industry, or making a difference in their community while battling cancer, or even giving up everything to provide for their families. I find renewed strength in myself every time I get to meet one of these women and tell their story.

TADIAS: What challenges have you faced as a female reporter?

FH: The stereotype of broadcast journalism being dominated by men is quickly changing. More women are graduating from journalism schools than ever before. My journalism graduating class had more females. Currently, my newsroom has only one male reporter. As my industry recognizes more women in the field, the challenges have also reduced professionally.

TADIAS: What are some practical tips you can give for young women who want to follow in your footsteps?

FH: I would classify journalism almost like a calling. Reporters do not make a lot of money on average, they work long hours, sometimes get a bad reputation from the public, and have to report on some pretty terrible things. So before I recommend anyone to become a journalist, I would have them make sure this is truly what they wanted to do. The true satisfaction I get from my job is knowing that I am making a difference in this world by informing the public. People who are not in this career for the right reasons don’t know that satisfaction, and they rarely stay in this career.

TADIAS: Please tell us briefly about yourself (where you were born, grew up, school and how you developed your passion for your work?)

FH: I was born and raised in Minneapolis, Minnesota. My parents always encouraged me to strive to be the best, and I believe my pursuit of success led me to be a bit of a control freak. I always need to know what is going on around me at all times, and I never like being “out of the loop”. I figured out in high school that journalism would allow me to investigate all the things that made me so curious. I chose to go to the Missouri School of Journalism, one of the best broadcast journalism schools in the country. There, I discovered my passion for political reporting while working at a radio station in the state Capitol. Since graduating, I have worked as a general assignment reporter, but am the “go-to” person for all the political stories.

TADIAS: Thank you so much and Happy Women’s History month from all of us at Tadias!

Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

Video: Collection of Recent News Reporting by broadcast journalist Fanna Haile-Selassie


Related
Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Maaza Mengiste
Interview with Grammy-nominated Singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Celebrating Women’s History Month 2012: Tadias Q&A with Dr. Mehret Mandefro

Physician Mehret Mandefro is co-founder of Truth Aid, an organization that produces multimedia content about social issues affecting vulnerable populations around the world. (Courtesy photo)

Tadias Magazine
By Tseday Alehegn

Published: Thursday, March 8, 2012

New York (TADIAS) – In celebration of Women’s History Month, Tadias is interviewing extraordinary Ethiopian women who are blazing trails in various fields including science, art, philanthropy, and business. We launch our series with a Q&A with Dr. Mehret Mandefro, physician, film producer, anthropologist and social change activist. She is a former White House Fellow, Fulbright Scholar, and currently teaches at the Department of Health Policy at George Washington School of Public Health & Health Services.

Mehret is also the co-founder of Truth Aid, an organization that produces visual ethnographies of health and social issues. Their current film project entitled Oblivion is based on a true story about a legal precedent-setting case that outlawed abduction for marriage in Ethiopia.

Below is our Q&A with Dr. Mehret Mandefro:

TADIAS: What do you most enjoy about your work?

Mehret Mandefro: I love teaching and working with students. I find the next generation to be very inspiring. I also like having the time to think, write, and create new forms of knowledge that will challenge audiences to think different about health and human rights.

TADIAS: Who are your female role models?

Mehret: My mother, Tsedale K. Mandefro, Abebech Gobena, Sister Zebider, Meaza Ashenafi.

Tadias: What challenges have you faced as a leader and how did you overcome those hurdles at work or life in general?

Mehret: In some work environments where I have been the youngest and happen to be the only woman sometimes it was a challenge to have my voice heard. So I went to great lengths to be very clear about what I thought. Learning to express your opinions in forums that are not necessarily friendly is an important skill for women to develop.

TADIAS: What are some practical tips you can give for young women who want to follow in your footsteps?

Mehret: You have to believe in your vision above all and be willing to put in hard work to execute. You also have to surround yourself with a support network that can nurture your growth. That’s very important.

TADIAS: Please tell us more about yourself (where you were born, grew up, school and how you developed your passion for your work?)

Mehret: I was born in Addis Ababa, Ethiopia and I grew up in Alexandria, VA. I attended Harvard for college and medical school. I also received a Masters in Public Health from the London School of Hygiene and Tropical Medicine. My passion for public health and medicine emerged out of a study abroad trip I took to Kenya as a junior in college.

TADIAS: What would like to share on Women’s History Month with Tadias readers that we have not asked you about?

Mehret: Dream big. Work hard. But most of all never be afraid to do something different.

Thank you Dr. Mehret and best wishes with your endeavors.

Stay tuned for highlights celebrating Ethiopian women role models and change agents.

Related
Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Maaza Mengiste
Interview with Grammy-nominated Singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Fresh and Green Academy: A Flight Attendant’s Involvement with an Innovative School in Ethiopia

Trish Hack-Rubinstein, pictured center on the top right photograph, is President and Co Founder of "Friends of Fresh and Green Academy Inc.," a U.S. based non-profit organization, that supports a school by the same name in Ethiopia. (Photo courtesy of FFGA/Flickr)

Tadias Magazine
By Tseday Alehegn

Updated: Wednesday, February 29, 2012

New York (TADIAS) – In 2008, Trish Hack-Rubinstein, a flight attendant based in New York City, joined several of her airline colleagues on a volunteer trip to Ethiopia, and it became the beginning of new friendships and lasting connections to the country. That’s when she met Muday Mitiku, an Ethiopian teacher and founder of Fresh and Green Academy – an innovative elementary school in Addis Ababa that provides not only academic curriculum but also meals and showers for impoverished school children. At the end of each day, when the students are ready to go home, their caregivers also pick up clean water supplied by the school’s water purification system. Muday Mitiku has been serving as Fresh and Green Academy’s Director since 2000, and the school is striving to add one grade level each year with the support of Friends of Fresh and Green Academy in the United States.

Initially Fresh and Green was started as a fee-paying kidergarten, but Muday quickly realized the dearth of access to education for street children living in the area. As she decided to enroll these children into the academy free of charge, some parents pulled their kids out of the school. The venture was at the crossroads when Trish and her friends visited Fresh and Green four years ago.

“The school had no other source of funding as it was a private school started by this amazing woman,” Trish said in a recent interview with Tadias Magazine. “But when she started to bring in the poor children from the streets the money ran out.” She added: “I fell in love with the kids, moms, staff, director, and everyone else and knew I couldn’t just go back to the USA and leave them to fend for themselves. So I started Friends of Fresh and Green Academy Inc., a 501(c)(3) that supports the school. ”

What’s a normal school day like for a student at Fresh & Green? Trish describes the youngsters arriving at school at 8am, eating breakfast, brushing their teeth, taking showers, and putting on clean clothes and then having their academic lessons in accordance with the national curriculum. Extracurricular activities begin after lessons end at 3pm, which include classes in art, drama, music, computers, and physical education. “The students have been helping with the planting of vegetable gardens, which produce some of the food they eat,” Trish explains. “By 5pm the school children have eaten dinner and await their caregivers to pick them up from school.”

What makes Fresh and Green stand out as a model school for under-served communities is that it not only provides free education, clean water and nutrition services for students, but also supports the mothers of the children as part of its Mothers Co-op program.

“The Mothers Co-op has grown tremendously since it was started in 2006,” Trish said. “It began as 20 mothers helping to prepare school meals in shifts, and also meeting once a week to string beads. It expanded to 50 women cooking, beading and weaving, as well as working in a store in front of the school.” Looms and sewing machines have been installed on school grounds where the mothers are also learning to sew and make clothes. The Mothers Co-op also incorporates social networking traditions such as the Ethiopian coffee ceremony.

Through the assistance of Friends of Fresh and Green Academy, the overhead rent of the store is paid for by donors. Speaking about her non-profit organization Trish noted, “We have very little overhead, and no paid employees, so over 80% of the donations go directly to the operation of the academy.”

Friends of Fresh and Green Academy hosts quarterly fundraisers including child sponsorship programs, a silent auction and raffle event at Cielo in downtown New York in May, and a poker fundraiser in September. Fundraising is also conducted using various social media-based campaigns.

“Tadias readers can help us spread awareness, attend fundraisers, donate goods and services like clothing, shoes, fabric for the coop,” Trish said. “We can always use volunteers with fundraising ideas, accounting skills, grant writing and PR experience. But of course, most of all we need funds.”

Ultimately, Trish and other supporters of Fresh and Green Academy would like to see a self-sustaining institution. “Our dream is to build a school that can accommodate students through grade 12, with a boarding facility, a center for the Mothers Co-op, a working farm to cut down on the cost of food and possibly provide income for the school,” she said. “And a guest house for volunteers to rent rooms, which will also provide some income for the school.”

Reflecting on her work with the academy, Trish shares, “For the first time in my life I truly feel like I am doing what I was put on this earth to do. Nothing gives me more joy than to see the children eating playing and learning. Every time I visit the school (three times a year) I am smothered with hugs and kisses and I couldn’t be happier. I look forward to the day when I see them graduate from university and make a difference in their community and country. Everyone has the right to food and education.”

To learn more about the organization, visit: www.friendsoffreshandgreen.com.

Yared Tekabe Uses Molecular Imaging for Early Detection of Heart Disease

Dr. Yared Tekabe runs studies in cardiovascular disease detection and prevention at Columbia University. (Photo: Tekabe at his office at William Black building in upper Manhattan - Courtesy photograph)

Tadias Magazine

By Tseday Alehegn

Published: Wednesday, January 25, 2012

New York (TADIAS) – In Spring 2009, we featured Dr. Yared Tekabe’s groundbreaking work on non-invasive atherosclerosis detection and molecular imaging, which was published in the American Heart Association´s journal, Circulation. As in most chronic heart disease conditions, the plaque that accumulates in blood vessels is usually not detected until it leads to serious, and often fatal, blockages of blood supply such as during an episode of heart attack or stroke. Having received a $1.6 million grant from the National Institute of Health Tekabe’s research focused on the use of novel molecular imaging techniques to identify sites of inflammation that can help us with early detection of atherosclerosis.

In 2010, his work was highlighted in Osborn & Jaffer’s review entitled “The Year in Molecular Imaging,” noting that Tekabe and colleagues had developed a tracer that imaged RAGE — a receptor for advanced glycation end products, which is implicated in a host of inflammation-related diseases including artherosclerosis, cancer, diabetes and alzheimer’s. Tekabe’s group, along with his colleague Dr. Ann Marie Schmidt, holds a patent for this RAGE-directed imaging technology.

Tekabe’s lab also used similar imaging technology to detect RAGE in mouse models who had artifically-induced ischemia (restriction of blood supply) in their left anterior descending coronary artery, which is the main supplier of blood to the left ventricle. When blood supply is restored (reperfusion), the sudden change may also cause further inflammation and tissue damage from impact. By being able to trace RAGE and pathways of inflammation using molecular imaging techniques, Tekabe has demonstrated that the highest RAGE expressing cells were the injured heart muscle cells undergoing programmed cell death.

Tekabe’s research in myocardial ischemic/reperfusion injury showed that RAGE could be traced in areas of inflammation in a non-invasive manner in live mouse subjects. The findings were presented at the 2011 World Molecular Imaging Congress scientific session, and was published in the Journal of the American College of Cardiology in January 2012. An editorial entitled ‘Visualizing the RAGE: Molecular Imaging After MI Provides Insight Into a Complex Receptor” accompanied Tekabe’s article, and emphasized that Tekabe’s research “continues to provide a solid foundation and proof of concept” that non-invasive imaging of RAGE following induced myocardial ischemia “is feasible” in live subjects.

Tekabe’s findings also have important implications for future antibody therapy formulations that can be used to treat RAGE-related chronic conditions. Tekabe hopes to translate his studies on mouse models to larger mammals and eventually to humans. Molecular imaging studies such as the one Tekabe has undertaken are critical in prevention of chronic cardiac conditions and could potentially decrease the number of sudden deaths from heart attack as it may allow physicians to make early and life-saving diagnoses.

When asked if there was anything else that he’d like to share with our readers, Dr. Tekabe replied, “Oh yes, since childhood, apart from my research, I’ve always wanted to involve myself in an Ethiopian movie, acting as the main character. Like in a love story. I hope to do this someday.”

Related:
Yared Tekabe’s Groundbreaking Research in Heart Disease (TADIAS – March 17th, 2009)

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Charity Focus: Ten Projects in Ethiopia

Eden Projects, a California based non-profit, works on reforestation programs in Ethiopia (photo courtesy: One Day's Wages)

Tadias Magazine

By Tseday Alehegn

Friday, December 30, 2011

As 2011 comes to a close, let’s end it on a high note by donating to any of these ten charities with high-impact projects in Ethiopia:

Eden Reforestation Projects

According to the Food and Agriculture Organization of the United Nations (FAO) East Africa has the second highest rate of deforestation on the African continent. It is estimated that if this rate is not curbed Ethiopia will lose its remaining forests within the next 27 years. Eden Reforestation Projects is a California-based non-profit that has been operating in Ethiopia for the past six years and planting seedlings to promote reforestation programs around the country. The organization’s mission notes that “environmental destruction, through radical deforestation is a major cause of extreme poverty and oppression in impoverished nations.” Eden Reforestation Projects has planted thousands of hectares of seedlings in Ethiopia, Madagascar, and Haiti. Your $10 donation can help plant at least 100 trees while at the same time providing employment for a worker in Ethiopia.

Truth Aid

Founded by Dr. Mehret Mandefro, Truth Aid is a nonprofit social venture that produces media to raise awareness about important social issues. The organization is currently fundraising for a new film entitled Oblivion, a feature length narrative movie based on a true story about the legal precedent-setting court case that outlawed the practice of abduction for marriage in Ethiopia – also referred to as telefa. It tells the story of a 14-year old girl named Aberash Bekele who was accused of murder after killing the 29-year old man who raped, beat, and abducted her in an attempt to marry her by force. Tadias has featured Lawyer Meaza Ashenafi whose organization, Ethiopian Women’s Lawyers Association, was defending Aberash Bekele during the trial.

Watch:

Population Media Center

Imagine listening to community-developed soap opera on radio and learning about significant health issues such as HIV/AIDS and ending violence against women. This innovative project was developed by Population Media Center, which was founded in 1998 by Bill Ryerson, with the mission of using entertainment for social change. The projects target audiences by developing content using local producers and writers. The project also includes a radio talk show component for youth.

Worldwide Orphans Foundation

This New Jersey-based non-profit was founded in 1997 by Dr. Jane Aronson, a pediatric infectious disease and adoption medicine specialist, and now operates in five countries including Ethiopia. Worldwide Orphans Foundation focuses on providing community and capacity building programs including access to health clinics, HIV/AIDS treatment and training centers, and education and enrichment programs for orphans in Ethiopia. Dr. Sophie Mengistu, Country Director in Ethiopia, helps lead the WWO’s Family Health Clinic equipped with an on-site laboratory and pharmacy. Worldwide Orphans Foundation also runs the WWO Academy, which is a private school for orphans and vulnerable community children as well as WWO Camp Addis — a residential program providing athletic, academic, and nutrition resources for teens and children from the academy.

A Glimmer of Hope

In 2010 Tadias interviewed Eric Schmidhauser at A Glimmer of Hope and learned about the organization’s comprehensive method of community development. A Glimmer of Hope focuses on lifting families out of extreme poverty by providing clean water, building schools and health clinics, and providing microfinance loans. 100% of your donation goes directly to the projects in Ethiopia. Since its inception, the organization has constructed more than 4,000 water projects, 335 school buildings, 170 local health facilities, and provided more than 17,000 micro-finance loans. Net result: 2.5 million lives changed for the better.

Artists for Charity

Abezash Tamerat founded Artists for Charity after traveling to Ethiopia in 2003 and “saw first-hand the devasting effects of the HIV/AIDS epidemic in Africa.” Since then she has opened the Artists for Charity Children’s Home in Addis Ababa to provide shelter, education, and medical assistance for HIV positive orphans. In addition, AFC runs the Desta Project, which brings international volunteers to live as artists-in-residence and collaborate with the children to create artistic products for income generation for the AFC home. Their Art Pen Pal program also encourages the AFC children to exchange art, ideas, and stories with students in other countries.

Mobility without Barriers Foundation

This international organization is one of the few operating in Ethiopia that focuses exclusively on providing support for children with physical disabilities. Mobility without Barriers designs and develops all-terrain mobility cycles to significantly improve the range and ease of travel for individuals with disabilities. The organization also addresses issues of social isolation, literacy, and poverty and helps to advance the quality of life of marginalized children. In addition to the mobility cycle program, the foundation also provides training for supplemental income-generating projects such as beekeeping and honey production and fabrication of components for mobility cycles.
  
Ethiopia Reads

Author Jane Kurtz, chairs this Denver-based non-profit that encourages children throughout Ethiopia to read by jumpstarting Ethiopian Children’s Book Week, building school libraries, and publishing high-quality, multi-lingual books for children in English and several Ethiopian languages. Ethiopia Reads has built libraries in both public elementary and junior secondary schools. Mobile library unit initiatives have also been developed for children in rural areas. With just $2 you can help provide funding for one language story book for a child. Ethiopia Reads is currently raising funds to complete the building of a library in the town of Awassa.

Girls Gotta Run Foundation

Founded in 2006, Girls Gotta Run Foundation (GGRF) is an organization run completely by volunteers who are enthusiastic about providing resources and support to Ethiopian girls training to be professional runners and world champions. The funding provided by GGRF helps to empower the young girls to remain in school, avoid early marriage and childbirth, and cover their sports training expenses. Currently GGRF runs three teams with more than 30 female runners.

Gemini Health Care Group (GHCG)

Gemini Health Care Group (GHCG) is an Ethiopian-American organization based in Jacksonville Alabama, that focuses on providing medical services to children in Ethiopia. “We may not change the world,” says Founder Dr. Ebba K. Ebba. “But we can save a child.” GHCG is currently raising funds to build a children’s hospital in Addis Ababa.
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Related:
Ten Arts and Entertainment Stories of 2011

Taste of Ethiopia Introduces Organic, Packaged Ethiopian Food in Markets

Hiyaw Gebreyohannes (center), owner of Taste of Ethiopia, with his mom (left) and his aunt (right). (Courtesy photo)

Tadias Magazine
By Tseday Alehegn

Published: Friday, December 9, 2011

New York (TADIAS) – We recently spotted a selection of ready-made Ethiopian vegetarian food at a natural food market in midtown Manhattan and learned of Hiyaw Gebreyohannes’ Taste of Ethiopia brand. The organic misir wot, cabbage and greens, along with gluten-free injera is now available at grocery chains such as Fairway as well as in food co-ops and smaller markets.

Hiyaw was born in Djibouti. His parents walked for 17 days before crossing from Ethiopia into Djibouti, and they stayed there till Hiyaw turned one-year-old. In the 1980s his family moved to Toronto, Canada and eventually opened two Ethiopian restaurants — Blue Nile and King Solomon. Hiyaw says he literally grew up in the kitchen.

“There were hardly any Abesha people in Toronto in the 1980s and I spent many nights at our restaurant with the family,” he said. “There even was a bed in the large coat check room, and another bed at the back of the bar. I spent a lot of time at the restaurant and grew up around Abesha food.”

When Hiyaw’s mom moved to Michigan and opened two restaurants there, Hiyaw ran and operated an African fusion restaurant called Zereoue in New York. He then took a year off to travel, going twice to Ethiopia before experimenting with packaging Ethiopian food in Michigan.

“I knew that I wanted to focus on Ethiopian food, and I knew I didn’t want to work in another restaurant,” he told us. When the packaged food venture succeeded in Michigan he told himself it was a no-brainer to introduce the concept in New York.

Taste of Ethiopia currently offers vegetarian Ethiopian cuisine. The organic cabbage, carrot, and collard greens are sourced locally from farms in upstate New York while Ethiopian spices such as Berbere are imported from Ethiopia.

“I’ve tried to stay as close to my mom’s recipes, and not to lose the flavors of the cuisine,” Hiyaw pointed out. “But I’m also focused on using the freshest ingredients.”

Hiyaw would like his brand to be more than just the sharing of ready-made Ethiopian food. “A big part of why I did this includes the fact that as Americans we don’t eat well,” he noted. “It’s such an irony that Ethiopia is not known for food. Ethiopian food is nutritious and healthy.”

When thinking of how to grow his business, Hiyaw not only looks at being able to have Taste of Ethiopia products on Whole Foods shelves, but also to encourage school boards to be part of the initiative of getting healthy food into schools. He mentions that his goals are reflective of national health promotion campaigns such as First Lady Michelle Obama’s anti-obesity ‘Let’s Move’ program.

“With Taste of Ethiopia,” Hiyaw said, “we’re also talking about a social aspect, of changing how we eat to a more healthier alternative.” Hiyaw is also looking to hire within the community as his business grows.


Hiyaw Gebreyohannes. (Courtesy photo)


Taste of Ethiopia on display at a market. (Courtesy photo)


The Taste of Ethiopia brand. (Courtesy photo)

Describing the competition in the food packaging industry Hiyaw admitted, “It’s definitely hard. It’s not just about cooking the food. If you don’t have the right labels, right look, right marketing, if it’s not on the right shelves then it doesn’t really matter what you have inside the container, no one would try your food.” Having said that, however, he knows that the market is large and there is space to work hard, make good connections with buyers, and succeed immensely.

Hiyaw mentioned Cafe Spice (distributors of packaged Indian food) as a model success story. “They started from being a mom-and-pop restaurant in New York and became a $100 million business operating out of a 60,000 square foot state-of-the-art kitchen and distributing their products across the nation,” he said. “I’m only in the beginning stages, but I look at businesses such as Cafe Spice when I’m working to expand my business.”

In terms of mentors Hiyaw feels blessed to have learned from his mom and family. “I have so many wonderful women in my life — mom, aunt, sisters,” he shared. One doesn’t usually find too many Abesha men in the kitchen environment, but he says his mother was instrumental in making him feel comfortable and teaching him how to cook Ethiopian food. “I don’t only cook Ethiopian, I also do a lot of traveling and I try cooking food from different regions. All this comes from being comfortable in the kitchen.” As far packaging Ethiopian food in particular, Hiyaw said: “I’m going to venture out there and say that I think I’m the only person doing this. For this avenue I don’t necessarily have someone that I can look up to.”

Grocery chains and natural food stores have been interested in selling Taste of Ethiopia products and Hiyaw is careful about his limitations when it comes to distribution.

“There are challenges in negotiations and making sure that you’re not over-scaling what you can do,” he said. “Sometimes people are afraid that if they don’t say ‘yes’ they may lose the opportunity, but if you do say yes and then you don’t produce the amount agreed upon then you’ve closed the door completely.”

Right now Hiyaw wears many hats. “I’m owner and assistant and cook. It’s all about being humble, not being scared, and doing the hard work,” he told us. “I’ve learned this from my mom. She did everything — cooking, washing. She was the first one to get to the restaurant and the last one to leave. I’ve modeled my business after her restaurant.” Hiyaw’s brand is named after his mom’s restaurant in Michigan (also called Taste of Ethiopia) and whose motto is: “Be Authentic.”

Hiyaw also credits his mom’s entrepreneurial spirit for igniting the same passion in him. “I told my mom at age 10 or 11 that I’d never work for anybody, and I’ve had a few jobs, but never one that was 9 to 5,” he said. “So my mom plays a big role. All I’ve ever seen her do is her own business. Being right there at the table. It’s a great thing as an entrepreneur to sit at the table.”

Like any business Taste of Ethiopia also has its own set of challenges,but Hiyaw also sees the challenge as a moment of opportunity. “Rejection, failure — these things motivate me further. It’s thrilling to be able to watch problems and scenarios play out and then see the end results,” Hiyaw said. He is also heartened by the opportunity to share his work with the community. “When I get phone calls like this,” he added “it’s wonderful that someone wants to hear what my story is.”

Hiyaw also mentioned the recent cartoon episode featuring Ethopian cuisine. “Did you the see the Simpson’s episode? I am most proud that Abesha food can be shown in a different light. I grew up listening to Ethiopia being equated with famine, and being so self-conscious, I didn’t want to have the smell of spices from the restaurant on my jacket. I preferred french fries and hamburgers. Now that has changed.”

In addition to selling Taste of Ethiopia products Hiyaw also regularly organizes underground dinners, which consist of invite-only meals prepared and served at various non-restaurant locations. One theme, for example, was the communal table and the sharing of food from several African countries. Hiyaw sees this as an opportunity to get invited guests to open their senses and experience new food cultures. Hiyaw is also working on launching a food truck to further promote his business. “At the end of the day, it’s all about good food, great packaging, and hard work” he said.

Taste of Ethiopia products are currently available for purchase in the following New York locations: Fairway, Foragers Market, Park Slope Food Co-op, Westerly Market, Westside Market, Union Market (in Brooklyn), Integral Yoga Natural Food Store, and Blue Apron. Gourmet Garage and Dean & Deluca (on Spring St) will start carrying Taste of Ethiopia in the new year, with hopefully many more stores as well.

Tseday Alehegn is Co-Founder and Editor-in-Chief of Tadias Magazine.

Interview with Solomon Assefa: One of the World’s 35 Top Young Innovators

Solomon Assefa has been named to a prestigious list of 35 of the world’s top young innovators by Technology Review magazine. (Courtesy photo)

Tadias Magazine
By Tseday Alehegn

Wednesday, August 24, 2011

New York (Tadias) – Ethiopian-American Solomon Assefa was recently chosen by Technology Review as one of 35 innovators under 35. His research focuses on developing more power-efficient and faster supercomputers by using chips that communicate via pulses of light rather than electrical signals. We interviewed Solomon briefly and asked him to share a bit more about himself and his insights on technological innovation.

Tadias: Tell us a bit about yourself. Where you grew up, went to school, what were your early passions?

Solomon: I was born and raised in Ethiopia. I completed elementary and high school in Addis Ababa (Del Betegel then later ICS). I then moved to the U.S. where I obtained a B.S., M.Eng, and PhD from MIT. Prior to attending MIT, I often thought about practicing law similar to my eldest brother. But I later realized that I enjoyed math, science and engineering.

Tadias: Who are your role models in the science world? and beyond?

Solomon: In the field of science, my professors and research colleagues continue to inspire me daily. In addition, my role model is my eldest brother, Bekure Assefa, who has been very instrumental throughout my life. He taught me to work hard, confront challenges with determination, and pursue my passion to the fullest. These guiding principles continue to be a source of motivation in my life.

Tadias: Can you tell us a bit more about your current research endeavors and your role in the research highlighted in the Technology Review article?

Solomon: My research focuses on replacing some of the copper wires inside computer chips with tiny silicon circuits that can communicate via pulses of light rather than electrical signals. For example, I am working on a cheap method for integration of photodetectors (which are devices that convert light pulses into electrical signals) with minimal changes to the standard process used for making transistors. We hope that optical communications based on silicon nanophotonics will enable very fast and power-efficient supercomputers.

Tadias: What are your thoughts on the growth of science and development in Ethiopia?

Solomon: A significant amount of investment in science and technology is critical for Ethiopia’s development. It is important to nurture innovators who will transform existing industries and identify new areas of growth. It is also critical to have domestic policies that encourage home-grown technological innovation.

Tadias: Best book you ever read?

Solomon: My most recent favorite book is The Medici Effect by Frans Johansson. The book shows how breakthroughs happen at the intersection of various ideas, disciplines, and cultures.

Tadias: Thank you for sharing your time with us and wishing you continued success!

Solomon: Many thanks for following up with the interview questions.
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Click here to read Technology Review’s highlight of Solomon Assefa’s work.

Silver Spring Celebrates Ethiopian Fashion, Lifestyle & Culture

Wub Abyssinia Fashion Ensemble will highlight works by cultural fashion designers both from Ethiopia and the U.S.

Tadias Magazine
Events News

Published: Saturday, June 25, 2011

Sliver Spring (TADIAS) – Celebrate all things Ethiopian from fashion shows to cultural performances and food at the annual Ethiopian festival in downtown Silver Spring today.

The event, scheduled from 3 to 9 pm, is billed as a festival of Ethiopian lifestyle and culture, featuring a variety of lively programs at 908 Ellsworth Drive.

Highlights include live musicians, fashion shows, and traditional arts and crafts exhibit.

Entertainers include Tseday Ethiopian Band, Kebebew Geda, Nesanet & Taya, Berhanu Tezera, Tadele Roba, Tadele Gemechu, and Desalegn Melku.

Wub Abyssinia Fashion Models will showcase designs by Mulu Birhane who makes her first U.S. appearance, as well as works by U.S. based designers, including Betelhem Fashion, Arada Wear, Markos Design, and Hewan Design.


If you Go:
Ethiopian Festival, Sliver Spring
Saturday June 25 from 3-9 PM
908 Ellsworth Drive
Downtown Sliver Spring
Call: 202-390-5182
Minew Shewa Entertainment
Tebabu & Associates

Courtesy photos.

Chester Higgins Jr Photography Exhibit at NYU Kimmel Center

Chester Higgins' portraits of individuals from Ethiopia will be on display from March 1 through May 1st in New York.

Tadias Magazine
By Tseday Alehegn

Published: Thursday, February 3, 2011

New York (Tadias) – Chester Higgins Jr., Staff Photographer for the New York Times since 1975, will be exhibiting a series of 13 Ethiopian portraits at NYU’s Kimmel Center. The selection of photographs for the outdoor exhibit were taken by Higgins between 2007 and 2010 in Ethiopia, and will be on 24-hour display at Windows at Kimmel Center from March 1st through May 1st, 2011.

The exhibit entitled “Stars of Ethiopia: Photographs by Chester Higgins Jr.” features images measuring 70″ x 80″ on the public sidewalk for pedestrians and vehicular traffic to see. At night the images will be backlit, and Higgins says “so for 24 hours a day during these two months the Washington Square public will be treated to a little of Ethiopia in Greenwich Village.”

The official press release notes that Ethiopia “is a land of contrast and heterogeneity. The northeastern African nation is composed of more than 80 ethnic groups speaking over 80 languages, with cultural practices and traditions dating more than 3,000 years. With each portrait, Higgins seeks to create a dialogue with the viewer, revealing his subjects’ diverse homeland through their eyes.”

Higgins’ work has been printed in several publications including The New York Times, Life, Newsweek, Fortune, Essence, The Village Voice, and The New Yorker magazine. His photography is part of the permanent collection of the Museum of Modern Art. For Higgins, taking pictures has grown “into a life-long mission to show the decency, dignity, and virtuous character of people of African descent.” He has also published books on themes such as the nobility of aging, the experience of Black American women in the seventies, trans-Atlantic communities in the African Diaspora, and an autobiographical journey entitled “Echo of the Spirit,” which recounts his life as a photographer and an artist. Higgins cites Romare Bearden, Cornell Capa, Gordon Parks, P.H. Polk, and Arthur Rothstein as individuals whom he considers to be his mentors.

Higgins’ photographs invoke the power of the collective voice, and he recounts his three decades of traveling across South America, the Caribbean, and the African continent to document the culture, history and daily life of Africans in the Diaspora. “I made more trips in search of the missing pieces to fill in the harmony and add rhythm to make my symphony,” he says. “It came together as my fourth book: Feeling the Spirit: Searching the World for the People of Africa.”


Photographer Chester Higgins Jr. Courtesy Photo.

Solo exhibitions of Higgins’ award-winning work have been displayed at the The Smithsonian Institution, the International Center of Photography, Musée Dapper Paris, The Museum of African Art, The Museum of Photographic Arts, The New-York Historical Society, and The Schomburg Center in Harlem. Emphasizing the presence of a visual language Higgins states that “a camera can’t compose a picture. Only your eye can. Seeing and recording with a camera is a special process that has its own language — a visual language…It takes practice to learn a language. A visual language takes just as much time and commitment. When you become fluent in it, you will be ready to handle the split second decisions necessary to make exceptional photographs.”

An opening reception for the Stars of Ethiopia exhibit will be held on Friday, March 11th at the 2nd floor lounge of Kimmel Center from 6:30 to 8:30pm.

The exhibition is curated by Lydie Diakhaté, Adjunct Curator at Grey Art Gallery, and coordinated in collaboration with the Institute of African American Affairs at NYU.

If You Go:
March 1st through May 1st
NYU Kimmel Center
60 Washington Square S
New York, 10012

Cover photos: © Chesterhiggins.com.

Alfa Demmelash: Transforming Lives and Communities Through Entrepreneurship

Above: Alfa Demmellash, Founder and Chief Executive Officer of Rising Tide Capital, develops entrepreneurship programs.

Tadias Magazine
By Tseday Alehegn

Published: Thursday, January 27, 2011

New York (Tadias) – After graduating from Harvard University, Alfa Demmellash launched Rising Tide Capital, a non-profit based in Jersey City that develops and implements entrepreneurship programs focusing on women, minorities, immigrants and other socio-economically underserved communities. Since its inception in 2004, Rising Tide Capital has successfully helped approximately 400 entrepreneurs in New Jersey to build small businesses. Nearly 70% of Rising Tide Capital clients are women and over 90% are minorities. In 2009 Alfa Demmellash was featured as a CNN hero. President Obama also cited Rising Tide Capital’s influential work and stated: “If we empower organizations like these, think about the number of young people whose lives we can change, the number of families whose livelihoods we can boost, the number of struggling communities, we can bring back to life.”

“Did you know? The phrase “a rising tide lifts all boats” is often used to describe a top down approach to economic revitalization” states the non-profit’s web site. “But we believe it is important to help entrepreneurs see the tide and build strong boats that could rise with it – hence our name Rising Tide Capital.”

Below is our interview with Founder and Chief Executive Officer Alfa Demmellash as she discusses her work to build and support small business owners through entrepreneurship training.


CBA Winter 2009 Graduation (Courtesy Photo)

Tadias: Please tell us about where you grew up, where you went to school.
What was your catalyst to get into non-profit ventures? Your role models?

AD: I grew up in Addis Ababa, Ethiopia. I attended Cathedral Nativity School for girls in Addis. In the US, I attended high school at Boston Latin School and completed my studies at Harvard University. The catalyst for starting Rising Tide Capital, a non-profit venture, was the influence of my entrepreneurial mother and my experiences and family. I knew I wanted to be involved in alleviating the suffering of others by recognizing the best in them and helping them overcome challenges that trap their creativity and stifle their ability to realize their full potential. I was also greatly influenced by my studies and experiences in Rwanda as I learned about the 1994 genocide and its aftermath. My role models are too many to name, especially amongst my family and clients, but Dr. Muhammad Yunus, the Rev. Martin Luther King, Jr., Nelson Mandela, Oprah, and Barack and Michelle Obama are a few of the most well-known ones.

Tadias: You’ve described the vision of Rising Tide Capital, your non-profit organization, as an effort “to harness the entrepreneurial community that already exists in underserved communities, to strengthen lives, to transform communities, and to create vibrant, thriving communities from within.” Can you tell us more about your work with business owners in the State of New Jersey?

AD: We have worked with about 400 entrepreneurs and small business owners in New Jersey. Nearly 70% are women and over 90% are minorities. We are building a model for assisting individuals who are looking to start a business but don’t know where to begin or to take those who have already started a small business to the next level. For many of the entrepreneurs we work with, they are looking to start or grow their business as a way to generate more income to supplement their low-wages from another job or out of necessity because they are unable to secure a job. New Jersey, one of the most expensive states to live in, has a big problem when it comes to the gap between those who are wealthy and those who are barely trying to survive. Many, especially in the distressed urban areas, are minorities and immigrants that make up a large segment of the “working poor.” Rising Tide Capital works with those that are already entrepreneurial to help them find ways of breaking the cycle of economic marginalization.

Tadias: In your speech at the United Nations Global Summit for Women in 2008 you described Rising Tide clients as follows: “The average entrepreneur at Rising Tide Capital is a 39-year-old woman, a single mom of three children, earning less than 27,000 dollars a year.” Why did you choose to primarily focus on women entrepreneurs?

AD: Actually, it is the other way around. More women chose to work with us and take advantage of our programs. This is the case across the globe where women who are often the primary providers for poorer households are seeking ways to improve their economic standing so they can feed, shelter and educate their children. However, I believe it is important to educate and empower both women and men. At the end of the day, if the men in a community are disenfranchised and undereducated, they are likely to cause a lot of problems that produce tremendous distress and barriers to the success of women and children. Men have to be a huge part of the solution. We are really happy to see that in those households where the men support and encourage the entrepreneurial spirit of their wives, partners, and siblings the likelihood of business success is very high. I have witnessed this in my own mother’s case who was fortunate enough to have found a partner, her husband and my adopted father, who was supportive of her goals and her business. He was always there to encourage her and to affirm her efforts as contributing to a shared vision of success. I hope more men take that to heart and invite the grace and joy that can come into their lives as a result or at the very least, commit to do no harm.


Spring 07 graduation (Courtesy Photo)


Spring 07 graduation (Courtesy Photo)


Portraits and PPG lunch 2-26-08 (Courtesy Photo)


Courtesy Photo

Tadias: You also said most of your clients remind you of your mother. Can you say more?

AD: Many of the clients who come to us remind me of my mother because they are pursuing their business dreams primarily as a vehicle to achieve a bigger dream –that of giving their children more opportunities than they had been afforded. They are often single mothers, almost always struggling with extreme economic hardship and face barriers that seem impossible to overcome. In my mother’s case, she arrived in America without any money, separated from her baby and not sure how she will support herself let alone reunite with her child. But, like many of our clients, she made a decision that regardless of how long it took her – she would work all the hours she could, educate herself and start a business to generate more money that she could save for her larger goal. When she got off her job as a waitress – where she stood all day starting at 4am, she would go home to cook, clean and spend the evening sewing gowns, fitting customers and planning fashion shows until well past midnight. She did this for over 10 years before she saved enough to bring me to America and provide me with a stable home and a solid education. When I got to the airport finally, she showered me with her tears and showed me the baby picture of me she carried in her wallet every day to remind her of her big dream starting from her days as a refugee.

Tadias: What are some of the challenges you faced when starting and running Rising Tide Capital? What are some of most memorable and rewarding experiences?

AD: The first big challenge to starting anything – a business or a non-profit – is that you are the “center of energy” for the whole project. You have to show why something is valuable and start effecting change and adding value even before you ask people to join you or to give you money. For the first two years of the project, my co-founder (Alex Forrester) and I did all the work never being sure of what the next moment would bring. We were forced to be creative and entrepreneurial. We would run our seminars out of community centers and meet with people at their businesses or we would conduct house visits where we would sit with mom-entrepreneurs working on their plans over the kitchen table as the kids were running around. They loved it because we were not a social agency or a big government program – so they didn’t feel like they were getting a handout. We were just two young people who really believed in them and their dreams and were willing to apply our education and work extremely hard on their behalf to get them on a stronger path for success. Most importantly, we were always careful to uphold their dignity and never make them feel like they didn’t know enough or a dream was too big for them. But of course, our passion alone was not enough to pay all the bills. I remember one time when we had no money left and knew we would have to go back to sleeping on our parents sofa again. So we decided to take all the money we had and bought tickets to Ethiopia. I had promised Alex that regardless of what happens, I would show him the beauty of my country and the resilience of its people. So, we got to Addis, quickly dropped off our luggage at the very affordable and centrally located Wutuma hotel in Addis and hit the road to see Ethiopia. It was much cheaper than trying to survive in America! The love, the kindness, the generosity and faith of the people of Ethiopia was on display everywhere from the rock-hewn churches of Lalibela and Gondor to the lush breadbasket of my grandfather’s farm in Becho. When we left, we were inspired and reminded to be more faithful, to work harder and to have even more grit and determination. Shortly after our return, we learned that Goldman Sachs has seen our work in our community and would like to support the project. From that moment on, we never looked back and just worked harder and stayed true to our mission. Five years later, a fellow Ethiopian living nearby (Berhan Tsehai – who now runs www.TsehaiNY.com) nominated us to be CNN Heroes and we were selected out of many thousands from all over the world to be featured. That was a huge honor and definitely one of the most memorable moments of running Rising Tide Capital. Thousands of people sent us messages of support from all over the world in different languages and many more sent requests for our programs and services than we could have ever imagined. While we were sad not to be able to accommodate all the requests for services, we were affirmed that we were on the right track and that the world is full of entrepreneurial people busily changing their local economies and communities the world over.

Tadias: In June 2009, you were featured on CNN Heroes, and also invited to the White House. President Obama commended your work and noted: “70% of their clients are single moms. All of them rely on their businesses to support their families. So far Rising Tide has helped 250 business owners in the State of New Jersey. So imagine if they could help 500 or a 1000.” How do you seek to expand your organization’s reach in the next five years?

AD: We are currently seeking support from individuals, corporations and foundations to grow our programs and impact more individuals and communities. People from all over who believe in our mission send us as little as $5 to help support the project and we are humbled and grateful. In 2011, our programs will be offered in more distressed communities surrounding our city. We are also working with other organizations around the nation to explore opportunities to benefit more people living in financial distress who may not live near us but need our services. Our goal within the next 3-5 years is to double the number of people we work with annually while we offer even deeper assistance to those who have started their businesses and need further support to grow and create jobs for others beyond themselves. This is a grassroots movement that will someday be a very loud voice for economic hope and possibility coming out of places we least expect and from people who are, for the moment, invisible.

Tadias: Where do you see yourself ten years from now?

AD: Ten years from now, I hope to continue my advocacy and work for entrepreneurship education and empowerment amongst the least privileged in countries struggling to rebuild a more equitable, peaceful and just society. There are many lessons from the process of starting and building Rising Tide Capital that can be applied anywhere in the world where there are individuals seeking to turn ideas into reality. I am particularly excited to look towards Africa and my homeland of Ethiopia to see in what ways we can invest in the entrepreneurially driven in both the social and business sector. And of course, I also hope to become a mom (my grandpa is asking when he will see his grandchildren) and hopefully do my part in inspiring the next generation of change makers who will build on the progress and sacrifices of the generation before them.

Tadias: Is there anything else that you’d like to share with our readers?

AD: I would like thank your readers and Tadias magazine for taking the time to learn about my journey and Rising Tide Capital. I would also like to challenge your readers to think about philanthropy, to seek out organizations that do work on the ground at a grassroots level and support them. They should abolish cynicism from their hearts and minds — it only eats away at the precious time they have left to do something positive and make a difference. Finally, they should take action in pursuit of their dreams even when don’t know how it will all work, never give up and keep working hard towards what they know to be right. As Dr. Martin Luther King said, “faith is taking the first step even when you don’t see the whole staircase.”

Tadias: Thank you for sharing your thoughts with us, and best wishes in your endeavors.

You can learn more about Rising Tide Capital at risingtidecapital.org.

Photo credit: All images are courtesy of Alfa Demmellash.

Watch: Obama Recognizes Alfa Demmellash

Alfa Demmellash reacts to being recognized by
President Obama for her nonprofit work


Video: Alfa Demmellash on One-On-One with Steve Adubato

Outstanding Women in Science: Interview with Professor Sossina Haile

Dr. Sossina Haile is an expert in materials science and fuel cells, new technology that converts chemical energy to electricity. (Photo courtesy of Sossina Haile. Cover image via Addis Ababa Online)

Tadias Magazine
By Tseday Alehegn

Published: Tuesday, January 18, 2011

New York (TADIAS) – The scientific quest to find alternative sources of fuel is an expensive endeavor. And when Dr. Sossina Haile, Professor of Materials Science and Chemical Engineering at California Institute of Technology, prodded fuel cell makers in the late ’90s to come up with a cheaper prototype, they hesitated. She decided to work on a solution and created the world’s first solid-acid fuel cell at her laboratory. By 2008, two of her former students had taken the lab idea and created a start-up to develop a commercial prototype. Dr. Sossina Haile’s work has been praised for helping to push the green energy revolution, and last October she was invited to give an ‘Outstanding Women in Science’ lecture at Indiana University.

We asked Dr. Sossina Haile a few questions:

Tadias: When did you first discover your love of science? What was the catalyst?

SH: I have enjoyed science as far back as I can remember. I have always loved the fact that it makes sense and as I child I discovered I was good at it. We have a tendency to gravitate towards things in which we excel.

Tadias: Can you tell us a bit about where you grew up? The influential individuals and role models in your life?

SH: I was born in Addis Abeba, and we moved permanently to the US when I was almost ten. In all honesty, there was not a particular individual who served as a role model for me in the pursuit of a scientific career. I was extremely fortunate in that my parents supported my choices. This was particularly important since many of my classmates were, shall I say, uncomfortable, with a girl in the industrial arts class rather than home economics.

Tadias: As a Professor and Researcher at Caltech you created a new type of fuel cell. Can you tell us more about the new material discovery and the implications of its real world application?

SH: The new material allows fuel cells to operate at temperatures that are hot enough so that the fuel cell is efficient, but not so hot that the fuel cell is too expensive. Fuel cells convert chemical energy, like hydrogen or natural gas, into electricity. There are many, many reasons why a consumer can’t go out and buy a fuel cell from the hardware store today. Our fuel cells take an entirely fresh approach at trying to solve those problems.

Tadias: Last October you were invited to give the Outstanding Women in Science lecture at Indiana University on the topic of “Creating a Sustainable Energy Future.” You note that “the challenge modern society faces is not one of identifying a sustainable energy source, but rather one of capitalizing on the vast, yet intermittent, solar resource base.” Can you tell us some of the additional ways that you envision capitalizing on clean energy sources?

SH: If we are to use the sun as our primary energy source, then we definitely need to develop ways to store its energy for use on demand. In my lab we have started to do this by converting the sunlight to heat, and then using the heat to drive reactions that create fuels like hydrogen and methane from water and carbon dioxide.

Tadias: In 2008 you served as Advisor for Superprotonic, a start-up founded by a few of your former Caltech students who wanted to develop commercial prototypes of the world’s first solid-acid fuel cells created in your lab. Can you elaborate on this venture? What are the future prospects for the commercialization of your work?

SH: Superprotonic, Inc. has as its mission the commercialization of fuel cells based on the materials, the solid-acids, developed in my laboratory. Due to the economic upheavals the work has transferred to a new company, SAFCell, but the mission and the key participants are unchanged. We remain hopeful that the company will be able to manufacture fuel cells that are ultimately more efficient and less costly than others being developed today.

Tadias: What aspects of teaching and research do you enjoy the most?

SH: I delight in the discovery. When results make sense and we are able to explain something, I am thrilled. When that discovery has potential to solve critical societal problems, I am ecstatic.

Tadias: What words would you share with other young, aspiring scientists?

SH: I am asked this frequently and I find myself repeating the advice “follow your passions.” I think the corollary is that you should not be constrained by what others think of you. The beauty of pursuing scientific endeavors is that really the only thing that matters is what your brain can deliver, not all of the superficial things that can so easily distract us.

Tadias: What is your favorite way (or activity) to unwind and relax from a busy, challenging schedule?

SH: The wonderful thing about what I do is that generally I have no desire to ‘get away from it.’ But I confess that occasionally I will indulge in a good book to keep me company on the long flight back from a meeting or conference. I recently finished Chains of Heaven by Philip Marsden. It was fantastic.

Tadias: Thank you for taking the time to share your outstanding work with our readers, and best wishes in your research endeavors.

Join the conversation on Twitter and Facebook.

Spotlight on Actress Tigist Selam

Above: Actress Tigist Selam’s role in Nelson George’s new web
series called “Left Unsaid” reflects her own cultural background.
The film is based on Facebook. – (Photo credit: by Louis Seigal)

Tadias Magazine
By Tseday Alehegn

Published: Wednesday, June 30, 2010

New York (Tadias) – Our own Tigist Selam, host of Tadias TV, is featured in a new film called Left Unsaid where she plays an Ethiopian-German character named “Bethlehem” – a role that reflects the actress’ own cultural background as half-Ethiopian and half-German.

Written and directed by Nelson George, Executive Producer of “Good Hair,” Left Unsaid begins with a woman using Facebook to invite a large group of women to her new Brooklyn apartment for Sunday brunch.

“Marisol, recently separated from her music executive husband, has just landed in the Fort Greene area from Manhattan and seeks out new friends in this trendy, rapidly gentrifying neighborhood. Social networking is the engine that brings this multi-cultural group of women together and it is a thematic link that holds together the various conversations and confrontations that happen on one long afternoon. The women are brought together, pulled a part, and some quietly transformed by the opportunities for communication social networking makes possible,” states the synopsis posted on the film’s official website.

The online series, which was well received at the American Black Film Festival in Miami this month, is now live on the web at http://www.Leftunsaidseries.com. Tigist Selam is featured in chapters 3, 4, 8, 14 & 18.

About the Author:
Tseday Alehegn is the Editor-in-Chief of Tadias Magazine.

Watch Related Tadias Videos:
Watch: Tigist Selam’s Interview With Model Maya Haile

Tigist Selam interviewed Maya Haile at home in Harlem on Tuesday
June 15, 2010. (Video by Kidane Films)

Video – Tigist Selam’s Interview with Meklit Hadero

Watch: Interview With Maya Haile

Model Maya Gate Haile is represented by the world's top modeling agencies including IMG, Elite and Ford. (Tadias)

Tadias Magazine
By Tseday Alehegn

Published: Thursday, June 17, 2010

New York (Tadias) – This week Tadias TV highlights international model Maya Gate Haile. The Ethiopian-born model grew up in Holland before relocating to New York where her fashion modeling career has flourished. She is represented by the world’s top modeling agencies including IMG, Elite and Ford.

The choice to become a model as a teenager was a tough, personal decision for Maya. Her parents, who migrated to the Netherlands when Maya was 13, pushed their daughter to focus on learning a new language, excelling in school, and perhaps consider becoming a doctor or a nurse.

“For a long time I had [modeling] on my mind, but I could not bring it home,” Maya says. And those who saw the tall, somewhat shy, and elegant girl with an infectious smile would often remark “Are you a model?” At 20 Maya finally decided to tell her decision to her family.

Maya recalls “My brother was really shocked: ‘You’re going to be a model? Are you kidding me?’” But Maya took the opportunities before her and delved into the world of fashion. As much as she loves her work, Maya points out that modeling for her is not “a final destination.”

“I love modeling because from modeling you can become something else,” she says with enthusiasm. She points out that one can grow from the networking opportunities modeling affords and get involved in other entrepreneurial or humanitarian ventures. “You could take advantage of modeling and you could be activists, film-makers, photographers. It is not only about modeling,” she emphasizes.

Which leads us to ask her what other projects she has been working on.

“I have several projects in mind but one that I am currently working on is to provide opportunities for girls in Ethiopia to get access to my world. I would like to give those who aspire to become models an opportunity to come to Europe and to get a taste of what fashion and modeling career is all about. I want to provide access and mentoring, so that they can see that it’s possible to be successful and to go after their dreams. I want to share what I have learned.”

Maya also works closely with UNICEF’s New Generation program. Her husband, Chef Entrepreneur and Author Marcus Samuelsson, introduced her to UNICEF and currently serves as Ambassador for the U.S. Fund for UNICEF. Both Maya and her husband are particularly committed to supporting the organization’s immunization programs and its efforts to deliver clean and accessible water to millions of children around the world. Maya also focuses on providing entrepreneurial opportunities for youth aged 18-34 who are residing in developing countries.

Asked how her work with UNICEF has enriched her personal life, the model says it helps her to put her own life in perspective. “I could be one of the kids in Ethiopia,” she says. “I compare it to myself and my husband Marcus. Everyday we think about those kids in Ethiopia.”

On a lighter note, we asked Maya about her hobbies including basketball. “Who wins when the two of you play?” “I always win,” Maya says with a smile, “but you have to ask [Marcus]. He should tell you about it.” In the couples interview last summer Marcus confirmed her side of the story. “She kicks my ass in basketball!” Marcus told Glamour magazine. “Also, Maya translates so much for me—not just words, but culturally. When my sisters call with a problem, she takes the phone. I can’t give advice—unless it’s about cooking. Before Maya, my primary relationship was with food. Luckily, she loves to eat!”

Below is part of Tigist Selam’s conversation with Model Maya Haile at home in Harlem.

Watch: Tadias’ Interview With Model Maya Haile

Tigist Selam interviewed Maya Haile at home in Harlem on Tuesday
June 15, 2010. (Video by Kidane Films)


About the Author:
Tseday Alehegn is the Editor-in-Chief of Tadias Magazine.

Watch Related Tadias Video:
Video – Tadias’ Interview with Meklit Hadero

A Glimmer of Hope in Ethiopia: Interview With Eric Schmidhauser

Above: The non-profit "A Glimmer of Hope" prefers to cluster its projects and to identify priority needs by encouraging the input and concerns of the local community in Ethiopia.

Tadias Magazine
Interview by Tseday Alehegn

Published: Monday, March 8, 2010

New York (Tadias) – When we spoke to Eric Schmidhauser last November about his work with the non-profit organization A Glimmer of Hope, he was on his way to Ethiopia for a foundation event in the Gondar region. Since the Fall of 2000 Schmidhauser has been working on a ‘adopt a village’ program, identifying education, health, water and community needs and a plan to construct a minimum of 15 wells for a population of 5,000. A Glimmer of Hope prefers to cluster their projects and to identify priority needs by encouraging the input and concerns of the local community. Schmidhauser’s trips to Ethiopia also help keep donors up-to-date on the progress of the projects they help fund.

We asked Schmidhauser a few more questions about A Glimmer of Hope and his commitment to the people of Ethiopia.

Tadias: Tell us a bit about yourself..where you grew up, who/what were influential in your life.

Schmidhauser: My father worked for Citibank in the international sector. As a child I lived in Liberia, Sudan, South Africa, Nigeria, Pakistan, and Bahrain. I was able to experience living in a lot of countries and visiting several more. This was formative in shaping my world outlook for sure. The inspiration for my current work are the founders of A Glimmer of Hope, Donna and Philip Berber.

Tadias: You currently work as Director of Social Investment at A Glimmer of Hope. Can you tell us how you got involved with their work and projects in Ethiopia?

Schmidhauser: I’ve lived in Austen for 16 years. Donna & Philip Berber had sold their Texas-based company in 2000 and set aside Schwab stock as an endowment for A Glimmer of Hope. What impressed me even more is that they didn’t just write checks to the organization. Donna comes to the office four times a week, when she and Philip are not traveling. Both of them go to Ethiopia annually and really put their heart and soul into the work necessary to eradicate extreme poverty. This is why I joined the effort two and a half years ago. I had co-founded a junior tennis academy, Austen Tennis Academy, and I completely switched fields to serve as a Director for A Glimmer of Hope. I moved from helping a small group of talented, ambitious, priviledged children to helping hundreds of thousands of children – on a bigger level. The core value of my tennis academy was teach kids how to give back and do something bigger than themselves. The Austin Tennis Academy kids have raised $10,000 or more, over a two year period, while getting sponsored for competitive matches. This gets them sensitized to what living is like in other parts of the world, to tackle issues of dilapidated schools and lack of clean water. The head coach and five of its most active students are helping to raise $150,000, and helping to build 8 wells and two school buildings. Imagine how these 14 and 15 year olds will be when they get older with this type of formative experience, as part of their core experience. It’s exciting to see who they’ll become. It teaches the importance of giving back, the importance of being larger than themselves, citizens of significance in their adult lives. This extends to my own children. At the end of the day, my life is so much richer. It’s equally important what I’m able to teach my children by example – through living what I want them to learn. Your life’s work is committed to that. When kids are excited to give up their birthday present and instead raise money to build give something to other kids, it doesn’t get better than that! To me you can’t put a price on that…the greatest joy that I get from my work is when I take donors of our projects to Ethiopia and they are able to personally see the transformation. It’s incredibly fulfilling work!

Tadias: Why did the founders choose Ethiopia as the key place for their projects?

Schmidhauser: Donna is from London and Philip is from Dublin. Donna was very moved by the Live Aid images from televised famine in the 1980s, and it never left her heart and her mind. She vowed that if they came to wealth that she would want to help the people of Ethiopia. Geldoff inspired and taught the power of one person to make a difference. He was the catalyst. And today Donna is my daughter’s role model.

Tadias: What were your first impressions of Ethiopia? How often do you get to go back?

Schmidhauser: My first trip to Ethiopia was in 2007, two months into the job. I was in the Tigray region. I was really surprised by how beautiful it was, and how gracious, hospitable, and warm the people were. The quiet dignity was evident wherever I traveled in Ethiopia. When you visit a community that has no access to clean water until a well was constructed, where women had to travel far, adding a well in close proximity to their homes brings great joy. The joy they have for something so simple, that we take for granted, and the quiet dignity with which they accept their lot in life when they don’t have a health clinic or water and have to walk for hours to get to the nearest source, it’s really overwhelming. We take so much for granted in the U.S., and it surprised me how there isn’t resentment there. They are quiet about their hardship. And if you can help bring about change the gratitude is profound.

I visit Ethiopia twice a year, and a lot of it depends on our donors’ schedules. I want to make sure that I’m bringing donors with me that have invested significantly with us. So on each trip I try to take some of our larger donors. This is one of our key strategies, and we can show them how their social work has made a difference and keep their hearts engaged. I travel when at least one or two donors are available to travel.

Tadias: On your organization’s website you cite your work as “an operation to turn a profit – a Social Profit” and define social profit as “The amount of social and humanitarian benefit gained as a result of investing in the well-being of others.” What are some of the most successful projects you have launched to turn a social profit?

Schmidhauser: I think our microfinance work would be one where you can see social profit – a transformation of a life through a grant. We’ve partnered with microfinance institutions in Ethiopia. They invest the grants that we give them. The profits are redistributed to the next group of borrowers. A small amount of loans, such as those given to farmers to cover irrigation kits can help a farm go from 1 harvest a year to multiple harvests a year and provide surplus crops that they can sell in the market.

Here’s another example of a profound experience: In July 2009 I was with one of our British donors in the Simien mountains. This donor had funded school and water projects in the region and we had gone for the opening of one of the schools. In the process we spent a lot of time hiking, and in the process of hiking we came across a community with no access to clean water. It was VERY VERY cold. Mid 40s low 50s. It had been hailing earlier in the day. And I remember one little girl with her mother, scooping water from a nearby pit, cup by cup and pouring it into the jerican (plastic container). The little girl was inadequately dressed for the weather conditions. Her hands were shaking as she held a water bottle cut in half, taking one scoop of water at a time. Freezing and hands shaking. Only a little girl could get in the pit – not an adult. It took half an hour to fill the can. I was thinking of the injustice: Because my daughter was born in Austen she could open the tap in a condo to get clean water, and if she was born in the Simien mountains she was in hardship. It was hard to watch as a father. Absolutely miserable.

Slideshow: Photos from Ethiopia

Another memorable experience that I had was on my second trip – attended the inauguration of a water point in the Oromia region. While we were unveiling the well, in the middle of the ceremony, a women with a large clay jug stepped forward and released the clay jug onto the point (all over the base of the point) saying “NEVER again will I have to shoulder this burden. Now clean water is closer to my hut.” When someone translated for me what the lady had said, I got so powered up and pumped my fist. And I loved it. I’ll never forget it for as long as I live. The energy was electric.

Tadias: Your programs emphasize Integrated Development. Can you elaborate?

Schmidhauser: The best way that I can explain it is by this example: if we’re building a school but there is no clean water, it’s not going to have maximum impact. What’s the point? Kids will still be busy fetching water and also getting sick from lack of clean water. So integrated development is when you’re providing a community access to water, healthcare, and school and providing those services to the community. The other example is sanitation. When we receive proposals for school projects we make sure they include latrine facilities.

Rather than spreading ourselves thin, we’d rather get it right one community at a time, and provide all the basic social services. The goal of our founders is to eradicate extreme poverty in rural Ethiopia in their lifetime. They have ambitious goals. So far A Glimmer of Hope has helped to build 350 schools since 2001 and 3,000 water projects. Through our collaboration with the non-profit Charity: Water we have built 250 wells alone. One of our commitments to our donors is to provide ‘completion photos.’

Clustering our projects also makes it more efficient to monitor. Most of our work is in hard-to-reach rural areas, and if we spread ourselves thin, it also becomes more difficult to monitor the progress.

Tadias: What are a few ways that our readers could get more involved?

Schmidhauser: Through our interactive website individuals can create their own campaigns. Yemra Melaku, who works for Marriott in New York, is one shining example of a volunteer. We helped her organize her campaign on our website, and created a page for her, and she raised enough money to fund one water project in Southern Ethiopia. She is now on her second project. She provided us the text for her page, and once it was completed she organized a music concert at Columbia University, a poker party, and her own grassroots movement.

We also have teenagers, students aged 13 to 15 who are raising money for A Glimmer of Hope. Everything helps. So many people are turned away thinking “What I do is a drop in the ocean.” Empowering people means donors who have given up their birthdays or christmas. My own son gave up his 7th birthday and raised $20,000 last year.

I encourage readers to know that just because you don’t have a lot of resources, it doesn’t mean you can’t get involved. You can join a campaign, run a marathon, give up your christmas presents, some charity:water volunteers gave up their wedding presents and raised close to $20,000 and have gone to Ethiopia to see the projects that they funded.

I also encourage people to get on Charity:Water website to learn how individual donors can make a difference. A Glimmer of Hope is their exclusive partner in Ethiopia. Our 100% promise is one of the reasons Charity:Water is partnering with us.

Tadias: What is the 100% promise?

Schmidhauser: Our endowment covers 100% of our operating and office expenses in Austen and Ethiopia. So 100% of the donations we receive goes to programs. Charity:Water does the same thing. 100% of donations go to projects.

Tadias: Thank you Eric for this enlightening conversation! We encourage our readers to learn more about A Glimmer of Hope and to take the plunge – give access to clean water to a community in Ethiopia.


About the Author:
Tseday Alehegn is the Editor-in-Chief of Tadias Magazine.

Video: A Glimmer of Hope in Ethiopia – Turk Pipkin

Crisis Mapping and Collaboration Between Western and African ICT Developers for Haiti Quake Response

In Haiti relief organizations were facing bottleneck at the airport, but mobile phones and online crisis mapping tools have enabled tech developers and volunteers to collaborate in other unprecedented ways. (Fletcher Ushahidi Situation Room)

Tadias Magazine
By Tseday Alehegn

Published: Tuesday, January 19, 2010

New York (TADIAS) – When a 7.0 magnitude earthquake hit Haiti in the afternoon of Tuesday, January 12 and devastated the capital Port-au-Prince, the world community and international NGOs hastened to get aid to an estimated 3 million people affected. Buildings were leveled, roads blocked with rubble, and phone lines were down. Even as financial donations were being sent by concerned citizens the world over and frantic calls were made for Haitian Creole translators to help emergency workers on the ground, Western media was reporting that organizations were frustrated with lack of access to aid due to bottleneck at the airport, and USAID Administrator Rajiv Shah reported the need to “dramatically expand the in-country distribution network.” Tasks such as getting more accurate locations of those trapped or needing assistance, and directing NGO workers to those requests would be key in making sure that the aid that was pouring in was getting disbursed in a timely and efficient manner.

Today The Washington Post reports that “A record $22 million has been raised via text messages by the American Red Cross for relief efforts in Haiti, a groundbreaking statistic that could propel an important new avenue for philanthropy going forward.”

But there is something even more incredible happening. Mobile phones and online crisis mapping tools have enabled tech developers and volunteers to collaborate in other unprecedented ways.

Ushahidi – Crowdsourcing from Africa

While mobile phone providers in Haiti were scrambling to have their services up and running again, Erik Hersman Co-Founder of Ushahidi (a crowdsource information tool originally used in Kenya) blogged that Ushahidi is now “heavily involved in mapping and integrating crowdsourced information from Haiti into an aggregated map that is being used by both people on the ground who need help and those who can provide relief.”

“We’re running what’s basically the 911 system for Haiti through a local shortcode on the Digicel network 4636,” Hersman says. The 4636 SMS campaign team members are located in Kenya, Uganda, the United States and on the ground in Haiti. Ushahidi designers and developers are based in Canada, the Netherlands, and in several African countries including Kenya, Malawi, Ghana, and South Africa.

“It became clear we needed a local SMS short code to make mobile reporting more viable,” Hersman writes, so D.C. based Josh Nesbit (Co-Founder of FrontlineSMS:Medic) located exec of Haiti’s Digicel, (the leading mobile operator in Haiti) on Twitter, and connected Digicel command center with Ushahidi and U.S. Department of State. The result was a shortcode 4636 which Haitian subscribers could use to text their emergency requests. The texts received were then fed to an online database developed in collaboration with Palo Alto-based InSTEDD and Maryland-based DAI groups.

Boston-based Peter Meier, Director of Media & Partnerships at Ushahidi and PhD student at The Fletcher School at Tufts University, also blogs about the Ushahidi-Fletcher Situation Room and virtual collaboration to link volunteers and translators for the 4636 SMS campaign. He notes that approximately 10,000 Haitian online volunteers are translating the incoming SMS messages from Creole into English and assisting other 4636 SMS campaign volunteers in relaying information to NGOs on the ground in Haiti. “We really couldn’t do this project without the help of the Boston situation room. They are combing through the reports, getting updates via many different forms of media – basically making sense of a mountain of incoming data,” he writes.

Other virtual situation rooms are being set up as developers are coordinating a training session at the Fletcher school tonight to ensure continued reporting.

The 4636 shortcode is also being used to register mobile numbers of subscribers in order to send vital information to them such as where to seek medical, food, or other emergency assistance. Approximately seven aid organizations in Haiti including Red Cross, Clinton Foundation, and International Medical Corps are currently receiving the RSS feeds from Ushahidi’s 4636 SMS campaign.

Hersman says assistance is still needed to process incoming requests. To help please click here.

You can also use Change.org’s “How to Volunteer for Haiti Without Leaving Your Home” Tips.


6 of the Kenya team working at Ushahidi ad hoc situation room in a coffee
shop in Nairobi.
(Photo at Twitter).
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Interview With Grammy-Nominated Musician Kenna

Grammy-nominated musician Kenna is leading a team to climb Kilimanjaro to raise awareness about the clean water crisis. (CP)

Tadias Magazine

By Tseday Alehegn

Published: Friday, January 8th, 2010

New York (TADIAS) – Grammy-nominated Ethiopian-American musician Kenna (né Kenna Zemedkun) is leading a team of friends including Jessica Biel, Lupe Fiasco, Isabel Lucas, Elizabeth Gore, and Alexandra Cousteau to climb Mount Kilimanjaro, Africa’s highest peak and one of the world’s largest stratovolcanoes, in an effort to raise more awareness about the global clean water crisis. Today marks Day 1 of the journey. The climb aims to raise funds for The Children’s Safe Drinking Water Program, United Nations High Commissioner for Refugees (UNHCR) and PlayPumps International.

You can follow the climbers’ progress through their highly interactive site Summit on the Summit (SOTS) as they post photos & video clips and tweet their way to the top. According to a BNC-issued press release “The on-the-ground base camp in Africa, will also be outfitted with high- powered HP PCs to help track each climber’s progress, monitor weather conditions, and capture every aspect of the ascent. Throughout the climb, the team will use HP thin-and-light notebooks to communicate and share photos as well as videos from Mt. Kilimanjaro with fans on www.summitonthesummit.com.” A documentary of Summit on the Summit will also be aired on MTV on March 14th, 2010.

Over a billion people worldwide currently do not have access to clean and safe drinking water. You can join the SOTS effort by donating to their ‘sponsor a foot’ campaign online.

We sent Kenna a few questions about music, his interest in the global water crisis, and his inspiration for the climb. Below are his responses from base camp in Tanzania.

TADIAS: Tell us a bit about youself. Where you grew up? who/what were the main influences in your life? How you got involved in music?

Kenna: Born in Addis, raised in USA. My father is a major influence, but musically it was MJ and is U2. I went to high school wih the Neptunes… God hooked it up.


TADIAS: You mentioned that Summit on the Summit was inspired by the health challenges that your father faced. Can you elaborate?

Kenna: I relate to the water issues through my dad. I was born in Ethiopia but raised in both the inner city and the suburbs of America where water has not been a direct issue for me. Although water is an issue in America, my connection with it is from the fact that my dad suffered as a child from water-bourne diseases. When he told me about his ailment as a child, it really struck a chord and triggered the development of SOTS. But my dad has always encouraged me in being a good citizen and gave me plenty of opportunities to be involved with non-profits. I have been blessed to be a part of the development and curriculum for non-profit projects in my community. If he hadn’t survived, I wouldn’t be here. That is what resonates with me.

TADIAS: Why did you pick Mount Kilimanjaro as the challenge?

Kenna: Because it takes serious effort to do this. It takes serious commitment. We needed to do something extreme to highlight such an extreme human rights issue.


TADIAS: What are you taking with you on this climb for inspiration?

Kenna: I have a note from my dad that says he “knows of my ability to elevate myself through conscious moves.” And that he is proud of me.

TADIAS: What message would you like to share with our readers?

Kenna: It is our time to show the true power and beauty of our culture. We have an inheritance of greatness. Rise up and be counted. It is now. It is today. We are God’s people. Let the world know.


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Interview with Marcus Samuelsson: White House State Dinner, His New Book, and Living in Harlem

Marcus, pictured here in the White House garden, was selected to prepare the Obamas' first State dinner. (Courtesy photo).

Tadias Magazine

By Tseday Alehegn

Published: Tuesday, December 15, 2009

New York (TADIAS) – It has been a busy year for Marcus Samuelsson. A few weeks after the release of his book New American Table, Samuelsson was invited by the White House to prepare the Administration’s first State Dinner honoring the Prime Minister of India.

“It was an honor for me not only to be asked but also to do it,” Samuelsson tells Tadias.

Samuelsson says he was primarily thinking of diversity while preparing the State Dinner assisted by ten members of his own staff. “I tried to think of diversity on different levels, not just the food,” he tells us.

Below is our interview with Marcus Samuelsson about the White House State Dinner, his new book, and living in Harlem.

Tadias: When did you begin thinking about writing New American Table?

Marcus: I began working on the book in my head around 2004/2005, right around the time I became an American citizen. I really started to think about diversity. How do I explain Ethiopian heritage? How do I define my Swedish heritage? I am privileged to be in America where I can actually be Ethiopian, Swedish, and American. And as Maya and I got more and more together we started thinking about how to keep our identities through food. And not only that but I realized that all my friends are immigrants. It’s Jewish people marrying Arabs, Pakistanis marrying Germans, Latin people marrying Swedish people. And all of them are keeping their food heritage. And more so than language, it’s through food that they are keeping their identities. Food is a celebration of diversity in America. I don’t know any other nation where you could keep all these cultures alive and on top of everything you are also American. And I thought that it was really cool. There is also the recognition of the growth of immigration. Think about how Ethiopians came to this country. In cities now we have on average about six or seven Ethiopian restaurants. That’s incredible. And it’s a way for us to keep our identity. And it’s not only the Ethiopian community that I’m talking about. I’m talking about Vietnamese community in Minneapolis, Latin community in Chicago, Nigerian community in Boston. We know it’s Latin in Los Angeles and Texas and so on. Those are the obvious ones, but I’m talking about the not-so-obvious diversity; the Koreans in New Jersey, Middle Easterners in Detroit.

I always write. I always take notes wherever I am. Food is my language. I cook with friends, I cook in the restaurants, for magazines. I always write and connect my recipes to my outlets. My creativity goes with the diversity. I didn’t want to make a narcissistic book about me, but about everyday people. That’s why I do the collages in the book. The book only works if it’s about the everyday person, the New American. Everyone from kids to the elderly can recount stories of food. Whether it’s stories from the Second World War or stories about leaving Ethiopia, or stories about leaving Sweden, they are all stories about us.

The other thing to note is the enormous Farmers’ Market boom. I wanted to include this in the book. When I came to New York you could barely buy cheese or great bread. Now you have a resurgence of artisanal food makers, and I wanted to touch on that. People are going back to ‘local’ to ‘organic’ to ‘seasonal.’ I wanted to celebrate that. We are slowly going in a greener direction. And that’s the conversation about food that I want to keep having. I’ve already written a book about restaurants. I’ve done that. Going forward it will have to be about people, and how people inspire me. I’m not a politician, I’m a chef, and so I tell my stories through food. Like an artist’s paintings would show what he’s going through or what he’s reflecting on.

Tadias: When was the moment, during your work or travels, where you felt that what you were experiencing should become a book?

Marcus: I’ve been American for a while now and in the beginning of the book I talk about becoming American. As a Black person I wanted to come to America rather than stay in Europe because there are more opportunities here as a person of color. I think a lot of people can relate to that feeling. Of course you have doubts and you don’t know if it’s going to work out, but you work hard and it will. This book was also written at a very particular time. This was written post 9-11, in the middle of the Iraq/Afghanistan war, very patriotic stuff. I feel that sometimes the image of America in the rest of the world is not that great, but I feel that diversity, food, these are things that we are getting right. These are things that we can be inspired by. This book was written in a time of transition. I began writing in the Bush era and the book is out in the Obama era.

Tadias: Can you share one or two of the untold stories behind the food that you describe in New American Table?

Marcus: There’s a couple, friends of mine. She’s Pilipino and he’s Swedish and African-American. Every year they have a dinner where when you go to their house they have about 25 different dishes. And the food is from Black culture, Pilipino culture, Swedish culture. And they’re not chefs. That’s inspiration. Their friends are just as diverse, from Ethiopia to France. This is the diverse food life that I wanted to live, and now I’m living it. You know even when Maya cooks Doro Wat and our friends who are not Ethiopian are enjoying the dish, what are we doing? We’re telling a story about Ethiopia. So all of us who are Ethiopian-American are actually ambassadors for our own country. There is an exchange of culture here but we’re not asking you to change your religion or faith or beliefs. We are simply the culture and we are sharing the food. So we’re shifting the dialogue to something positive, something tangible.

Tadias: Looking back at the history of food in America and the traditional American dining table, how would you describe it now?

Marcus: Well this is an evolution. We were very much England/Europe-inspired for a long time. And now you’d hear someone say “Hey I had sushi last night, and I had Ethiopian the night before.” So you’ve gone a complete 180. We’re completely embracing diversity through the food, and before we were taught to hide it. So it is a sense of arrival to say “I had sushi, I just tried a Moroccan restaurant, I had Indian the day before.” Even in cooking the State Dinner we were cooking an ethnic meal at an American State Dinner.

Tadias: How was the experience of preparing the White House State Dinner?

Marcus: It was the highest honor. That was Barack Obama’s first State Dinner so it was extremely important for him. And it was an honor for me not only to be asked but also to do it. Michelle wanted a vegetarian dinner as much as possible as Mr. Singh is vegetarian so we came with fresh but very humble ingredients. These were not the ‘best dishes of Marcus Samuelsson.’ For me, when I did the State Dinner I wanted to show the best of America and the best of India. I also wanted to show the White House as someone’s home. Therefore we introduced a bread course, where we broke bread and had both corn bread and naan bread, which they’d never had at a State Dinner before. It was the first time that all fresh ingredients and herbs were supplied from the White House garden. We had lentil soup, which was very Indian for me, but we also had American seasonal apples. The dumplings and green curry prawns were Indian but we also served All-American dessert, Pumpkin Pie, and we served All-American wine. So it was a complete marriage for me looking at both cultures. The smoked collard greens served were from African American culture. Why not serve that as a testament of diversity instead of making the best possible Foie gras that you could do? I also brought my staff, half of them were girls and half were guys. Some were African-American, some of them were Jewish, so I tried to think of diversity on different levels, not just the food.


Cover of Marcus Samuelsson’s book ‘New American Table.’ (Courtesy photo)


Marcus at the White House kitchen chopping herbs that he picked from the White House garden in preparation for the Obamas’ first State dinner. (Courtesy photo)

Tadias: How many staff did you take with you?

I brought 10 with me.

Tadias: So what are your next steps? What’s in the horizon? What kind of ventures are you thinking of now?

Marcus: Moving forward, I’m thinking, “What can I do in Harlem?” I’m thinking about public school and food. I’d also like to bring more Farmers’ Markets to Harlem. I live in Harlem and I go in stores and there are no green vegetables in the market. You can go to any market in Ethiopia regardless of income and you can get local eggs and organic. Here, if you don’t have money you eat poorly. It’s one of the only countries where low income and eating poorly is connected. I would like to change that. At least I would like to raise awareness by cooking in the community, or definitely enabling people with low income to have better choices when it comes to food. So those are the kinds of things that I care about.

Tadias: What do you like most about Harlem?

Marcus: Harlem? I always wanted to live in Harlem. Harlem was the community that I knew about when I was in Sweden. It was what I knew about America and African-American culture. I’ve always thought about Harlem. And I also think that if Harlem’s going to change then people like myself and others should stop talking about Harlem and move to Harlem. Harlem is not going to change because we talk about it. It’s going to change because we do something. And I put my money in the economy. For me it’s not a PR stint. For me it’s a lifestyle. I sold my place and moved to Harlem to experience it. And I can’t write about an experience without having lived it. When I shop at C-Town, for example, it’s not because I’m happy to shop there, it’s because I want to have the same experience that the person who lives in this community has. When Maya wants to go to Whole Foods or somewhere else, I say, “Well we can do that too but we also have to buy from here as well because we gotta know what the hell we’re talking about.”

Tadias: Any other thing you’d like to add?

Marcus: I look forward to going to Ethiopia for New Year’s and I look forward to eventually have a cooking school in Ethiopia. To have a hospitality school in Ethiopia – that’s my ultimate goal. I’ve experienced a lot of stuff, and it’s also my job to give back and to challenge people who have money to contribute. It will bring a different dialogue. It’s like what bringing Lucy here does – it starts a dialogue. Same thing with the Discovery Show about the oldest human being, or what Ras does with his film, ‘The Athlete’ when he narrates the story from an Ethiopian perspective. It’s what you guys do; it’s bringing a different view, which is incredible. It’s important to keep producing, keep writing. Even what Maya does; she’s in Korea right now doing a shoot for Olympus Camera. For other people to see that that’s possible is incredible. I’m in awe of all that. I also love one of the pieces that you wrote about Ethiopians that have done stuff in America, because you do exactly what I think about a lot – to inspire to aspire. You read that article, and if you’re not in that article, you want to get in that article. It’s fantastic. It’s inspiring. Regardless of who it is, it’s more about the message.


Tseday Alehegn is the Editor-in-Chief of Tadias Magazine.

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Prester John: Medieval Ethiopia’s Mythology and History

Image from the cover of the Prester John Sessions, Tommy T. Gobena's first solo album.

Tadias Magazine

By Ayele Bekerie, PhD

ayele_author.jpg

Published: Monday, November 23, 2009

New York (TADIAS) – Prester John Sessions is the title of the first solo album of Tommy T Gobena, a talented and innovative global musician, who, I believe, is succeeding in his attempt to grasp the meanings of his diasporic sojourn vis a vis his Ethiopian roots. This article is inspired by the title of his album and is written to express my solidarity with his visions and dreams. The essay attempts to construct a historical narrative of what Ethiopian historians call the Zagwe Dynasty and the Medieval Hatse (King of Kings or Emperors) States, for they were two significant historical periods that are not only directly connected to the legend of Prester John, but they are remarkably endowed with religious tales and accomplishments. It is my contention that these two periods might help us understand the historical dimension of what Tommy T calls ‘Prester John Sessions.’

In his interview with Tseday Alehegn of Tadias Magazine, Tommy cites Graham Hancock’s The Sign and the Seal as a source for the title of his album. In Hancock’s book, he learned about a legendary and powerful Ethiopian king named Prester John, who was sought as an ally by European rulers of the medieval period. Europeans persistently sought the king with the hope of establishing an alliance against Moslem forces who occupied Jerusalem. The strong global sentiment for the legendary Ethiopian king became a source of inspiration to Tommy T, who used the name as a title of his album. In so doing, Tommy T has elevated his artistry by composing music linked to medieval Ethiopian history.

Who is Prester John? According to John Reader, “the earliest-known reference to Presbyter Iohannes (medieval Latin, meaning Prester, or Priest John) appears in an 1145 CE manuscript of Otto, Bishop of Freisingen, referring to him as a powerful Christian priest-king ruling a vast empire vaguely supposed to be somewhere in middle Asia.” The priest-king is equivalent to Hatse of Ethiopia or Pharaoh of ancient Egypt or Kandake of Meroé. It is a collective term that is assigned to divined rulers. Kandake was the title for women rulers of Meroé in the present day Sudan.

Ethiopia of the medieval period often designated geographically as a part of ‘Indies.’ Munro-Hay cites what he calls “the mediaeval planispheres and portulans” who identified Ethiopia as the “Indian land of rumor and legend.”

The earliest reference to Prester John corresponds in the Ethiopian chronology to the period of the Zagwe Dynasty (1137-1270 CE), a dynasty that thrived in Lasta, northern Ethiopia and its seminal achievement, the rock-hewn Lalibela churches, is now recognized as a UNESCO world heritage site, which means that the churches are internationally protected and preserved so that successive generations would be able to enjoy the marvels of architectural feat. The kings of the Zagwe Dynasty presided over an excavation of eleven churches from a single rock. These churches were carved in the twelfth century and they are still in use for mass and other religious activities. In other words, the churches are an enduring expression of devotion to faith and a constant source of global fame.

The kings of the dynasty built churches in Lasta so that Jerusalem continues to live. In fact, the eleven rock-hewn churches built in Lasta are called the churches of the second Jerusalem. The dynasty’s achievement has reached Europe. In fact, they have contributed to the invention and perpetuation of the legend of Prester John.

On the other hand, some historians trace the name Prester John to one of the kings of the Maji. Jasper, one of the kings, is known as Prester John and all his successors assumed the title thereafter. According to this account, the title Prester was chosen “because there was no degree in the world more elevated than the priesthood. The name John was selected in reference to John the Baptist or John the Evangelist,” writes Munro-Hay, citing the story in the Book of the Three Kings (the Maji).

Furthermore, a map published by Sebastian Munster at Basle in 1544 locates the kingdom of Prester John in the northern highlands of present day Ethiopia. Prester John is also mentioned in maps drawn in an earlier period, such as the Egyptus Novelo map of Florence (1454) and the Mappomondo of Venice (1460). This particular period corresponds to the period of the ‘restored’ Solomonic Dynasty. It is also known as Shoan Dynasty. This period has produced great Ethiopian emperors, such as Hatse Yekuno Amlak (1270-1285), Hatse Amda Tsion (1314-1344), Hatse Dawit I (1382-1413), Hatse Yishaq (1414-1429), Hatse Zer’a Ya’qob (1434-1468), Hatse Libne Dengel (1508-1540), and Hatse Tserse Dingel (1563-1597). The Dynasty, which was founded by Hatse Yikno Amlak in 1270 in Shoa, the central highlands of Ethiopia, had 26 Hatses and lasted for 302 years. According to Tadesse Tamrat, “the borders of this kingdom extended roughly to the northern districts of Shoa in the south, the region east of Lake Tana and the upper Blue Nile in the west, and the edge of the Ethiopian plateau in the east.”

The Hatses are divined and their power is defined in the Fetha Nagast, or Law of the Kings. Their power is both ecclesiastical and civic. Kebra Nagast, or the Glory of Kings, on the other hand, is a sacred text linking the genealogy of the Hatses to Menelik I, the founder of the Solomonic Dynasty.

In the period of the ‘restored’ Solomonic Dynasty, “there were also Muslim principalities in the area, along the coast from the Dahlak archipelago in the Red Sea to the Somali town of Brava on the Indian Ocean.” The Muslim principalities were strategically located and benefited a great deal by controlling trade routes in the region. Tadesse observes that “by the end of the thirteenth century, powerful Muslim communities had emerged which were to constitute various well-organized principalities and states: the most important in the interior were Shoa, Ifat, Fetegar, Dawaro, Hadya, Bali and Adal.”

The Sultans of Muslim communities entered in both peaceful and hostile relations with the Hatses of the Ethiopian plateau. During the medieval period, they managed to maintain their autonomy, even though most of them were obliged to pay tributes to the Hatses. Some of the Hatses chose peaceful coexistence with Muslim principalities, while others used force to convert the Muslims to Christianity. In the sixteenth century, a rebellious Muslim leader emerged and succeeded in conquering vast regions controlled by Hatses. The Muslim leader was Imam Ahmed, who defeated the army of Hatse Lebne Dengel at the Battle of Shimbra Qure.

According to Ayele Teklehaymanot, ‘love for things Ethiopian’ began in Europe in the middle Ages. Europe desperately searched for the legendary Pester John in the Indies, which was a geographical term of the time that refers to eastern Ethiopia (India and the Arabian Peninsula) and western Ethiopia (the Horn of Africa, and north east Africa). The Europeans were desperate in their desire to wrest back Jerusalem from Jihadist occupiers. It is also important to note that the geographical interpretation of Indies also placed Ethiopia in Asia. For instance, Honorius D’Autumn, at the beginning of the XII Century CE, asserts: “Sunt vero termini Africae: nilus ex parte orientis…” To Giovanni Battista Brocchi of the fifteenth century CE, the subjects of the ‘Prester John’ were distinguished as Ethiopians and Indians.

“In the year 1400 King Henry IV of England sent a letter to the ‘King of Abyssinia, Prester John.” Tadesse Tamrat, the eminent Ethiopian historian and author of the definitive book, Church and State in Ethiopia (1972), identified the Ethiopian king for whom the letter addressed to as Atse Dawit, the father of the famous and learned emperor Hatse Zer’a Ya’qob, who authored several sacred books. Historians are not certain whether the letter reached Hatse Dawit. However, a copy of the letter is found in the British Royal archives. Portuguese and Roman writers of the middle Ages translated Hatse to mean priest-king.

The genesis of Prester John, as I indicated earlier, coincides with the period in Ethiopian history that may be characterized by a great deal of religious revivalism. This period includes the Zagwe Dynasty of Lasta and the ‘restored’ Solomonic Dynasty of the central Ethiopian highlands. Temporally, the period extends from eleventh century to the sixteenth century of the Common Era. During this time, the Ethiopian rulers were directly involved in the teachings, writings and administration of the Orthodox Tewahedo Church.

It is also important to note that the period was a period of the consolidation of Islamic states and sultanates. One might add that it was also towards this period that history recorded the internal turmoil that resulted in the rearrangement of the region with irreversible settlement of the Oromos on the central and northern highlands of Ethiopia. Their concept of Gudficha made it easier for diverse ethnic groups on the highlands to interact with the Oromos. Islamic states have also expanded beyond the traditional borderlands and lowlands of the country.

The Late Stuart Munro-Hay in his book Ethiopia Unveiled: Interaction Between Two Worlds, extensively documented the meeting of Europe and ‘Prester John.’ According to Munro-Hay, in 1427 the ‘Prester John’ sent two ambassadors, one Muslim and one Christian, to Valencia to see Alfonso V, king of Aragon (Spain). ‘Prester John’ Yeshaq or Hatse Yeshaq ruled an empire that had seventy-two kings; twelve were Muslims and the rest Christian. What is notable about this account is that ‘Prester John’ appeared to have succeeded in presiding over both Muslim and Christian states. His decision to send Muslim and Christian emissaries to Aragon may suggest the prevalence of peaceful co-existence of Muslims and Christians in Ethiopia. ‘Prester John’ did not participate in the ‘crusade’ to liberate Jerusalem, perhaps unwilling to disrupt the peace he established in his multi-religious empire.

King of Aragon’s envoy to Ethiopia carried with him a letter dated 15 May 1428 to “the most eminent and most victorious monarch, the lord Ysach [Yeshaq], son of David, by the Grace of God, Presbiter Johannes of the Indies, master of the Tablets of Mount Sinay and the Throne of David, and king of kings of Ethiopia.” The letter, which is still available at the Aragon Archive in Barcelona, Spain, hints at that time a strong Ethiopia whose leader was victorious and who also, sought trade and diplomatic relations with Europe. Hatse Yeshaq even suggested marriage alliances with the Aragon royal family. It might be worthwhile to note that the earliest written reference to Somalia is found in a praise poem written in Amharic for Hatse Yeshaq, whose empire reached the northern Somali coast.

Several Arab historians and geographers profusely documented the history of the Hatse Medieval States, apart from local large historical documents and royal chronicles, their deeds. The Arab historians narrated in greater details the powers and territories of both the Hatses and the Sultanates. We also learn that the Hatses sent emissaries and letters to Europe in order to establish diplomatic and trade relations. The Hatses have fought with the Muslim states and often settle their political disputes by acknowledging their relative power position.

Ibn Yaqub in 872 wrote about the Hatses’ control over the Dahlak islands on the Red Sea. Masudi in 935 reported that Hatses controlled the port of Zeyla in the Gulf of Aden, as well as the Dahlak Islands on the Red Sea. Ibn Hawkal in 970 agreed with the reporting of Masudi.

The geographer Idris included northern Somalia as part of the sovereign of the Hatses. Another Geographer Ibn Said in the thirteenth century identified the Wabe Shebele River as a divider between the territories of Ethiopia and Azania. According to Ibn Said, the northern half of Moqadishu was under the rule of the Hatses. Ibn Fadal Alah Omari in the fourteenth century wrote about the vast empire of the Hatses. The territory extends from Indian Ocean to Gulf of Aden to Barka Valley of northern Eritrea. The fourteenth century Ethiopia had ninety-nine big and small states governed by kings and sultanates. These states paid their tributes to Hatses or king of kings of Ethiopia.

The Arab historian Omari included the following states under the sovereign of Hatses: Somhar, Hamasien, Nara, Tigrai, Sehart, Amhara, Shoa, Damot, Genz, Adasso and Mora. The South Eastern territories have also paid tributes to the Hatses. These territories were: Yifat, Dewaro, Arababani, Hadiya, Sharka, Bale and Derra. These historians have also documented the presence of fifty linguistic groups within Medieval Ethiopia.

Historians also researched the accounts of Portuguese travelers. Some even suggest that the legend of Prester John inspired the Portuguese to build ships and navigate the oceans. Given the fact that the Portuguese travelers were among the first foreign visitors received by the Hatses, it was clear that they took the legend very seriously. For instance, Francisco Alvares, who visited Ethiopia for six years at the time of Hatse Lebna Dengel’s rule, referred to him as Prester.

Among the Hatses, Amde Tsion was regarded by far the most powerful. He ruled over both the Christian and Muslim states. The Aragonese king Alfonso V noted in his letter dated 18 September 1450 identified Hatse Zer’a Ya’qob as the ‘most illustrious and most serene prince Lord Jacobo, son of David, of the House of Solomon, Emperor of Ethiopia.’ According to Mersea Hazen Wolde Qirqos, Hatse Zer’a Ya’qob was highly educated. He sponsored the translation of several sacred books from Arabic to Ge’ez. He also authored several holy books himself. According to Richard Pankhurst, “Imperial power was probably at its greatest during the time of the great centralizing emperor Zar’a Ya’qob (1434-68).

It is worthwhile to note that the Medieval Hatse rulers have established governance over the multi-ethnic and multi-religious nation-state. It can be argued that the seeds for modern state of Ethiopia may have been sown much earlier than what is usually believed. Tommy T’s ‘Prester John Sessions’ is a glaring reminder of our persistent quest in our long history, for transforming a shared time and space into one Ethiopia.

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This article is well-referenced and those who seek the references should contact Professor Ayele Bekerie directly at: abekerie@gmail.com

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Cross-Cultural Music Improvisations: A Conversation with Dan Harper

Tadias Magazine spoke with Dan Harper about his new album "Punt Made in Ethiopia" and his work to create cross-cultural conversations through music. (Courtesy photo).

Tadias Magazine
Interview by Tseday Alehegn

Updated: Monday, November 16, 2009

New York (Tadias) – As an aid worker for a British NGO in Ethiopia, Dan Harper (Invisible System) lived and traveled throughout Ethiopia for three years. He also nurtured his first love: music, and built a studio from scratch to produce and collaborate with Ethiopian musicians. Harper describes his Worm Hole studio equipment as something which “can be setup around scarce resources such as in an outhouse with corrugated iron roofing (interesting in the rainy season), carpets and breeze blocks. It is also now constructed in a more solid form in Frome, Somerset whilst maintaining its nomadic and professional feel and look.” Harper co-wrote and sound engineered Dub Colossus’ album “A Town Called Addis” with Nick Page, and most recently came out with his own album “PUNT Made in Ethiopia” (Harper Diabate Records) featuring an incredibly diverse list of musicians, ranging from talent he spotted at a traditional Azmari joint to sessions with singer Tsedenia and the legendary Mahmoud Ahmed. Harper stresses that the collaboration is not trying to imitate how Ethiopians play music. Rather it’s an entirely improvisational recording. Invisible System has played at the Addis Music Festival as well as several live concerts in the U.K. Proceeds from the album are helping to establish a charity focusing on providing resources to artists and musicians in the developing world, an issue which Harper believes is often neglected by international NGOs.

We spoke with Dan about his first album release on Harper Diabete Records and his work to create genuine cross-cultural conversations through music.

Tadias: Can you tell us a bit about yourself? How you ended up living and working in Ethiopia?

Harper: Before I start, I’d like to say it’s really nice to be involved with Ethiopians and Ethiopian culture and music. I have very fond memories of Addis, and I traveled all around the country. I had volunteers all over the place. I’ve been to Jimma, up to the North, I’ve been to the South, Lake Langano, Awasa. It’s been so long now that I’ve even started to forget the names of all the places… Gonder, Mekele. Fantastic country really.

Okay, so I grew up in England. Mother was born in India, raised in New Zealand and she moved to England when she was 18. My dad comes from a working class coal miner and army background. He later became an academic. I grew up in the southwest of England. I always wanted to go to Africa..always fascinated. Even as a kid, when I was 12 I was listening to bands that infused African rhythm and sound. Something always hit the mark for me. A lot has driven me to Africa. Also, I’ve always had a thing about development and the problems of developing countries and the injustice of it all. And that is ingrained from a young age as well. I used to complain when we had three course meals when I was 11 or 12 saying there were people who can’t eat in the world. It’s just been part of me. So that’s me: I love art, I love music. I’m interested in international culture. I love different ways of talking, and eating, and interacting, and different clothes and hairstyles. I think that’s what’s magical about the world.

I’ve always been fascinated with music since the age of 7. I’m obsessed with it I think. I’ve taught myself to play everything. I’ve taught myself to produce, to sound engineer. I’ve built my own studio. I’ve done it without the equipment being bought for me. I’ve had to work hard for it. And I’ve had to build it bit by bit. And I’ve been in constant debt for it, so it’s an absolute love, and passion, and something I can’t stop doing.

When I left school I bought a camp van and I worked and I drove around Europe and down to Turkey with my girlfriend, and had an interest in international development and culture since then. Since seeing people live in cardboard boxes as I drove around. And at university I changed very quickly from studying computing management to studying environmental management, although I probably should have done, music, technology or both. But there you go. Both things come together. I had wanted to work abroad in NGOs.. I was always quite anti-government. I grew up in Thatcher’s government so plenty of reasons to be upset. And I had to volunteer for years..there was no paid work in Environment. There was no way to go to Africa. You had to pay for yourself. I had no money. I was trying to build a studio that was getting me in debt, and eventually I had to go into business. Didn’t enjoy working in business. Had to cut my hair which was awful and wear a suit which was awful – not me at all. And I ended up working for the Institute of Development Studies at Sussex University in quite a basic, boring admin job. I knew it would springboard me overseas and I took a job up in Mali eventually, which I was very lucky to get after a few years work experience. I learned French and worked for a local environmental NGO. I was in the middle of the desert. It was really hard work, hard conditions, teaching kids about environmental issues. And I met my wife out there, and I worked there for four and half years and I have a daughter.

We could afford to get on as a family there so I thought I better try to get a better paying job, as I wanted to stay overseas. I wanted to stay in Africa. And a job with a British NGO came up and I got it and it was in Ethiopia. And unfortunately Ethiopia, I think, has been spoiled by the media and the problems of the famine. Because everyone thinks about famine and dry, desert conditions including me. I was as guilty, because I thought “I’m going from one desert to another.” And it’s not is it? I mean how green, and lush and beautiful is Addis, Jimma and even some places in the North. Not that barren. I’m not going to get into the history and the problems. Those are things for us to discuss another time. Complicated history and reasons. But sure I was out in Ethiopia for three years, and I have a fair idea of what went on. I have a few Ethiopian friends who I’m still in contact with. But that’s how I ended up living and working in Ethiopia. And it was a three year contract. I had a great time with the Ethiopians I work with. I had volunteers out helping government and non-governmental organizations in HIV/AIDS and small business. I didn’t enjoy working for voluntary service agencies – the British organization. I didn’t like their obsessiveness with bureaucracy and paperwork, and they weren’t getting the volunteers out efficiently as it could have been. I didn’t like the attitude of the country directors who were British. I didn’t think that they treated the Ethiopian staff as well. But Ethiopia was great, Addis was great. I had a fantastic circle of friends. I had a great social life. And I was trying to help in every which way I could through the development work, and bringing as many volunteers as I could out to work with people from all over the world. My idea was to create more volunteer positions, and get volunteers out there and make a change. So that’s how I ended up out there with my family.

Tadias: Can you describe the role of music in your life? When did you start producing music?

Harper: God, without music it would be awful. When I’m listening to and playing music that is my ultimate meaning of the world. Work could get boring everyday, you know, doing things that you don’t always want to be doing. [Music is] escapism in a way, but it’s like my religion, it’s like my spiritual being. It’s my way of releasing all the creativity, the need to make colorful and creative things and sounds, and this is my way of doing it. And without it I would be bored and grey and depressed. There’s more to life than writing paper, for me anyhow. I think everyone’s different. I started producing music when I was about seventeen, and I bought and taught myself how to play an electric guitar, and started playing in a band. I borrowed a friend’s four-track tape recorder and started overlaying guitars like that, and you know it’s gone on ever since. Teaching myself the guitar, drums, bass, keyboard, synthesis, sound engineering production, using the studio.. the full works. It gradually increases. I’ve never had enough time for it. I’ve always worked full time. It always been get in, fighting fatigue from work drinking coffee to write and produce music. And it’s difficult because you never have enough energy, and at the weekend you’ve gotta clean your house, and well now deal with the kid as well, and try to have a social life so. Yeah it’s been going on since I was 17. I am now 37. I should have had an album out years ago. But there you go.

Tadias: And the artwork on your CD cover?

Harper: The art work was a mixture of myself and Bos / Warp (Paul Boswell) a graffiti based artists in Frome who is well known for his work in Bristol, and Moussa from Addis. The painting of the musicians was created by Moussa to say “thank you” to me. Moussa was an orphan and he was lucky enough to make it to study music at Addis University. He is a lovely guy and I sorted him out with a job teaching my neighbour’s child the guitar. My neighbour was English and she had married an Ethiopian in Addis. We forwarded him some salary and when I was in the UK I purchased him an electric guitar that my neighbour brought back to Addis for him. He was so happy he made me that painting. I changed it color and vibrancy-wise to match the feel of the album, but the original is also wonderful and will be published perhaps on the next album.


Punt, Made in Ethiopia album cover.

I love Bos’s humour, it always makes me laugh but with the album, the faces he had painted by chance reminded me of the Ethiopian painted faces you often see with big eyes. I liked the connection due to the fusion nature of the album covering styles of Ethiopian, Pop, Dance, Trance, Rock, Dub, Reggae, Drum and Bass, Punk and Grunge. It all fits! And the other painting of the chap/creature in the suit and tie reminded me of how it feels to be an artist trapped in the office in a suit and tie during the day! Personal! I have always combined aid work, which includes offices and suits and ties with my art.

Bos also plays bass on one track on the album and plays live with me sometimes with the UK Invisible System setup, which has a Jamaican born UK based reggae singer doing the vocals. I am also in another more punk/psycehdelic/jam based band with Bos on bass, me on guitar and Merv Pepler from the Ozrics Tentacles and Eat Static on drums. We have not decided on a name yet but some suggestions have arisen…Flaps, The Mutes and The Coalminers are three!

Tadias: Tell us a bit more about the music scene in Addis and your collaboration with various local and internationally known Ethiopian musicians.

Harper: When I first got to Addis, I found there was a lot of buzz where people would sing in front of electronic keyboards, with electronic drums, which wasn’t quite my kind of thing. And then I found the Azmari bets, which I loved more. The traditional..seeing the masinko, singing and clapping and dancing. I bumped into most of the people that I worked with within odd clubs around Addis, say kind of at two in the morning. That’s where I found Nati on the album, that’s where I found Desta. Just people whose voices I liked. I approached them after. Sometimes I needed translating because my Amharic wasn’t good enough – their English wasn’t good enough just to communicate. I often have my music on an MP3 player, and I’d put headphones on them and say “do you want to come and jam?” And that’s how a lot of it kicked off actually. Tsedenia was introduced to me via my wife’s hairdresser. My wife was having her hair done down the road and saying that I was recording in the studio at home making music. Mahmoud was a chance because I sold a mike to someone who turned out to be a friend to Mahmoud’s saxophone player who came, walked into the studio and loved what I was doing. He told Mahmoud that he has to come down and listen, and Mahmoud came and listened and loved it as well and just asked to be a part of it, which was fantastic. I knew who he was but hadn’t heard that much of his music to be honest. I have cracking cassette of Mahmoud that I bought out in Jimma. A really old one. I love it. I love the old rough sound of it..the scales and just things that wouldn’t come to the Western mind.

We grow up in such different cultures that even the tonalities sound different to us and bring up different emotions – it’s what makes the world go round. I loved working with people over there and I never tried to emulate what the Ethiopians were doing when they played. I think Nick tried to do that with Dub Colossus. But I’d invited everyone over and people were quite reserved. They’d say “What do you want me to play? How do you want me to play?” And I’d just say “Do what you want. Do what you feel.” I played them some music that I put together to improvise what you feel. “Don’t worry about what you think I want.” And that’s the magic of it for me. It all comes from each other’s soul. That nothing’s pre-arranged. It’s just pure music from our hearts and soul and that’s what it’s about at the end of the day. To put those two things together that come from the different languages and culture and feelings for me is what it’s all about.

Tadias: Can you explain the name that you chose (Punt, Made in Ethiopia) for your current CD?

Harper: I chose PUNT because Punt was the name given to that area of land that they believe was Ethiopia and what the Egyptians used to call Punt. The magic land. Where people would come back with artifacts, not just animals such as giraffes or lions but also myrrh and other kinds of incense that were biblical and were apparently from this magical land called Punt. I love the history of Ethiopia and England, and the kind of pre-commercialism culture and the spiritual culture. I like the kind of druids and animists that lived in England and Africa before. I’m sure it was hard in other ways. I do like modern life as well, but to go back to that kind of working Azmari musicians and the Masinko and the kind of traditional human element of it, and the magical way the music that we create was done. It all makes sense to me to call it Punt. So that’s where Punt came from. Looking backwards but moving forward.

PUNT is an album that was improvised, from scratch – all instruments and vocals. We are not into using Ethiopian (or Malian) samples or trying to quickly learn and imitate Ethiopian musicians who have their sounds, modes, scales, feelings and soul from their culture and country else we would be the neo-colonialists. We are into sharing, learning and exchange over time. The music is based on real life experience not from reading. It is played from the heart and soul of everyone involved. Their own interpretation thus tapping the ebbs and flows of our lives.

Tadias: What are your favorite memories of Ethiopia? Africa?

Harper: Wow, you just asked a huge question. My favorite memories of Ethiopia and Africa. They’re so many. I miss going out and eating injera and hot food. And seeing all those beautiful and incredible faces all around. And I miss going to Elsie’s bar – the kind of bohemian culture. And I miss my friends and I miss traveling around. I miss the hot spring pools like Wondogenet. I miss the more openness of a culture of people that are out and about more. It’s cold here. We all live in tiny little houses. It’s cramped in and tiny gardens in England. I’m not saying people don’t in Ethiopia and Africa. You know it depends where you live, but I miss the fact that people are out and walking more, and talking more. And I miss that I can push my daughter down the road and people would kiss her and pick her up and I won’t be scared. I won’t think there’s a problem with a child molester. And I can go to a restaurant and she’ll be off having a tour and the waitresses would take her off to the kitchen and the lack of the excessive rules and regulations we have here in driving and living and existing. I do see Ethiopia as quite bureaucratic also and I suppose especially in Mali I miss the slight element of chaos.

When I went back to play at the Addis Music Festival last year, and we were in the car and I just realized that all the cars were worming their way through a massive non-road of road. I miss all that. I hate all these straight lines and everything here. So there are so many things. There really are so many things. And I miss being in a foreign culture. It’s boring being in England all the time. Everything gets a bit grey and even the language and clothes and too many people are in mono-culture. I like being dropped in what appears to me a more exotic place because I don’t come from there. If someone came from Ethiopia and they were here for three years it would be exotic for them. I got married and had a kid so there are other good memories and I’d like my daughter to keep coming back to Africa. She loves Ethiopia. She used to understand Amharic and she was only three years old when we left and unfortunately she’s forgotten that now. So there are so many [memories] I couldn’t even put them down so I’ll move on.

Tadias: What are the highs and lows of independent music production?

Harper: The highs are: you can create what you want, when you want it, how you want it. You don’t have to argue with someone that a song should sound differently or needs to be more commercial or what order they run on the CD or what art goes on the CD. It’s a great freedom. The need to be an artist for me is to have the freedom of expression, whereas at work you have to curtail how you do things and what you write and how you present yourself. Art for me is about being you, being genuinely you, and doing it independently with your own studio, label and your friends and musicians around you..that you have a common desire together. And it’s fantastic. And also feeling and creating something off your own back..that you had a vision that became a reality and developed into something real.

Now the downsides of it are, well, money because I don’t have any. I’ve had no money to back this and it’s done on credit. There’s no money for getting visas and passports to bring Ethiopians over to play. You know it’d have to be backed by someone. The promotion is really difficult, because I’ve got no one to pay to do the PR. So on top of a full-time job and a family and trying to finish CDs and write more music, you’re trying to get your CD out there and contact people and journalists and send them copies – it’s endless. It goes on an on. It’s fantastic, it’s nice to be able to do it but I’m constantly tired, obviously. So you haven’t got any help is what I’m trying to say. And you haven’t got any resources. And the distribution is quite tricky as well even, because unless you’ve got a lot of money to pay a distribution company that’s hard as well as organizing gigs.

If you are signed to a contract with a major label you can be able to say “okay I can take two years off work” because I guaranteed that income. But I wouldn’t want it to have been any other way. I’ve loved the way it has happened. You can get professional sounds with your studio at home, the only problem is space. Sometimes you can work as loud as you need to, because you’re disturbing your kid’s sleep. We’ve got a tiny house here and my garage is my live room. It would be nice to have more space. When I worked in Peter Gabriel’s studio with Dub Colossus I could get the same sound here. I don’t think you need that expensive equipment. You need good equipment but not that expensive. But the space was nice.

I wouldn’t mind one day for someone to say to me “we’ll give you this much money” so you can concentrate on it properly for a year or two, and I wouldn’t mind some help getting Ethiopians over here to play with me and touring the world of course. It would be absolutely amazing.

Tadias: Anything else that you’d like to tell Tadias readers?

Harper: I just want to say that I loved being in Ethiopia and I loved going back to play at the Addis Music Festival, and I know I’ll go back again and I can’t wait to go back again. My daughter so wants to go back, because she remembers it and we have videos of her being there. And I really hope to get to America someday. I’ve never been to America and I’d love to play a concert with some Ethiopians. It would be wild. It would be fantastic. I really hope that you get to see us play live. I don’t know how it’s gonna happen but I hope. And I hope you all enjoy the album. I know Ethiopia may be different once you’ve been out but it’s a very strong country and it’s very proud, which I think is great. It’s never been colonized and Amharic is still the first language. But this album could be quite a shift in style and way of listening and thinking. I know that they don’t particularly like Dub Colossus over there yet. Tsedenia says they just kind of go “oh yeah it’s interesting,” but they prefer the traditional, but I’ve had fantastic feedback from people in Addis actually for the album which thrilled me because you’re always worried when you’re not fluent in Amharic. You think you might have chopped a sentence at a bad point because it sounds good to you, but if you’re not sure what they’re saying you might have ended it at the wrong place. I just hope you guys get something out of it and enjoy it and please buy it. Don’t pirate it because we’re setting up a charity here and it can help us with good hard work. Real work. And I want to keep this growing so please don’t pirate it. That’s the only other thing that I’d like to say. And get in touch. I’d love to hear from you all. Give me your thoughts. I miss speaking to you all out there. Thanks for the interview. Take care.

Tadias: Thank you Dan! We enjoy your album and look forward to seeing you in concert in North America sometime.

Dan Harper can reached at Dan@harperdiabate.com. Harper Diabate, 1 River Walk, Frome, Somerset, BA11 5HU: myspace, facebook.

About the Author:
Tseday Alehegn is the Editor-in-Chief of Tadias Magazine.

About the Album:
PUNT (Made in Ethiopia) by Invisible System
Invisible System present a 12 track fusion album of Ethiopian, Dub, Dance, Rock, Drum & Bass, Psychedelia, Trance, Electronica & live music. Traditional vocals / instruments meet the modern, electronic and brass. Live Europeans meet live Ethiopians. Our guests include:

Mahmoud Ahmed & Bahta Gebrehiwot (Ethiopiques)
Hilaire Chabby (Baba Maal)
Justin Adams (Robert Plant & Strange Sensation, ex Jah Wobble’s Invaders)
Tsedenia, Mimi, Tarmeg & Sami (now signed to Realworld Records)
Joie Hinton (ex-Eat Static & Ozric Tentacles / Here and Now / IGV)
Martin Cradick (Baka Beyond/ex-Outback)
Captain Sensible (The Damned)
Ed Wynne (Ozric Tentacles / Noden Inctus)
Simon Hinkler (ex-The Mission)
Dubulah (ex-Transglobal Underground, Temple of Sound, Natasha Atlas etc)
Perch (Zion Train)
Juldeh (Justin Adams, Realworld etc)
Elmer Thudd (ex-Loop Guru)
Gary Woodhouse (The Rhythmites)
Bos (ex-Junk Waffle and Warp Graf/Eat Static Artist)

Is Sex Important to a Relationship?

Above: Tseday Aberra is a Clinical and Forensic Psychologist.
She has a private practice in California. (Courtesy Photo)

Tadias Magazine
By Dr. Tseday Aberra

Updated: Tuesday, November 3, 2009

Los Angeles (Tadias) – Nature has decided that men are more susceptible to sex than women. Women are blessed with taming their sexual appetites far efficiently than men. So when you ask women why they marry, they tell you it is for the affection and companionship. Men also tell you for companionship, but it is primarily for the availability of sex. Affection and companionship in a marriage includes sex for men. But I’m not so sure it is so for women.

People say marriage is difficult. Wrong. I say a husband and a wife make it difficult. Marriage is difficult for anyone who fails to understand what it means to be in one, and what it takes to make it fulfilling. It takes commitment and work, indeed, but it is certainly not difficult. At least it does not have to be.

Marriage requires understanding. It is an agreement based on an understanding between a husband and a wife. It is an entity that is created in order to give them meaning that otherwise does not exist. This meaning is completely subjective since its foundation is based on the unique agreement created by the two in the marriage. It requires both to participate and contribute willingly and completely. Otherwise, it would not exist in fulfilling form.

No one can definitely tell you what marriage is and what it is suppose to mean other than what I have just told you. You make of it what you want. The difficulty that comes with this freedom is knowing the limitations of what you can make of it. You cannot make it yours nor can he make it his. It belongs to you both. Once it is created, it has its own life and its purpose is to give you meaning. To create it, however, both of you are required to provide certain instruments that will keep it alive and fulfilling. These instruments are not negotiable. Among all of them, the most important is sex.

When a husband and wife decide to settle down, after having picked a mate of their choosing, what they do to keep each other depends on how committed they are to fulfilling the agreement. Their commitment in contributing the necessary instruments in giving life to the marriage and maintaining its viability is most crucial.

Times have changed. The 21st century has leveled the playing field so that the only thing a husband and a wife require from each other is companionship. The one element that will not be equalized, however, is a husband’s need to go to his wife for sex. Therefore, a husband comes into a marriage, having lost all his bargaining power, with a promise of one thing and one thing only: sexual companionship. A wife who is committed to her marriage ought to know the position of her husband. She ought to know his predicament. Being in a powerful position, a wife ought to know her husband is at her complete mercy. She also ought to know how she uses her power determines the vitality of the marriage.

If by some chance, a wife does not care to her husband’s needs enough and often, he will have a hard time acknowledging whether there is a relationship tailored to meet his benefits. Now remember, a husband comes into a marriage willingly, and should also be willing to give all that he has. He has volunteered to commit and participate. And in return, he expects sex. When I say all that the husband has to give, it encompasses all the instruments he contributes to create and maintain the marriage. A husband will not hold back whatever is needed to make his marriage a place of sanctity.

A wife comes into this marriage expecting affection and companionship. However, she has to come with a special instrument in particular. Yes, there are other instruments that she has to bring also, but…on a serious note…, she has to bring one thing…the IT…and the willingness to use IT and make IT available. Without going into detail what a husband brings as instruments to create and maintain a marriage because they are not as important as what the wife brings specifically, the instrument that a wife brings is by far the most essential piece of the marriage. The IT is sacred and essential. If you toy with IT, you will lose the marriage. If you hold on to IT, you will lose the marriage. If you ration IT, you will lose the marriage. Guaranteed!

Having already lost his bargaining power, a husband comes into the marriage knowing and hating to be in a position where he has to rely completely on his wife for sex. When she rations sex, a husband learns that his dear wife is conniving, selfish, mean, but most of all, untrustworthy. He realizes that his wife holds all the cards of intimacy and that she can always put him back in his place. Not as a man but as a husband, he sadly realizes that he cannot rely on her. His trust is broken.

Very often a wife forgets that her vindictive behavior leaves a scar on her husband that she cannot remedy at a later time. After a fight, there is a whole lot of “forgiving” that takes place by both, but very little of “forgetting” by the husband especially. What your husband would not forget is that one of the most crucial instruments that is required to create and maintain a fulfilling marriage is actually negotiable, and that it depends on the whimsy of a wife that he just found out to be conniving, selfish, and mean.

Let me tell you, dear wife, once such a doubt creeps into your husband, not only would you lose him, but definitely you would lose your marriage. Take it from me, there is no therapy in this world that will bring back the marriage.

Next time, before you decide to hold on to sex because you had a point to make, think a moment and realize what is REALLY at stake.

—————-
About the Author:
Dr. Tseday Aberra is a Clinical and Forensic Psychologist. She has a private practice in the greater Los Angeles area and also works for the California Department of Corrections. She holds M.S. in Marriage, Family, Child Counseling and A Psy.D. in Clinical Psychology. She is recognized as an expert by California Superior Courts and gives seminars nationwide on marriage, relationships, and friendship. She has made a guest appearance on Court TV.

Raucous Gypsy Punk Music Has Serious Side

Above: The mad-fun Gypsy punk band Gogol Bordello has
members from seven different countries, including Ethiopia.

Reporter-Herald
By Jayme DeLoss
What do you get when you combine Ethiopian rhythms, string and accordion melodies influenced by Eastern European folk music and the fun-loving, socially conscious immigrant punks who create them? Likely you will get a sound that’s difficult to classify — and you might have a party on your hands.

Founded in New York City in 1999 by Ukrainian-born Eugene Hütz, Gogol Bordello’s sound most often is described as Gypsy punk. A list of the nine band members’ homelands reads like a world traveler’s passport: Scotland, Russia, Israel, Ecuador, Ukraine, Ethiopia and the U.S. And like its wanderlust-driven performers, Gogol Bordello’s sound is without boundaries, says Thomas Gobena, who has been the band’s bassist for the past three years. Read more

Interview with Thomas Gobena (Tommy T)

Above: For the past three years, Tommy T has been the bass
player for gypsy punk powerhouse Gogol Bordello.

Tadias Magazine
By Tseday Alehegn
tseday_author1.jpg

Published: Friday, October 16, 2009

New York (Tadias) – Tommy T (Thomas T. Gobena), bass player for the New York-based multi-ethnic gypsy punk band Gogol Bordello, has released his first solo album entitled The Prestor John Sessions. The album includes collaborations with Gigi, Tommy T’s brother & bassist Henock Temesgen, members of the Abyssinnia Roots Collective, and a bonus remix including Gogol Bordello bandmates Eugene Hütz and Pedro Erazo. Tommy describes The Prestor John Sessions as “an aural travelogue that rages freely through the music and culture of Ethiopia.” His debut album features the diversity of rhythms and sounds of Ethiopian music – as multi-ethnic as has become the Lower East Side Gypsy band that has taken the world by storm. Who else but Tommy would produce an Oromo dub song featuring Ukranian, Ecuadorian, and Ethiopian musicians? We spoke to Tommy T about life as a Gogol Bordello member, the influences on his music, and the story behind The Prestor John Sessions. Normally Tommy T punctuates everything he says with so much humor that it’s difficult not to be immersed in sporadic moments of pure laughter. His message in this interview, however, remains serious: Are you ready to change the way you listen to and classify music?

Tadias: Tell us a bit about yourself. Where you grew up, who were the main influences in your life? How you got into music?

Tommy T: I grew up in Addis and moved to the United States when I was 16. I can say that we didn’t have access to a lot of western music at that time except for the work of artists such as Michael Jackson and Madonna. But my brother, Henock was into music and he had an acoustic guitar. I never thought of being a musician then, but I would often play with my brother’s guitar…it was just a toy. But when my brother came to America and became a professional bass musician and sent back an album that he worked on called Admas I started to think about music in a more serious way. I don’t want to say the album was futuristic, but it was quite a forward-looking album. For its time it was unique in combining Ethiopian with Reggae, Samba and various other sounds. It came out as a limited edition and only on vinyl. I was going to school at Saint Joseph’s in Ethiopia at the time and some of my friends played in the school band. I was around them a lot and learned about music from them as well. I never had a formal music education. I just picked up guitar and then switched to bass when I heard my brother play bass guitar on the Admas album.

Tadias: Any idols?

Tommy T: I really don’t have many idols but the closest one is Bob Marley. And it’s not just the music but also his message. Listening to Bob Marley & the Wailers I was introduced to their bassist – Aston “Family Man” Barrett. A lot of the melodies that people love in Bob Marley’s songs wouldn’t mean anything without the bass line. “Waiting in Vain” is one example where the bass line is the melody. Aston is one of my strongest influences. When I came to the United States my brother introduced me to Motown songs. That’s how I discovered bassist James Jamerson, perhaps one of the greatest bassists of all time. He was a legend by any account. I eventually also spent time with Bill Laswell who produced Gigi’s albums. I saw how he produced music and sound in his studio, which has shaped my interpretation of music. I’m into ALL these people (laugh).

Tadias: Before you joined Gogol Bordello you worked with several other artists and managed an independent label. What was that like?

Tommy T: Actually, I had a label with my brother called C-Side Entertainment. The whole idea was to give mainstream access to African artists. Obviously we started with our own people, such as members of Admas band. I then worked with Gigi and Grammy-nominated singer Wayna as a manager, and I was able to broaden my knowledge and my network.

Tadias: Your label C-Side Entertainment. Where does the name come from?

Tommy T: You know music records have an A-side and B-side. We are the C-side – the third dimension. Or should I add the undiscovered dimension. .

Tadias: What adjectives would you use to describe your tour experience with Gogol Bordello?

Tommy T: (laughs) Beautiful Life!

Tadias: Can you elaborate?

Tommy T: Why? I get to play in front of millions of people. In a world where there are so many things going wrong, this is one moment where music makes you feel inclusive, not excluded. We have band members from nine different countries and together we create a universal vibe. We have good people who come to see us play. Yesterday I played in Spain, then today another country. Different people, different language but same energy. It’s beautiful. It’s music without boundaries. We put on one of the best shows and it’s always fun. I also just want to say that in 2007 the BBC Awards for World Music went to Gogol Bordello in the Americas category, and to Ethiopia’s Mahmoud Ahmed in the Africa category. That was a great moment.

Tadias: What do you love most about playing music?

Tommy T: People. I love people. I love hanging around people. I’m really the worst sort of loner. Music forces me to be with different people – from the fierce to the funny to the philosophical. Music is the best way to be with people – at least for me.

Tadias: What do you love least about touring?

Tommy T: You know I love everything about touring. Of course there are always advantages and disadvantages, the disadvantage being that you’re away from home a lot and it gets physically tiring. It’s hard work. No time to get sick. No time to bullshit. If you have a 9-5 job you can call in sick sometimes.

Tadias: Right.

Tommy T: You better make sure you’re dying if you decide not to show up and play at a concert. There are thousands of people who buy tickets, and band members who are relying on you. With Gogol Bordello I tour 9 to 10 months out of the year. And being considered one of the best shows you have to come out full force, give 100% every night.

Tadias: You just released your first solo album. Can you tell us how long you’ve been working on it?

Tommy T: I’ve always thought of doing my own album, but I can say that I started sculpting this work about three years ago. I started going into the studio and it basically took us the past two years to finish the whole album.

Tadias: Where was it recorded?

Tommy T: In several studios in D.C.

Tadias: Who are the some of the artists that you collaborated with and featured on your album?

Tommy T: Some of the musicians are old friends, those whom I used to play with while I was living in the D.C. community. My friend Zaki plays with the Abyssinnia Roots Collective for example. I also feature singer Gigi, and Masinko player Setegn. I produced the songs “Brothers” and “East-West Express” with my brother Henock. And the bonus remix of the Oromo dub features my Gogol Bordello bandmates Eugene Hütz (Ukranian) and Pedro Erazo (Ecuadorian).

By the way, all the songs are given titles that help teach something about Ethiopia. For example the track Eighth Wonder has a Wollo beat, which is from the region where Lalibela – the Eighth Wonder of the World is located. I expect people to buy a record and read and learn something new. Music is a way to educate. The Beyond Fasilidas title is in reference to the castles of Emperor Fasilidas of Gondar, which used to be Ethiopia’s capital city in the 17th century. The music on this track uses traditional beats from the Gondar region.

Tadias: There is also the Ethiopian literary tradition known as Sem Ena Worq (Wax and Gold). The tracks are modern songs carrying the diverse and rich sounds of Ethiopian music, as you say “the nuggets culled from one of the oldest cultures on earth, presented in all their shining beauty.” And so is the album title The Prestor John Sessions.

Tommy T: The whole thing came about when I was reading Graham Hancock’s the Sign and the Seal. And in that book Hancock mentions that around the era of the Crusaders there was an unknown king that was sending letters throughout Europe about the might and massiveness of his army and his treasures. Initially Europeans thought this king was from Asia so they went to India to look for him. Eventually they figured out that he was from Ethiopia. They didn’t know his name so they dubbed him Prestor John. There are of course so many other versions of this legend. But once I heard the story I said there is nothing else that I could call this album but The Prestor John Sessions.

Tadias: So the album cover is Tommy T as Prestor John?

Tommy T: You got it. (laughs). Prestor John is the symbol that I use to bring Ethiopian culture to the rest of the world. I’m writing music that incorporates the rhythms of Ethiopia but is also multi-ethnic and global, much like the work that Gogol Bordello creates, taken to the next level. The music is Ethiopian, dub, jazz, reggae – it’s music without boundaries.


The Prestor John Sessions album cover.


Tommy T. Photo by Bossanostra.

Tadias: What would you like to say to your fans and to Tadias readers?

Tommy T: First I would like to say, listen to the music and give it a chance. The music that I put out is sort of representative of my life – starting with the song “Brothers,” which I produced with my brother Henock. The last song is one that I made with Gogol Bordello. I think it’s all great work. I know a lot of people enjoy listening to Ethiopian music, and mostly what they know is the Ethiopiques series. I think it’s about time that we include and represent more sounds, and I’m trying to introduce those diverse Ethiopian sounds. I hope it’s a true representation. I hope I won’t let anybody down.

Tadias: In your spare time…what else besides music keeps you going?

Tommy T: I don’t know man. I’m always around music. Whether I’m out at a club or at home. I do read once in a while, but I don’t want to make it sound like I do that all the time. Besides, coming out of a tour you need time to unwind and I spend quite a lot of time at home or visiting friends. But even then, I’m always around music. I’m always working on music. I don’t think that I could be without it.

Tadias: Are there any upcoming gigs that you’d like to mention?

Tommy T: I’m thinking of doing a CD release party possibly in D.C. and New York around Thanksgiving weekend. It’s not confirmed yet, but it may happen on the 27th and 28th since I’m going to be home on break from tour. All of this info will be available on my website, tommytmusic.com as well as on my Facebook and MySpaces pages.

For Christmas, Gogol Bordello will be playing in New York at Webster Hall for three nights. This is a time to expand your mind and lose your soul (laughs). I’m just making fun. It’s great music and it defies any kind of boundary. It’s one of the best shows that you’ll ever see. The best three nights.

Tadias: Congratulations on your album Tommy! The music is incredible.

Click here to listen to the songs from Tommy’s new album.

—-
The Prestor John Sessions are currently available exclusively on itunes. Purchase and download a copy and leave a comment!

Cover photo by Dalia Bagdonaite. All images courtesy of the artist.

About the Author:
Tseday Alehegn is the Editor-in-Chief of Tadias Magazine.

Video: Gogol Bordello on David Letterman
.

Tadias Interview with Tommy T (Thomas T Gobena)

Thomas “Tommy T” Gobena is the bass player for gypsy punk band Gogol Bordello. (Courtesy photograph)

Tadias Magazine

By Tseday Alehegn

Published: Friday, October 16, 2009

New York (TADIAS) – Tommy T (Thomas T. Gobena), bass player for the New York-based multi-ethnic gypsy punk band Gogol Bordello, has released his first solo album entitled The Prestor John Sessions. The album includes collaborations with Gigi, Tommy T’s brother & bassist Henock Temesgen, members of the Abyssinnia Roots Collective, and a bonus remix including Gogol Bordello bandmates Eugene Hütz and Pedro Erazo. Tommy describes The Prestor John Sessions as “an aural travelogue that rages freely through the music and culture of Ethiopia.” His debut album features the diversity of rhythms and sounds of Ethiopian music – as multi-ethnic as has become the Lower East Side Gypsy band that has taken the world by storm. Who else but Tommy would produce an Oromo dub song featuring Ukranian, Ecuadorian, and Ethiopian musicians? We spoke to Tommy T about life as a Gogol Bordello member, the influences on his music, and the story behind The Prestor John Sessions. Normally Tommy T punctuates everything he says with so much humor that it’s difficult not to be immersed in sporadic moments of pure laughter. His message in this interview, however, remains serious: Are you ready to change the way you listen to and classify music?


Tommy T (Thomas T. Gobena). Photo by Linda Fittante.

TADIAS: Tell us a bit about yourself. Where you grew up, who were the main influences in your life? How you got into music?

Tommy T: I grew up in Addis and moved to the United States when I was 16. I can say that we didn’t have access to a lot of western music at that time except for the work of artists such as Michael Jackson and Madonna. But my brother, Henock was into music and he had an acoustic guitar. I never thought of being a musician then, but I would often play with my brother’s guitar…it was just a toy. But when my brother came to America and became a professional bass musician and sent back an album that he worked on called Admas I started to think about music in a more serious way. I don’t want to say the album was futuristic, but it was quite a forward-looking album. For its time it was unique in combining Ethiopian with Reggae, Samba and various other sounds. It came out as a limited edition and only on vinyl. I was going to school at Saint Joseph’s in Ethiopia at the time and some of my friends played in the school band. I was around them a lot and learned about music from them as well. I never had a formal music education. I just picked up guitar and then switched to bass when I heard my brother play bass guitar on the Admas album.

TADIAS: Any idols?

Tommy: I really don’t have many idols but the closest one is Bob Marley. And it’s not just the music but also his message. Listening to Bob Marley & the Wailers I was introduced to their bassist – Aston “Family Man” Barrett. A lot of the melodies that people love in Bob Marley’s songs wouldn’t mean anything without the bass line. “Waiting in Vain” is one example where the bass line is the melody. Aston is one of my strongest influences. When I came to the United States my brother introduced me to Motown songs. That’s how I discovered bassist James Jamerson, perhaps one of the greatest bassists of all time. He was a legend by any account. I eventually also spent time with Bill Laswell who produced Gigi’s albums. I saw how he produced music and sound in his studio, which has shaped my interpretation of music. I’m into ALL these people (laugh).

TADIAS: Before you joined Gogol Bordello you worked with several other artists and managed an independent label. What was that like?

Tommy: Actually, I had a label with my brother called C-Side Entertainment. The whole idea was to give mainstream access to African artists. Obviously we started with our own people, such as members of Admas band. I then worked with Gigi and Grammy-nominated singer Wayna as a manager, and I was able to broaden my knowledge and my network.

Tadias: Your label C-Side Entertainment. Where does the name come from?

Tommy T: You know music records have an A-side and B-side. We are the C-side – the third dimension. Or should I add the undiscovered dimension. .

TADIAS: What adjectives would you use to describe your tour experience with Gogol Bordello?

Tommy: (laughs) Beautiful Life!

TADIAS: Can you elaborate?

Tommy: Why? I get to play in front of millions of people. In a world where there are so many things going wrong, this is one moment where music makes you feel inclusive, not excluded. We have band members from nine different countries and together we create a universal vibe. We have good people who come to see us play. Yesterday I played in Spain, then today another country. Different people, different language but same energy. It’s beautiful. It’s music without boundaries. We put on one of the best shows and it’s always fun. I also just want to say that in 2007 the BBC Awards for World Music went to Gogol Bordello in the Americas category, and to Ethiopia’s Mahmoud Ahmed in the Africa category. That was a great moment.

TADIAS:: What do you love most about playing music?

Tommy: People. I love people. I love hanging around people. I’m really the worst sort of loner. Music forces me to be with different people – from the fierce to the funny to the philosophical. Music is the best way to be with people – at least for me.

TADIAS:: What do you love least about touring?

Tommy: You know I love everything about touring. Of course there are always advantages and disadvantages, the disadvantage being that you’re away from home a lot and it gets physically tiring. It’s hard work. No time to get sick. No time to bullshit. If you have a 9-5 job you can call in sick sometimes.

TADIAS: Right.

Tommy: You better make sure you’re dying if you decide not to show up and play at a concert. There are thousands of people who buy tickets, and band members who are relying on you. With Gogol Bordello I tour 9 to 10 months out of the year. And being considered one of the best shows you have to come out full force, give 100% every night.

TADIAS: You just released your first solo album. Can you tell us how long you’ve been working on it?

Tommy: I’ve always thought of doing my own album, but I can say that I started sculpting this work about three years ago. I started going into the studio and it basically took us the past two years to finish the whole album.

TADIAS:Where was it recorded?

Tommy: In several studios in D.C.

TADIAS: Who are the some of the artists that you collaborated with and featured on your album?

Tommy: Some of the musicians are old friends, those whom I used to play with while I was living in the D.C. community. My friend Zaki plays with the Abyssinnia Roots Collective for example. I also feature singer Gigi, and Masinko player Setegn. I produced the songs “Brothers” and “East-West Express” with my brother Henock. And the bonus remix of the Oromo dub features my Gogol Bordello bandmates Eugene Hütz (Ukranian) and Pedro Erazo (Ecuadorian).

By the way, all the songs are given titles that help teach something about Ethiopia. For example the track Eighth Wonder has a Wollo beat, which is from the region where Lalibela – the Eighth Wonder of the World is located. I expect people to buy a record and read and learn something new. Music is a way to educate. The Beyond Fasilidas title is in reference to the castles of Emperor Fasilidas of Gondar, which used to be Ethiopia’s capital city in the 17th century. The music on this track uses traditional beats from the Gondar region.

TADIAS: There is also the Ethiopian literary tradition known as Sem Ena Worq (Wax and Gold). The tracks are modern songs carrying the diverse and rich sounds of Ethiopian music, as you say “the nuggets culled from one of the oldest cultures on earth, presented in all their shining beauty.” And so is the album title The Prestor John Sessions.

Tommy: The whole thing came about when I was reading Graham Hancock’s the Sign and the Seal. And in that book Hancock mentions that around the era of the Crusaders there was an unknown king that was sending letters throughout Europe about the might and massiveness of his army and his treasures. Initially Europeans thought this king was from Asia so they went to India to look for him. Eventually they figured out that he was from Ethiopia. They didn’t know his name so they dubbed him Prestor John. There are of course so many other versions of this legend. But once I heard the story I said there is nothing else that I could call this album but The Prestor John Sessions.

TADIAS: So the album cover is Tommy T as Prestor John?

Tommy: You got it. (laughs). Prestor John is the symbol that I use to bring Ethiopian culture to the rest of the world. I’m writing music that incorporates the rhythms of Ethiopia but is also multi-ethnic and global, much like the work that Gogol Bordello creates, taken to the next level. The music is Ethiopian, dub, jazz, reggae – it’s music without boundaries.


The Prestor John Sessions album cover.


Tommy T. Photo by Bossanostra.

TADIAS: What would you like to say to your fans and to Tadias readers?

Tommy: First I would like to say, listen to the music and give it a chance. The music that I put out is sort of representative of my life – starting with the song “Brothers,” which I produced with my brother Henock. The last song is one that I made with Gogol Bordello. I think it’s all great work. I know a lot of people enjoy listening to Ethiopian music, and mostly what they know is the Ethiopiques CD series. I think it’s about time that we include and represent more sounds, and I’m trying to introduce those diverse Ethiopian sounds. I hope it’s a true representation. I hope I won’t let anybody down.

TADIAS: In your spare time…what else besides music keeps you going?

Tommy: I don’t know man. I’m always around music. Whether I’m out at a club or at home. I do read once in a while, but I don’t want to make it sound like I do that all the time. Besides, coming out of a tour you need time to unwind and I spend quite a lot of time at home or visiting friends. But even then, I’m always around music. I’m always working on music. I don’t think that I could be without it.

TADIAS: Are there any upcoming gigs that you’d like to mention?

Tommy: I’m thinking of doing a CD release party possibly in D.C. and New York around Thanksgiving weekend. It’s not confirmed yet, but it may happen on the 27th and 28th since I’m going to be home on break from tour. For Christmas, Gogol Bordello will be playing in New York at Webster Hall for three nights. This is a time to expand your mind and lose your soul (laughs). I’m just making fun. It’s great music and it defies any kind of boundary. It’s one of the best shows that you’ll ever see. The best three nights.

TADIAS: Congratulations on your album Tommy!

—-
The Prestor John Sessions are currently available exclusively on itunes. Purchase and download a copy and leave a comment!

Watch: Gogol Bordello – Wonderlust King (on David Letterman)

Join the conversation on Twitter and Facebook.

Dr. Catherine Hamlin named co-winner of the 2009 Right Livelihood Award

Dr. Catherine Hamlin has been named co-winner of the 2009 Right Livelihood Award. (Photo courtesy FS)

Tadias Magazine
By Tseday Alehegn

Updated: Tuesday, October 13, 2009

New York (TADIAS) – “It is the oldest medical cause in the world. There is currency dug out of pyramids containing images of fistula, yet in the 21st century it is the most neglected cause,” Dr. Catherine Hamlin tells us. While the last American hospital for fistula patients closed its doors in 1895, the first one of its kind opened almost 8 decades later in Ethiopia. Since its inception in 1974, the Addis Ababa Fistula Hospital founded by Dr. Reginald and Catherine Hamlin has treated over 25,000 women, the majority of whom have been cured and have returned to their villages to live healthy, normal lives.

Obstetric fistula is a childbirth injury that affects one out of every 12 women in Africa and approximately three million women worldwide. In developing nations where access to hospitals in remote areas are difficult to find, young women suffer from obstructive labor which can otherwise be successfully alleviated with adequate medical support. Unassisted labor in such conditions may lead to bladder, vaginal, and rectum injuries that incapacitate and stigmatize these women. Most patients are ousted from their homes and isolated from their communities.

Until her journey to Ethiopia, Dr. Catherine Hamlin, a gynecologist and a native of Australia, noted “we had read in our textbooks about obstetric fistula but had never seen one.” After arriving in Ethiopia with her husband, she was warned by a colleague “the fistula patients will break your heart.”

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“When we first arrived we were rather taken with the country because we saw our eucalyptus trees,” Dr. Catherine Hamlin recounts. “I come from Australia and I felt very much at home straight away because the scenery seemed very familiar to us. Of course the people were different but we got a really warm welcome so we didn’t really have culture shock.” She described their professional environment as one were they “worked in a hospital with other physicians who were trained in Beirut and London.” However as the only two gynecologists on staff they found it difficult to get away even for a weekend. For the first 10 years of their work with the hospital Reginald and Catherine took weekend breaks at alternate times so as to have at least one gynecologist on call at all times, barely managing to take a month off each year to travel to the coast in Kenya. It is during their time at Princess Tsehai hospital that they first encountered fistula patients.


Dr. Reginald and Catherine Hamlin.

Recounting their mutual desire to open a hospital primarily dedicated to the fistula patients, Dr. Catherine Hamlin emphasized their keen focus on raising money for this cause. Both Reginald and Catherine worked arduously to create a place that would pay more attention to the large number of women who lived in tremendous hardship as a result of their childbirth injuries. Since operations to cure fistula were not considered life-saving operations, few operating tables and beds were available for such patients at Princess Tsehai Hospital. Fistula patients were also not welcome and were despised by other patients and it wasn’t long before Reginald and Catherine decided to build a hospital designed to help these women, some of whom traveled hundreds of miles to seek treatment.

Speaking of her late husband, Catherine noted, “When he saw the first fistula patient he was really overwhelmed. He devoted his whole life to raising money to help these women. He was a compassionate man and if he took on anything he would take it in with his whole heart and soul. He worked day and night to build the hospital.” The dream was realized in 1974 and soon the Addis Ababa Fistula Hospital received 1 to 10 fistula patients at its doorstep on a daily basis. Women who heard about the possibility of being cured traveled to the Capital from distant villages across the country. Today the Fistula Hospital treats approximately 1,500 women annually. Five surgeons conduct surgeries three times a week and work alongside Dr. Catherine Hamlin in an operating theatre equipped with four operating tables. The majority of operations become success stories and the women who are cured happily return to their homes.

A very small percentage of women (three to four annually) who arrive at the hospital, however, have irreparable damage and cannot be completely cured. For these women a 60-acre plot of land has been set aside as a place for them to stay. This compound is known as ‘Desta Mender’ – Village of Joy. Describing Desta Mender, Dr. Hamlin states, “women who are unable to resume normal lives in their villages are allowed to reside permanently in Desta Mender. Since there isn’t a lot of beds available at the hospital, those young girls who need to be strengthened prior to their operations are also allowed to stay temporarily at Desta Mender prior to their scheduled surgeries. It is called Desta Mender because it is a place of joy and it is designed for the women to be able to live lives similar to the ones they had in their villages.” Women who are unable to have surgery right away are able to undergo physical therapy and recuperate from their long walking travels at Desta Mender while those who cannot return to their villages even after surgeries are able to live in their new homes enjoying their work on the farm land and producing their own food.


Dr. Hamlin with a patient (fistulafoundation).

Few individuals have dedicated a lifetime for a cause as noble as this. Asked what her greatest satisfaction has been in this endeavor, Dr. Catherine Hamlin responds “It is in knowing that I am working somewhere where God has placed me to work. And I think that we gained more by living there and working with these women than we lost by leaving our own countries.” She fondly speaks of her late husband and his infinite compassion for the fistula patients. “He loved the whole of Ethiopian society and when he was dying in England it was his final wish to return and be buried in Ethiopia,” she states.

Dr. Catherine Hamlin equally enthuses about her ‘home away from home’, emphasizing the joy she feels in seeing a happy, cured patient and her continued enjoyment of the landscape of Ethiopia. Amidst her busy schedule she has found time in the early hours of dawn to write down the story of her life in her book ‘The Hospital by the River’, which was a bestseller in Australia. Her humble personality is evident as she replies to our inquiries about her past nomination for the Nobel Peace Prize by saying she didn’t know about it. Indeed along with being nominated for the Nobel Peace Prize in 1999 she has also been awarded the Gold Medal of Merit by Pope John Paul in 1987, and an Honorary Gold Medal from the Royal College of Surgeons in England in 1989. In 2003 she was nominated as an Honorary Fellow of the American College of Surgeons.

Her message to Ethiopians in the Diaspora is clear and simple. “You can help spread the word,” she says. “There are approximately eight to nine thousand women annually who suffer from fistula in Ethiopia. We are currently working on building five regional hospitals and have received funding for two. We need doctors to come back to Ethiopia to help us in our work. There is no money in it but there is enormous joy to the doctors and nurses treating and curing these patients.” She challenges us to help raise awareness and the financial assistance needed to keep this work going. In light of her 50-year dedication to the eradication of fistula, answering her appeal is the very least that any one of us can do.

Tadias Magazine congratulates Dr. Catherine Hamlin on her well deserved recognition as the co-winner of the 2009 Right Livelihood Award!

Interview with Dr. Hamlin conducted by Mahlet Teklemariam and Emmanuel Mekuria.

Join the conversation on Twitter and Facebook.

SoleRebels: Eco Ethical Fashion From Ethiopia

Bethlehem Tilahun Alemu, Co-Founder and Managing Director of SoleRebels, at the 2nd all africa leather fair in Addis Ababa, November 2008. SoleRebels shoes are created using practices such as hand-spun organic cotton and artisan hand - loomed fabric. Tires are also recycled and used for soles. (Courtesy Photo)

Tadias Magazine

By Tseday Alehegn

Published: Tuesday, May 19, 2009

New York (TADIAS) – A few months ago we received a note from one of our readers in Ethiopia. “I’m thinking you might enjoy hearing a grassroots perspective on eco ethical fashion from Ethiopia’s 1st IFAT certified fair trade company” it stated. “it is my great pleasure to introduce our firm, soleRebels to you.”

We’ve heard of fair trade Ethiopian coffee and clothing. And now Bethlehem Tilahun Alemu, Co-Founder and Managing Director of SoleRebels is successfully running Ethiopia’s first fair trade footwear company.

Since its 2005 debut at New York’s Fashion Week, eco-fashion has morphed from its humble beginnings as an alternative trend into high-end boutique apparel labeled “green,” “sustainable,” “organic,” “all-natural fiber” and our personal favorite – “vegan.” SoleRebels footwear is available for purchase on several online shopping sites including Amazon and Endless.com. Introducing SoleRebels Tilahun describes her work as “a story of fair trade, eco-sensibility, great innovative footwear products and HOPE!”


Photo courtesy of SoleRebels

Tilahun’s fans are equally enthusiastic. Jasmin Malik Chua, New Jersey based Environmental Writer and Editor of Treehugger.com, dubs SoleRebels as “Fair Trade, Eco-Friendly Shoes With Plenty of Soul.” Worldchanging, a non-profit organization which describes itself as “a global network of independent journalists, designers and thinkers covering the world’s most intelligent solutions to today’s problems,” features SoleRebels products in their Bright Green Footwear for Humanity section, highlighting how Tilahun’s concept fuses business and trade “not foreign aid to leverage positive change in that region.”

But Tilahun says it best: “One of the truly unique and exciting things about soleRebels is that we are green by heritage, and NOT because some marketing folks told us to be! We maximize both recycled inputs and craft our materials in the traditional manner — the way they have always been made in Ethiopia – by hand.”

She summarizes their ethos in three words: “Roots, Culture, Tires.” SoleRebels products are created using indigenous practices such as hand-spun organic cotton and artisan hand-loomed fabric. Tires are also recycled and used for soles. The end result is environmental friendly, vegan footwear. “Historically that is the way things have been done,” Tilahun says, and it not only makes great sense to continue the tradition, it also has generated income for local artisans.

Below is our recent interview with Bethlehem:

TADIAS: Tell us a bit about yourself…where you grew up, who or what is influential in your life.

Bethlehem: My name is Bethlehem Tilahun Alemu. I was born and grew up in the Zenabwork/Total area of Addis Ababa. I am a graduate of Unity University College in Accounting. My family has been a huge influence on me, especially my parents. They are loving, caring, thoughtful people. They taught me the value of respect for one’s family and larger community. The way they treated other people always struck me as it was always in a manner that dignified and respected the person regardless of who they were. My parents encouraged me to get higher education and to embrace learning, and they taught me the value of hard honest-to-goodness work. Both my folks have always set a great example in terms of being committed to what they do. They instilled in me a pride about working honestly that informs so many of the things that I do.

TADIAS What did you do before you started Sole Rebel?

Bethlehem: Before I began SoleRebels, or Bostex plc as our umbrella company is called, I worked with various companies in the leather and apparel sector in a variety of capacities including marketing and sales, design, and production. This gave me good industry knowledge that has been extremely useful in terms of setting up my company and growing it. After working in the private sector for a while I had a strong desire to start to focus my business skills on my community, which is one the most impoverished areas in Addis. I knew that there were so many talented people there who could do great things if only given a chance. I repeatedly saw what a lot of these people could do in terms of various craft and creative skills. However, owing to extreme poverty, stigma, marginalization and a whole load of other factors, many of them could not even get simple jobs. This was devastating for me as I grew up with them — they were my neighbors, my family members. I knew that anything that I did for the community had to be business-oriented. I wanted to show people that if we all worked hard we could have jobs that pay decently and we could all have regular work and we could all start to feel the pride that comes with financing ourselves and not waiting for handouts.

TADIAS: Who are the other co-founders of Sole Rebel? Tell us a bit more about your collaboration with them and when you started Sole Rebel?

Bethlehem: My family has played significant and ongoing roles in the company’s formation and operation. My brother Kirubel has been a key point-man in the origination of the company, doing a lot of crucial legwork for the company. He continues to be deeply involved in operations and marketing. A graduate of Unity University College in I.T., he brings an important set of skills to the team. My brother Brook provides a solid addition to the management of the company in his role as Director of Production. Brook is a graduate of Addis Ababa University in Economics.


Kirubel presenting soleRebels at the SIAO Burkina Faso artisan fair, October 2008. (Courtesy photo)

TADIAS: What inspired you to become a green business? Are there models that you followed in the process, either domestic or international?

Bethlehem: It’s an interesting question that you ask about models that we looked to regarding being a “green business.” I would answer that instead of looking outwards we looked deeply inwards, to ourselves, our country, our culture and our community.

I think the idea of a “green business” is a bit of a fad label that doesn’t express the value of who and what we are. To me a better way of understanding who we are and why we do what we do is to say: “SoleRebels is as an innovative and ethical company committed to creating world-class footwear and apparel products and great community-based jobs while utilizing the immense, diverse, sustainable and eco-sensible materials and cultural arts of Ethiopia that are by their very nature “green” and have always been.”We want to express the key fact that we are embracing these deeply sustainable and traditionally zero carbon methods of production not because it’s the “in” thing, or because we held a focus group about it, or because some marketing genius told us to be “green.” We embrace it because these production methods and ideas and ethos are an integral part of Ethiopia’s cultural fabric, and are by their essence sustainable and low impact.

Ethiopians reading this can relate: we grew up watching members of our families spin cotton with an inzert - the traditional wooden hand-drop spindle used here for centuries to spin cotton. I spun many rolls of fetel with my mom. We line our shoe interiors and strap linings with the fabric made from this organic hand-spun cotton. We also grew up watching shemmanies hand-loom gorgeous fabric to make netalla, gabbis etc on their simple wooden looms. These two functions – hand spinning and hand looming – which are integral to our production process as well, are true examples of highly sustainable zero carbon production that we have been utilizing here in Ethiopia for centuries. Another example would be the barabassao and selate recycled tire shoes, which have been widely worn here for years. They are wonderful examples of our recycling ethos . As a company we have embraced this idea in full and craft many of our soles from recycled car tires. Working in this manner preserves important cultural assets, and gives our customers incredibly cool and stylish footwear. And 100% local input means this is a deeply sustainable mode of production and export. What we offer goes far beyond “green” labels and really extends in to meaningful ideas about sustainability, ecologically sound practices and authenticity. To me the whole idea of “green” , if we want to call it that, is really where places like Ethiopia have something to offer the world in terms of not just amazing products , but adding authenticity in the whole dialogue.

TADIAS: Can you describe your logo?

Bethlehem: We look to homegrown models of sustainability for our inspiration on multiple fronts . and nowhere is this fact better reflected than in our logo. All our products carry our symbol – the ancient and exalted koba plant . Koba is an indigenous plant cultivated in ethiopia for thousands of years. It is a marvel of natural efficiency and every part of the koba plant is put to use. Its fibers are used in the creation of a range of things – from baskets to tapestries to parts of our shoes. A Koba plant’s roots are a source of food.

TADIAS: What were the impressions of your first customers?

Bethlehem: We have been extremely fortunate to have had some excellent, enlightened and savy buyers right from day one. Their reactions on the whole were “Wow this is great . Let’s start getting some products to our customers.” And so off we went..and we haven’t stopped growing. Customers like Endless, and Amazon and their buying teams recognized early on the value a brand like SoleRebels offered on various levels in terms of fair trade and eco-products, and I’m proud to say that they have manifested that support by carrying over 90 unique SoleRebels styles. We are deeply honored by that support and we live to validate that support every day by designing and delivering world class footwear to these retailers and their final customers. We also view our retailers’ support as something that needs to be earned over and over in everything that we do for them. And we are committed to keep on winning that support.

TADIAS: How many people do you employ now?

Bethlehem: SoleRebels has supplied over 40 people from our community with full-time dignified and well-paying work, and a further 100 part-time jobs. Through our supplier network and our subcontractors, we have created an additional 55 jobs in areas such as the supply of inputs including hand-spun cotton and hand-loomed fabric. And this is just the beginning.

TADIAS: What are some of the most successful projects you have launched to turn a social profit and give back to the community that is producing SoleRebels? How have the lives of your employees and families changed?

Bethlehem: Our operational philosophy includes the principle and provision of honorable wages for artisans workers – a wage that honors their skill, dedication and outputs. As a resident of Zenabwork I am doubly proud that I have been able to participate in elevating the living standards of my fellow Ethiopians in a dynamic and significant manner. We are very excited about the financing program the company runs, which assists workers to purchase their own homes. We are also very proud of our back2school support program that encourages and supports workers who want to finish their schooling – be that high school or more advanced education. We offer people in this program flexible work hours and financial support for their efforts. Our “tie-back promotions” program, where we tie back a certain percentage of the sale revenue from specified styles to a variety of initiatives helps us to support the education of the children of our artisans. In addition we have an onsite kitchen, which provides breakfast and snacks for our workers. We also provide matching funds to our employees through our one4one program.We have a sub brand called b*knd – the name we give to all SoleRebels products that are created and crafted especially for vegans, and everyone else who doesn’t want any animal-related products in their footwear. We are also about to kick-off a great initiative called Growing Green, with the aim of funding organic gardens in the local community that are run by community entrepreneurs, using a portion of the sales generated from b*knd styles. The garden entrepreneurs will in turn sell their products locally. Their payback for our funding will be in the form of a certain amount of produce that they will supply for our workers no cost . So this is a great way to promote local entrepreneurs and commerce and give something of ongoing value to our workers.

TADIAS: What are a few ways that our readers could get more involved or learn more about green entrepreneurship in Ethiopia?

Bethlehem: I would say that in terms of getting more involved, we always say that the Diaspora Ethiopian community can play a key role by supporting Ethiopian products and brands. In our case they can show this support by buying products from our retail partners like Endless and Amazon.com. They can also promote the brand to the wider communities they live in — this is a tried-and-true method that many Diaspora communities have engaged in, and that has helped indigenous brands to enter international markets. More importantly, Diaspora Ethiopians can use the SoleRebels story to broaden the image that people may have about Ethiopia, and to help get beyond the relentless focus on the Ethiopia as being synonymous with aid and/or poverty. They can proudly point and say “look what this great Ethiopian company is doing with trade . Look at their amazing and cool and eco-fabulous products…and you can order them online or buy them in Urban Outfitters stores.” To me this has the power to elevate people’s ideas and consciousness about Ethiopia to new levels and to see that trade and not aid is the key. It really serves as a direct development tool. More orders equals more jobs and more income and benefits for the wider community. Trade is such an essential key to upliftment as it is the key to job creation, income realization and ultimately, if conducted on the right terms, that all too elusive thing that sustains us all – hope. And the Diaspora community can play an active and important role in making this happen, being at the forefront, building something universally popular, while also asserting control over our destiny. That is a fascinating proposition.

In terms of learning more, we ourselves are always happy to communicate with people who want to learn ore about us and what we do. We encourage people to write and get in touch with us at rootsculturetires@gmail.com, and we would be honored to hear from everyone! Thanks for taking the time to get to know a little bit more about us. We really appreciate it.

TADIAS: Thank you Bethlehem for the interview.


About the Author:
Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. She is a graduate of Stanford University (both B.A. & M.A.) and in addition to her responsibilities at Tadias, she is completing her Doctoral studies at Columbia University.

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J. Crew Partners with Ethiopian-born Supermodel

J. Crew Partners with Liya Kebede to Carry her Handmade
Children’s Collection, Lemlem

(NEW YORK) – When J. Crew creative director Jenna Lyons and team met supermodel, mother of two, and International Goodwill Ambassador Liya Kebede, a relationship was born. Lyons approached Kebede to appear in the April catalog, but both quickly realized their relationship needn’t end there.

The product of their partnership? Not only will Kebede be the first model to be the exclusive face of a J. Crew catalog, but J. Crew’s Crewcuts line will pick up pieces from the model’s handmade children’s clothing line, Lemlem. Lemlem (the name means “to bloom”) was launched by Kebede in 2007, with all of the pieces made by hand from natural cotton in her native Ethiopia. The line will be available at Crewcuts store locations and at jcrew.com beginning in April. Read More.

From Tadias file (2007): WWO honores Liya Kebede & Silda W. Spitzer

Tadias Magazine
By Tseday Alehegn

New York (Tadias) – The Worldwide Orphans Foundation, dedicated to transforming the lives of orphans around the world (with work in eight countries, including Ethiopia), held it’s 10-year anniversary gala at Cipriani Wall Street on Monday evening.

Co-Chairs Janet Kagan and Mary Knobler announced that the organization had raised approximatley 1.4 million dollars.

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Dr. Aronson and Mary-Louise Parker

Tony award-winning actress Mary Louise Parker presented the Honorary Orphan Ranger Award to Supermodel Liya Kebede for her work in promoting maternal health in developing nations, while ABC news co-anchor Cynthia McFadden presented another Honorary Orphan Ranger Award to Silda Wall Spitzer, First Lady of New York and founding chair of the non-profit Children for Children.

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Liya Kebede after being presented the Honorary Orphan Ranger
award by Mary-Louise Parker.

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Silda Wall Spitzer also received the Honorary Orphan Ranger
Award

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Cynthia McFadden presented the Honorary Orphan Ranger Award
to Silda Wall Spitzer

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Katie Couric, anchor and managing editor of the CBS Evening News, introduced Jane
Aronson
, founder of Worldwide Orphans Foundation.

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Katie Couric, anchor and managing editor of the CBS Evening News

Aronson said she was proud to announce the opening of the WWO Academy in Addis Ababa, the same day as the gala in New York. The kindergarten offers schooling for children with HIV.

The gala program was interspersed with vignettes showcasing previous orphan rangers, who are medical students, health professionals and therapists who gave their time to working with orphanages in Asia, Eastern Europe, and Africa.

The event included entertainment by Tony-award winning Broadway stars Christine Ebersole and Donna Murphy, and the cast of Grease on Broadway.

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The cast of Grease on Broadway.

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Tony-award winning Broadway stars Christine Ebersole and Donna Murphy.

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Liya Kebede with Dr. Aronson’s son Desalegn. She received the Honorary Orphan Ranger Award

A fun and educational time was had by all.

More at: wwo.org

Yared Tekabe’s Groundbreaking Research in Heart Disease

Dr. Yared Tekabe runs studies in cardiovascular disease detection and prevention at Columbia University. (Photo by Kidane Mariam for Tadias Magazine)

Tadias Magazine

By Tseday Alehegn

Published: Tuesday, March 17, 2009.

New York (TADIAS) – Dr. Yared Tekabe enjoys doing most of his reflections while sitting anonymously with his laptop at cafés in Harlem. When he’s not there, Tekabe is busy running studies in cardiovascular disease detection and prevention at his lab in Columbia University’s William Black building in upper Manhattan. Last November, Tekabe’s groundbreaking work on non-invasive atherosclerosis detection and molecular imaging was published in the American Heart Association’s journal, Circulation, along with an editorial citing its clinical implications.

Dr Tekabe’s success has helped his laboratory, headed by Dr Lynne Johnson, to receive another $1.6 million four-year grant from the National Institute of Health to continue his research, and Tekabe hopes that in a few years time his work can help heart disease prevention efforts and early detection of atherosclerosis in humans.

“What is atherosclerosis in layman terms?” I ask him, trying hard to correctly pronounce this tongue twister. He breaks it down to its linguistic roots. “Atherosclerosis comes from the Greek roots athere which means gruel, and skleros which means hardness or hardening,” he explains. Further research in Wiki reveals that atherosclerosis is a condition affecting our arterial blood vessels, which transport blood from the heart to the rest of the body. Atherosclerosis is the chronic condition in which inflammation of the walls of our blood vessels lead to hardening of the arteries.

“Atherosclerosis is the underlying cause of cardiovascular disease (CVD),” Tekabe says. “The result is progressive closing of the blood vessels by fat and plaque deposits, which block and further restrict blood flow. In more serious cases it may also lead to clots in the aorta (main artery coming out of the heart) or carotids (arteries supplying blood to the brain) that may dislodge and travel to other parts of the body such as the brain, causing stroke. If the clot is in the leg, for example, it can lead to gangrene. Deposits of fat and inflammatory cells that build up in the walls of the coronary arteries (supplying blood to the heart muscle) can rupture leading to blood clots. Such clots in an artery that supplies blood to the heart muscle will suddenly close the artery and deprive the heart muscle of oxygen causing a heart attack. In the case of very sudden closure of an artery a clot can cause sudden cardiac death.”

“It’s the Tim Russert story,” Tekabe says, providing a recent example of what undetected levels of plaque formation in our bodies can lead to. EverydayHealth.com, an online consumer health portal, had described the famed former MSNBC ‘Meet the Press’ host’s sudden heart attack as being caused by a plaque rupture in a coronary artery. Russert had previously been diagnosed with heart disease, but his atherosclerosis was asymptomatic. He had not experienced the common signs of chest pain and other heart attack symptoms to warn him or his doctors of his true condition. The undetected inflammation in his vessels and the subsequent rupture of plaque led to his sudden heart attack and untimely death. This is not uncommon, however. According to the Centers for Disease Control and Prevention (CDC), heart disease “is the leading cause of death for both women and men in the United States, and women account for 51% of the total heart disease deaths.” There is even more grim news: United States data for 2004 has revealed that the first physical symptom of heart disease was heart attack and sudden death for about 65% of men and 47% of women with CVD.

The risk factors for atherosclerosis are well known and Tekabe runs through the list with me: “diabetes, obesity, stress, smoking, high blood pressure, family history of CVD, and diet” he says. “But of all the factors that I have mentioned, I would say diet is the most important one to change,” he adds. Food items such as red meat, butter, whole milk, cheese, ice cream, egg yolk, and those containing trans fat all put us at higher risk for plaque formation. The American Heart Association recommends eating fish such as salmon, herring and trout instead of red meat, as well as eating food that is steamed, boiled or baked instead of fried. It is better to use corn, canola, or olive oil instead of butter, and to eat more fiber (fruit, vegetables, and whole grain). Notwithstanding that March is deemed National Nutrition Month by the American Heart Association, changing our diet is largely emphasized in CVD prevention. We should also be exercising at least 30 minutes each day.

“Early non-invasive detection of the presence of inflammation and plaque could save lives,” Tekabe points out. “But the problem is two-fold: those who suffer from atherosclerosis do not display warning signs until it’s too late, and for doctors, a non-invasive method of detecting atherosclerosis is by and large not a possibility.” Research by Tekabe and others may soon change the way doctors can detect atherosclerosis.

Using molecular imaging techniques that were previously popular in cancer biology research, Tekabe and his colleagues have discovered non-invasive methods of detecting RAGE, a receptor first discovered in 1992 and thought to have causative implications in a host of chronic diseases ranging from diabetes to arthritis. Tekabe, collaborating with Dr Ann Marie Schmidt who has shown that RAGE receptors play a key role in atherosclerotic inflammatory response, notes that these receptors can be detected non-invasively in mice that have been fed a high-fat, high cholesterol diet.

“In the past, although we knew about the RAGE receptor, especially in the study of diabetes, we were not able to detect it without performing an autopsy of the lab mice. Clearly, in the case of humans it would be pointless if we said that we detected atherosclerosis in the patient after the patient had died,” Tekabe explains. “Therefore, it was imperative that our research showed a more non-invasive method, detecting RAGE receptors and locations of inflammation while the subject was still alive. The first step would be to test it on mice, which we have, and then perhaps on larger animals such as pigs, so that this research could be successfully translated to help non-invasively detect atherosclerosis in its early stages in human beings.”

Left Image: Atherosclerotic aorta: The image is from a mouse fed a Western type of fat diet (high-fat, high cholesterol diet) for 34 weeks. It shows complete blockage of the aorta and the branches that supply the brain. The plaque is made up of fat and inflammatory cells.
Right Image: Relatively normal aorta: This is from 6 weeks old mouse fed a normal diet.

Tekabe’s recently published research showing detection of RAGE receptors responsible for arterial inflammation was funded by a grant from the American Society of Nuclear Cardiology as well as from an American Heart Association Heritage Foundation award.

The November Circulation editorial entitled “Feeling the RAGE in the Atherosclerotic Vessel Wall” highlights the significance of Tekabe et al’s findings and the necessity for early detection of atherosclerosis. “This is an exciting development that adds an important marker of atherosclerotic disease that can now be assessed non-invasively,” write Drs. Zahi Fayad and Esad Vucic. “Tekabe et al demonstrate, for the first time, the noninvasive specific detection of RAGE in the vessel wall.” They concur with Tekabe that “noninvasive detection of RAGE in the vessel wall could help define its role in plaque rupture, which has potentially important clinical implications.”

Tekabe came to Boston in 1990 and subsequently completed his Bachelor’s degree in Biotechnology and his Masters and PhD in Biomedical Sciences with a focus on CVD and drug development. His academic choices have inevitably led him to his career as a scientist, but he has personal reasons for choosing this path as well.

“I was born in Dire Dawa, Ethiopia. I have 1 brother and 8 sisters, and my parents had no formal education. But my father always encouraged me to seek higher education. While I was completing my studies I witnessed my beloved father suffer from Coronary Artery Disease (CAD) and he underwent triple bypass surgery. He passed away in 2004, and I promised myself that I would step up to the challenge of finding a way to prevent heart disease” Tekabe says in a somber and determined tone. “Heart disease is the leading cause of death in the developed world, and I am motivated by that challenge, but this research is also deeply personal.”

Tekabe hopes that his research will be applicable to other areas where RAGE receptors have been hypothesized to play a central role. Circulation editors who follow Tekabe’s work have noted that “in addition to its role in atherosclerosis and the development of vascular complications in diabetes, RAGE possesses wider implications in a variety of diseases, such as arthritis, cancer, liver disease, neurodegenerative disease, and sepsis, which underscores the importance of the ability of its noninvasive detection.” Tekabe, as part of Dr Ann Marie Schmidt’s team, has already filed U.S. and international patents and has plans to jump-start a drug development arm of the pharmaceutical industry in Ethiopia. “I’m looking for interested sponsors in Ethiopia who can see the potential of this research and its global implications,” he states.

Now that Forbes has apprised us of the billionaire status of an Ethiopian-born businessman, we hope this news may peak his interest in helping to start scientific research initiatives in Ethiopia.
—-
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The Art of Peace, Tesfaye Tekelu’s Journey & Ethiopia’s First Aikido Dojo

Tadias Magazine
By Tseday Alehegn

Published: Tuesday, March 10, 2009

New York (Tadias) – For the past three years, Tesfaye Tekelu, Co-Founder and Manager of the Awassa Youth Campus (AYC), has been training at Aikido dojos around the world. Last month, he completed leadership training courses and took his Black Belt exam under renowned Aikido instructor Richard Strozzi-Heckler Sensei in Petaluma, California. On February 11th, 2009, Senator Mark Leno awarded Tesfaye with the State of California Senate certificate of recognition in honor of his becoming the first Ethiopian Aikido Black Belt and Sensei of the Awassa Peace Dojo. The certificate highlighted Tesfaye’s “participation in the Aiki Extensions Training Across Borders Middle East Aikido Peace Conferences in Cyprus and in Zurich; developing the Awassa Youth Center and dojo program; and culminating in intensive Shodan-Ho training with senior instructors across America.”


Tesfaye Tekelu (Photo by Tadias/Chicago, November 2008)

Aikido, a non-competitive martial art was developed by its Japanese founder, Morihei Ueshiba in the 1920s. The term “Aiki” can be translated as “harmony” while “do” means “the Way.” Hence, Aikido is the way of harmony, a way of blending your energy with the energy of the universe and your fellow humans. Encompassing the power of breath, form, and awareness, Aikido techniques are used to protect both the attacked and the attacker from harm. Since its official registration in Japan as a martial art form in 1942, Aikido has spread to the West, and modern instructors, such as those affiliated with Chicago-based non-profit Aiki Extensions (www.aiki-extensions.org), use the art to nurture and develop social support and social networks. Aikido ideas have also been applied in areas such as education, psychotherapy, bodywork, mediation, and social conflict resolution.

The Awassa Youth Campus (AYC) was founded in February 2006 through the collaboration of Aiki Extensions non-profit group and the Awassa-based Debub Negat Circus, now known as AYC’s One Love Theater AIDS Education program. Since then, AYC’s program has expanded. It now offers a recording studio with instruments for learning music, a library (free and accessible to the community), an art studio and sports venues including a paved basketball court, a volleyball court, a soccer field, as well as the aikido dojo, recently built by students using bamboo and other local materials. It currently has an enrollment of 75 students, and classes are offered seven days a week.

As the main instructor at the Awassa Peace Dojo at AYC, Tesfaye has toured throughout Ethiopia to give Aikido demonstrations both to the general public and on Ethiopian national television. He has provided Aikido workshops to Addis Ababa Ministry of Education officials, inspiring them to move toward requiring aikido training for secondary school Seniors.

Tesfaye first met his mentor Donald Levine Sensei who was visiting the Awassa Children’s Center with his wife Ruth after receiving an honorary Doctorate from Addis Ababa University in August 2004. After watching a show by the children that incorporated gymnastics, martial arts, and street theater, Levine asked if anyone there knew about Aikido. When requested to demonstrate this art, Levine looked around for a volunteer and pointed to Tesfaye.

As Tesfaye recalls, “He [Levine] asked me to grab his hand and as I did so, at that moment, I felt something different than what I have known before from my practice in martial arts.” Tesfaye immediately asked Levine to teach him Aikido; lessons began every day when Tesfaye served as tour guide for the couple in remote parts of the Southern Region.


Tesfaye’s first tenkan with mentor Donald Levine

“My life journey started 200 km from Awassa, in a place called Amaro in Korate Village before I moved to Awassa,” Tesfaye shares. “I was born in a traditional house called a gojo bet (tukul), where there was no electricity, no telephone, and no running water.” There are several aspects that he loves about Awassa. “The town is surrounded by mountains and by a lake,” he enthuses “and the city is flat and leveled. If you want to see the town you have to hike up to one of the mountains surrounding Awassa. And once you’re up there you see the carpet of forest, and Awassa is nestled in that forest. It is a town where we grow up swimming in the lake, fishing, floating on boats, hiking in the mountains, and playing football. It’s a vacation place. For me it’s like Ethiopian California” he says comparing it to places he has discovered on his most recent training tour to the United States.

Awassa, serves as a capital for 56 southern tribes and Tesfaye admits it’s inspiring for him to see the town people living “in harmony, peace and respect” among such diversity. “It should be a model for our continent Africa,” he reminds us. He conjures up an image of us stepping out of a box or getting over a fence, demolishing the notion that color, politics, borders, religion, and tribe can divide us. “We have to reach out of that box and see each other as people and come together as one Africa. Then we can have a little Awassa in Africa,” he concludes. He believes that Ethiopia’s interfaith history, for example, is a model for the rest of the world. He points to his own family as an example and says “More than three religions are practiced within my family, and we are living together with love and respect.” He uses his life lessons to promote community programs such as the HIV awareness circus group and theatre. He describes AYC as “a place where street children and adolescents come to learn and share their awareness with each other.” AYC has an open-door policy and all community members are welcome to participate as members. Under his guidance the Awassa Peace Dojo is providing youth with an alternative to involvement in gang-related violence.


Tesfaye participates in training across borders program in Cyprus focusing on
reducing social conflict

Recently, Tesfaye embarked on an extensive dojo tour and training program in various U.S. cities in pursuit of a Black Belt in Aikido. “I have trained with one of O Sensei’s students, Saotome Sensei as well as with Levine Sensei, and Kevin Sensei in Chicago,” he says. He has also trained with various instructors in dojos located in Berkeley, Santa Cruz, San Diego, and Seattle. He took his Black Belt exam in Strozzi-Heckler Sensei’s Two Rock Dojo in Petaluma last month and awed his audience. Tesfaye was especially touched by the nature surrounding Two Rock Dojo, which reminded him of his own growing up experiences in Ethiopia.


Tesfaye took his Black Belt exam at Two Rock Dojo in Petaluma, California (Feb. 2009)

His trip to America also involved participating in a theater festival in New York City entitled “Performing the World” with two other AYC staff members. He also worked to raise funds for AYC projects. Among some of his most favorite moments he cites training and assisting Levine Sensei’s University of Chicago students in their Aikido class, as well as taking the Strozzi Institute Leadership course, which he felt was ‘”very powerful, and something everyone should get a chance to study.” Levine had also assisted Tesfaye in furthering his Aikido practice by sending him to training summer camps in Zurich prior to his training in America.

With such an intensive schedule, was there any time to unwind? He assures us he has had plenty of sight-seeing. He lists a plethora of U.S. cities that he has visited during his stay. “I have toured New York, Chicago, Colorado, Boston, Pennsylvania, Washington, DC, San Francisco, Los Angeles, Petaluma, Santa Cruz, and San Diego,” he reports. “I don’t even remember all the names of places that I have seen.” He is excited to share that he also participated in a music video promoting Obama’s presidential campaign. “I had a chance to meet Obama in Pittsburgh,” he says happily. “I had a chance to fly a helicopter in California and went skiing for the first time in Seattle.”

“Now I understand what one means by the term “Western,” he says. He reflects on it and thinks aloud about what he can learn from the West. It makes him also pay closer attention to what he deems are “tremendous opportunities around us” in Awassa. “We have to see what we already have around and believe that every thing we dream is possible. It starts with us and is evident around us,” he urges. “That is what I am interested in: to work with youth and bring that awareness to my country and beyond.”

“Finally I am grateful for the people who understand the challenges we face, and those who help and support me in their action,” he says. He gives special thanks to Levine Sensei and all the instructors that he trained with in the U.S. and Europe. “I feel lucky to meet and know these great people across the country and to train with them, and I am very grateful” he adds. “I would like to thank them for their wonderful help and support.”


Tesfaye with students in Awassa.

“My wish,” he says “is to open more centers in Ethiopia, and within two or three years my mission is to have a Pan-African network.”

Within five years? “An African Youth Campus” he replies. “My vision is to work at the grassroot level across the continent and beyond to bring change and awareness to the next generation.”

Worldwide, change is definitely the word of choice this year.

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About the Author

Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. She is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, Tseday is also a Doctoral student at Columbia University.

Finding the right wine for Ethiopian spice

The Chicago Tribune
By Bill Daley
March 4, 2009

Ethiopians have for centuries made a honey wine known as tej. You can sometimes find this meadlike beverage for sale at some Ethiopian restaurants. Or, you could try a mead made domestically.

For most diners looking for that Ethiopian meal out at a restaurant or for takeout, the drink of choice most likely will be beer or a grape-based wine.

The question is: What sort of wine to pour with Ethiopia’s highly seasoned meat and vegetable dishes, most of which are served on rounds of injera, the tart Ethiopian flat bread made from teff flour. Read More.

Related: A friend to remember – Ernie of Sheba Tej

By Liben Eabisa & Tseday Alehegn

New York (Tadias) – Ernest McCaleb, founder and CEO of Sheba, Inc., the company that produced the Ethiopian honey wine Sheba Tej, died last year after a long struggle with cancer.

The African American entrepreneur initiated a joint collaboration with Cesar Baeza, an internationally-renowned Chilean winemaster and the owner of Brotherhood Winery, a national historic landmark and America’s oldest winery (established in 1837 in Washingtonville, New York), to produce an Ethiopian wine called Tej , made from pure organic honey.

Eventually the new dessert wine became part of the winery’s premium wine list.

McCaleb (Ernie – as he is known by his friends), enjoyed telling audiences during his fun tasting sessions that his unique wine recipe contains no sulfites nor grapes, just pure honey.

His eyes would light up when he told the legend that Tej was one of the many gifts carried by Makeda, the Queen of Sheba, to Jerusalem’s King Solomon.

During an interview with Tadias Magazine in 2005, he talked about his passion for his business and the history and culture behind it.

“Since I’ve begun doing this,” McCaleb said, “I’ve learned more about this rich history, and as I give tasting sessions I have become even more inspired. This is beyond the commercial success. It’s about pride and heritage…”


Ernest McCaleb, Founder & CEO of
Sheba, Inc.

Ernie was a friend to the Ethiopian-American community and a great spirit.

A memorial for McCaleb was held at The Ethiopian Restaurant. The Upper East Side eatry is one of Sheba Tej’s several Ethiopian customers in the city.

It is also the location where Ernie introduced us to his dear friend Bobbi Humphrey (“First Lady of Flute”), the first female signed to Blue Note Records.

As she noted in her latest post on the Tadias blog: “Rest in Peace, my dear Ernie. You sweetened the times with your smile, and your Honey wine.”

Click here to read more: Sheba Tej: America’s Favorite Ethiopian Honey Wine (Tadias)

Ethiopian-American Goes from Presidential Speech Writer to Successful Singer (VOA)

Above: Wayna’s “Lovin You (Music)” was nominated for a
Grammy for best urban/alternative performance. She did not
win. But for the African artist just being nominated for a
Grammy was a big achievement.
(Photo: baltimoresun.com)

VOA
By Henok Semaegzer Fente
Washington, D.C.
12 February 2009

At the 51st Grammy music award last Sunday, the best of the industry were recognized for their achievements. The highlight of the televised event featured, nine months pregnant rapper M.I.A, who took center stage to perform her hit song “swagga like us”.

This song brought together what entertainer Queen Latifa called “a rap pack” — featuring Kanye West, T.I., Jay-Z, and Lil Wayne.

But this night was not only about the big shot artists. It also gave recognition to young and emerging talents.She did not win. But for African artist Wayna Wondossen, just being nominated for a Grammy was a big achievement. She was in South Africa when she found out that her song “Lovin’ U” had been nominated.

“I knew I wouldn’t be able to see the actual announcements because we were in a remote area of Cape Town [South Africa] and we probably wouldn’t get the broadcast there. So early in the morning the next day, I got up early and ran downstairs to the hotel business center. I went straight to the Grammy pages to search for my name and it popped-up and I just screamed,” she said.

The winner of the category in the category Best Urban/Alternative Performance was “be ok” by Chrisette Michele, featuring will.i.am. But for Wayna, it has been a good year anyway, and the nomination alone was an honor. Read more.

Related: Three Acts Win Big at the Grammys
NYT
By BEN SISARIO
Published: February 8, 2009

LOS ANGELES — At the 51st annual Grammy Awards ceremony, at Staples Center here on Sunday night, three disparate acts were in a close race, with hard-core rap, rock and an album of lush Americana vying for the top award.

But it was Robert Plant and Alison Krauss who won album of the year — for a total of five awards — for “Raising Sand” (Rounder), their album of luxuriant renditions of old rockabilly and country songs as well as original material. Lil Wayne, the bawdy and gifted New Orleans rapper, had a total of three, including one for a four-way collaboration. The British rock band Coldplay also had three awards. Read More.

Tadias: Wayna: A Soulful Diva in the Making

By Tseday Alehegn
Tadias Staff Writer

New York (Tadias) – Friends and family may know Woyneab Miraf Wondwossen (Wayna) as the young University of Maryland alumna who double majored in English and Speech Communications, and went on to serve as one of the first Ethiopian American researchers at the White House under Former President Bill Clinton.

Recently, however, Wayna has waded into new waters and is beginning to make a name for herself among America’s favorite musicians. She’s nominated for a Grammy.

Wayna’s sophomore album Higher Ground, which propelled her to the prestigious nomination, was released in 2008. The new album, just like her debut CD Moments of Clarity, is an infectious blend of original songs that fuses soul, world, and hip hop sounds accompanied by lyrics on love, loss, faith and courage.

“I’ve poured some of the hardest lessons I’ve had to learn into these songs,” Wayna divulges. Music has always been one of Wayna’s deep-seated passions, and her most recent tunes echo her personal struggles, hopes and victories through her own unique and passionate voice. Asked how she views herself and her work, she replies, “I would define myself as an artist who is constantly growing and searching for new ways to express myself vocally, lyrically, and musically. I search for the feeling of losing myself in a song, to create timeless music that speaks to people’s hearts and conveys important messages.”

Born in Ethiopia, Wayna immigrated with her family to the United States when she was just a toddler. As a young girl, she chased after her love of music by starring in popular musical theater productions like Annie, The Boyfriend, and Damn Yankees, as well as by touring with the children’s musical revue company Songs, Inc. Her college years continued to be a time of musical experimentation as she taught herself to play piano on the old Steinway in her dormitory. After being crowned Miss Black Unity of the University of Maryland and earning a one-year tuition scholarship, she went on to start a gospel quartet. The successful and talented quartet performed at the world renowned Apollo Theater in Harlem, New York, where they placed as finalist in the Amateur Night competition.

Wayna soon received several opportunities to travel as a soloist with the gospel choir all the while unearthing her talent in singing. But it was after being invited to perform at her university’s annual tradition, A Tribute to African Women, that Wayna ended up writing the ballad that became her first original piece performed for an audience.

“On that day,” she recalls, “music became more than a form of entertainment or a source of comfort to me. I began to see it as a tool to heal and inspire people, including myself.”

Asked to identify her role models in the music world, Wayna chooses the colorful sounds of Chaka Khan, Donnie Hathaway, Billy Holiday, Stevie Wonder and the ’70s soul singer Minnie Riperton. She also enjoys listening to contemporary artists ranging from the soulful voices of D’Angelo and Jill Scott to emerging spoken word performer W. Ellington Felton.

For her personal role models, Wayna selects her mom Tidenkialesh Emagnu and her late aunt Yeshi Immebet Imagnu.

“It wasn’t always easy growing up as an Ethiopian-American, especially at the time I was coming of age,” she confesses. “Because there were far fewer of us here — far different from the experience Ethiopian teenagers have today.”

Remembering the strength and encouragement her family gave her, Wayna recounts lessons she learned at a young age:

“My aunt Yeshie Imagnu made it a point to teach me elements of our history and culture that weren’t obvious just by living in an Ethiopian home. And my mom, though she has resided in the U.S. for 25 years, is one of the truest representations of our culture that I’ve ever encountered,” she says with pride.

Now that she is older, she says she wears her Ethiopian-ness like a badge of honor.

“In fact, I’ve promised myself I will not go on stage unless I’m wearing at least one article of Ethiopian clothing or jewelry,” she adds. “It’s a symbol of who I am.”

In the end, what Wayna teaches us all is far deeper than her lifelong love of song; she teaches us to excel in every aspect of our lives.

“I would encourage Tadias readers to explore all their interests and talents — not just the ones that are validated by our community,” she says.

“What do you wake up thinking about in the middle of the night? What did you love doing for hours on end as a child? Those things are our passions, and we owe it to ourselves and our creator to develop and share them with the world.”

In short, she says, “There’s absolutely nothing we can’t do.”

Tadias Magazine congratulates Wayna on her nomination.

VIDEO: Watch Wayna’s debut video, “My Love”:

You can purchase her new CD at Amazon.com

Three Acts Win Big at the Grammys: Two Ethiopian-Americans seated among the stars

Above: Wayna (pictured above) and Kenna are the two
Ethiopian Americans who earned their seats as
Nominees at the 51st annual Grammy Awards ceremony
at Staples Center in Los Angeles on Sunday night.

NYT
By BEN SISARIO
Published: February 8, 2009

LOS ANGELES — At the 51st annual Grammy Awards ceremony, at Staples Center here on Sunday night, three disparate acts were in a close race, with hard-core rap, rock and an album of lush Americana vying for the top award.

But it was Robert Plant and Alison Krauss who won album of the year — for a total of five awards — for “Raising Sand” (Rounder), their album of luxuriant renditions of old rockabilly and country songs as well as original material. Lil Wayne, the bawdy and gifted New Orleans rapper, had a total of three, including one for a four-way collaboration. The British rock band Coldplay also had three awards. Read More.

Neo-soul singer from Bowie traded the West Wing for Grammys glory
Wayna’s “Lovin You (Music)” is nominated for a Grammy for best urban/alternative performance.
baltimoresun.com

Wayna: A Soulful Diva in the Making
By Tseday Alehegn
Tadias Staff Writer

New York (Tadias) – Friends and family may know Woyneab Miraf Wondwossen (Wayna) as the young University of Maryland alumna who double majored in English and Speech Communications, and went on to serve as one of the first Ethiopian American researchers at the White House under Former President Bill Clinton.

Recently, however, Wayna has waded into new waters and is beginning to make a name for herself among America’s favorite musicians. She’s nominated for a Grammy.

Wayna’s sophomore album Higher Ground, which propelled her to the prestigious nomination, was released in 2008. The new album, just like her debut CD Moments of Clarity, is an infectious blend of original songs that fuses soul, world, and hip hop sounds accompanied by lyrics on love, loss, faith and courage.

“I’ve poured some of the hardest lessons I’ve had to learn into these songs,” Wayna divulges. Music has always been one of Wayna’s deep-seated passions, and her most recent tunes echo her personal struggles, hopes and victories through her own unique and passionate voice. Asked how she views herself and her work, she replies, “I would define myself as an artist who is constantly growing and searching for new ways to express myself vocally, lyrically, and musically. I search for the feeling of losing myself in a song, to create timeless music that speaks to people’s hearts and conveys important messages.”

Born in Ethiopia, Wayna immigrated with her family to the United States when she was just a toddler. As a young girl, she chased after her love of music by starring in popular musical theater productions like Annie, The Boyfriend, and Damn Yankees, as well as by touring with the children’s musical revue company Songs, Inc. Her college years continued to be a time of musical experimentation as she taught herself to play piano on the old Steinway in her dormitory. After being crowned Miss Black Unity of the University of Maryland and earning a one-year tuition scholarship, she went on to start a gospel quartet. The successful and talented quartet performed at the world renowned Apollo Theater in Harlem, New York, where they placed as finalist in the Amateur Night competition.

Wayna soon received several opportunities to travel as a soloist with the gospel choir all the while unearthing her talent in singing. But it was after being invited to perform at her university’s annual tradition, A Tribute to African Women, that Wayna ended up writing the ballad that became her first original piece performed for an audience.

“On that day,” she recalls, “music became more than a form of entertainment or a source of comfort to me. I began to see it as a tool to heal and inspire people, including myself.”

Asked to identify her role models in the music world, Wayna chooses the colorful sounds of Chaka Khan, Donnie Hathaway, Billy Holiday, Stevie Wonder and the ’70s soul singer Minnie Riperton. She also enjoys listening to contemporary artists ranging from the soulful voices of D’Angelo and Jill Scott to emerging spoken word performer W. Ellington Felton.

For her personal role models, Wayna selects her mom Tidenkialesh Emagnu and her late aunt Yeshi Immebet Imagnu.

“It wasn’t always easy growing up as an Ethiopian-American, especially at the time I was coming of age,” she confesses. “Because there were far fewer of us here — far different from the experience Ethiopian teenagers have today.”

Remembering the strength and encouragement her family gave her, Wayna recounts lessons she learned at a young age:

“My aunt Yeshie Imagnu made it a point to teach me elements of our history and culture that weren’t obvious just by living in an Ethiopian home. And my mom, though she has resided in the U.S. for 25 years, is one of the truest representations of our culture that I’ve ever encountered,” she says with pride.

Now that she is older, she says she wears her Ethiopian-ness like a badge of honor.

“In fact, I’ve promised myself I will not go on stage unless I’m wearing at least one article of Ethiopian clothing or jewelry,” she adds. “It’s a symbol of who I am.”

In the end, what Wayna teaches us all is far deeper than her lifelong love of song; she teaches us to excel in every aspect of our lives.

“I would encourage Tadias readers to explore all their interests and talents — not just the ones that are validated by our community,” she says.

“What do you wake up thinking about in the middle of the night? What did you love doing for hours on end as a child? Those things are our passions, and we owe it to ourselves and our creator to develop and share them with the world.”

In short, she says, “There’s absolutely nothing we can’t do.”

Tadias Magazine congratulates Wayna on her nomination.

VIDEO: Watch Wayna’s debut video, “My Love”:

You can purchase her new CD at Amazon.com

Ethiopian-American Artist Prepares For Grammy Awards

Wayna's "Lovin You (Music)" is nominated for a Grammy for best urban/alternative performance. (Baltimore Sun photo by Kenneth K.Lam / February 2, 2009).

Tadias Magazine

By Tseday Alehegn

Updated: Sunday, February 8, 2009

New York (TADIAS) – Friends and family may know Woyneab Miraf Wondwossen (Wayna) as the young University of Maryland alumna who double majored in English and Speech Communications, and went on to serve as one of the first Ethiopian American researchers at the White House under Former President Bill Clinton.

Recently, however, Wayna has waded into new waters and is beginning to make a name for herself among America’s favorite musicians. She’s nominated for a Grammy.

Wayna’s sophomore album Higher Ground, which propelled her to the prestigious nomination, was released in 2008. The new album, just like her debut CD Moments of Clarity, is an infectious blend of original songs that fuses soul, world, and hip hop sounds accompanied by lyrics on love, loss, faith and courage.

“I’ve poured some of the hardest lessons I’ve had to learn into these songs,” Wayna divulges. Music has always been one of Wayna’s deep-seated passions, and her most recent tunes echo her personal struggles, hopes and victories through her own unique and passionate voice. Asked how she views herself and her work, she replies, “I would define myself as an artist who is constantly growing and searching for new ways to express myself vocally, lyrically, and musically. I search for the feeling of losing myself in a song, to create timeless music that speaks to people’s hearts and conveys important messages.”

Born in Ethiopia, Wayna immigrated with her family to the United States when she was just a toddler. As a young girl, she chased after her love of music by starring in popular musical theater productions like Annie, The Boyfriend, and Damn Yankees, as well as by touring with the children’s musical revue company Songs, Inc. Her college years continued to be a time of musical experimentation as she taught herself to play piano on the old Steinway in her dormitory. After being crowned Miss Black Unity of the University of Maryland and earning a one-year tuition scholarship, she went on to start a gospel quartet. The successful and talented quartet performed at the world renowned Apollo Theater in Harlem, New York, where they placed as finalist in the Amateur Night competition.

Wayna soon received several opportunities to travel as a soloist with the gospel choir all the while unearthing her talent in singing. But it was after being invited to perform at her university’s annual tradition, A Tribute to African Women, that Wayna ended up writing the ballad that became her first original piece performed for an audience.

“On that day,” she recalls, “music became more than a form of entertainment or a source of comfort to me. I began to see it as a tool to heal and inspire people, including myself.”

Asked to identify her role models in the music world, Wayna chooses the colorful sounds of Chaka Khan, Donnie Hathaway, Billy Holiday, Stevie Wonder and the ’70s soul singer Minnie Riperton. She also enjoys listening to contemporary artists ranging from the soulful voices of D’Angelo and Jill Scott to emerging spoken word performer W. Ellington Felton.

For her personal role models, Wayna selects her mom Tidenkialesh Emagnu and her late aunt Yeshi Immebet Imagnu.

“It wasn’t always easy growing up as an Ethiopian-American, especially at the time I was coming of age,” she confesses. “Because there were far fewer of us here — far different from the experience Ethiopian teenagers have today.”

Remembering the strength and encouragement her family gave her, Wayna recounts lessons she learned at a young age:

“My aunt Yeshie Imagnu made it a point to teach me elements of our history and culture that weren’t obvious just by living in an Ethiopian home. And my mom, though she has resided in the U.S. for 25 years, is one of the truest representations of our culture that I’ve ever encountered,” she says with pride.

Now that she is older, she says she wears her Ethiopian-ness like a badge of honor.

“In fact, I’ve promised myself I will not go on stage unless I’m wearing at least one article of Ethiopian clothing or jewelry,” she adds. “It’s a symbol of who I am.”


Wayna. (Courtesy photo)

In the end, what Wayna teaches us all is far deeper than her lifelong love of song; she teaches us to excel in every aspect of our lives.

“I would encourage Tadias readers to explore all their interests and talents — not just the ones that are validated by our community,” she says.

“What do you wake up thinking about in the middle of the night? What did you love doing for hours on end as a child? Those things are our passions, and we owe it to ourselves and our creator to develop and share them with the world.”

In short, she says, “There’s absolutely nothing we can’t do.”

Tadias Magazine congratulates Wayna on her nomination.

VIDEO: Watch Wayna’s debut video, “My Love”:


You can purchase her new CD at Amazon.com

Join the conversation on Twitter and Facebook.

Pa. murder defendant says victim still alive

The Associated Press

NORRISTOWN, Pa.—A man accused of fatally shooting his aunt in the Philadelphia area has an unusual defense, insisting to a jury that the woman is still alive.

The suspect, 35-year-old Ethiopian immigrant Yeshtila Ameshe, lives in Adelphi, Md. He’s charged with first- and third-degree murder and other counts in the death of his 60-year-old aunt, Haregewene Bitew.

Authorities say she died June 27, 2000, after being shot in the head, neck and chest when the two were visiting relatives in Towamencin Township, 20 miles north of Philadelphia.

But Ameshe testified Thursday he didn’t know what he was doing in Montgomery County Court. He said through an interpreter that the purported victim is “definitely alive. She’s not dead.”

Defense attorney Scott Krieger is arguing insanity, while prosecutors imply Ameshe is faking insanity. Psychiatric testimony is expected as the trial continues.
———————-
Ethiopian suspect in aunt murder case felt ‘betrayed’
The Times Herald
By Carl Hessler Jr.

An Ethiopian immigrant felt “betrayed” by older relatives who tried to put an end to his romantic pursuit of a young woman several months before he fatally shot his aunt inside a Towamencin apartment, according to testimony.

“He felt like the family was against him. He felt betrayed by the family,” Tsedaye Bezabeh, a second cousin to accused killer Yeshtila Awoke Ameshe, testified Wednesday in Montgomery County Court.

Ameshe, 35, of Adelphi, Md., is charged with first- and third-degree murder, aggravated assault and possession of an instrument of crime in connection with the 8 p.m. June 27, 2000, fatal shooting of his aunt, Haregewene Bitew, a 60-year-old licensed nurse from Silver Spring, Md., who, along with Ameshe, was visiting the Dock Village apartment in Towamencin.

Bitew died after sustaining four gunshot wounds to her head, neck and chest inside the Community Drive apartment.

Through Bezabeh’s testimony, Deputy District Attorney Christopher Maloney implied Ameshe felt so betrayed by his family that he intentionally killed Bitew, one of several elder relatives in the Ethiopian community who tried to convince Ameshe to give up his pursuit of a young Maryland woman.

Bezabeh, who is Bitew’s daughter, testified relatives met with Ameshe four months before the murder to discuss problems he was having with the Maryland woman who did not want a relationship with Ameshe.

“It was an important issue we were discussing with Yeshtila,” said Bezabeh, recalling the family meeting.

Bezabeh testified Ameshe, who emigrated from Ethiopia to the U.S. in 1997, believed that

under traditional Ethiopian customs, his family should intervene on his behalf to keep the woman in his life.

In more rural areas of Ethiopia, a man’s wishes are respected and followed under traditional Ethiopian customs and women are expected to follow a man’s wishes, Bezabeh told the jury that is weighing Ameshe’s fate.

“I told him, ‘In this country it’s not the way it is done,’” Bezabeh testified, explaining she told Ameshe that in America he had to respect the wishes of the young woman who did not want a relationship with him. “The man’s wishes are respected in our society. That’s why he felt we were betraying him.”

About a month before the fatal shooting, Ameshe called Bezabeh and asked her to help him make “peace” with the family and continued to express his desire that the relationship with the young woman move forward, testimony revealed.

Bezabeh recalled she told Ameshe there was peace with the family.

“He said, ‘You betrayed me. You have not helped me get the girl back,’” Bezabeh recalled.

Maloney alleged Ameshe, with “malicious and evil intentions,” brought his anger to the Towamencin apartment and opened fire on his aunt with a 9mm Smith & Wesson handgun during a family gathering.

Maloney alleged Ameshe acted with a specific intent to kill, a legal requirement for a first-degree murder conviction, which is punishable of life imprisonment.

However, defense lawyer Scott H. Krieger is waging an insanity defense on behalf of Ameshe. With an insanity defense Ameshe claimed he could not have formed the intent to kill his aunt.

During his cross-examination of Bezabeh, Krieger implied that in Ameshe’s mind his relationship with the young woman was not over.

Under state law, a person is legally insane at the time of a crime if he was suffering a defect of reason or from disease of the mind that prevented him from knowing what is right or wrong or understanding the consequences of his actions.

A person found not guilty by reason of insanity would be committed to a mental institution where he would receive treatment.

Once he is deemed “cured” he would be released from the institution with no requirement to serve any prison time.

Ameshe is also charged with a lesser third-degree murder charge, a killing committed with malice, which is punishable of a maximum of 20 to 40 years in prison.

Tadias Magazine Featured on VOA

From the Editor’s Desk:
Tseday Alehegn

Updated: Tuesday, October 7, 2008

New York (Tadias) – Tadias Magazine, the leading lifestyle and business publication devoted exclusively to the Ethiopian-American community, was featured on Washington D.C. based Voice of America’s weekly Amharic radio program on Sunday, October 5, 2008.

VOA’s Amharic journalist and international broadcaster Alula Kebede interviewed Tadias Founder & Publisher, Liben Eabisa. The program focused on the challenges and milestones of the magazine since its inception in San Jose, California five years ago. Tadias joined Google’s exclusive news index network last August.

You may listen to the audio of the interview at VOA.com. Select the “Evening Program” for Sunday (Audio available until October 12, 2008). The Tadias interview comes after a brief world news and coversation with filmmaker Haile Gerima. Click here and enjoy!

Video | Obama & McCain at Columbia University Forum (Tadias)

By Tadias Staff
Photos by Tseday Alehegn

Published: Friday, September 12, 2008

New York (Tadias) – Presidential nominees Senator Barack Obama and Senator John McCain participated in a discussion regarding the importance of engaging in service and civic responsibilities on the seventh anniversary of 9/11 in New York at Columbia University.

The ServiceNation Presidential Candidates Forum was organized by ServiceNation, a collective of approximately 100 million Americans focused on increasing civic engagement in service and volunteer programs.

The Presidential Forum was part of a two-day summit which included speeches by Al Gore, Governor Patterson, Columbia President Bollinger and Barnard Provost Elizabeth Boylan. The forum was moderated by Judy Woodruff of PBS’ “NewsHour” and Richard Stengel, managing editor of Time magazine.

Governor Patterson announced a cabinet level position for community service, while Provost Boylan held a moment of silence in commemoration of 9/11. Presidential Candidates were interviewed separately for approximately 45 minutes each by the moderators regarding their views on community service, their experience serving the nation, and the possibility of expanding opportunities for college graduates in both volunteer and military service.

Approximately 1,000 Columbia student recipients of the forum lottery tickets listened to the presidential candidates in Alfred Lerner Hall, while an even larger crowd flocked onto the lawn in front of Low Library, which was packed to capacity. The majority of the young crowd clapped and cheered when Obama appeared on the giant jumbotron screen erected outside. A student observing the cheers commented “it’s pretty clear which way the wind is blowing here.”

While waiting for the forum to officially begin, students were encouraged to read and pass out pamphlets on volunteer opportunities as well as registering to vote.

(Live stream of Presidential Forum)


The crowd in front of Low Library at Columbia University (September 11, 2008 |
Photo by Tseday Alehegn/Tadias)


A large crowd flocked onto the lawn in front of Low Library, which was packed to
capacity. (New York | September 11, 2008 | Photo by Tseday Alehegn/Tadias)


Students hold banners near the jumbotron screen on the lawn while waiting
for forum to begin. (Photo by Tseday Alehegn/Tadias)


Students reserving their seats on the lawn approximately 3 hours before the
forum started at 8:00 PM (Photo by Tseday Alehegn/Tadias).


Non-Columbia protesters outside the gates of the university during the
ServiceNation Presidential Candidates Forum (Photo by Tseday Alehegn/Tadias)

Senator Barack Obama

Senator John McCain

Lincoln Center Out of Doors: Sounds of Africa (The Four-Hour Mix) – NYT

The New York Times

By NATE CHINEN

Published: August 21, 2008

Cultural exchange rarely gets more rapturous than it did on Wednesday night at Damrosch Park, in a free concert of African music presented by Lincoln Center Out of Doors. Over the course of about four hours, an overflow audience beheld the efforts of several imposing legends from Ethiopia; a raucous art-punk band from the Netherlands; a jazz combo from Cambridge, Mass.; and a group with roots in Kenya and Washington. The show started strong and never flagged, helped along by an enthusiastic crowd.

The show’s biggest stars were Mahmoud Ahmed, a transfixing vocalist, and Getatchew Mekurya, an authoritative saxophonist. Both artists have reached global audiences through “Éthiopiques,” the acclaimed reissue series on Buda Musique, a French label. And both artists used their stage time to evoke the exuberance of Addis Ababa in the 1970s. But they appeared in separate sets, and with two strikingly different groups. Read More.


Hot Shots From Historic Ethiopian Concert in New York (Tadias)

concert__cover1.jpg

By Tadias Staff
Photos by Trent Wolbe and Tadias

Published: Thursday, August 21, 2008

New York (Tadias) – Wow, what an event! On Wednesday evening, Damrosch’s Park was packed with Ethiopiques enthusiasts and curious New Yorkers who were treated to an astonishing concert of fusion rock, jazz and Ethiopian music. The historic event at the Lincoln Center’s out of doors concert, one of the longest-running free summer festivals in the U.S, featured Mahmoud Ahmed and Alemayehu Eshete accompanied by the Either Orchestra, and the legendary saxophonist Getatchew Mekurya in collaboration with Dutch band the Ex. The trio performed for the first time at Damrosch’s Park.

trent2.jpg
Wednesday, August 20, 2008. Damrosch’s Park, NYC. Photos
by Trent Wolbe

trent1.jpg
Alemayehu Eshete and Mahmoud Ahmed (Wednesday, August 20, 2008.
Damrosch’s Park, NYC. (Photos by Trent Wolbe)

trent7.jpg
Getatchew Mekurya (Wednesday, August 20, 2008. Damrosch’s Park, NYC.
(Photos by Trent Wolbe)

concert_1.jpg
Wednesday, August 20, 2008. Damrosch’s Park, NYC. Photos by Trent Wolbe

trent4.jpg
Wednesday, August 20, 2008. Damrosch’s Park, NYC. Photos by Trent Wolbe

trent10.jpg
Getatchew Mekurya (Wednesday, August 20, 2008. Damrosch’s Park, NYC.
Photos by Trent Wolbe)

trent3.jpg
Wednesday, August 20, 2008. Damrosch’s Park, NYC. Photos by Trent Wolbe

trent5.jpg
Wednesday, August 20, 2008. Damrosch’s Park, NYC. Photos by Trent Wolbe

concert_8.jpg
Tinos and his son Liben. (Wednesday, August 20, 2008. Damrosch’s Park, NYC.
Photo/Tadias).

trent111.jpg
Wednesday, August 20, 2008. Damrosch’s Park, NYC. Photos by Trent Wolbe

concert_7.jpg
Tseday, Asse, Meron, and Negus (Wednesday, August 20, 2008. Damrosch’s
Park, NYC. Photo/Tadias).

concert_4.jpg
Maki, Feven, and Maro (Wednesday, August 20, 2008. Damrosch’s Park, NYC.
Photo/Tadias).

concert_6.jpg
Mickey Dread and Betty (Wednesday, August 20, 2008. Damrosch’s Park, NYC.
Photo/Tadias).

concert_3.jpg
Adam Saunders & Lydia Gobena (Wednesday, August 20, 2008. Damrosch’s
Park, NYC. Photo/Tadias).

concert_2.jpg
Jessica Beshir (Wednesday, August 20, 2008. Damrosch’s Park, NYC.
Photo/Tadias).

concert_9.jpg
Sara Menker & Zelela Menker (Wednesday, August 20, 2008. Damrosch’s Park,
NYC. Photo/Tadias).

concert_5.jpg
Dave and Tseday (Wednesday, August 20, 2008. Damrosch’s Park, NYC.
Photo/Tadias).

concert_11.jpg
Christopher Demma and Elias Kedir (Wednesday, August 20, 2008. Damrosch’s
Park, NYC. Photo/Tadias).

concert_12.jpg
Wednesday, August 20, 2008. Damrosch’s Park, NYC. Photo/Tadias.

trent61.jpg
Wednesday, August 20, 2008. Damrosch’s Park, NYC. Photos by Trent Wolbe.

trent8.jpg
Mahmoud Ahmed (Wednesday, August 20, 2008. Damrosch’s Park, NYC. Photos
by Trent Wolbe.

trent9.jpg
Mahmoud Ahmed (Wednesday, August 20, 2008. Damrosch’s Park, NYC. Photos
by Trent Wolbe)

trent12_new.jpg
Alemayehu Eshete (Wednesday, August 20, 2008. Damrosch’s Park, NYC. Photos
by Trent Wolbe

Mahmoud Ahmed and Alemayehu Eshete headed to Queen of Sheba Ethiopian Restaurant after the performance.

Related:
Ethio Jazz to Rock New York with Free Outdoor Concert (Tadias)
getatchew-2_over.jpg

The Ex Finds a Soulmate in an Ethiopian Sax Legend
exgetatchew_ex_cover1.jpg

Afewerk Tekle: His Brush is Stronger than the Machine Gun

By Tseday Alehegn
tseday_author1.jpg

Updated: August 17th, 2008

New York (Tadias) – Speaking about his life-long dedication to the fine arts, Maitre Afewerk Tekle instills in us the importance of using art to inspire people, to uplift nations and to create an optimistic view of life.

“What we do today must reflect today’s life for tomorrow’s generation and pave the way for the future generation,” he asserts with passion and reflection. He teaches us that “art is in every fabric of life.”

He was born in the town of Ankober in Ethiopia on October 22, 1932. Having grown up in an Ethiopia battling fascist Italian forces, Afewerk was acutely aware of the destruction of war and the need to rebuild his native home. Intent on acquiring skills that would allow him to contribute to Ethiopia’s restoration, the young Afewerk settled on pursuing his studies in mining engineering.

His family and friends, however, had already recognized his inner talent in the arts. Around town he was know for his drawings on walls using stones, and for possessing a curious and ever reflective mind. Despite his natural gravitation to the art world, at the age of 15 Afewerk was chosen to be sent abroad to England to commence his engineering studies.

Maitre Afewerk recalls being summoned by Emperor Haile Selassie to receive last-minute advice prior to his departure.

“To this day I cannot forget his words,” the Maitre says pensively. “The Emperor began by counseling us to study, study, and study.”

“He told us: you must work hard, and when you come back do not tell us what tall buildings you saw in Europe, or what wide streets they have, but make sure you return equipped with the skills and the mindset to rebuild Ethiopia.”

Maitre Afewerk confides that this sermon rang in his head each time he was tempted to seek the easy life, free from the responsibility of rebuilding his nation and uplifting his people.

As one of the earliest batch of African students admitted to exclusive boarding schools in England, Afewerk faced culture shock and the occasional strife caused by English bullies. Yet he remained steadfast in pursuing his studies. He especially excelled in courses such as mathematics, chemistry and history, but it was not long before his teachers discovered his inner talent for the arts.

With the encouragement of his mentor and his teachers, Afewerk decided to focus on refining his gift and enrolled at the Central School of Arts and Crafts in London. Upon completion of his studies he was accepted as the first African student at the prestigious Faculty of Fine Arts at Slade (University of London). At Slade, Afewerk focused on painting, sculpture and architecture.

Upon returning to Ethiopia, Maitre Afewerk traveled to every province, staying at each location for a period of up to three months, immersing himself in the study of his surroundings and absorbing Ethiopia’s historical and cultural diversity. He reflected on and pushed himself to become an Ethiopian artist with world recognition.

“I had to study Ethiopian culture,” the Maitre states, “because an important ingredient of a world artist is to have in your artwork the flavor of where you were born.”

He passionately adds, “My art will belong to the world but with African flavor.”

Above all, Maitre Afewerk worked diligently in the hopes of using his artwork as a social medium with which to highlight the history, struggles and beauty of his native home. Although he was educated abroad, he fought against what he called “the futile imitation of other artists’ works, Western or otherwise.’’

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Left: Mother Ethiopia, 1963, 100x125cm Oil on Canvas. Middle: Lady from Wollo, 1991, 70x35cm,
Oil on Canvas. Right: Remenbrances: Detail of the Head, 75x125cm, Oil on Board

With the message of rebuilding Ethiopia still ringing in his ears, Maitre Afewerk quickly decided to relinquish the ministerial post assigned to him upon completion of his university studies, and opted instead to devote his full attention to painting and exhibiting his artwork both at home and abroad.

At age 22, Afewerk Tekle held his first significant one-man exhibition at the Municipality Hall in Addis Ababa in 1954. He followed up his success by conducting an extensive study tour of art in Italy, France, Spain, Portugal and Greece, paying particular attention to collections of Ethiopian illustrated manuscripts as well as acquiring skills in stained-glass artwork.

Returning home he was commissioned to create religious art for St. George’s Cathedral. He also worked on some of the first sculptures depicting Ethiopian national heroes. His designs and inspirations were soon printed on stamps and national costumes. Most notably, he conceptualized and designed the elaborate stainedglass window artwork in Africa Hall at the headquarters of the United Nations Economic Commission for Africa.

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Left: The Artist Working on the head of H.E Tedla Bairu, the first Chief Executive of Eritrea, 1967.
Middle: The finished Sculpture & the Model of the same in Stone, 1967. Right: Head of a Jamaican
girl, Bronze, 1953

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Left: Ras Makonen, Harrar, 1959. Middle: “Defender of his faith” (project for statue) Abuna Petros
square A.A., 1967. Right: “Young Defender of his country” (Project for youth square A.A. , 1959)

With the income and savings he acquired by selling his artwork Afewerk designed his own 22-room house, studio and gallery, which he nicknamed ‘Villa Alpha’.

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General view of ‘Villa Alpha’ from outside

By 1964 Maitre Afewerk had held his second successful exhibition, thereafter followed by his first exhibition abroad in Russia, the U.S.A. and Senegal. Touring African nations at a time when Africa was under the yoke of colonialism, Afewerk Tekle used his paintbrush to fight for the dignity and honor of African people.

Focusing on the struggles ensnaring black people, he shared his quest for liberation and equality, naming his artwork with titles such as Backbones of the African Continent, Africa’s Heritage, and African Unity.

“Your brush can be quite stronger than the machine gun,” he says. “I wanted to show how you can write Africa through your artwork, what it means to have liberty, to have your fellow humans completely equal.”

The theme of African independence and the interrelationship of African cultures are indelibly etched in Maitre Afewerk’s paintings.

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Afewerk Tekle at Stanford University on March 7,
2004. (Photo: Tadias Archive)

Many art critics have tried, time and time again, to label and categorize his work as having either European or African influence, and sometimes even both. However, he tells us that “you should be free and liberated in your thoughts and style. Your art should speak to you in your hidden language.”

Maitre Afewerk notes that 10% of his work is considered religious art while at least 50% echoes Ethiopian influence. But there is room for him to explore and develop his own style that speaks to his inner muse.

Today, Maitre Afewerk’s art is known and celebrated throughout the world, and indeed he has achieved his dream of becoming an Ethiopian artist with world recognition. He has uplifted Ethiopia, and at the same time his art has been infused into the daily life of his community and fellow citizens.

Walking or driving around Addis few years ago, it was difficult to miss his art projects depicting today’s heroes such as Haile Gebresellasie. At the bottom corner of the painting there is an Amharic phrase that says it all: Yitchalal! (It’s Possible!).

“At the end of the day, my message is quite simple,” he says. “I am not a pessimist, I want people to look at my art and find hope. I want people to feel good about Ethiopia, about Africa, to feel the delicate rays of the sun. And most of all, I want them to think: Yitchalal!


Photos of art work from maitreafewerktekle.com. Learn more about the artist at the same website.

About the Author:
Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

Queens, Spies, and Servants: A History of Ethiopian Women in Military Affairs

Above: These female war veterans are pictured in Addis
Ababa’s Menelik Square in 1973 at a ceremony to commemorate
an early victory against the Italians. Photo by Shemelis Desta
(BBC)

By Tseday Alehegn

Chronicles of war and military prowess are plentiful in Ethiopia’s historical literature. Growing up we are effortlessly taught the virtues of honor and duty, which have bestowed sovereignty to generation after generation of Ethiopians. Countless retelling of tales depicting the early and decisive victory at the battle of Adwa remain ever fresh in our proud minds and hearts; the feeling only to be outdone by the resoluteness of heroes who ended the Italian occupation of Ethiopia during the Second World War. Indeed, it is as the 17th century writer Almeida wrote of us: “In war they are reared as children, in war they grow old, or the life of all who are not farmers is war.”

The emphasis on military virtues becomes more palpable when we recognize the unique manner in which Ethiopians chose to fight off their external enemies. From earliest times, both women and men were encouraged to participate in mobilization and preparation efforts. Depicting the atmosphere during the battle of Adwa in 1896, historian G.F. Berkeley observes how the Ethiopian army was not merely organized as a segment of the population, but rather as an entire collective that had integrated the occurrence of war into its normal day-to-day activities. He points out, “It’s not an army [it is] an invasion, the transplanting of the whole people.” No one was left behind. While men served as soldiers they brought along with them their wives who in turn became involved either as civilian participants or as military combatants. What rights, titles, honors men claimed for their valor women were able to do the same.

Females were traditionally not allowed to inherit land unless the father died before the daughter married or there were no sons in the family. However, women would be able to claim property after serving in military mobilization efforts. In an uncommon way, the ability of women to participate on the warfront initiated change to their otherwise lower societal status. Not all participation in war, however, was voluntary as is clearly depicted in the following 19th century edict by the leader Ras Gugsa: “One who does not join the army of Gugsa, man and woman, will lose his genital and her breast respectively.”

Historians have estimated that an average of 20,000 to 30,000 women have participated in the campaign of Adwa alone. While the majority served in non-violent chores such as food preparation and nursing of the wounded, a significant portion served as soldiers, strategists, advisors, translators, and intelligence officers. Women from the aristocracy worked alongside maids and servants thereby breaking norms in class separation.

Female Military Strategists & Combatants:

At a time when women in most parts of the world were relegated to household chores, the number of Ethiopian women in the late 17th century participating in war expeditions against foreign aggressors was on the rise. Whereas most war decrees at this time encouraged all Ethiopians to fight occupation attempts, in 1691 Emperor Iyasu issued one of the first proclamations to curtail the rapid growth of women soldiers. The chronicles report:

“The king had the herald proclaim that the girls of the country must not ride
astride mules, because at this time these girls had adopted the practice of doing
so, tightening the belts of their shirts, covering their heads with their shammas and holding a long spear in their hand..marching in expeditions like men.”

Queen Yodit is one of the earliest-mentioned Ethiopian female leaders who fought spiritedly in battles. She successfully overthrew the powerful Aksumite kingdom, but because many churches and historically important sites were destroyed in the process her reign is infamously described as the dark era. Between 1464 and 1468, under the leadership of King Zere Yaqob, women’s expansion into political positions became more evident. Historian Richard Pankhurst notes how Zere Yaqob “established a women’s administration by appointing his daughters and relatives to key provinces.”

King Zere Yaqob’s wife, Queen Eleni, was an equally formidable and astute military strategist, and was largely responsible for the arrival in 1520 of the Portuguese as one of the first diplomatic missions. Predicting the appetite of Turks in invading Ethiopia’s coastline she proposed a joint attack strategy to the Portuguese leadership against the Egyptians and the Ottoman Turks. Sylvia Pankhurst records her letter to the Portuguese summoning a coalition. Queen Eleni is to have written:

“We have heard that the Sultan of Cairo assembles a great army to attack
your forces…against the assault of such enemies we are prepared to send
a good number of men-at-arms who will give assistance in the sea bound
areas…If you wish to arm a thousand warship we will provide the necessary
food and furnish you with everything for such a force in very great abundance.”

The Turks were soundly defeated. Years later Queen Seble Wongel was able to draw on the help of the Portuguese in defeating Ahmed Gragn’s muslim expansion into Ethiopia. In February 1543 her army fought at the battle of Woina Dega where Gragn succumbed to his death.

Harold Marcus documents Queen Worqitu’s history as the warrior queen who helped Menelik gain his crown. In 1865 Queen Worqitu of Wollo granted Menelik a safe route through her territory as the future monarch successfully escaped from King Tewodros’ prison.

The effect of her support in aiding Menelik to power is recorded in Ethiopia’s ensuing transformation from a ‘land of kings’ to a nation ruled by a ‘king of kings.’

Perhaps the most famous queen involved in military affairs is Empress Taitu, wife of Emperor Menelik II. In the battle of Adwa Empress Taitu is said to have commanded an infantry of no less than 5,000 along with 600 cavalry men and accompanied by thousands of Ethiopian women. Her strategy to cut off the invading Italian army’s water supply led to the weakening of the enemies warfront.

Following her example, Itege Menen avidly participated in battles taking places during the ‘Era of the Princes.’ Fighting against the incursion of the Egyptians, she is said to have had 20,000 soldiers under her command. Likewise, during the Italo-Ethiopian occupation, Princess Romanworq Haile Selassie upheld the tradition of women going to the battlefront and she fought alongside her husband.

Intelligence Officers, Advisors, and Translators:

Intelligence work was key in Ethiopia’s gaining the upper hand against fascist Italy and here too women played a significant role in information gathering. Through the establishment of the Central Committee of ‘Wust Arbegnoch’ (Inner Patriots) women members helped provide soldiers with intelligence information as well as arms, ammunition, food, clothing, and medicine. Sylvia Pankhurst also records how the female patriot Shewa Regged had organized an elite Ethiopian intelligence service to gather more arms while leading the Ethiopian guerilla fighters to the locale of Addis Alem to defeat an Italian fortification. Pankhurst recounts Shewa Regged’s resilience in her biography as follows:

“She was captured by the Italians and tortured by them with electricity to compel her to disclose her accomplices; despite all their cruelties, she preserved silence.”

Queen Taitu’s role as advisor is also well known. In depicting the wariness and foresight of Queen Taitu, historian R. Greenfield records her advise to Emperor Menelik and his cabinet regarding the Italian encroachment. She warns:

“Yield nothing. What you give away today will be a future ladder against your
fortress and tomorrow the Italians will come up it into your domains. If you
must lose lands lose them at least with your strong right arms.”

Her dedication and subsequent victory in preserving Ethiopia’s sovereignty won her the title “Berhane ZeEthiopia” (Light of Ethiopia). Her official seal bore this distinguished title.

In the role of translator, Princess Tsehay Haile Selassie served her country by accompanying the Emperor to the League of Nations and aiding in Ethiopia’s call for support from the International Community. The Plea falling on deaf ears the League soon dissolved as the Italians persisted on invading the last free African stronghold. Plunged into war, Empress Menen is to have asserted “Women of the world unite. Demand with one voice that we may be spared the honor of this useless bloodshed!”

Non-Combatant Efforts:

The role of women in Ethiopian military history will remain largely untold if their work as non-combatants is not recalled. It is in this position that the majority of women of the lower class contributed in strengthening Ethiopia’s defense. While some uplifted the morale of the fighting contingent through popular battle songs and poetry, others labored for the daily nourishment and overall well-being of the soldiers. The record of Ethiopia’s long-standing independence will be incomplete without the recognition of thousands of women servants who accompanied women and menfolk of the aristocracy in battle after battle. Maids and servants were responsible for the gathering and preparation of food and other administrative roles. The traveler and writer James Bruce stresses the diligence of these women during war expeditions. He writes in earnest:

“I know of no country where the female works so hard… seldom resting
till late at night, even at midnight grinding, and frequently up before
cockcrow. Tired from the march, no matter how late, water must be brought,
fuel collected, supper prepared by the soldiers’ wife…and before daylight, with
a huge load, she must march again.”

When not involved in presiding over day-to-day affairs women helped out in the clearing of roads, digging of trenches, and nursing of the wounded. In the same spirit, during the Italo-Ethiopian war, Princess Tsehay Haile Selassie helped mobilize women of all classes in efforts to provide gas masks, clothes, rations and bandages to the civilian population to protect against frequent Italian air raids and mustard gas attacks.

In commemoration of the anniversary of the Battle of Adwa, it is appropriate to recognize the achievements of Ethiopia’s women who helped in the creation of a one-of-a-kind defense system, which has successfully deterred foreign aggression not for a few years, but for thousands.

Publisher’s Note: This article is well-referenced and those who seek the references should contact Tseday Alehegn directly at: tseday@tadias.com

About the Author:
tseday_author.JPG
Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

Interview With Marcus Samuelsson at Merkato 55

By Liben Eabisa
Photos by Jeffrey Phipps

Updated: August 11th, 2008

New York (Tadias) – This past spring, I ventured to Gansevoort Street, the heart of the Meatpacking District in Manhattan, to interview Marcus Samuelsson at Merkato 55, his new restaurant venture named after the largest open-air market in Africa. Samuelsson’s dishes, a sundry assortment of appetizers and entrees hailing from all four corners of the African continent are paving the way for Pan-African fusion to be the next big thing for New York foodies.

Certainly, traditional African cuisine has long been around in this city, teeming with immigrants, and we have had our share of authentic Senegalese, Moroccan, or Ethiopian dishes, but what Samuelsson’s Merkato 55 aspires to provide to our palates is a distinct culinary adventure. It is as much a subtle re-introduction of traditional African flavors to the western taste as it is an advertisement for the continent’s food contribution to the world.

Simulating the architectural hues, warm brown colors and landscapes across the African continent, Merkato 55′s interior, designed by Dutch architect Menno Schmitz, is a two-story restaurant and bar, capable of holding approximately 150 people. It is the largest African restaurant in New York. It’s menu is equally daunting in its extensive offerings.

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Above: Upstairs dining area . Photo by Jeffrey Phipps for Tadias.

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Above: The bar downstairs. Photo by Jeffrey Phipps for Tadias.

Samuelsson, who was born in Ethiopia and raised in Sweden, is best known as the co-owner of New York’s finest Scandinavian restaurant, Aquavit. After having excelled at the Swedish side of his culinary heritage, Samuelson travelled extensively throughout the African continent, culminating his trips by sharing with us some of the most profound lessons that he learned about food and the sharing of food within African cultures, in his award-winning book aptly entitled The Soul of a New Cuisine.

Merkato 55 offers this new cuisine – a fusion of the old and new tastes, flavors, colors, and even sights of the scintillating diverse heritage of Africans.

“This is about adding something new to the New York landscape of restaurants”, Samuelsson says to me. “It’s an ambitious and grand New York African restaurant”.

It is indeed daring to launch the largest African restaurant in New York, bound not to one region or ethnic food, but rather infusing Africa’s indigenous foods with Samuelsson’s own chef-inspired artistic experiments.

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Above: Marcus Samuelsson sat down for an interview with Tadias
on Monday, April 14, 2008 at Merkato 55. Photo by Jeffrey Phipps for Tadias.

Samuelsson is unpretentious about the fact that his African-inspired dishes might not have the same authentic taste as those dishes that he watched being prepared, and which he tasted on his travels. He points out that what most New Yorkers consider as African restaurants mainly consist of Ethiopian, Moroccan and Senegalese ethnic eats. He mentions to me some of the great ones such as Ghenet, Queen of Sheba, and uptown Senegalese eateries.

Merkato 55, however, is very much an effort to introduce the flavors of various African cultures not only to Westerners but also to each other as Africans. Samuelsson points out, “We are very proud of our own food, but we know very little about each other’s food. We know pan-African music, but we don’t know pan-African cuisine. An Ethiopian might know music from Mali, but not food from Mozambique”.

I can recall, in my case, not hesitating to mix an occasional meal of Mexican black beans and rice alongside Caribbean-inspired deep fried plantains, all in one sitting. But when it comes to Ethiopian food, I usually wouldn’t venture to use our kibe (spiced butter) or the fiery mitmita pepper on anything more than my favorite kitfo (beef tartar) or our traditional stews.

In true fashion, I had carried this same cautious tradition when I dined at Merkato 55 with Tseday Alehegn, editor of Tadias, and our friend Assefa, an Ethiopian New Yorker from Brooklyn. After scouring through the menu for something ‘Ethiopian’, and hence familiar, we settled on a main entree of Dorot Wot (chicken stew) and Dulet (spiced tripe) preceded by an appetizer of Plantain Chips and Spicy Shrimp Chili. The Doro Wot was familiar enough with the traditional injera bread and cottage cheese in the pot, but the Dulet took us all by surprise. It tasted nothing like the tripe we grew up eating in our parents’ and grandparents’ homes so we spent a few minutes debating whether it was really Dulet or not. Yet, it was the dish that we unanimously voted was the best tasting one. Needless to say, the only thing that mattered is that it was simply delicious. Now, of course, we know that we can eat Dulet in more ways than one.

This is the genius of Marcus Samuelsson’s fusion of African cuisine that brings creative “unity and harmony through food.” Samuelsson’s Merkato menu plainly asks us to be more assertive in our choices: How about a Berbere rack of Lamb with Grains of Paradise and Spring Garlic instead of the traditional Berbere with Injera? Perhaps even Grilled Shrimp Piri Piri as a side dish?

Beyond the borders that we place on what is or is not authentically African, there is a space, where Africa’s culinary gifts are not left relegated to basement ‘mom & pop’ stores – segregated into national and ethnic enclaves.

Samuelsson puts it more succinctly, “We are trying to show Africa in a different light, without the masks.”

How many of us know, for example, that the peanut butter that we fondly call ‘All-American’ was introduced to us straight from West African traditional cuisine? Rice, now a necessary global staple, has been part of the traditional West African diet since the 1500s and was successfully cultivated in the New World by the first Africans in the Carolinas. Spices such as coriander, grains of paradise and tamarind, and vegetables such as cucumbers and okra originated in Africa. Grains such as millet, quinoa, sorghum and teff, now popularly re-introduced in natural food stores as alternatives to wheat, have a long tradition of being served alongside spicy currys, breads or beans in East and West African cuisines. Even the beans for our daily fix of coffee are said to have originated in the Ethiopian highlands.

When we pause to reflect, we are already familiar with many of the ingredients commonly found in African-inspired menus. But Merkato 55 is bold – not only for mixing East and West, North and South, but also for unveiling the depth of African variety, the richness of the flavors, both those which are indigenous and those brought over to the continent through historical and colonial trade routes.

“I do know food and I have deep knowledge and love for African food” Samuelsson says.

And indeed it’s time for a true connoisseur of food to give Pan-African cuisine its limelight and to break down our self-imposed restrictions of how to savor African cuisine.

I have learned my lesson. After my interview, Samuelsson prepared for us Grilled Shrimp Piri Piri Baby Romaine, inspired by a dish from Mozambique. I also had a taste of North African Hummus and Baba Ghanoush, Spicy Shrimp Chili and Apricot Blatjang with Mint from the Kidogo Sample, which includes an assortment of African Breads.

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Above: The Kidogo Sample. Photo by Jeffrey Phipps.

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Above: Marcus Samuelsson prepared for us this Grilled Shrimp Piri Piri.
Monday, April 14, 2008. Photo by Jeffrey Phipps for Tadias.

Next time I am in the Meatpacking District, I may just as well try the Steak Dakar with Coriander Butter and Merkato Fries, and a glass of South African Wine.

——
Liben Eabisa is Founder and Publisher of Tadias Magazine.
Additional reporting by Tseday Alehegn

Harlem: African American and Ethiopian Relations

Jazz great Duke Ellington toasts with Emperor Haile Selassie after receiving Ethiopia's Medal of Honor in 1973. (Photo: Ethiopiancrown.org)

Tadias Magazine

By Tseday Alehegn

New York (TADIAS) – Ethiopia stands as the oldest, continuous, black civilization on earth, and the second oldest civilization in history after China. This home of mine has been immortalized in fables, legends, and epics. Homer’s Illiad, Aristotle’s A Treatise on Government, Miguel Cervante’s Don Quixote, the Bible, the Koran, and the Torah are but a few potent examples of Ethiopia’s popularity in literature. But it is in studying the historical relations between African Americans and Ethiopians that I came to understand ‘ Ethiopia’ as a ray of light. Like the sun, Ethiopia has spread its beams on black nations across the globe. Her history is carefully preserved in dust-ridden books, in library corners and research centers. Her beauty is caught by a photographer’s discerning eye, her spirituality revived by priests and preachers. Ultimately, however, it is the oral journals of our elders that helped me capture glitters of wisdom that would palliate my thirst for a panoptic and definitive knowledge.

The term ‘Ethiopian’ has been used in a myriad of ways; it is attributed to the indigenous inhabitants of the land located in the Eastern Horn of Africa, as well as more generally denotive of individuals of African descent. Indeed, at one time, the body of water now known as the Atlantic Ocean was known as the Ethiopian Ocean. And it was across this very ocean that the ancestors of African Americans were brought to America and the ‘ New World.’

Early African American Writers

Although physically separated from their ancestral homeland and amidst the opprobrious shackles of slavery, African American poets, writers, abolitionists, and politicians persisted in forging a collective identity, seeking to link themselves figuratively if not literally to the African continent. One of the first published African American writers, Phillis Wheatly, sought refuge in referring to herself as an “Ethiop”. Wheatley, an outspoken poet, was also one of the earliest voices of the anti-slavery movement, and often wrote to newspapers of her passion for freedom. She eloquently asserted, “In every human breast God has implanted a principle, it is impatient of oppression.” In 1834 another anti-slavery poet, William Stanley Roscoe, published his poem “The Ethiop” recounting the tale of an African fighter ending the reign of slavery in the Caribbean. Paul Dunbar’s notable “Ode to Ethiopia,” published in 1896, was eventually put to music by William Grant Still and performed in 1930 by the Afro-American Symphony. In his fiery anti-slavery speech entitled “What to the Slave is the Fourth of July?” prominent black leader Frederick Douglas blazed at his opponents, “Africa must rise and put on her yet unwoven garment. Ethiopia shall stretch out her hand unto God.”

First Ethiopians Travel to America

As African Americans fixed their gaze on Ethiopia, Ethiopians also traveled to the ‘New World’ and learned of the African presence in the Americas. In 1808 merchants from Ethiopia arrived at New York’s famous Wall Street. While attempting to attend church services at the First Baptist Church of New York, the Ethiopian merchants, along with their African American colleagues, experienced the ongoing routine of racial discrimination. As an act of defiance against segregation in a house of worship, African Americans and Ethiopians organized their own church on Worth Street in Lower Manhattan and named it Abyssinia Baptist Church. Adam Clayton Powell, Sr. served as the first preacher, and a new building was later purchased on Waverly Place in the West Village before the church was moved to its current location in Harlem. Scholar Fikru Negash Gebrekidan likewise notes that, along with such literal acts of rebellion, anti slavery leaders Robert Alexander Young and David Walker published pamphlets entitled Ethiopian Manifesto and Appeal in 1829 in an effort to galvanize blacks to rise against their slave masters.


Reverend Dr. Calvin O. Butts, III, current head of the Abyssinia Baptist Church in Harlem, led a delegation of 150 to Ethiopia in 2007 as part of the church’s bicentennial celebration. (Photo: At Abyssinian Baptist Church in Harlem, New York on Sunday, November 4, 2007/Tadias)

Adwa Victory & ‘Back to Africa’ Movement

When Italian colonialists encroached on Ethiopian territory and were soundly defeated in the Battle of Adwa on March 1, 1896, it became the first African victory over a European colonial power, and the victory resounded loud and clear among compatriots of the black diaspora. “For the oppressed masses Adwa…would become a cause célèbre,” writes Gebrekidan, “a metaphor for racial pride and anti-colonial defiance, living proof that skin color or hair texture bore no significance on intellect and character.” Soon, African Americans and blacks from the Caribbean Islands began to make their way to Ethiopia. In 1903, accompanied by Haitian poet and traveler Benito Sylvain, an affluent African American business magnate by the name of William Henry Ellis arrived in Ethiopia to greet and make acquaintances with Emperor Menelik. A prominent physician from the West Indies, Dr. Joseph Vitalien, also journeyed to Ethiopia and eventually became Menelik’s trusted personal physician.

For black America, the early 1900s was a time consumed with the notion of “returning to Africa,” to the source. With physical proof of the beginnings of colonial demise, a charismatic and savvy Jamaican immigrant and businessman named Marcus Garvey established his grassroots organization in 1917 under the title United Negro Improvement Association (UNIA) with branches in various states. Using the success of Ethiopia’s independence as a beacon of freedom for blacks residing in the Americas, Garvey envisioned a shipping business that would raise enough money and register members to volunteer to be repatriated to Africa. In a few years time, Garvey’s UNIA raised approximately ten million dollars and boasted an impressive membership of half a million individuals.

Notable human rights leader Malcolm X began his autobiography by mentioning his father, Reverend Earl Little, as a staunch supporter of the UNIA. “It was only me that he sometimes took with him to the Garvey U.N.I.A. meetings which he held quietly in different people’s homes,” says Malcolm. “I can remember hearing of ‘ Africa for the Africans,’ ‘Ethiopians, Awake!’” Malcolm’s early association with Garvey’s pan-African message resonated with him as he schooled himself in reading, writing, and history. “I can remember accurately the very first set of books that really impressed me,” Malcolm professes, “J.A. Rogers’ three volumes told about Aesop being a black man who told fables; about the great Coptic Christian Empires; about Ethiopia, the earth’s oldest continuous black civilization.”

By the time the Ethiopian government had decided to send its first official diplomatic mission to the United States in 1919, Marcus Garvey had already emblazoned an image of Ethiopia into the minds and hearts of his African American supporters. “I see a great ray of light and the bursting of a mighty political cloud which will bring you complete freedom,” he promised them, and they in turn eagerly propagated his message.

The Harlem Renaissance & Emigrating to Ethiopia


A headline by the Chicago Defender announcing the arrival of the first Ethiopian diplomatic delegation to the United States on July 11, 1919.

In 1919 an official Ethiopian goodwill mission was sent to the United States, the first African delegation of diplomats, in hopes of creating amicable ties with the American people and government. The four-person delegation included Dadjazmatch Nadou, Ato Belanghetta Herouy Wolde Selassie, Kantiba Gabrou, and Ato Sinkas. Having been acquainted with African Americans such as businessman William Ellis, Kantiba Gabrou, the mayor of Gondar, made a formal appeal during his trip for African Americans to emigrate to Ethiopia. Arnold Josiah Ford, a Harlem resident from Barbados, had an opportunity to meet the 1919 Ethiopian delegation. Having already heard of the existence of black Jews in Ethiopia, Ford established his own synagogue for the black community soon after meeting the Ethiopian delegation. Along with a Nigerian-born bishop named Arthur Wentworth Matthews, Ford created the Commandment Keepers Church on 123rd Street in Harlem and taught the congregation about the existence of black Jews in Ethiopia. Meanwhile, in the international spotlight, 1919 was the year the League of Nations was created, of which Ethiopia became the first member from the African continent. The mid 1900s gave birth to the Harlem Renaissance. With many African Americans migrating to the north in search of a segregation-free life, and a large contention of black writers, actors, artists and singers gathering in places like Harlem, a new culture of black artistic expression thrived. Even so, the Harlem Renaissance was more than just a time of literary discussions and hot jazz; it represented a confluence of creativity summoning forth the humanity and pride of blacks in America – a counterculture subverting the grain of thought ‘separate and unequal.’


Commandment Keepers Synagogue. (Photography by Chester Higgins. ©chesterhiggins.com)

As in earlier times, the terms ‘Ethiopian’ and ‘Ethiop’ continued to be utilized by Harlem writers and poets to instill black pride. In other U.S. cities like Chicago, actors calling themselves the ‘National Ethiopian Art Players’ performed The Chip Woman’s Fortune by Willis Richardson, the first serious play by a black writer to hit Broadway.

In 1927, Ethiopia’s Ambassador to London, Azaj Workneh Martin, arrived in New York and appealed once again for African American professionals to emigrate and work in Ethiopia. In return they were promised free land and high wages. In 1931 the Emperor granted eight hundred acres for settlement by African Americans, and Arnold Josiah Ford, bishop of the Commandment Keepers Church, became one of the first to accept the invitation. Along with sixty-six other individuals, Ford emigrated and started life anew in Ethiopia.

Ethiopian Students in America: Mobilizing Support

In November 1930, Haile Selassie was coronated as Emperor of Ethiopia. The event blared on radios, and Harlemites heard and marveled at the ceremonies of an African king. The emperor’s face glossed the cover of Time Magazine, which remarked on black news outlets in America hailing the king “as their own.” African American pilot Hubert Julian, dubbed “The Black Eagle of Harlem,” had visited Ethiopia and attended the coronation. Describing the momentous occasion to Time Magazine, Hubert rhapsodized:

“When I arrived in Ethiopia the King was glad to see me… I took off with a French pilot… We climbed to 5,000 ft. as 50,000 people cheered, and then I jumped out and tugged open my parachute… I floated down to within 40 ft. of the King, who incidentally is the greatest of all modern rulers… He rushed up and pinned the highest medal given in that country on my breast, made me a colonel and the leader of his air force — and here I am!”

Joel Augustus Rogers, famed author and correspondent for New York’s black newspaper Amsterdam News, also covered the Coronation of Haile Selassie and was likewise presented with a coronation medal.

After his official coronation, Emperor Haile Selassie sent forth the first wave of Ethiopian students to continue their education abroad. Melaku Beyan was a member of the primary batch of students sent to America in the 1930s. He attended Ohio State University and later received his medical degree at Howard Medical School in Washington, D.C. During his schooling years at Howard, he forged lasting friendships with members of the black community and, at Emperor Haile Selassie’s request, he endeavored to enlist African American professionals to work in Ethiopia. Beyan was successful in recruiting several individuals, including teachers Joseph Hall and William Jackson, as well as physicians Dr. John West and Dr. Reuben S. Young, the latter of whom began a private practice in Ethiopia’s capital, Addis Ababa, prior to his official assignment as a municipal health officer in Dire Dawa.

african_americans_professionals1.jpg
African American professionals in Addis Ababa – 1942. Kneeling, left to right: Andrew
Howard Hester, Edward Eugene Jones, Edgar E. Love. Standing, left to right: David Talbot, Thurlow
Evan Tibbs, James William Cheeks, the Reverend Mr. Hamilton, John Robinson, Edgar D. Draper

(Photo: Crown Council of Ethiopia)

Italo-Ethiopian War 1935-1941

beyan1.jpg
Melaku Beyan

By the mid 1930s the Emperor had sent a second diplomatic mission to the U.S. Vexed at Italy’s consistently aggressive behavior towards his nation, Haile Selassie attempted to forge stronger ties with America. Despite being a member of the League of Nations, Italy disregarded international law and invaded Ethiopia in 1935. The Ethiopian government appealed for support at the League of Nations and elsewhere, through representatives such as the young, charismatic speaker Melaku Beyan in the United States. Beyan had married an African American activist, Dorothy Hadley, and together they created a newspaper called Voice of Ethiopia to simultaneously denounce Jim Crow in America and fascist invasion in Ethiopia. Joel Rogers, the correspondent who had previously attended the Emperor’s coronation, returned to Ethiopia as a war correspondent for The Pittsburgh Courier, then America’s most widely-circulated black newspaper. Upon returning to the United States a year later, he published a pamphlet entitled The Real Facts About Ethiopia, a scathing and uncompromising report on the destruction caused by Italian troops in Ethiopia. Melaku Beyan used the pamphlet in his speaking tours, while his wife Dorothy designed and passed out pins that read “Save Ethiopia.”

In Harlem, Chicago, and various other cities African American churches urged their members to speak out against the invasion. Beyan established at least 28 branches of the newly-formed Ethiopian World Federation, an organ of resistance calling on Ethiopians and friends of Ethiopia throughout the United States, Europe, and the Caribbean. News of Ethiopia’s plight fueled indignation and furious debates among African Americans. Touched by the Emperor’s speech at the League of Nations, Roger’s accounts, and Melaku’s impassioned message, blacks vowed to support Ethiopia. Still others wrote letters to Haile Selassie, some giving advice, others support and commentary. “I pray that you will deliver yourself from crucifixion,” wrote one black woman from Los Angeles, “and show the whites that they are not as civilized as they loudly assert themselves to be.”

Although the United States was not officially in support of Ethiopia, scores of African Americans attempted to enlist to fight in Ethiopia. Unable to legally succeed on this front, several individuals traveled to Ethiopia on ‘humanitarian’ grounds. Author Gail Lumet Buckley cites two African American pilots, John Robinson and the ‘Black Eagle of Harlem’ Hubert Julian, who joined the Ethiopian Air Force, then made up of only three non-combat planes. John Robinson, a member of the first group of black students that entered Curtis Wright Flight School, flew his plane delivering medical supplies to different towns across the country. Blacks in America continued to stand behind the Emperor and organized medical supply drives from New York’s Harlem Hospital. Melaku Beyan and his African American counterparts remained undeterred for the remainder of Ethiopia’s struggle against fascism. In 1940, a year before Ethiopia’s victory against Italy, Melaku Beyan succumbed to pneumonia, which he had caught while walking door-to-door in the peak of winter, speaking boldly about the war for freedom in Ethiopia.

colonerobinson1_inside.jpg
Above: Colonel John C. Robinson arrives in Chicago after heroically
leading the Ethiopian Air Force against the invading Mussolini’s
Italian forces.
(Photo via Ethiopiancrown.org)

Lasting Legacies: Ties That Bind

Traveling through Harlem in my mind’s eye, I see the mighty organs of resistance that played such a pivotal role in “keeping aloft” the banner of Ethiopia and fostering deep friendships among blacks in Africa and America. I envision the doors Melaku Beyan knocked on as he passed out pamphlets; the pulpits on street corners where Malcolm X stood preaching about the strength and beauty of black people, fired up by the history he read. The Abyssinia Baptist Church stands today bigger and bolder, and inside you find the most exquisite Ethiopian cross, a gift from the late Emperor Haile Selassie to the people of Harlem and a symbol of love and gratitude for their support and friendship.


Left, Emperor Haile Selassie presenting the cross to Reverend Adam Clayton Powell, Jr., on May 27, 1954. (Photography by Marvin Smith). Right, Rev. Dr. Calvin Butts, the current head of the Abyssinia Baptist Church.

Several Coptic churches line the streets of Harlem, and the ancient synagogue of the Commandment Keepers established by Arnold Ford continues to have Sabbath services. The offices of the Amsterdam News are still as busy as ever, recording and recounting the past and present state of black struggles. Over the years, the Schomburg Center for Research in Black Culture has carefully preserved the photographic proofs of the ties that bind African Americans and Ethiopians, just in case the stories told are too magical to grasp.The name ‘Ethiopia’ conjures a kaleidoscope of images and verbs. In researching the historical relations between African Americans and Ethiopians, I learned that Ethiopia is synonymous with ‘freedom,’ ‘black dignity’ and ‘self-worth.’ In the process, I looked to my elders and heeded the wisdom they have to share. In his message to the grassroots of Detroit, Michigan, Malcolm X once asserted, “Of all our studies, history is best qualified to reward our research.” It is this kernel of truth that propelled me to share this rich history in celebration of Black History Month and the victory of Adwa.

In attempting to understand what Ethiopia really means, I turn to Ethiopia’s Poet Laureate Tsegaye Gabre-Medhin. “The Ethiopia of rich history is the heart of Africa’s civilization,” he said. “She is the greatest example of Africa’s pride. Ethiopia means peace. The word ‘ Ethiopia’ emanates from a connection of three old Egyptian words, Et, Op and Bia, meaning truth and peace, up and upper, country and land. Et-Op-Bia is land of upper truth or land of higher peace.”

This is my all-time, favorite definition of Ethiopia, because it brings us back to our indigenous roots: The same roots that African Americans and the diaspora have searched for; the same roots from which we have sprung and grown into individuals rich in confidence. Welcome to Blackness. Welcome to Ethiopia!


About the Author:
Tseday Alehegn is the Editor-in-Chief of Tadias Magazine.

Related:
In Pictures: Harlem Rekindles Old Friendship With Ethiopia (TADIAS)
Ethiopian & African American Relations: The Case of Melaku E. Bayen and John Robinson (TADIAS)

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African American & Ethiopian Relations

Abyssinian 200 featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis, the Abyssinian Baptist Church Choir and Rev. Dr. Calvin O. Butts III. (Photo via jalc.org)

Tadias Magazine
By Tseday Alehegn

Updated: August 10th, 2008

New York (TADIAS) – As members of Harlem’s legendary Abyssinian Baptist Church, a symbol of African American and Ethiopian relations, prepare for the church’s bicentennial celebration, we offer the following article from our archive that reminds us of the lasting legacies and ties that bind.

Ethiopia, also called Yaltopya, Cush, and Abyssinia, stands as the oldest, continuous, black civilization on earth, and the second oldest civilization in history after China. This home of mine has been immortalized in fables, legends, and epics. Homer’s Illiad, Aristotle’s A Treatise on Government, Miguel Cervante’s Don Quixote, the Bible, the Koran, and the Torah are but a few potent examples of Ethiopia’s popularity in literature. But it is in studying the historical relations between African Americans and Ethiopians that I came to understand ‘ Ethiopia’ as a ray of light. Like the sun, Ethiopia has spread its beams on black nations across the globe. Her history is carefully preserved in dust-ridden books, in library corners and research centers. Her beauty is caught by a photographer’s discerning eye, her spirituality revived by priests and preachers. Ultimately, however, it is the oral journals of our elders that helped me capture glitters of wisdom that would palliate my thirst for a panoptic and definitive knowledge.

The term ‘Ethiopian’ has been used in a myriad of ways; it is attributed to the indigenous inhabitants of the land located in the Eastern Horn of Africa, as well as more generally denotive of individuals of African descent. Indeed, at one time, the body of water now known as the Atlantic Ocean was known as the Ethiopian Ocean. And it was across this very ocean that the ancestors of African Americans were brought to America and the ‘ New World.’

Early African American Writers

Although physically separated from their ancestral homeland and amidst the opprobrious shackles of slavery, African American poets, writers, abolitionists, and politicians persisted in forging a collective identity, seeking to link themselves figuratively if not literally to the African continent. One of the first published African American writers, Phillis Wheatly, sought refuge in referring to herself as an “Ethiop”. Wheatley, an outspoken poet, was also one of the earliest voices of the anti-slavery movement, and often wrote to newspapers of her passion for freedom. She eloquently asserted, “In every human breast God has implanted a principle, it is impatient of oppression.” In 1834 another anti-slavery poet, William Stanley Roscoe, published his poem “The Ethiop” recounting the tale of an African fighter ending the reign of slavery in the Caribbean. Paul Dunbar’s notable “Ode to Ethiopia,” published in 1896, was eventually put to music by William Grant Still and performed in 1930 by the Afro-American Symphony. In his fiery anti-slavery speech entitled “What to the Slave is the Fourth of July?” prominent black leader Frederick Douglas blazed at his opponents, “Africa must rise and put on her yet unwoven garment. Ethiopia shall stretch out her hand unto God.”

First Ethiopians Travel to America

As African Americans fixed their gaze on Ethiopia, Ethiopians also traveled to the ‘New World’ and learned of the African presence in the Americas. In 1808 merchants from Ethiopia arrived at New York’s famous Wall Street. While attempting to attend church services at the First Baptist Church of New York, the Ethiopian merchants, along with their African American colleagues, experienced the ongoing routine of racial discrimination. As an act of defiance against segregation in a house of worship, African Americans and Ethiopians organized their own church on Worth Street in Lower Manhattan and named it Abyssinia Baptist Church. Adam Clayton Powell, Sr. served as the first preacher, and new building was later purchased on Waverly Place in the West Village before the church was moved to its current location in Harlem. Scholar Fikru Negash Gebrekidan likewise notes that, along with such literal acts of rebellion, anti slavery leaders Robert Alexander Young and David Walker published pamphlets entitled Ethiopian Manifesto and Appeal in 1829 in an effort to galvanize blacks to rise against their slave masters.

rev_butts_inside.jpg
Above: Reverend Dr. Calvin O. Butts, III, current head of the Abyssinia
Baptist Church in Harlem, led a delegation of 150 to Ethiopia in 2007 as
part of the church’s bicentennial celebration and in honor of the Ethiopian
Millennium. Photo: At Abyssinian Baptist Church in Harlem on Sunday,
November 4, 2007. (Tadias)

Adwa Victory &‘Back to Africa’ Movement

When Italian colonialists encroached on Ethiopian territory and were soundly defeated in the Battle of Adwa on March 1, 1896, it became the first African victory over a European colonial power, and the victory resounded loud and clear among compatriots of the black diaspora. “For the oppressed masses Adwa…would become a cause célèbre,” writes Gebrekidan, “a metaphor for racial pride and anti-colonial defiance, living proof that skin color or hair texture bore no significance on intellect and character.” Soon, African Americans and blacks from the Caribbean Islands began to make their way to Abyssinia. In 1903, accompanied by Haitian poet and traveler Benito Sylvain, an affluent African American business magnate by the name of William Henry Ellis arrived in Ethiopia to greet and make acquaintances with Emperor Menelik. A prominent physician from the West Indies, Dr. Joseph Vitalien, also journeyed to Ethiopia and eventually became the Emperor’ trusted personal physician.

For black America, the early 1900s was a time consumed with the notion of “returning to Africa,” to the source. With physical proof of the beginnings of colonial demise, a charismatic and savvy Jamaican immigrant and businessman named Marcus Garvey established his grassroots organization in 1917 under the title United Negro Improvement Association (UNIA) with branches in various states. Using the success of Ethiopia’s independence as a beacon of freedom for blacks residing in the Americas, Garvey envisioned a shipping business that would raise enough money and register members to volunteer to be repatriated to Africa. In a few years time, Garvey’s UNIA raised approximately ten million dollars and boasted an impressive membership of half a million individuals.

Notable civil rights leader Malcolm X began his autobiography by mentioning his father, Reverend Earl Little, as a staunch supporter of the UNIA. “It was only me that he sometimes took with him to the Garvey U.N.I.A. meetings which he held quietly in different people’s homes,” says Malcolm. “I can remember hearing of ‘ Africa for the Africans,’ ‘Ethiopians, Awake!’” Malcolm’s early association with Garvey’s pan-African message resonated with him as he schooled himself in reading, writing, and history. “I can remember accurately the very first set of books that really impressed me,” Malcolm professes, “J.A. Rogers’ three volumes told about Aesop being a black man who told fables; about the great Coptic Christian Empires; about Ethiopia, the earth’s oldest continuous black civilization.”

By the time the Ethiopian government had decided to send its first official diplomatic mission to the United States, Marcus Garvey had already emblazoned an image of Ethiopia into the minds and hearts of his African American supporters. “I see a great ray of light and the bursting of a mighty political cloud which will bring you complete freedom,” he promised them, and they in turn eagerly propagated his message.

The Harlem Renaissance & Emigrating to Ethiopia
history2_big.jpg
Above: A headline by the Chicago Defender announcing the
arrival of the first Abyssinian diplomatic delegation to the United
States on July 11, 1919.

In 1919 an official Ethiopian goodwill mission was sent to the United States, the first African delegation of diplomats, in hopes of creating amicable ties with the American people and government. The four-person delegation included Dadjazmatch Nadou, Ato Belanghetta Herouy Wolde Selassie, Kantiba Gabrou, and Ato Sinkas. Having been acquainted with African Americans such as businessman William Ellis, Kantiba Gabrou, the mayor of Gondar, made a formal appeal during his trip for African Americans to emigrate to Ethiopia. Arnold Josiah Ford, a Harlem resident from Barbados, had an opportunity to meet the 1919 Ethiopian delegation. Having already heard of the existence of black Jews in Ethiopia, Ford established his own synagogue for the black community soon after meeting the Ethiopian delegation. Along with a Nigerian-born bishop named Arthur Wentworth Matthews, Ford created the Commandment Keepers Church on 123rd Street in Harlem and taught the congregation about the existence of black Jews in Ethiopia. Meanwhile, in the international spotlight, 1919 was the year the League of Nations was created, of which Ethiopia became the first member from the African continent. The mid 1900s gave birth to the Harlem Renaissance. With many African Americans migrating to the north in search of a segregation-free life, and a large contention of black writers, actors, artists and singers gathering in places like Harlem, a new culture of black artistic expression thrived. Even so, the Harlem Renaissance was more than just a time of literary discussions and hot jazz; it represented a confluence of creativity summoning forth the humanity and pride of blacks in America – a counterculture subverting the grain of thought ‘separate and unequal.’

ford_syneg.jpg
Above: Commandment Keepers Synagogue.. Photography by Chester Higgins.
©chesterhiggins.com

As in earlier times, the terms ‘Ethiopian’ and ‘Ethiop’ continued to be utilized by Harlem writers and poets to instill black pride. In other U.S. cities like Chicago, actors calling themselves the ‘National Ethiopian Art Players’ performed The Chip Woman’s Fortune by Willis Richardson, the first serious play by a black writer to hit Broadway.

In 1927, Ethiopia’s Ambassador to London, Azaj Workneh Martin, arrived in New York and appealed once again for African American professionals to emigrate and work in Ethiopia. In return they were promised free land and high wages. In 1931 the Emperor granted eight hundred acres for settlement by African Americans, and Arnold Josiah Ford, bishop of the Commandment Keepers Church, became one of the first to accept the invitation. Along with sixty-six other individuals, Ford emigrated and started life anew in Ethiopia.

Ethiopian Students in America: Mobilizing Support

In November 1930, Taffari Makonnen was coronated as Emperor of Ethiopia. The event blared on radios, and Harlemites heard and marveled at the ceremonies of a black king. The emperor’s face glossed the cover of Time Magazine, which remarked on “negro newsorgans” in America hailing the king “as their own.” African American pilot Hubert Julian, dubbed “The Black Eagle of Harlem,” had visited Ethiopia and attended the coronation. Describing the momentous occasion to Time Magazine, Hubert rhapsodized:

“When I arrived in Ethiopia the King was glad to see me… I took off with a French pilot… We climbed to 5,000 ft. as 50,000 people cheered, and then I jumped out and tugged open my parachute… I floated down to within 40 ft. of the King, who incidentally is the greatest of all modern rulers… He rushed up and pinned the highest medal given in that country on my breast, made me a colonel and the leader of his air force — and here I am!”

Joel Augustus Rogers, famed author and correspondent for New York’s black newspaper Amsterdam News, also covered the Coronation of Haile Selassie and was likewise presented with a coronation medal.

After his official coronation, Emperor Haile Selassie sent forth the first wave of Ethiopian students to continue their education abroad. Melaku Beyan was a member of the primary batch of students sent to America in the 1930s. He attended Ohio State University and later received his medical degree at Howard Medical School in Washington, D.C. During his schooling years at Howard, he forged lasting friendships with members of the black community and, at Emperor Haile Selassie’s request, he endeavored to enlist African American professionals to work in Ethiopia. Beyan was successful in recruiting several individuals, including teachers Joseph Hall and William Jackson, as well as physicians Dr. John West and Dr. Reuben S. Young, the latter of whom began a private practice in Ethiopia’s capital, Addis Ababa, prior to his official assignment as a municipal health officer in Dire Dawa, Harar.

african_americans_professionals1.jpg
African American professionals in Addis Ababa – 1942. Kneeling, left to right: Andrew
Howard Hester, Edward Eugene Jones, Edgar E. Love. Standing, left to right: David Talbot, Thurlow
Evan Tibbs, James William Cheeks, the Reverend Mr. Hamilton, John Robinson, Edgar D. Draper

(Ethiopiancrown.org)

Italo-Ethiopian War 1935-1941
beyan1.jpg
Melaku Beyan

By the mid 1930s the Emperor had sent a second diplomatic mission to the U.S. Vexed at Italy’s consistently aggressive behavior towards his nation, Haile Selassie attempted to forge stronger ties with America. Despite being a member of the League of Nations, Italy disregarded international law and invaded Ethiopia in 1935. The Ethiopian government appealed for support at the League of Nations and elsewhere, through representatives such as the young, charismatic speaker Melaku Beyan in the United States. Beyan had married an African American activist, Dorothy Hadley, and together they created a newspaper called Voice of Ethiopia to simultaneously denounce Jim Crow in America and fascist invasion in Ethiopia. Joel Rogers, the correspondent who had previously attended the Emperor’s coronation, returned to Ethiopia as a war correspondent for The Pittsburgh Courier, then America’s most widely-circulated black newspaper. Upon returning to the United States a year later, he published a pamphlet entitled The Real Facts About Ethiopia, a scathing and uncompromising report on the destruction caused by Italian troops in Ethiopia. Melaku Beyan used the pamphlet in his speaking tours, while his wife Dorothy designed and passed out pins that read “Save Ethiopia.”

In Harlem, Chicago, and various other cities African American churches urged their members to speak out against the invasion. Beyan established at least 28 branches of the newly-formed Ethiopian World Federation, an organ of resistance calling on Ethiopians and friends of Ethiopia throughout the United States, Europe, and the Caribbean. News of Ethiopia’s plight fueled indignation and furious debates among African Americans. Touched by the Emperor’s speech at the League of Nations, Roger’s accounts, and Melaku’s impassioned message, blacks vowed to support Ethiopia. Still others wrote letters to Haile Selassie, some giving advice, others support and commentary. “I pray that you will deliver yourself from crucifixion,” wrote one black woman from Los Angeles, “and show the whites that they are not as civilized as they loudly assert themselves to be.”

Although the United States was not officially in support of Ethiopia, scores of African Americans attempted to enlist to fight in Ethiopia. Unable to legally succeed on this front, several individuals traveled to Ethiopia on ‘humanitarian’ grounds. Author Gail Lumet Buckley cites two African American pilots, John Robinson and the ‘Black Eagle of Harlem’ Hubert Julian, who joined the Ethiopian Air Corps, then made up of only three non-combat planes. John Robinson, a member of the first group of black students that entered Curtis Wright Flight School, flew his plane delivering medical supplies to different towns across the country. Blacks in America continued to stand behind the Emperor and organized medical supply drives from New York’s Harlem Hospital. Melaku Beyan and his African American counterparts remained undeterred for the remainder of Ethiopia’s struggle against colonization. In 1940, a year before Ethiopia’s victory against Italy, Melaku Beyan succumbed to pneumonia, which he had caught while walking door-to-door in the peak of winter, speaking boldly about the war for freedom in Ethiopia.

colonerobinson1_inside.jpg
Above: Colonel John C. Robinson arrives in Chicago after heroically
leading the Ethiopian Air Force against the invading Mussolini’s
Italian forces.
(Ethiopiancrown.org)

Lasting Legacies: Ties That Bind

Traveling through Harlem in my mind’s eye, I see the mighty organs of resistance that played such a pivotal role in “keeping aloft” the banner of Ethiopia and fostering deep friendships among blacks in Africa and America. I envision the doors Melaku Beyan knocked on as he passed out pamphlets; the pulpits on street corners where Malcolm X stood preaching about the strength and beauty of black people, fired up by the history he read. The Abyssinia Baptist Church stands today bigger and bolder, and inside you find the most exquisite Ethiopian cross, a gift from the late Emperor to the people of Harlem and a symbol of love and gratitude for their support and friendship.

haile_powel.jpg
Above: Emperor Haile Selassie
presenting the cross to Reverened
Adam Clayton Powell, Jr., on May 27,
1954. Photography by Marvin Smith.

Several Coptic churches line the streets of Harlem, and the ancient synagogue of the Commandment Keepers established by Arnold Ford continues to have Sabbath services. The offices of the Amsterdam News are still as busy as ever, recording and recounting the past and present state of black struggles. Over the years, the Schomburg Center for Research in Black Culture has carefully preserved the photographic proofs of the ties that bind African Americans and Ethiopians, just in case the stories told are too magical to grasp.The name ‘Ethiopia’ conjures a kaleidoscope of images and verbs. In researching the historical relations between African Americans and Ethiopians, I learned that Ethiopia is synonymous with ‘freedom,’ ‘black dignity’ and ‘self-worth.’ In the process, I looked to my elders and heeded the wisdom they have to share. In his message to the grassroots of Detroit, Michigan, Malcolm X once asserted, “Of all our studies, history is best qualified to reward our research.” It is this kernel of truth that propelled me to share this rich history in celebration of Black History Month and the victory of Adwa.

In attempting to understand what Ethiopia really means, I turn to Ethiopia’s Poet Laureate Tsegaye Gabre-Medhin. “The Ethiopia of rich history is the heart of Africa’s civilization,” he said. “She is the greatest example of Africa’s pride. Ethiopia means peace. The word ‘ Ethiopia’ emanates from a connection of three old black Egyptian words, Et, Op and Bia, meaning truth and peace, up and upper, country and land. Et-Op-Bia is land of upper truth or land of higher peace.”

This is my all-time, favorite definition of Ethiopia, because it brings us back to our indigenous African roots: The same roots that African Americans and black people in the diaspora have searched for; the same roots from which we have sprung and grown into individuals rich in confidence. Welcome to blackness. Welcome to Ethiopia!

About the Author:
tseday.jpg
Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

Related: Harlem rekindles old friendship (Tadias)

The Case of Melaku E. Bayen & John Robinson (Tadias)

Hot Blog & Hot Shots: D.C. Soccer Tournament

Hot Shots: D.C. Soccer Tournament

By Tadias Staff
Photos by TF & Tadias

(Updated Monday, July 7, 2008)

Washington, DC (Tadias) – North America’s largest African soccer tournament, hosted by the Ethiopian Sport Federation of North America (ESFNA) was held in the nation’s capital this year. The Washington D.C. Metropolitan area is home to the second largest Ethiopian population outside of Ethiopia, and tens of thousands of Ethiopian immigrants attended the event on July 4th weekend.

This year’s vendors were particularly enthusiastic about Barack Obama’s presidential campaign. Products sold in booths at the tournament site ranged from Obama t-shirts, a photo booth with Obama wearing a traditional Ethiopian shawl, and even Obama juice.

Other vendors used their booth to host traditional coffee ceremonies, sell children’s books, and food while music blasted simultaneously from competing vendor booths. A large tent had been set up at the center of the vendors area where people would flock to take cover from occasional rain.

Friday nights line-up of music artists at RKF stadium included Tilahoun Gesesse, Mahmoud Ahmed, Kuku Sebsibe, Gossaye, and Mike-E.

Here are hot shots.

soccer_inside1.jpg
soccer_inside2.jpg
soccer_inside3.jpg
soccer_inside4.jpg
Above: Ababa Tesafye attended the event as guest of honor. He celebrated his
birthday on July 4th. The announcer did not mention the beloved children’s television
entertainer’s age. People familiar with Ababa Tesfaye say he does not know the year
he was born.

soccer_inside5.jpg
At the Ethiopians for Obama booth. We even spotted a vendor selling Obama Juice.
soccer_inside10.jpg
soccer_inside6.jpg
soccer_inside9.jpg
soccer_inside7.jpg
soccer_inside8.jpg
At the international Ethiopian Women Association booth.
soccer_inside11.jpg
From Left: Meron, Asse, Tseday (Tadias), Liben (Tadias)
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soccer-9_new.jpg
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Related: D.C. Soccer Tournament to Offer Family Friendly Celebration

Merkato 55: Interview With Marcus Samuelsson (Tadias Exclusive)

By Liben Eabisa
Photos by Jeffrey Phipps

Published: Monday, April 21, 2008

New York (Tadias) – I recently ventured to Gansevoort Street, the heart of the Meatpacking District in Manhattan, to interview Marcus Samuelsson at Merkato 55, his new restaurant venture named after the largest open-air market in Africa. Samuelsson’s dishes, a sundry assortment of appetizers and entrees hailing from all four corners of the African continent are paving the way for Pan-African fusion to be the next big thing for New York foodies.

Certainly, traditional African cuisine has long been around in this city, teeming with immigrants, and we have had our share of authentic Senegalese, Moroccan, or Ethiopian dishes, but what Samuelsson’s Merkato 55 aspires to provide to our palates is a distinct culinary adventure. It is as much a subtle re-introduction of traditional African flavors to the western taste as it is an advertisement for the continent’s food contribution to the world.

Simulating the architectural hues, warm brown colors and landscapes across the African continent, Merkato 55′s interior, designed by Dutch architect Menno Schmitz, is a two-story restaurant and bar, capable of holding approximately 150 people. It is the largest African restaurant in New York. It’s menu is equally daunting in its extensive offerings.

upstairs-dining-area2.jpg
Above: Upstairs dining area . Photo by Jeffrey Phipps for Tadias.

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Above: The bar downstairs. Photo by Jeffrey Phipps for Tadias.

Samuelsson, who was born in Ethiopia and raised in Sweden, is best known as the co-owner of New York’s finest Scandinavian restaurant, Aquavit. After having excelled at the Swedish side of his culinary heritage, Samuelson travelled extensively throughout the African continent, culminating his trips by sharing with us some of the most profound lessons that he learned about food and the sharing of food within African cultures, in his award-winning book aptly entitled The Soul of a New Cuisine.

Merkato 55 offers this new cuisine – a fusion of the old and new tastes, flavors, colors, and even sights of the scintillating diverse heritage of Africans.

“This is about adding something new to the New York landscape of restaurants”, Samuelsson says to me. “It’s an ambitious and grand New York African restaurant”.

It is indeed daring to launch the largest African restaurant in New York, bound not to one region or ethnic food, but rather infusing Africa’s indigenous foods with Samuelsson’s own chef-inspired artistic experiments.

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Above: Marcus Samuelsson sat down for an interview with Tadias
on Monday, April 14, 2008 at Merkato 55. Photo by Jeffrey Phipps for Tadias.

Samuelsson is unpretentious about the fact that his African-inspired dishes might not have the same authentic taste as those dishes that he watched being prepared, and which he tasted on his travels. He points out that what most New Yorkers consider as African restaurants mainly consist of Ethiopian, Moroccan and Senegalese ethnic eats. He mentions to me some of the great ones such as Ghenet, Queen of Sheba, and uptown Senegalese eateries.

Merkato 55, however, is very much an effort to introduce the flavors of various African cultures not only to Westerners but also to each other as Africans. Samuelsson points out, “We are very proud of our own food, but we know very little about each other’s food. We know pan-African music, but we don’t know pan-African cuisine. An Ethiopian might know music from Mali, but not food from Mozambique”.

I can recall, in my case, not hesitating to mix an occasional meal of Mexican black beans and rice alongside Caribbean-inspired deep fried plantains, all in one sitting. But when it comes to Ethiopian food, I usually wouldn’t venture to use our kibe (spiced butter) or the fiery mitmita pepper on anything more than my favorite kitfo (beef tartar) or our traditional stews.

In true fashion, I had carried this same cautious tradition when I dined at Merkato 55 with Tseday Alehegn, editor of Tadias, and our friend Assefa, an Ethiopian New Yorker from Brooklyn. After scouring through the menu for something ‘Ethiopian’, and hence familiar, we settled on a main entree of Dorot Wot (chicken stew) and Dulet (spiced tripe) preceded by an appetizer of Plantain Chips and Spicy Shrimp Chili. The Doro Wot was familiar enough with the traditional injera bread and cottage cheese in the pot, but the Dulet took us all by surprise. It tasted nothing like the tripe we grew up eating in our parents’ and grandparents’ homes so we spent a few minutes debating whether it was really Dulet or not. Yet, it was the dish that we unanimously voted was the best tasting one. Needless to say, the only thing that mattered is that it was simply delicious. Now, of course, we know that we can eat Dulet in more ways than one.

This is the genius of Marcus Samuelsson’s fusion of African cuisine that brings creative “unity and harmony through food.” Samuelsson’s Merkato menu plainly asks us to be more assertive in our choices: How about a Berbere rack of Lamb with Grains of Paradise and Spring Garlic instead of the traditional Berbere with Injera? Perhaps even Grilled Shrimp Piri Piri as a side dish?

Beyond the borders that we place on what is or is not authentically African, there is a space, where Africa’s culinary gifts are not left relegated to basement ‘mom & pop’ stores – segregated into national and ethnic enclaves.

Samuelsson puts it more succinctly, “We are trying to show Africa in a different light, without the masks.”

How many of us know, for example, that the peanut butter that we fondly call ‘All-American’ was introduced to us straight from West African traditional cuisine? Rice, now a necessary global staple, has been part of the traditional West African diet since the 1500s and was successfully cultivated in the New World by the first Africans in the Carolinas. Spices such as coriander, grains of paradise and tamarind, and vegetables such as cucumbers and okra originated in Africa. Grains such as millet, quinoa, sorghum and teff, now popularly re-introduced in natural food stores as alternatives to wheat, have a long tradition of being served alongside spicy currys, breads or beans in East and West African cuisines. Even the beans for our daily fix of coffee are said to have originated in the Ethiopian highlands.

When we pause to reflect, we are already familiar with many of the ingredients commonly found in African-inspired menus. But Merkato 55 is bold – not only for mixing East and West, North and South, but also for unveiling the depth of African variety, the richness of the flavors, both those which are indigenous and those brought over to the continent through historical and colonial trade routes.

“I do know food and I have deep knowledge and love for African food” Samuelsson says.

And indeed it’s time for a true connoisseur of food to give Pan-African cuisine its limelight and to break down our self-imposed restrictions of how to savor African cuisine.

I have learned my lesson. After my interview, Samuelsson prepared for us Grilled Shrimp Piri Piri Baby Romaine, inspired by a dish from Mozambique. I also had a taste of North African Hummus and Baba Ghanoush, Spicy Shrimp Chili and Apricot Blatjang with Mint from the Kidogo Sample, which includes an assortment of African Breads.

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Above: The Kidogo Sample. Photo by Jeffrey Phipps.

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Above: Marcus Samuelsson prepared for us this Grilled Shrimp Piri Piri.
Monday, April 14, 2008. Photo by Jeffrey Phipps for Tadias.

Next time I am in the Meatpacking District, I may just as well try the Steak Dakar with Coriander Butter and Merkato Fries, and a glass of South African Wine.

Check back for Hot Shots: Photos from our interview with Marcus Samuelsson.

——
Liben Eabisa is Founder and Publisher of Tadias Magazine.
Additional reporting by Tseday Alehegn

Sheba Highlight at Choice Eats 2008

By Tadias Staff
Published: Monday, March 24, 2008

New York (Tadias) – The Queen of Sheba Ethiopian restaurant in New York was featured at the first Choice Eats tasting event organized by The Village Voice, the nation’s first and largest alternative newsweekly. The event took place on Tuesday, March 11, 2008 at the historic Puck Building in Manhattan.

Queen of Sheba Ethiopian restaurant was one of thirty-three favorite restaurants of Voice food critic Robert Sietsema, author of Secret New York. Sietsema has reviewed more than 2,000 restaurants in the last 14 years and this year’s Choice Eats cover samples from all corners of the world.

Among those dishing out delicious and eclectic cuisine was Philipos Mengistu, owner and Executive Chef of Queen of Sheba, and his wife, Sara. For the event, they prepared injera rolls with fillings of either spicy lentil or beef sauces. Eager tasters waited patiently in rows to pick up the wraps. In it’s description of the Queen of Sheba restaurant, the event publication wrote: “New York finally has its own Queen of Sheba, providing intriguing and sometimes fiery spice combinations.”

More than a thousand foodies packed the Puck Building for a tasting extravaganza, according to The Village Voice.

Tadias was there with a camera. Here are hot shots from the event.

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Above: Philipos Mengistu, Sara, and Belaynesh Teshale (the cook
at Queen of Sheba) prepare for the event at the Puck Building in Manhattan.
Tuesday, March 11, 2008. New York. (Photo by Liben Eabisa / Tadias Magazine).

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Above: Eager tasters waited patiently in rows to pick up the wraps.
Tuesday, March 11, 2008. New York. (Photo by Liben Eabisa / Tadias Magazine).

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Above: Mickey Dread and Tseday Alehegn on the background. At the Puck
Building, Tuesday, March 11, 2008. New York. (Photo by Liben Eabisa).

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Above: The event sampled food from all corners of the world. At the Puck Building,
Tuesday, March 11, 2008. New York. (Photo by Liben Eabisa / Tadias Magazine).

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Restaurants from Brooklyn, Manhattan, The Bronx and Queens where featured.
At the Puck Building, Tuesday, March 11, 2008. New York.
(Photo by Liben Eabisa / Tadias Magazine).

image8.jpg
Above: Philipos Mengistu, Sara, and Belaynesh Teshale (the cook at Queen of Sheba).
At the Puck Building, Tuesday, March 11, 2008. New York.
(Photo by Liben Eabisa / Tadias Magazine).

Other culinary delights hailed from The Dominican Republic, South Africa, Belgium, and Australia. For a complete list of participants at the VillageVoice’s Choice Eats event you may visit their website at: www.choice-eats.com.

OP-ED: Why I’m supporting Obama

Tadias OP-ED
Published: Wednesday, February 27, 2008

Publisher’s Note: We first met Zelela Menker (above) while covering an Obama rally here in New York on Feb 2, 2008. She had stopped by to take part in the “Women for Obama” rally at Columbus Circle. Zelela was born and raised in Addis Ababa, Ethiopia. She is a graduate of Mount Holyoke College (MHC) in South Hadley, Massachusetts, where she majored in Critical Social Thought. The concentration of her academic studies has been Health Disparities and Healthcare Policy.

In the following opinion piece, Zelela Menker discusses her thoughts on Senator Obama.

False Binaries: Talk vs. Action, Style vs. Substance, Inexperience vs. Experience

By Zelela Menker

New York (Tadias) – Let us not undermine Senator Obama’s candidature and appeal by pigeonholing him as an inspirational speaker. We as voters are well aware that it will take more than a cheerleader, or a life coach to address the various social, political, and economic issues we are currently facing. Senator Obama’s advantage in this race should not be merely attributed to his choice and delivery of powerful and moving words, but more importantly the wisdom that resonates in his speeches and in his proposed policies.

One of Senator Obama’s greatest strengths has been his humility. In his acknowledgement that change is a process, that it will neither happen over night, nor will it suddenly surface “on day one” because Americans elect an African American, a Woman, or any one individual as president. The president we elect does not constitute change, but rather, at best will represent our broadest of ideals as a nation. The policy making process is highly complex, imbalanced, and there are no quick fix solutions to our problems. The success of our economy, the quality of our healthcare, and the efficacy of our education system can only improve to the extent that citizens, political parties, and interest groups are willing and able to meaningfully engage and collaborate in what has become an increasingly charged and partisan climate.

Senator Obama’s superior leadership has not only been reflected through his ability to change the minds and hearts of ordinary citizens, but also in his proven track record in government. During his twelve years of legislative experience, Barack Obama has written 890 bills and co-sponsored another 1096. It is worth mentioning that by the end of his first year in the U.S. Senate, Barack Obama had authored 152 bills, co-sponsored another 427, and successfully passed over 4 bills on highly controversial and partisan issues such as immigration, government ethics, nuclear weapons, and healthcare reform.

Unfortunately, Senator Obama’s impressive track record in politics has received little public attention, while his opponent has ironically been granted the status of political icon for a noble, yet unsuccessful, attempt at national healthcare reform. It is important to remember that Senator Clinton’s initiative for national healthcare reform failed not because the issue lacked overwhelming support from the general public, but because of the Clinton administration’s flawed strategy that it would not settle for anything less than Universal Healthcare.

This approach not only proved to be ineffective in addressing the issue at hand, but was extremely detrimental to the Democratic Party’s standing in government. The administration’s inflexibility on the issue was used by the Republican Party to portray President Clinton and Democrats at large as untrustworthy purveyors of a big and out-of-control government. Ultimately this not only hurt the administration’s image, but opened the door for more undemocratic social, political, and economic outcomes by enabling Republicans to sweep into Congress in the 1994 elections.


Above: From Right – Zelela Menker, Sara Haile-Mariam, and Tseday Alehegn.
(Columbus Circle, New York City, Sat, Feb 2, 2008. Photo by Liben Eabisa).

I support Senator Obama because he takes into account an important lesson Senator Clinton appears to have missed from her past failures in government. Change requires more than personal passion, drive, and commitment: it requires a leadership that is aware of the limits of individual power and has a solid understanding of the political realities and constraints of the current legislative process.

It is my strong belief that if we are serious about improving our healthcare system, our economy, or this country’s standing in the global community, we have to elect the candidate that not only inspires us through his words, but has time and again demonstrated he possesses the insight, judgement, and leadership skills necessary to “sign, seal, and deliver” our aspirations of a better and stronger society.

—-
About the Author: Zelela Menker was born and raised in Addis Ababa, Ethiopia. She moved to the United States to attend Mount Holyoke College (MHC) in South Hadley, MA where she majored in Critical Social Thought (CST). The concentration of her academic studies has been Health Disparities and Healthcare Policy. She views herself to be the product of the boundless time, compassion, love, and dedication of her parents, her sister, Sara, her Professors in the CST department at MHC, and numerous other intelligent, sensitive, authentic souls that have crossed her path. The following words of wisdom from a dear friend have touched her life forever: “When life takes you to the edge you only have two options. You jump and land on solid ground, or you’ll learn to fly.”

By the same author: Meditations – The Dream Deferred: Re-conceptualizing Class and Politics in America (Tadias)

A friend to remember – Ernie of Sheba Tej dies

Sheba Tej Tasting Session at Tsiona Gallery in Harlem, New York. (Photo: TADIAS)

Tadias Magazine

By Liben Eabisa & Tseday Alehegn

Published: December 13th, 2007

New York (TADIAS) — Ernest McCaleb, founder and CEO of Sheba, Inc., the company that produced the Ethiopian honey wine Sheba Tej, has died after a long struggle with cancer, according to family friends.

The African American entrepreneur initiated a joint collaboration with Cesar Baeza, an internationally-renowned Chilean winemaster and the owner of Brotherhood Winery, a national historic landmark and America’s oldest winery (established in 1837 in Washingtonville, New York), to produce an Ethiopian wine called Tej , made from pure organic honey.

Eventually the new dessert wine became part of the winery’s premium wine list.


Ernest McCaleb, Founder & CEO of Sheba, Inc. (Photo: TADIAS)

McCaleb (Ernie – as he is known by his friends), enjoyed telling audiences during his fun tasting sessions that his unique wine recipe contains no sulfites nor grapes, just pure honey.

His eyes would light up when he told the legend that Tej was one of the many gifts carried by Makeda, the Queen of Sheba, to Jerusalem’s King Solomon.

During an interview with Tadias Magazine in 2005, he talked about his passion for his business and the history and culture behind it.

“Since I’ve begun doing this,” McCaleb said, “I’ve learned more about this rich history, and as I give tasting sessions I have become even more inspired. This is beyond the commercial success. It’s about pride and heritage…”

Ernie was a friend to the Ethiopian-American community and a great spirit.

A memorial for McCaleb will be held at noon on Saturday, December 15, at The Ethiopian Restaurant. The Upper East Side eatry is one of Sheba Tej’s several Ethiopian customers in the city.

It is also the location where Ernie introduced us to his dear friend Bobbi Humphrey (“First Lady of Flute”), the first female signed to Blue Note Records.

As she noted in her latest post on the Tadias comment section: “Rest in Peace, my dear Ernie. You sweetened the times with your smile, and your Honey wine.”

——-
A memorial for Ernie will be held on Saturday, December 15, at The Ethiopian Restaurant (1582 York Avenue – b/n 83rd and 84th Street – New York, NY 10028

Related:

Sheba Tej: America’s Favorite Ethiopian Honey Wine

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A chat with director Wondwossen Dikran

Wondwossen Dikran. (Courtesy photo)

Tadias Magazine

By Tadias Staff

New York (TADIAS) – We recently had an email chat with Wondwossen D. Dikran, director of the independent film Journey to Lasta, which has been picked up by Vanguard Cinema, and is now available in most major outlets, including Amazon.com, Blockbuster.com, and Netflix.com.

In 2004, during a cover interview with Tadias Magazine, while discussing the pros and cons of being an indie filmmaker, Wondwossen had described his personal experience by providing a hefty list of pros.

“The freedom of artistic expression, the ability to take risks on new ideas that would otherwise be deemed ‘un-sellable,’ the pleasure of working with other equally passionate people,” he told Tseday Alehegn, Editor-in-Chief of Tadias Magazine.

“Magic happens when the group has a common goal and understands that it could not get any worse but rather better.”

Fast forward three years later, and the distribution deal for Journey to Lasta just got sweeter.

Tadias: Wondwossen, thank you for taking your time to speak with us. It’s good to hear from you again.

Wondwossen: It’s good to be back with Tadias. I miss getting my hard copies :-)

Tadias: Tell us about the deal with Vanguard Cinema.

Wondwossen: We were approached by Vanguard about half a year ago after an executive saw a screener copy of the film and got in touch with us to get the film a distribution deal in the US and international video / DVD and TV market. I was very excited and pleased with the proposal since they have a great reputation in the industry for distributing independent and foreign films that include titles by cinema giants such as Andre Wajda, Jacques Rivette and Michealangelo Antonioni to name a few. Their library is very unique, and the interest and passion they showed about the film gave us enough incentive to get the deal done. We are also very proud that an Ethiopian film has received a major distribution deal from a powerhouse such as Vanguard, and that the film will find an international audience that it would not have been able to reach otherwise.

Tadias: Just so you know, we just requested a rental from Netflix :-)

Wondwossen: Thank you. Make sure to rate, and write a review on it , and add me to your friend’s list. Me and Writer / Director Yemane Demisse send each other recommendations, so we would love it if you join the madness. I am also curious to see what the Tadias rental queue looks like:)

Tadias: How do you think your partnership with Vanguard Cinema will impact the future of the budding Ethiopian and Ethiopian-Diaspora film industry?

Wondwossen: I think it will bring us one-step closer to having our stories being able to reach audiences of all kinds, despite the geographical and other cultural barriers. I don’t think distribution will be an issue for our artists and our industry, if we made films and told stories that really matter. The market has been saturated with so much “fast-tracked” products for a quick buck. That attitude needs to change, and change very quickly.

Tadias: How do you define success as a filmmaker?

Wondwossen: These days, just waking up and being able to do what you love to do is a success, and i have been blessed as far as that is concerned. Obviously, having our work out there so that it can be seen is a pivotal part of the process in our profession, but i am also looking forward to working on the next thing, and the next, and the next.

Tadas: What are you working on these days?

Wondwossen: I have been working as a producer for a few Network shows on Television and getting experience in that world, which is a different beast all together. I have also been writing my next film, and seeing it come alive has been very exciting. I do not like to be comfortable, and always try pushing myself and my own creative limits. What you will be seeing from us in the next few years will be a series of assaults on the senses, and i mean that in the best sense of the term. And I will share that when the time is right.

Tadias: Anything else you would like to share with our readers?

Wondwossen: I would like to thank everyone who has supported “Journey To Lasta” for getting us here. For those who have not seen it yet, the film will be out Nov. 20th.

If you have any interest in film-making, writing, or would like to send your questions and comments, feel free to e-mail me @ wdikran@yahoo.com. I always make time to connect with audience from all over the world.

BTW, What Director Yemane Demisse has been cooking up in the kitchen is going to blow everybody’s minds away. I was very lucky to see many scenes from his upcoming film, and it looks fantastic. Look out for it.

Tadias: Great chatting with you, as always. Good luck.


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In Pictures: Harlem Rekindles Old Friendship With Ethiopia

Reverend Dr. Calvin O. Butts, III (right) of the Abyssinian Baptist Church in Harlem on Sunday, November 4, 2007. (Photo by Tadias Magazine)

Tadias Magazine

By Tadias Staff

November 6, 2007.

New York - Members of Harlem’s legendary Abyssinian Baptist Church congregated together on Sunday, November 4th to describe their recent travel to Ethiopia and to brainstorm ways in which they could play a meaningful role in the nation’s economic and social development.

It was the first time that the group had met since their return from their historic trip. The church sent 150 delegates to Ethiopia this fall as part of its bicentennial celebration and in honor of the Ethiopian Millennium.

The meeting officially opened with Abyssinian members presenting an appreciation gift to Reverend Butts – a photograph of Haile Selassie, which they believe to be the Emperor celebrating the 25th anniversary of his reign. The photo had recently been purchased in Addis Ababa, after having been discovered lying covered in dust in a back room at one of the local shops (souks), according to church members who presented the gift.


This photograph of Emperor Haile Selassie was presented by Abyssinian members as an appreciation gift to Reverend Butts. (Photo: Tadias)

Reverend Butts thanked the members and reiterated how much he enjoyed his stay in Ethiopia. “We are focusing on Ethiopia,” Butts said, “because our church is named after this nation. We also believe that Ethiopia is the heart of Africa. What happens here may be replicated elsewhere on the continent. It is the seat of the African Union.”


Raymond Goulbourne, Executive Vice President of Media Sales at B.E.T. He is already thinking about purchasing a home in the old airport area of Addis Ababa and starting a flower farm business with Ethiopian partners. (Photo: Tadias)


Adrienne Ingrum, Publishing Consultant and Book Packager, chats with Tseday Alehegn, Editor of Tadias Magazine. Ms. Ingrum is working on a proposal to create a writers cultural exchange program. (Photo: Tadias)

Both local Ethiopian media and the U.S. press, including Tadias, Newsday and the New York Times had given press coverage to the congregation’s two-week spiritual journey. While in Ethiopia, Reverend Butts received an honorary degree from Addis Ababa University. The celebration included liturgical music chanted by Ethiopian Orthodox priests, manzuma and zikir performed in the Islamic tradition, and Gospel music by the Abyssinian Church Choir.


Jamelah Arnold, member of the Abyssinian Baptist Church delegation to Ethiopia. (Photo: Tadias)

The Abyssinian Church members visited schools, hospitals and NGOs in addition to touring towns and cities in Northern Ethiopia and Addis Ababa.

As they discussed various charity work, Reverend Butts encouraged the group to brainstorm ideas on how to make the maximum impact through volunteer work guided by the Abyssinian Baptist Church. Reverend Butts also shared the invitation that he had received from the Ethiopian Government to make a second group trip back to Ethiopia with the intention of meeting business men and women with whom they could start joint business ventures.

“We should think about the economic impact that our trip has made – we have invested close to $8 million dollars and we focus not just on charity but also on developing business opportunities.”

A spokesperson from the Ethiopian Mission to the United Nations addressed the group and mentioned the recent reorganization of Ethiopia’s foreign ministry, which now includes a “Business and Economy Department” that focuses on joint business ventures.


Ethiopian-American social entrepreneur Abaynesh Asrat (middle), Founder and CEO of Nation to Nation Networking (NNN), accompanied the group during their Ethiopia trip. (Photo: Tadias)

In addition, an initiative to involve more youth in volunteer work in Ethiopia was presented. Possible charity work suggested by the Abyssinian Baptist Church members included providing soccer uniforms for a team in Lalibela, assisting NGO work in setting up mobile clinics, aiding priests in their quest to preserve and guard ancient relics, creating a writers cultural exchange program, providing young athletes with running shoes, and improving education and teacher training.

Reverend Butts reminded the audience that civic participation is also another avenue that the church could focus on.

“Our ability to influence public policy – this too will be a great help to Ethiopia,” he said.

“We should write our congressmen and senators and let them know that we’re interested in seeing economic and social projects with Ethiopia’s progress in mind.”


Brenda Morgan. (Photo: Tadias)


Sheila Dozier, Edwin Robinson, and Dr. Martha Goodson. (Photo: Tadias)

Reverend Butts thanked his congregation for sharing their ideas and experiences and expressed his hope to once again make a return pilgrimmage to do meaningful work in Ethiopia. Perhaps, even set up a permanent center from where the work of the Abyssinian Baptist Church could florish from one generation to another.

In 1808, after refusing to participate in segregated worship services at a lower Manhattan church, a group of free Africans in America and Ethiopian sea merchants formed their own church, naming it Abyssinian Baptist Church in honor of Abyssinia, the former name of Ethiopia.

In 1954, former Ethiopian Emperor, Haile Selassie I, presented Abyssinian’s pastor, Rev. Adam Clayton Powell, Jr., with the Ethiopian Coptic Cross. This cross has since become the official symbol of the church.


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Hot shots: WWO honores Liya & Spitzer

Publisher’s Note: We ran this article on Wednesday,
October 17th, 2007. Today’s edition includes photos by
Stuart Tyson (courtesy of WWO) from the gala. Enjoy!

Liben Eabisa
—————-

WWO honores Liya Kebede & Silda W. Spitzer

By Tseday Alehegn

New York (Tadias) – The Worldwide Orphans Foundation, dedicated to transforming the lives of orphans around the world (with work in eight countries, including Ethiopia), held it’s 10-year anniversary gala at Cipriani Wall Street on Monday evening.

Co-Chairs Janet Kagan and Mary Knobler announced that the organization had raised approximatley 1.4 million dollars.

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Dr. Aronson and Mary-Louise Parker

Tony award-winning actress Mary Louise Parker presented the Honorary Orphan Ranger Award to Supermodel Liya Kebede for her work in promoting maternal health in developing nations, while ABC news co-anchor Cynthia McFadden presented another Honorary Orphan Ranger Award to Silda Wall Spitzer, First Lady of New York and founding chair of the non-profit Children for Children.

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Liya Kebede after being presented the Honorary Orphan Ranger
award by Mary-Louise Parker.

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Silda Wall Spitzer also received the Honorary Orphan Ranger
Award

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Cynthia McFadden presented the Honorary Orphan Ranger Award
to Silda Wall Spitzer

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Katie Couric, anchor and managing editor of the CBS Evening News, introduced Jane
Aronson
, founder of Worldwide Orphans Foundation.

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Katie Couric, anchor and managing editor of the CBS Evening News

Aronson said she was proud to announce the opening of the WWO Academy in Addis Ababa, the same day as the gala in New York. The kindergarten offers schooling for children with HIV.

The gala program was interspersed with vignettes showcasing previous orphan rangers, who are medical students, health professionals and therapists who gave their time to working with orphanages in Asia, Eastern Europe, and Africa.

The event included entertainment by Tony-award winning Broadway stars Christine Ebersole and Donna Murphy, and the cast of Grease on Broadway.

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The cast of Grease on Broadway.

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Tony-award winning Broadway stars Christine Ebersole and Donna Murphy.

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Liya Kebede with Dr. Aronson’s son Desalegn. She received the Honorary Orphan Ranger Award

A fun and educational time was had by all.

More at: wwo.org

About the Author:
tseday_author.JPG
Tseday Alehegn is Founder & Editor-in-Chief of Tadias Magazine. She is a graduate of Stanford University (B.A. & M.A.). Tseday is currently a Doctoral student at Teachers College (Columbia University).

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3rd Annual Harlem Open Artist Studio Tour

Dream, by Jennifer Wade, participating artist at the Harlem Open Artist Studio Tour. Wade is an artist and an art therapist based in New York City.

New York – Here is a show you won’t want to miss this weekend: The 3rd Annual Harlem Open Artist Studio Tour is scheduled for Saturday, October 6, and Sunday October 7, 2007.

The event features two notable Ethiopian-Americans: Harlem resident artist Tesfaye Tessema (62 West 120th Street) and newly arrived and emerging artist Helina Metaferia.

Tessema (Tess as he is known in Harlem), whose work is also on display at the Schomburg (Black Art: Treasures from the Schomburg, May 12, 2007 through December 31, 2007 Latimer/Edison Gallery), stands as the only contemporary Ethiopian artists to display his artwork at established institutions like the Guggenheim Museum in New York. His art has been exhibited at various universities throughout the U.S. as well as internationally in France, Germany, England, Japan, and many other countries.

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Above: By Tesfaye Tessema. Harlem Ber, mixed media.

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In her article entitled “Bridging Cultures Through Art: A Harlem Moment with Tesfaye Tessema”, Tseday Alehegn, editor-in-chief of Tadias Magazine, wrote: “Walking through Harlem with Tess two things become quickly evident: The first being that this neighborhood has, as the artist tells us, “a feeling of home.” And the latter, that his love for this community fuels his art.” Photo by Liben Eabisa

The other artist, Helina Metaferia, a new Harlem resident and an emerging artist from Washington D.C, whose work is also part of an exibit honoring the Ethiopian Millennium in the United States Congress ( Hosted by Rep. Mike Honda, October 10, 2007 5-7pm at 1300 Longworth HOB), was the featured guest artist at the Addis Heights Millennium Arts Exhibition Series in Harlem last spring.

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Above: Helina Metaferia. Photo by Matthew E.
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Above: Free Womban, acrylic, pastel and charcoal on paper, 18” x 24”

Open studio events have become a staple of many artistic communities, allowing hundreds of neighborhood residents and visitors to see where and how contemporary works of art are conceived. Art lovers have a chance to meet the artist in a relaxed atmosphere and learn about the creative process directly from its source. By bringing visitors directly into artists’ studios, the event creates an awareness of the culture of modern Harlem.

Learn More at: artHARLEM.COM

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Happy Couples: What’s Their Secret?

Source: MSN.com

By Kimberly Dawn Neumann

How is it that some couples seem to stay starry-eyed for years, and others let their sizzle, um… fizzle? Well, it appears that successful chemistry sustainers develop healthy coupled-up habits which allow them to keep their love alive and kicking. “People can have a lot of trouble staying close,” says Joyce Catlett, author of Sex and Love in Intimate Relationships. “They get into relationships and think they’re automatically going to know how to make everything work, but figuring out how to stay passionate together is really a skill.” But luckily, these are skills that anyone can learn. Here are six habits that you’d do well to adopt if you want your date to become your happily-ever-after mate.

Habit #1: Catch romance where you can“You may start out with champagne and roses, but the likelihood of being able to sustain that feeling with a busy schedule is pretty unlikely,” says JoAnn Magdoff, Ph.D., a New York City-based psychotherapist. Successful couples learn to build a bubble of romance at unexpected times – during their daily commute, while doing laundry – and in low-impact ways, whether that be a long, lingering smooch or just holding hands. In other words, the next time you hear yourself say “Oh, look, we’ve got 15 minutes to ourselves,” make use of it—that’s what keeps the spark alive.

Habit #2: Fight fair
Believe it or not, learning to fight right is an important part of keeping chemistry alive. Why? Because if you are constantly cutting each other down, it’s hard to feel mutually amorous. “There is no such thing as a relationship without disagreements,” says David Wygant, author of Always Talk to Strangers. “But if there is an understanding that your partner can come to you with any dissension without being attacked, you will have an honest relationship comprised of ‘open discussions’ rather than ‘fights.’” Debra Tobias, who has been happily married for almost 10 years to her husband Steve, agrees. “Steve and I have learned to listen to each other when we’re upset and we admit when we’re wrong,” says Tobias. “We also make a rule of never, ever saying ‘I told you so’ no matter how much we might want to say it.” The result is that their chemistry doesn’t wane because they never let their arguments escalate to a personal level. Focus on the issue at hand instead of throwing verbal punches.

Habit #3: Nurture your separate selves
Going off to your book club when your sweetie’s out golfing isn’t a sign you two are drifting apart. On the contrary, developing individual interests allows for a richer life as a couple. By taking little “couple breaks,” you gain a greater appreciation of the gifts your partner brings to your life and you have more to offer as well. “It’s very sexy to be independent sometimes,” says Magdoff. “You feel better about yourself and you’re less demanding of your partner when you’re together.” After all, taking some personal responsibility for your own well-being relieves the other person of the pressure to “provide” happiness—so go ahead and nurture some solo adventures. That’ll also keep each of you stocked with plenty of adventures to chat about, which also builds your bond.

Habit #4: Take on a project together
Separate interests aside, exploring new ground together is also important since it strengthens your history of shared experiences. Jo Smith and her husband of four years found this out when they committed to running their first 10K together. “We were training together, carbo-loading and hydrating together, running the race together and ultimately succeeding together when we both finished,” says Smith. “It brought a whole new level of closeness to our relationship because of the time we spent learning as a duo during this endeavor.” Couples who take on adventures together get a sense of daring and accomplishment that can really kick up their chemistry!

Habit #5: Don’t let your sex life slide
No doubt about it, couples with healthy sex lives have no problem keeping chemistry cooking. (That whole “couples’ sex lives naturally fade over time” excuse? Not true.) The trick to injecting more electricity into a lagging love life has to do with trying new things—sure, it can be easy to work on tricks and techniques when you first meet, but people’s preferences can, and do, change over time. “In interviewing people on the topic of sexuality, it became clear that the couples who were the most satisfied sexually were also the ones who were open to some experimentation,” says Catlett. This isn’t to say you suddenly have to become a wild thing, though. Even returning to the basics you may have abandoned along the way – lots of kissing and eye contact, for example – can make the usual encounter feel very different… and much more intimate.

Habit #6: Engage in some mutual admiration
In order for chemistry between two people to thrive, there needs to be mutual respect. “It’s about putting yourself in the role of an observer of your partner,” says Magdoff. “Watch them “perform” – I’m not saying they need to do a song and dance for you – just pay attention to the everyday things that remind you why you find them so special.” Then, make it a point to lob compliments their way. “A good exercise is to occasionally create a mental list of the qualities you dig about your partner, and to occasionally share one of your thoughts with the one you love,” says Wygant. Because the reality is, you’ll always want to be around someone who thinks you’re fantastic.

Kimberly Dawn Neumann is a New York City-based writer whose work has appeared in such publications as Cosmopolitan, Redbook, and Fitness.

Related Links and Tadias Stories:

In a Relationship Sex is the Key. By Dr. Tseday Aberra
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The Universal Peace of Food: Conversations with Marcus Samuelsson

Above: Marcus Samuelsson at his home in Harlem, New York.
(Photo Credit: Tesfaye Tessema for Tadias Magazine).

Tadias Magazine
By Tseday Alehegn

New York (Tadias) – It’s a slightly drizzly evening in Manhattan and I’m walking with a loping gait to Aquavit restaurant, anxious that I am tardy, simultaneously juggling my umbrella, checking whether I brought my voice recorder, notes, interview questions and pen. My hurried steps are sharply interrupted by the calm and warm colored entrance of Marcus Samuelsson’s Scandinavian restaurant. As I wait by the door, slow down my pace, and go through the questions in my mind, I see his familiar figure, the midnight blue of the Aquavit uniform, a blackberry in hand and a welcoming smile. “Let me show you on a quick tour,” he says after we greet, knowing that it’s my first time here. “First – the kitchen.”

The spacious kitchen is divided by two main isles behind each of which stand a row of chefs, working like clockwork. Each plate out in front stands ready to be modeled as the most soigné art that food could be transformed into. We make an exit towards the café and settle down to talk about his most recent project – an adventure-filled trip throughout the African continent and the journey that led to his new book: The Soul of a New Cuisine. As I pull out my notepad and prepare my notes, Marcus steals a few moments to scroll through the emails on his blackberry. In just a few hours, after we wrap up our interview, he will be packing for another trip back to Ethiopia to see his birth father and his eight half-brothers and sisters, with whom he was first reunited in April of 2005. “I have to leave on a personal trip to Ethiopia, but I wanted to have this conversation now rather than later,” he says, then he turns off his phone, restores it in his pocket and lets me know that he is ready for our duologue.

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Africa on My Mind

The first time that Tadias Magazine had interviewed Marcus was in March 2003. Marcus had mentioned back then that he intended to work on an African cookbook. He had concluded the interview by saying that he wanted to write not just about Swedish or American food, but also about African cuisine. “People lump all of Africa, as if it’s one homogenous country,” I recalled him saying, and I remember the eagerness and determination in his voice to make this project a reality. Fast forward three years later and Marcus has traveled extensively with his photographer and friend, Gideon Kifle. Together they go from South Africa to Morocco; from the famous spice island of Zanzibar to the fish markets of Senegal.

“I have gone several times, but I began my travels to Africa in ’99.” Marcus says. “For as long as I can remember, I’ve had Africa on my mind,” he writes in the introduction of his new book, and he pieces together culinary treasures with his intimate, personal journey to the village where he was born as Kassahun Tsegie. His journey to reconstruct his family heritage is as much a journey of peace as is his quest for peace embodied in the sharing of food across cultural terrains. “My favorite term is ubuntu,” he says – a popular South African concept which translates as “I am what I am because of who we all are.” Being a chef is about remembering and practicing ubuntu. It is about food for the body and soul that peacefully unites us as beings, allowing for conversations and the sharing of happiness, knowledge, soul and love.

“I’m a Swede, I’m also an Ethiopian, and a New Yorker,” he says.

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ABOVE: Marcus Samuelsson and
Liben Eabisa walking in Harlem,
New York.

He can’t help but embrace and reify diversity in his identity and in his work. Marcus’ personal story of his adoption by Swedish parents, his passion for cooking and his eventual move to New York as one of the top chefs in the world is as colorful as his fusion of recipes renowned for their flavor, originality, and multicultural emphasis. Weaving together the diverse fabrics that constitute his life’s journey, Marcus reflects on his youth growing up in Sweden. “The difference between an immigrant and an adopted kid, is that when you are an immigrant you are more clear on your identity; you are Ethiopian. When you are adopted you are stripped a little bit of one identity, and when you grow up you sort of go back to that identity.” “And again, I can only speak for me, I can’t speak for someone else,” he adds.

“For me coming to America, and New York in particular, and being around Ethiopians, going to all the concerts – to weddings, to restaurants, I found a whole lot of community.” He compares his upper middle class Swedish upbringing with that of his childhood friend Mesfin’s, who lived in close proximity to Stockholm’s ‘Little Ethiopia’ neighborhood. “What my friend Mesfin had was a community that I wasn’t familiar with. He was exposed to Ethiopian music, language, identity and customs,” Marcus recounts. “Once I was in New York however, by going to Meskerem and Sheba [restaurants] and making friends like Yeworkwoha [owner of Ghenet Restaurant] who introduced me to work behind Ethiopian food, I got immersed in Ethiopian culture.”

My Medium is Food

His eyes light up and he lifts his head and chest higher as he admits that his exposure to a broader Ethiopian and African community as well as the overall spirit of internationalism in New York got him ruminating over how to tie it all together. “And it was only then that I started thinking, What can I do? What’s my medium? Well… my medium is food. So I went back there [Ethiopia] and gave a couple classes at the Sheraton for Ethiopian kids. For me it’s not a one-off , I want to be in the country with Ethiopian children, and show young people, show young men how to cook.”

From there Marcus vowed to see as much of Africa as he could, and to capture the myriad of dishes and ways of sharing and eating food that he discovered in his travels. While Marcus worked with Gideon on article assignments about Ethiopia for American news outlets, he also started thinking of other ways of giving Ethiopians tools to be proud of.

“There are so many stories coming out of Sweden in comparison to my Ethiopian side,” Marcus points out. “Cars, IKEA, there are so many brands coming out of that little country, and in the case of Ethiopia although there are many rich stories, the music, the art, the food..you don’t get as much exposure to it. So I wanted to do a project that viewed Africa and its cultures,” he concludes. “You know a lot of people think of Africa as war, famine, all this stuff , and for me..it’s like..every part of the world has that.”

Marcus has other reasons for wanting to write about the cuisine of the African continent and its diaspora. “Africa also has a huge deposit of oral history. A mother tells her daughter about music and food and so on. And this tradition of oral history is important, but the written history is also important,” Marcus asserts. “You know just going to Barnes and Noble you can find 500 books on Tuscany, a tiny region, and for a huge region like Africa you have three books.” Marcus is determined to show where the influences in Africa came from and where African influence spread to. “So in East Africa and Ethiopia, for example, you can see the Indian influences in their food, and when you go down to southern Africa you recognize Indonesian and Malay food. No part of the globe is untouched by Africa and vice versa.

Soul of a New Cuisine

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Motivated to show and encourage African-to-African connections, Marcus reflects on opportunities to learn from each other. “In general, South Africans don’t go up to Morocco and you don’t see Ethiopians going down to Angola. But it’s important to develop these connections, and it’s easy to do so through food. If I’m an Ethiopian family, let’s do a Senegalese dish tomorrow. Or if I’m Senegalese let me make a Malay dish tomorrow. Pan-European and Pan-Asian cuisine is a common occurrence now. You know if I am a Swedish family, Monday I have Italian, on Tuesday I’ll really like this French recipe and then on Wednesday I cook Swedish again. Well Ethiopians… we cook our food. And that’s great and it’s very nice,” he says. “But what if we just try a different path?”

“The food itself, the recipes may be ancient,” Marcus says of African cooking, “but I want this book to be a fusion of African cultures and food…sort of looking into the window of other countries within Africa. And ‘Africa’ doesn’t mean you have to live in Africa to experience it. It’s more about revealing this diversity, the richness, and being open-minded.” The combinations are endless and the experiences will be new, hence the title, The Soul of a New Cuisine. Along with the recipes Marcus has prepared a music album entitled Afrikaya, a compilation which features world music diva Gigi, and the new Ethiopian hip-hop fusion Bole to Harlem. “So it’s food, music, and people. I want something that other Africans will be proud of. The ‘new cuisine’ is that I make all these recipes palatable for Americans and the Western world.” Pan-African fusion is something you can’t find here on a regular basis.

“For example, I take an Ethiopian Shiro and I pair it with a fish dish from Morocco while borrowing cooking techniques from South Africa. So there is a fusion within the continent. And that’s what the ‘new’ is about.” As another example, Marcus suggests the term ‘Pan-Asian.’ “When I use this term with you, ‘Pan-Asian,’ you understand what that is. You can envision the fusion involved, which today is also considered fine dining.” “Fine dining,” Marcus reminds me, “came from a very elitist society.” It conjures up the image of French restaurants, a certain culture only for the upper class. “Today the fl avor of the food is considered fine dining. Now you go to Paris or London and they are catching on to fusion. So in the same way, you understand the term Pan-African as it relates to music, but how about Pan-African food?” Marcus gets us thinking about Pan-African ways of making and eating food.

The communal aspect of African cooking and ways of eating are very much a central core in Marcus’ writings. “In Senegal I stayed with my dishwasher’s family,” he shares. “They had grandmothers and other family members all living together. That was a way for me to get close.” It may have been more comfortable to travel throughout Senegal as a tourist, staying in hotel rooms and visiting local eateries, but Marcus knew from the start he would miss the fervor of communal cooking if he chose such a path. “You know I can’t wing it. I can’t do it from hotels either. I wanted to be there form the start, when they made breakfast and when they made lunch..to see the cooking together. I have to see it to really know it.” He took this attitude with him wherever he traveled to, and he noticed that although the recipes may be starkly different, the eating patterns throughout Africa had one thing in common – they were very communal. “Kids are welcome and grandparents are welcome in the preparation of food,” he notes. “In Africa, how we start a meal and how we feed each other…it’s very communal and it brings extended families together.”

From farming, to harvesting, to cooking, and to selling food in the marketplace, food transactions are a communal business. “I’ll tell you about the fish market in Senegal, which has such a beautiful, organic way of working,” Marcus enthuses. “The men go out to fish, drop off their catch to the women who run the fish market.” He describes in colorful detail the women selling fish. “They have several skirts on..and they lift up one skirt and they have Euros, and then Dollars, CFA Franc [Senegalese money]..and it’s like NASDAQ.” He makes the whirring sound of money being counted and continues, “And the kids help package the fish while the people come to buy it, and there is a certain rhythm to it. That to me is colorful and loud.” And it’s the larger experience of food and food making that you don’t see when you purchase packaged meals at a supermarket.

Every Place is Great for Me

Between the moments of discovering new foods, tastes, and cooking techniques Marcus perambulates around the open markets. He mentions Marakesh and Merkato, the latter, considered one of Africa’s largest open-air markets, being his favorite. “I enjoy places like Merkato. Wherever people see danger, I enjoy it. I travel deeper and deeper and see the mix of Jewish, Muslim, and Orthodox traditions. I just love it,” Marcus says. “What makes travel interesting is the people, their history, where they came from and where they are going to.” He points out that food, like any other aspect of culture, has its own history, and learning about food without the history wouldn’t make for a full experience. “Because of their history of trading with Arabians and Indians, the food of the people of Zanzibar is so flavorful,” he says. And he implants pieces of history among his recipes so that it becomes an exploration of a continent’s way of food and not just the raw ingredients. “I want to bring you onto that journey. And I have to do it thoroughly,” he says. “I have been privileged to go and be in South Africa, Sweden, New York, to Ethiopia. Most people haven’t had that opportunity.”

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I ask him which place he enjoyed the most, but Marcus is quick to answer “Every place is great for me.” “In order to do this [work] you have to be really curious,” he adds. “And there are stories everywhere..people are eager to tell you.” Marcus enjoys traveling. “Bahia is different from the rest of Brasil, and Addis Ababa has a different story than Soweto. You know when I’m in Ethiopia. It’s great. I feel at home. But when I go to a new place like Soweto, a place I’ve never been, and then Desmond Tutu writes the forward to my book, it takes on a whole other meaning for me. So I enjoy all of it…the entire experience.”

The Universal Peace of Food

The end result is a new cookbook, lots of travel stories, adventures, and something for UNICEF’s programs for children around the world. Marcus is donating part of the proceeds of The Soul of the New Cuisine to UNICEF programs. “There are so many great organizations in the world, but I picked two to work with: UNICEF and CCAP – one works with children internationally and the other works with public high school students.” As a goodwill ambassador for UNICEF, Marcus had to come up with a program and he chose this cookbook as one of them. “I have been down to Ethiopia and seen the NGOs working. I don’t want to micromanage the process, but if I believe in your work then I’ll let you do your work the way you believe is best.” It’s all part of the process of using food as a medium of peace.

When you think of the first presence of food in your life, it’s easy to picture the image of a mother giving life-sustaining milk to her newborn child. One of the first acts of bonding and love is expressed through food. Mozart once said, “Neither a lofty degree of intelligence nor imagination nor both together go to the making of genius. Love, love, love, that is the soul of genius.” This is apparent in Marcus’ work.

“One thing that’s really cool about food is that everyone thinks their recipe is the best. But it’s great that they don’t fight about it. It’s not like money, and it’s not religion where someone is trying to convert you. Do you know what I mean? It’s peace,” Marcus asseverates with a smile and an earnest look in his eyes. As beings we are on a universal search for comfort and peace and Marcus shares how food is fundamental in that quest. “It’s a very peaceful way of taking pride in something. With food, people take a tremendous amount of dignity and say “I want to show you what I can do” without fighting,” he says “And I love that.”

The Soul of a New Cuisine is the new food, the new fine dining, and food itself is the universal peace.

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Above: Black Cook Wanted, painting by Samuelsson
Photos by Tesfaye Tessema for Tadias Magazine.
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About the Author:
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Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

Queens, Spies, and Servants: A History of Ethiopian Women in Military Affairs

Above: These female war veterans are pictured in Addis
Ababa’s Menelik Square in 1973 at a ceremony to commemorate
an early victory against the Italians. Photo by Shemelis Desta
(BBC)

By Tseday Alehegn

Chronicles of war and military prowess are plentiful in Ethiopia’s historical literature. Growing up we are effortlessly taught the virtues of honor and duty, which have bestowed sovereignty to generation after generation of Ethiopians. Countless retelling of tales depicting the early and decisive victory at the battle of Adwa remain ever fresh in our proud minds and hearts; the feeling only to be outdone by the resoluteness of heroes who ended the Italian occupation of Ethiopia during the Second World War. Indeed, it is as the 17th century writer Almeida wrote of us: “In war they are reared as children, in war they grow old, or the life of all who are not farmers is war.”

The emphasis on military virtues becomes more palpable when we recognize the unique manner in which Ethiopians chose to fight off their external enemies. From earliest times, both women and men were encouraged to participate in mobilization and preparation efforts. Depicting the atmosphere during the battle of Adwa in 1896, historian G.F. Berkeley observes how the Ethiopian army was not merely organized as a segment of the population, but rather as an entire collective that had integrated the occurrence of war into its normal day-to-day activities. He points out, “It’s not an army [it is] an invasion, the transplanting of the whole people.” No one was left behind. While men served as soldiers they brought along with them their wives who in turn became involved either as civilian participants or as military combatants. What rights, titles, honors men claimed for their valor women were able to do the same.

Females were traditionally not allowed to inherit land unless the father died before the daughter married or there were no sons in the family. However, women would be able to claim property after serving in military mobilization efforts. In an uncommon way, the ability of women to participate on the warfront initiated change to their otherwise lower societal status. Not all participation in war, however, was voluntary as is clearly depicted in the following 19th century edict by the leader Ras Gugsa: “One who does not join the army of Gugsa, man and woman, will lose his genital and her breast respectively.”

Historians have estimated that an average of 20,000 to 30,000 women have participated in the campaign of Adwa alone. While the majority served in non-violent chores such as food preparation and nursing of the wounded, a significant portion served as soldiers, strategists, advisors, translators, and intelligence officers. Women from the aristocracy worked alongside maids and servants thereby breaking norms in class separation.

Female Military Strategists & Combatants:

At a time when women in most parts of the world were relegated to household chores, the number of Ethiopian women in the late 17th century participating in war expeditions against foreign aggressors was on the rise. Whereas most war decrees at this time encouraged all Ethiopians to fight occupation attempts, in 1691 Emperor Iyasu issued one of the first proclamations to curtail the rapid growth of women soldiers. The chronicles report:

“The king had the herald proclaim that the girls of the country must not ride
astride mules, because at this time these girls had adopted the practice of doing
so, tightening the belts of their shirts, covering their heads with their shammas and holding a long spear in their hand..marching in expeditions like men.”

Queen Yodit is one of the earliest-mentioned Ethiopian female leaders who fought spiritedly in battles. She successfully overthrew the powerful Aksumite kingdom, but because many churches and historically important sites were destroyed in the process her reign is infamously described as the dark era. Between 1464 and 1468, under the leadership of King Zere Yaqob, women’s expansion into political positions became more evident. Historian Richard Pankhurst notes how Zere Yaqob “established a women’s administration by appointing his daughters and relatives to key provinces.”

King Zere Yaqob’s wife, Queen Eleni, was an equally formidable and astute military strategist, and was largely responsible for the arrival in 1520 of the Portuguese as one of the first diplomatic missions. Predicting the appetite of Turks in invading Ethiopia’s coastline she proposed a joint attack strategy to the Portuguese leadership against the Egyptians and the Ottoman Turks. Sylvia Pankhurst records her letter to the Portuguese summoning a coalition. Queen Eleni is to have written:

“We have heard that the Sultan of Cairo assembles a great army to attack
your forces…against the assault of such enemies we are prepared to send
a good number of men-at-arms who will give assistance in the sea bound
areas…If you wish to arm a thousand warship we will provide the necessary
food and furnish you with everything for such a force in very great abundance.”

The Turks were soundly defeated. Years later Queen Seble Wongel was able to draw on the help of the Portuguese in defeating Ahmed Gragn’s muslim expansion into Ethiopia. In February 1543 her army fought at the battle of Woina Dega where Gragn succumbed to his death.

Harold Marcus documents Queen Worqitu’s history as the warrior queen who helped Menelik gain his crown. In 1865 Queen Worqitu of Wollo granted Menelik a safe route through her territory as the future monarch successfully escaped from King Tewodros’ prison.

The effect of her support in aiding Menelik to power is recorded in Ethiopia’s ensuing transformation from a ‘land of kings’ to a nation ruled by a ‘king of kings.’

Perhaps the most famous queen involved in military affairs is Empress Taitu, wife of Emperor Menelik II. In the battle of Adwa Empress Taitu is said to have commanded an infantry of no less than 5,000 along with 600 cavalry men and accompanied by thousands of Ethiopian women. Her strategy to cut off the invading Italian army’s water supply led to the weakening of the enemies warfront.

Following her example, Itege Menen avidly participated in battles taking places during the ‘Era of the Princes.’ Fighting against the incursion of the Egyptians, she is said to have had 20,000 soldiers under her command. Likewise, during the Italo-Ethiopian occupation, Princess Romanworq Haile Selassie upheld the tradition of women going to the battlefront and she fought alongside her husband.

Intelligence Officers, Advisors, and Translators:

Intelligence work was key in Ethiopia’s gaining the upper hand against fascist Italy and here too women played a significant role in information gathering. Through the establishment of the Central Committee of ‘Wust Arbegnoch’ (Inner Patriots) women members helped provide soldiers with intelligence information as well as arms, ammunition, food, clothing, and medicine. Sylvia Pankhurst also records how the female patriot Shewa Regged had organized an elite Ethiopian intelligence service to gather more arms while leading the Ethiopian guerilla fighters to the locale of Addis Alem to defeat an Italian fortification. Pankhurst recounts Shewa Regged’s resilience in her biography as follows:

“She was captured by the Italians and tortured by them with electricity to compel her to disclose her accomplices; despite all their cruelties, she preserved silence.”

Queen Taitu’s role as advisor is also well known. In depicting the wariness and foresight of Queen Taitu, historian R. Greenfield records her advise to Emperor Menelik and his cabinet regarding the Italian encroachment. She warns:

“Yield nothing. What you give away today will be a future ladder against your
fortress and tomorrow the Italians will come up it into your domains. If you
must lose lands lose them at least with your strong right arms.”

Her dedication and subsequent victory in preserving Ethiopia’s sovereignty won her the title “Berhane ZeEthiopia” (Light of Ethiopia). Her official seal bore this distinguished title.

In the role of translator, Princess Tsehay Haile Selassie served her country by accompanying the Emperor to the League of Nations and aiding in Ethiopia’s call for support from the International Community. The Plea falling on deaf ears the League soon dissolved as the Italians persisted on invading the last free African stronghold. Plunged into war, Empress Menen is to have asserted “Women of the world unite. Demand with one voice that we may be spared the honor of this useless bloodshed!”

Non-Combatant Efforts:

The role of women in Ethiopian military history will remain largely untold if their work as non-combatants is not recalled. It is in this position that the majority of women of the lower class contributed in strengthening Ethiopia’s defense. While some uplifted the morale of the fighting contingent through popular battle songs and poetry, others labored for the daily nourishment and overall well-being of the soldiers. The record of Ethiopia’s long-standing independence will be incomplete without the recognition of thousands of women servants who accompanied women and menfolk of the aristocracy in battle after battle. Maids and servants were responsible for the gathering and preparation of food and other administrative roles. The traveler and writer James Bruce stresses the diligence of these women during war expeditions. He writes in earnest:

“I know of no country where the female works so hard… seldom resting
till late at night, even at midnight grinding, and frequently up before
cockcrow. Tired from the march, no matter how late, water must be brought,
fuel collected, supper prepared by the soldiers’ wife…and before daylight, with
a huge load, she must march again.”

When not involved in presiding over day-to-day affairs women helped out in the clearing of roads, digging of trenches, and nursing of the wounded. In the same spirit, during the Italo-Ethiopian war, Princess Tsehay Haile Selassie helped mobilize women of all classes in efforts to provide gas masks, clothes, rations and bandages to the civilian population to protect against frequent Italian air raids and mustard gas attacks.

In commemoration of the anniversary of the Battle of Adwa, it is appropriate to recognize the achievements of Ethiopia’s women who helped in the creation of a one-of-a-kind defense system, which has successfully deterred foreign aggression not for a few years, but for thousands.

For original referenced-version of this article please click here

About the Author:
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Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

In a Relationship Sex is the Key

In a Relationship Sex is the Key

By Dr. Tseday Aberra

Nature has decided that men are more susceptible to sex than women. Women are blessed with taming their sexual appetites far efficiently than men. So when you ask women why they marry, they tell you it is for the affection and companionship. Men also tell you for companionship, but it is primarily for the availability of sex. Affection and companionship in a marriage includes sex for men. But I’m not so sure it is so for women.

People say marriage is difficult. Wrong. I say a husband and a wife make it difficult. Marriage is difficult for anyone who fails to understand what it means to be in one, and what it takes to make it fulfilling. It takes commitment and work, indeed, but it is certainly not difficult. At least it does not have to be.

Marriage requires understanding. It is an agreement based on an understanding between a husband and a wife. It is an entity that is created in order to give them meaning that otherwise does not exist. This meaning is completely subjective since its foundation is based on the unique agreement created by the two in the marriage. It requires both to participate and contribute willingly and completely. Otherwise, it would not exist in fulfilling form.

No one can definitely tell you what marriage is and what it is suppose to mean other than what I have just told you. You make of it what you want. The difficulty that comes with this freedom is knowing the limitations of what you can make of it. You cannot make it yours nor can he make it his. It belongs to you both. Once it is created, it has its own life and its purpose is to give you meaning. To create it, however, both of you are required to provide certain instruments that will keep it alive and fulfilling. These instruments are not negotiable. Among all of them, the most important is sex.

When a husband and wife decide to settle down, after having picked a mate of their choosing, what they do to keep each other depends on how committed they are to fulfilling the agreement. Their commitment in contributing the necessary instruments in giving life to the marriage and maintaining its viability is most crucial.

Times have changed. The 21st century has leveled the playing field so that the only thing a husband and a wife require from each other is companionship. The one element that will not be equalized, however, is a husband’s need to go to his wife for sex. Therefore, a husband comes into a marriage, having lost all his bargaining power, with a promise of one thing and one thing only: sexual companionship. A wife who is committed to her marriage ought to know the position of her husband. She ought to know his predicament. Being in a powerful position, a wife ought to know her husband is at her complete mercy. She also ought to know how she uses her power determines the vitality of the marriage.

If by some chance, a wife does not care to her husband’s needs enough and often, he will have a hard time acknowledging whether there is a relationship tailored to meet his benefits. Now remember, a husband comes into a marriage willingly, and should also be willing to give all that he has. He has volunteered to commit and participate. And in return, he expects sex. When I say all that the husband has to give, it encompasses all the instruments he contributes to create and maintain the marriage. A husband will not hold back whatever is needed to make his marriage a place of sanctity.

A wife comes into this marriage expecting affection and companionship. However, she has to come with a special instrument in particular. Yes, there are other instruments that she has to bring also, but…on a serious note…, she has to bring one thing…the IT…and the willingness to use IT and make IT available. Without going into detail what a husband brings as instruments to create and maintain a marriage because they are not as important as what the wife brings specifically, the instrument that a wife brings is by far the most essential piece of the marriage. The IT is sacred and essential. If you toy with IT, you will lose the marriage. If you hold on to IT, you will lose the marriage. If you ration IT, you will lose the marriage. Guaranteed!

Having already lost his bargaining power, a husband comes into the marriage knowing and hating to be in a position where he has to rely completely on his wife for sex. When she rations sex, a husband learns that his dear wife is conniving, selfish, mean, but most of all, untrustworthy. He realizes that his wife holds all the cards of intimacy and that she can always put him back in his place. Not as a man but as a husband, he sadly realizes that he cannot rely on her. His trust is broken.

Very often a wife forgets that her vindictive behavior leaves a scar on her husband that she cannot remedy at a later time. After a fight, there is a whole lot of “forgiving” that takes place by both, but very little of “forgetting” by the husband especially. What your husband would not forget is that one of the most crucial instruments that is required to create and maintain a fulfilling marriage is actually negotiable, and that it depends on the whimsy of a wife that he just found out to be conniving, selfish, and mean.

Let me tell you, dear wife, once such a doubt creeps into your husband, not only would you lose him, but definitely you would lose your marriage. Take it from me, there is no therapy in this world that will bring back the marriage.

Next time, before you decide to hold on to sex because you had a point to make, think a moment and realize what is REALLY at stake.

—————-

About the Author:
Ethiopian-born, Dr. Tseday Aberra, is a Clinical and Forensic Psychologist. She has a private practice in the greater Los Angeles area and also works for the California Department of Corrections. She holds M.S. in Marriage, Family, Child Counseling and A Psy.D. in Clinical Psychology. She is recognized as an expert by California Superior Courts and gives seminars nationwide on marriage, relationships, and friendship. She has made a guest appearance on Court TV.

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Maitre Afewerk Tekle’s Odyssey

Maitre Afewerk Tekle speaking at Stanford University's annual Pioneers Forum organized by the Stanford Ethiopian Student Union on March 7, 2004. (Photo: Tadias Archive)

Publisher’s Note: It was the first time since the mid-1960’s that Maitre Afewerk Tekle had traveled to the United States to talk about his award-winning artwork. As the featured speaker for the annual Pioneers Forum organized by the Stanford Ethiopian Student Union, Maitre Afewerk shared his personal journey with diverse audience from Stanford and the larger Bay Area Ethiopian-American community on March 7, 2004. Here is our story from Tadias archive.

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Cover: June-July 2004

By Tseday Alehegn

Speaking about his life-long dedication to the fine arts, Maitre Afewerk Tekle instills in his audience the importance of using art to inspire people, to uplift nations and to create an optimistic view of life.

“What we do today must reflect today’s life for tomorrow’s generation and pave the way for the future generation,” he asserts with passion and reflection. He teaches us that “art is in every fabric of life.”

Few moments are as electric as when the Most Honorable Maitre Artist World Laureate Afewerk Tekle walks through a crowded auditorium at Stanford University to give an insider’s view of his accomplishments and life adventures. Elegantly clad in the sheer white of the Ethiopian national costume, Maitre Afewerk lets his artistic mind captivate the audience as he takes his red-bordered netela to demonstrate the various ways one can wear it for different public venues, including as a graduation gown. He receives an enthusiastic thunder of applause as he concludes his brief introduction.

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Afewerk Tekle at Stanford University on March 7,
2004. (Photo: Tadias Archive)

Afewerk Tekle was born in the town of Ankober in Ethiopia on October 22, 1932. Having grown up in an Ethiopia battling fascist Italian forces, Afewerk was acutely aware of the destruction of war and the need to rebuild his native home. Intent on acquiring skills that would allow him to contribute to Ethiopia’s restoration, the young Afewerk settled on pursuing his studies in mining engineering.

His family and friends, however, had already recognized his inner talent in the arts. Around town he was know for his drawings on walls using stones, and for possessing a curious and ever reflective mind. Despite his natural gravitation to the art world, at the age of 15 Afewerk was chosen to be sent abroad to England to commence his engineering studies.

Maitre Afewerk recalls being summoned by Emperor Haile Selassie to receive last-minute advice prior to his departure.

“To this day I cannot forget his words,” the Maitre says pensively. “The Emperor began by counseling us to study, study, and study.” he told the audience.

“He told us: you must work hard, and when you come back do not tell us what tall buildings you saw in Europe, or what wide streets they have, but make sure you return equipped with the skills and the mindset to rebuild Ethiopia.”

Maitre Afewerk later confides that this sermon rang in his head each time he was tempted to seek the easy life, free from the responsibility of rebuilding his nation and uplifting his people.

As one of the earliest batch of African students admitted to exclusive boarding schools in England, Afewerk faced culture shock and the occasional strife caused by English bullies. Yet he remained steadfast in pursuing his studies. He especially excelled in courses such as mathematics, chemistry and history, but it was not long before his teachers discovered his inner talent for the arts.

With the encouragement of his mentor and his teachers, Afewerk decided to focus on refining his gift and enrolled at the Central School of Arts and Crafts in London. Upon completion of his studies he was accepted as the first African student at the prestigious Faculty of Fine Arts at Slade (University of London). At Slade, Afewerk focused on painting, sculpture and architecture.

Upon returning to Ethiopia, Maitre Afewerk traveled to every province, staying at each location for a period of up to three months, immersing himself in the study of his surroundings and absorbing Ethiopia’s historical and cultural diversity. He reflected on and pushed himself to become an Ethiopian artist with world recognition.

“I had to study Ethiopian culture,” the Maitre states, “because an important ingredient of a world artist is to have in your artwork the flavor of where you were born.”

He passionately adds, “My art will belong to the world but with African flavor.”

Above all, Maitre Afewerk worked diligently in the hopes of using his artwork as a social medium with which to highlight the history, struggles and beauty of his native home. Although he was educated abroad, he fought against what he called “the futile imitation of other artists’ works, Western or otherwise.’’

With the message of rebuilding Ethiopia still ringing in his ears, Maitre Afewerk quickly decided to relinquish the ministerial post assigned to him upon completion of his university studies, and opted instead to devote his full attention to painting and exhibiting his artwork both at home and abroad.

At age 22, Afewerk Tekle held his first significant one-man exhibition at the Municipality Hall in Addis Ababa in 1954. He followed up his success by conducting an extensive study tour of art in Italy, France, Spain, Portugal and Greece, paying particular attention to collections of Ethiopian illustrated manuscripts as well as acquiring skills in stained-glass artwork.

Returning home he was commissioned to create religious art for St. George’s Cathedral. He also worked on some of the first sculptures depicting Ethiopian national heroes. His designs and inspirations were soon printed on stamps and national costumes. Most notably, he conceptualized and designed the elaborate stainedglass window artwork in Africa Hall at the headquarters of the United Nations Economic Commission for Africa.

With the income and savings he acquired by selling his artwork Afewerk designed his own 22-room house, studio and gallery, which he nicknamed ‘Villa Alpha’.

By 1964 Maitre Afewerk had held his second successful exhibition, thereafter followed by his first exhibition abroad in Russia, the U.S.A. and Senegal. Touring African nations at a time when Africa was under the yoke of colonialism, Afewerk Tekle used his paintbrush to fight for the dignity and honor of African people.

Focusing on the struggles ensnaring black people, he shared his quest for liberation and equality, naming his artwork with titles such as Backbones of the African Continent, Africa’s Heritage, and African Unity.

“Your brush can be quite stronger than the machine gun,” he says facing his audience. “I wanted to show how you can write Africa through your artwork, what it means to have liberty, to have your fellow humans completely equal.”

The theme of African independence and the interrelationship of African cultures are indelibly etched in Maitre Afewerk’s paintings.

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Afewerk Tekle at Stanford University on March 7,
2004. (Photo: Tadias Archive)

Many art critics have tried, time and time again, to label and categorize his work as having either European or African influence, and sometimes even both. However, he tells us that “you should be free and liberated in your thoughts and style. Your art should speak to you in your hidden language.”

Maitre Afewerk notes that 10% of his work is considered religious art while at least 50% echoes Ethiopian influence. But there is room for him to explore and develop his own style that speaks to his inner muse.

Today, Maitre Afewerk’s art is known and celebrated throughout the world, and indeed he has achieved his dream of becoming an Ethiopian artist with world recognition. He has uplifted Ethiopia, and at the same time his art has been infused into the daily life of his community and fellow citizens.

Walking or driving around Addis, it is difficult to miss his current art projects depicting today’s heroes such as world champion runner Haile Gebresellasie. At the bottom corner of the painting there is an Amharic phrase that says it all: Yitchalal! (It’s Possible!).

At the end of his presentation Maitre Afewerk opens a window into his private world as he shares the fact that he always spends time in the private chapel in his home prior to commencing work on a piece of art, and again after it has been completed. To him it is a place of inspiration.

“At the end of the day, my message is quite simple,” he says. “I am not a pessimist, I want people to look at my art and find hope. I want people to feel good about Ethiopia, about Africa, to feel the delicate rays of the sun. And most of all, I want them to think: Yitchalal!


Learn more about Afewerk Tekle at maitreafewerktekle.com

Sheba Tej: America’s Favorite Ethiopian Honey Wine

Sheba Tej Tasting Session at Tsiona Gallery in Harlem, New York. (Photo: TADIAS)

Tadias Magazine

By Tseday Alehegn

This feature was first published in our print issue in 2005

New York (TADIAS) — In the hamlet of Washingtonville, New York, lies the scenic campus of Brotherhood Winery, a national historic landmark and America’s oldest winery, established in 1837. According to the Washingtonville Village Historian, Edward J. McLaughlin III, the original owner John Jacques “had planted a vineyard in the rear yard of his lumber business store, shipping the harvest of grapes to the Isles of Manhattan for 15 cents a pound.” When the price of grapes fell, Jacques experimented with pressing the fruit into juice and started producing wine. Subsisting on the sale of sacramental wine during the prohibition years, Brotherhood Winery continued its winemaking legacy.

Today Brotherhood Winery is a popular site for tourists, producing a wide assortment of award-wining wines, including Chardonnay, Johannisberg Riesling, Seyval Blanc, Chelois, Cabernet Sauvignon, Merlot and Pinot Noir. Under the supervision of Cesar Baeza, an internationally-renowned Chilean winemaster and new owner of Brotherhood Winery, a new dessert wine called Sheba Tej made from pure organic honey is now part of the premium wine list. Although the honey wine may be newly introduced to the Hudson Valley, Ethiopians have known it for centuries as “Tej”.


Brotherhood Winery, a national historic landmark and America’s oldest winery, established in 1837. (Photo: TADIAS)

Tej, or honey wine, is one of the world’s earliest fermented drinks, mentioned in ancient texts and scriptures, and consumed before the time of Christ. Traditionally, in Ethiopia, Tej was prepared primarily by women. In his book A Social History of Ethiopia, Historian Richard Pankhurst writes, “None except nobility and the highest chiefs and warriors were privileged to drink Tej.”

The honey wine’s popularity, all the same, surpassed the environs of the royal courts to be enjoyed by all sectors of ancient and modern Ethiopian society. Tej became a favorite during feasts and celebrations, notably weddings. The unique wine recipe contains no sulfites nor grapes, just pure honey. Legend even has it that Tej was one of the many gifts carried by Makeda, the Queen of Sheba, to Jerusalem’s King Solomon.

Honey wine was also known as mead and enjoyed in other parts of the ancient world. According to S. W. Andrews’ accounts of mead and meadmaking, in classical Greek mythology, the ‘Nectar of the Gods’ was a honey concoction known as Melitites; and the term “honeymoon” refers to the old tradition of newly weds drinking wine and feasting on honey cakes for one lunar month after their marriage, in the hopes that their actions would make their union more fertile.

America’s oldest winery began producing one of the world’s oldest wines after an African American entrepreneur, Ernest McCaleb, met and initiated a joint collaboration with Brotherhood Winery. McCaleb is founder and CEO of Sheba, Inc., a company focusing on the production and distribution of organic Ethiopian honey wine. Prior to founding Sheba, Inc., McCaleb had spent significant time conducting and financing highly successful import/export businesses in Ghana, Nigeria, Ivory Coast, Senegal, Cameroon, Gabon and Sierra Leone. His corporate offices were located on Wall Street in New York City and Western Avenue in Lagos, Nigeria, and his import/export financing company generated over $250 million in sales of cement, rice, sugar,and other commodities to governments and major businesses in West Africa.

A chance meeting with an Ethiopian in Paris gave rise to his eventual introduction to Ethiopian honey wine. Having a great passion for Africa, its diversity, traditions, and history, McCaleb continued on his entrepreneurial quest and established Sheba in 2003 with the sole purpose of producing authentic honey wine according to ancient Ethiopian traditions. To that end, he arranged for three generations of Ethiopian women — a mother, her daughter and granddaughter — to travel from Addis Ababa, Ethiopia to New York’s Brotherhood Winery to demonstrate how Tej is prepared. Winemaster Baeza studied how this first batch of Sheba Tej was made. The careful end product was a naturally fermented, organic drink with a pleasing golden yellow hue — an ancient, spicy, semi-dry, full-bodied wine. The aroma of honey and wild flower permeated the air, and the Tej was joyously tasted by Baeza and the employees of Brotherhood Winery in conjunction with a hearty meal of Injera and Wot prepared by the three Ethiopian women.

Since then, Sheba Tej, produced at Brotherhood Winery has won awards at international honey wine festivals, and is distributed in many stores across the U.S. and the Caribbean. “Since I’ve begun doing this,” McCaleb says, “I’ve learned more about this rich history, and as I give tasting sessions I have become even more inspired. This is beyond the commercial success. It’s about pride and heritage, which those women taught us when they came to Brotherhood Winery.”


Ernest McCaleb, Founder & CEO of Sheba, Inc. (Photo: TADIAS)

The nutritional benefits and health promoting agents in honey itself are to be marveled. Honey, when stored properly, can remain edible for centuries, having almost no expiration date. According to a recent study conducted by Gross Market Research for the National Honey Board, four out of five households in America use honey in various capacities — as a sweetener, source of carbohydrate, anti-oxidant, skin cleanser, and even as an antiseptic to heal burns and wounds. Pure honey contains several important vitamins, including Thiamin, Riboflavin, Niacin, Folate, Vitamin B-6, and Vitamin C. Numerous essential minerals, such as Calcium, Iron, Zinc, Potassium, Phosphorus, Magnesium, Selenium, Copper, and Manganese, are also contained in honey. Honey continues to be used to alleviate symptoms of allergies, anemia and several chronic diseases, including asthma and high blood pressure.

Sheba Tej — prepared from pure, organic honey and preserved without the use of sulfites — retains the nutritional qualities of honey while at the same time making for an excellent wine with meals, or alone as an aperitif.

By producing and introducing Sheba Tej to the world, McCaleb and Brotherhood Winery are not only sharing in Ethiopia’s rich heritage but also fusing together the oldest tradition of winemaking in America with the ancient culture of preparing honey wine in Ethiopia. Their efforts have strengthened American and Ethiopian ties and, in the process, brought the famous ‘Nectar of the Gods’ to your dining table.

So uncork a bottle of Sheba Tej, pour generously into your cups, raise them, and proclaim the traditional Ethiopian toast, “Le tenachin!” To our health!

——————
About the Author:
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Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

Related:

A friend to remember – Ernie of Sheba Tej dies (December, 2007)

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